Review of The Flight of Swans, by Sarah McGuire

The Flight of Swans

by Sarah McGuire

Carolrhoda Books, 2018. 441 pages.
Starred Review
Review written August 30, 2018, from a book sent by the publisher
Mock Newbery winner at City of Fairfax Regional Library
2018 Sonderbooks Stand-out: #1 Children’s Fiction – Fantasy

Wow. Most of my readers know I love fairy tale retellings – this is a wonderful one, completely pulling me into the fantasy world, getting my very heart beating along with the protagonist, who tried to be silent for six years.

The fairy tale it’s retelling is the Grimm tale, “The Six Swans.” That was never my favorite fairy tale – but I think it’s interesting that my favorite fairy tale retelling for adults, Daughter of the Forest, is based on the same tale. This version is written for children, and doesn’t have quite as brutal things happen to the silent sister, but it’s equally powerful.

I reread the fairy tale after reading this book, and almost wish I hadn’t. The author retained the main elements – six older brothers turned into swans by the witch who enchanted and married the princess’s father, and she has to stay silent for six years, while knitting them shirts made out of nettles. But oh! The way she tells the story! I want to start reading it all over again. I’m actually a bit resentful that I need to keep reading other books. But the Newbery process being what it is – I know that I will read this book more times, and that’s a comfort to me.

Okay, I should tell about the book, not just rave about how good it is.

The book begins with Andaryn trying to fight her father’s enchantment:

The exile of the princes of Lacharra didn’t begin with swords or spells.

It began inside the castle kitchen with a quest for cloves.

It began with me.

Cooks mistrust anyone with empty hands, so I darted to the nearest table and snatched up a bowl of chopped leeks. Then I shouldered between scullery maids and undercooks as I moved toward the spice pantry.

Perhaps I was foolish. Maybe Father was just sick after being lost so many weeks in the forest. Maybe it was normal for a man newly married to hardly speak to the daughter he’d loved –

Then I remembered last night: Rees, the stable master, and the stable boy being beaten while Father looked on with empty eyes.

Something had happened to Father in the forest. He never would have allowed a beating for violating such a small edict, even if the woman he’d married had issued it.

Whatever she banned must be important – even if it was something as simple as cloves.

Andaryn secures some cloves and brings her father out of the enchantment – for a little while. But the Queen comes upon them together and quickly destroys Andaryn’s efforts. When Andaryn breaks the glamour her six older brothers feel for the Queen, her victory doesn’t last. The Queen locks them up, burning down the oldest brother’s castle with the brothers locked in the dungeon.

Andaryn bargains for their lives with her silence.

Finally, she spoke. “It would be a great sacrifice to release your brothers. I would expect something great in return: one year of silence for each of them. Not a word spoken,” she raised a finger, “and not a word written, either, for a word that’s written can be spoken. The moment you consent is the moment they are free.

Andaryn consents, and the Queen does set them free – but turns them into swans. They will take human form again only on the night of the full moon each month.

And so begins Andaryn’s journeys, in silence. It turns out it’s not enough to find a place to shelter, because the Queen sets otherworldly Huntsmen out after her.

The journeys aren’t as solitary as in the fairy tale, for her oldest brother’s wife accompanies Andaryn for some of the years. And there is a child to tend, as in the fairy tale – but the baby is her oldest brother’s son, the heir of the kingdom. And yes, the princess is discovered by the king of another country, but she still can’t speak.

Andaryn starts out as a 12-year-old determined princess. She ends the book as an 18-year-old young lady who has learned to be strong as steel through her suffering. A magnificent story.

lernerbooks.com

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Review of West, by Edith Pattou

West

by Edith Pattou

Houghton Mifflin Harcourt, 2018. 514 pages.
Starred Review
Review written October 13, 2018, from a book sent by the publisher.
2018 Sonderbooks Stand-out: #1 Speculative Teen Fiction

I was so excited when I found out West was coming out! I still remember, approximately 15 years ago when I was working at Sembach Library and a shipment of new books came in that included East, by Edith Pattou and The Goose Girl, by Shannon Hale – two fairy tale retellings that ended up being my two favorite books of the year. I ordered my own personal copy of both of them, I liked them both so much. The Goose Girl has become the start of an entire series since then, but this is the very first follow-up to East.

Since this is my Newbery committee year, I didn’t get to reread East before reading West as I would have liked to do. But I remembered the basics, from the fairy tale “East of the Sun, West of the Moon.” Rose went off with a white bear to save her family, but used a candle to try to see his face and then had to travel east of the sun, west of the moon. In the end, she had to defeat the Troll Queen in order to save him. They were supposed to live happily ever after.

But in this book, we learn that the Troll Queen is not dead. And she’s ready to get revenge, not only on Rose and Charles, but on the entire human race.

Like the fairy tale it all began with, this book is something of a saga. Rose and Charles now have a baby boy and an adopted daughter. As the book begins, Rose was visiting her family in Trondheim while Charles was performing as a court musician in Stockholm. But word comes that there has been a shipwreck of the ship Charles was taking home. There’s something off about the report.

In this book, it’s very much a case of one thing leading to another. Rose ends up taking a journey every bit as taxing as the one that took her east of the sun, west of the moon. Again her quest requires ingenuity, perseverance, and resourcefulness.

But it also requires help from others. Once she finds Charles (that’s the first difficult part), he helps. But so do her brother Neddy and her friend Sib, and so does Estelle, the little girl they adopted, who is kidnapped by the Troll Queen along with their son and watches over him. It turns out she also needs help from the Fates themselves.

The journey takes Rose in every direction on the compass in her quest to save her beloved husband, then her son, and even all humankind.

The Troll Queen is a formidable opponent and frightening in her power and her hatred. But Rose has something stronger in the power of love.

This is another gripping adventure saga with all the resonance of a fairy tale.

edithpattou.com
hmhco.com

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Review of Snow White, by Matt Phelan

Snow White

by Matt Phelan

Candlewick Press, 2016. 216 pages.
Starred Review

Here’s another amazing graphic novel by Matt Phelan. I’ve loved his art ever since I saw it in The Higher Power of Lucky, by Susan Patron.

This is a retelling of “Snow White,” set during the 1920s and 30s in New York City. Who knew you could fit Snow White into such a setting?

And it’s beautifully done. Samantha’s mother gets drops of blood on the snow not from pricking her finger on a needle, but from her cough with drops of blood. Ten years later, her father meets the “Queen” of the Ziegfeld Follies. Instead of running into the woods, Samantha runs into Hooverville, where she’s helped by seven boys who won’t tell her their real names.

The stepmother seems to have some sort of magic. And she’s very good with poison.

The story is told with very few words – in fact, at times I would have liked more to tell me exactly what was going on. It’s possible I was being lazy and not paying enough attention.

But whether or not I caught every detail – this story is striking and wonderful. Now here’s a twist on the fairy tale that I’ve never seen before.

candlewick.com

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Review of Prince Ribbit, by Jonathan Emmett

Prince Ribbit

written by Jonathan Emmett
illustrated by Poly Bernatene

Peachtree, 2016. 32 pages.
Starred Review

Here’s a fun twist on the Frog Prince fairy tale. Three princesses live in a castle. The two older ones love fairy tales and argue about who would treat a frog prince better.

Princess Martha rolled her eyes. She liked facts more than fairy tales and real frogs more than enchanted ones.

But a clever frog has been listening to the princesses talk. He figures out a clever scheme for getting the princesses to let him sleep in a soft bed and eat fine foods. Just tell them he’s a prince!

The two older princesses fall for it! They treat the frog like the prince he claims to be.

Martha has more insight. And she brings the story to a surprising conclusion that left me with a big smile.

A very fun story. And remember: Just because it’s in a book doesn’t mean it’s true!

scribblestreet.co.uk
polybernatene.com

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Review of Brave Red, Smart Frog, by Emily Jenkins

Brave Red, Smart Frog

A New Book of Old Tales

by Emily Jenkins
illustrated by Rohan Daniel Eason

Candlewick Press, 2017. 94 pages.
Starred Review

I have always loved fairy tales. My grandma owned several of the various-colored fairy tale books by Andrew Lang, and I remember sitting in her big comfy chair and reading them when I was quite young.

This is a 2017 book, but our library purchased it in 2018. When my hold came in, I saw the copyright and was going to turn it right back in – I’m reading for the Newbery, and I don’t have time for anything else. However, intrigued by the title and the look of the book, I opened to a random page. The tone and spirit of the tales captivated me quickly. I brought them home, figuring that reading one little story each day wouldn’t hurt anything.

And I really did get it read that way (which is surprising right there). At the end I cheated a little and read two stories in one night.

These are mostly Grimm tales, and I’m very familiar with all of them – but I love these fresh retellings. I like the new names she gives to characters, the explanations of their motivations, and that frozen and cold forest that shows up in almost all the tales. There’s even a place where a character in one story shows up in another! (Hint: There’s a huntsman in both “Snow White” and “Red Riding Hood.”)

Here’s an example paragraph right at the start that gives you the friendly and refreshing tone used throughout the book:

On one side of this frozen forest stood a castle. In it lived a queen who was unhappy. She was a warm person, a bright person. Her husband was chilly and dull. It had been a mistake to marry him. When their first and only daughter was born, the king named the baby Snow White. The queen would have preferred a name like Tulip or Sunshine.

An Author’s Note at the back gives her philosophy of retelling these stories. She wasn’t trying to be accurate to originals or entirely reinvent the tales.

What I’m doing instead is telling these stories largely faithfully, but without adhering to versions made famous by Charles Perrault, the Brothers Grimm, and others. I wrote them simply as I myself want to tell them, using the storytelling techniques I have at my disposal. After all, before people began writing them down, these tales were passed down orally. They changed a bit with each new teller. I wrote to bring out what’s most meaningful to me in the stories, and in that way I believe I am part of a tradition that goes back to the earliest tellers of these tales.

The result is delightful. These would be fun to read aloud at bedtime to a child or after lunch to a classroom.

Now, some kisses break enchantments.

And other kisses begin them.

You’re going to find both kinds of kisses in these tales.

candlewick.com

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Review of The Door by the Staircase, by Katherine Marsh

The Door by the Staircase

by Katherine Marsh

Disney Hyperion, 2016. 272 pages.

Mary Hayes is a resourceful little girl who lives in an orphanage. One night, she manages to escape – but is stopped by a moving whirlwind. The very next morning, an old lady, Madame Z, comes to adopt Mary, first confirming that she has no family at all.

Madame Z takes Mary to a home outside the town of Iris, where all sorts of two-bit magic users live. She meets Jacob, a kid her age who also longs for a home. Jacob is the son of an Illusionist, and they move around a lot. Jacob’s good at pointing out how magicians do their tricks.

Then Mary thinks she’s spotted some real magic. And Madame Z turns out not to be the sweet old lady she pretends to be.

This book reminded me a little too much of Baba Yaga’s Assistant — but I liked the graphic novel a little better, for its conciseness and charm. Still, this book works in more elements of Russian folklore – including the firebird, rusalkas, and a domovoi.

Mary and Jacob must navigate various magical perils and prizes in order to escape a dangerous magical villain and win homes for themselves.

This is a light-hearted magical tale mixed with Russian folklore and cooking, and an orphan longing for a home.

katherinemarsh.com
DisneyBooks.com

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Review of While Beauty Slept, by Elizabeth Blackwell

While Beauty Slept

by Elizabeth Blackwell

Berkley Books, 2014. 456 pages.
Starred Review

I’ve meant to read this book for a very long time, especially once I had a signed copy. But I have a horrible problem with not getting around to reading books I own because they don’t have a due date. Anyway, I finally got this book read on a flight home from Portland – and I’m so glad I did.

I’ve always loved fairy tale retellings. This is a retelling of Sleeping Beauty. But usually such retellings are Fantasy. This one takes out the overt magic. There is a possibility of a curse; there is a possibility that the baby’s great-aunt does dark magic. But the story is told as historical fiction, set in medieval times, as something that could have actually happened. (Except that the kingdoms mentioned are still not actual kingdoms from our world, so technically, I’ll have to classify it as Fantasy. But the flavor is Historical.)

Our narrator is an old servant of Queen Lenore, the mother of Rose who became the Sleeping Beauty of the fairy tale. She saw all the events of the tale from start to finish. She’s looking back on her life and telling the story to her great-grandchild.

In the prologue, she’s hears children telling the fairy tale based on the experiences she lived.

Ha! It would be a fine trick indeed to fell a royal daughter with a needle, then see her revived by a single kiss. If such magic exists, I have yet to witness it. The horror of what really happened has been lost, and no wonder. The truth is hardly a story for children.

I was afraid with that line that the book would be too dark for my taste – but the story is beautiful. Yes, there are dark and tragic parts, but it’s woven through with love and with actual human passions and mistakes and foibles.

In the fifty years since those terrible days in the tower, I have never spoken of what happened there. But with my body failing and death in my sights, I have been plagued by memories, rushing in unbidden, provoking waves of longing for what once was. Perhaps that is why I remain on this earth, the only person who knew Rose when she was young and untouched by tragedy. The only one who watched it all unfold, from the curse to the final kiss.

During the course of the tale our narrator, Elise, grows from a child in poverty into a mature adult, living in the castle. She gains perspective and makes hard choices and becomes a guide for young Rose through difficult times. I think that’s why this isn’t a young adult novel. This isn’t a coming-of-age story, but a story of a life lived beside large events, events that affected a kingdom. It’s about love and about choices and about making your way in the world.

And I especially liked the ending.

This is a beautiful book, which I know I’m going to want to read again sometime in the future.

elizabethblackwellbooks.com
penguin.com

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Review of Winter, by Marissa Meyer

winter_largeWinter

The Lunar Chronicles, Book Four

by Marissa Meyer

Feiwel and Friends, 2015. 827 pages.

Ah! The Lunar Chronicles come to a satisfying end in this book. If you have read this far, I don’t have to say anything to get you to read the final volume, so let me make some comments about the series in general.

What I loved most was the fairy tale parallels. Cinder paralleled “Cinderella,” Scarlet paralleled “Little Red Riding Hood,” Cress paralleled “Rapunzel,” and this final book, Winter, parallels “Snow White.” However, all the characters from each of the previous books are still in the story – and by the final book, elements from Snow White’s story seemed forced. (Whereas in Cinder they arrived in natural and clever ways.) In particular, the part about the poisoned apple seemed totally unnecessary in the overall scheme, and I didn’t really believe that a disease would progress the way this one was portrayed.

But I do like the character of Winter, and even her status as Queen Levana’s stepdaughter worked well. I do like that each of the main characters is very different from the others.

I still didn’t really believe in the wolf-human hybrids, which has been a problem for me since Scarlet. I didn’t particularly like the additional information we got about that in this book – didn’t make it easier to believe.

At first when I opened this book, I thought, okay, we’ve got four couples. Two have matched up with the one they love but have some obstacles between them. Two are in love but haven’t admitted it to each other yet. And I knew all four would get together by the end of the book, and I thought that was a bit much. But I have to hand it to Marissa Meyers – she kept each romance distinct and interesting. All four plotlines are definitely not simple!

In fact, if anything the plot was a bit too convoluted with all those characters to juggle. But that did keep things from being at all boring or predictable and kept you turning pages. She is one of those authors who gives you a lot of interior monologue – which means it takes a little longer for actions to happen. This book is more than 800 pages long, since that’s what it took to tie everything together. In some spots, we were following three different sets of characters in different places, so that slowed things down, too.

However, all that said – in this book pulling all the threads together, Marissa Meyer accomplishes a well-earned Happily Ever After. Though I was able to put down the book and go to sleep, I was never even slightly tempted to set it aside altogether, and I began reading the same day my hold arrived. We’ve got life and death situations and the fate of earth at stake. We’ve got an intrepid band of rebels who go deep into the tyrant’s territory. Can they win the day?

marissameyer.com
thelunarchronicles.com
macteenbooks.com

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Review of The Sleeper and the Spindle, by Neil Gaiman

sleeper_and_the_spindle_largeThe Sleeper and the Spindle

by Neil Gaiman
illustrated by Chris Riddell

Harper, 2015. 69 pages.
Starred Review

This is an illustrated fairy tale. And how much do I love that an illustrated fairy tale has been published?

This story is beautiful and eerie at the same time. It feels familiar, but twists things in unexpected ways.

The reader thinks they’ve got a Sleeping Beauty story going, or perhaps Sleeping Beauty twisted with Snow White, but nothing turns out as the reader expects.

The book starts out with some dwarves going under some mountains to get finest silk for their queen, who is soon to be married. On the other side of the mountains, they find an enchanted sleep spreading. It is spreading out from a castle with a princess who was cursed, as in the traditional tale, and has been sleeping for years. But now it’s not only the servants in the castle who are sleeping as well. The sleep is spreading to all the surrounding villages.

The tale first starts going in unexpected directions when the queen decides to go break the spell.

“I am afraid,” said the queen, “that there will be no wedding tomorrow.”

She called for a map of the kingdom, identified the villages closest to the mountains, sent messengers to tell the inhabitants to evacuate to the coast or risk royal displeasure.

She called for her first minister and informed him that he would be responsible for the kingdom in her absence, and that he should do his best neither to lose it nor to break it.

She called for her fiancé and told him not to take on so, and that they would still be married, even if he was but a prince and she a queen, and she chucked him beneath his pretty chin and kissed him until he smiled.

She called for her mail shirt.

She called for her sword.

She called for her provisions, and for her horse, and then she rode out of the palace, toward the east.

Neil Gaiman knows the language of fairy tales. But he also knows how to surprise the reader.

The illustrations are also wonderful. Looking at them a second time, I’m finding new details everywhere. They are black and white with gold highlights, and extremely detailed.

There’s a place where hundreds of sleeping people, completely covered with cobwebs, start sleepwalking toward the queen. The illustrations here are incredibly sinister.

The story doesn’t take long to read, and every spread has illustrations, but this is not a picture book, nor is it written for preschoolers.

Here’s the scene where villagers tell the dwarves about the plague of sleep:

“. . . And brave men,” continued the pot-girl. “Aye, and brave women too, they say, have attempted to travel to the Forest of Acaire, to the castle at its heart, to wake the princess, and, in waking her, to wake all the sleepers, but each and every one of those heroes ended their lives lost in the forest, murdered by bandits, or impaled upon the thorns of the rosebushes that encircle the castle –“

“Wake her how?” asked the middle-sized dwarf, hand still clutching his rock, for he thought in essentials.

“The usual method,” said the pot-girl, and she blushed. “Or so the tales have it.”

“Right,” said the tallest dwarf. “So, bowl of cold water poured on the face and a cry of ‘Wakey! Wakey!’?”

“A kiss,” said the sot. “But nobody has ever got that close. They’ve been trying for sixty years or more. They say the witch –“

“Fairy,” said the fat man.

“Enchantress,” corrected the pot-girl.

“Whatever she is,” said the sot. “She’s still there. That’s what they say. If you get that close. If you make it through the roses, she’ll be waiting for you. She’s old as the hills, evil as a snake, all malevolence and magic and death.”

mousecircus.com
chrisriddell.co.uk

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Review of The Sky Is Falling! by Mark Teague

sky_is_falling_largeThe Sky Is Falling!

by Mark Teague

Orchard Books (Scholastic), New York, 2015. 32 pages.
Starred Review

This book cracked me up. It’s very much in the same style as The Three Little Pigs and the Somewhat Bad Wolf, by the same author.

The book contains a twisted retelling of Chicken Little’s story. Or perhaps I should say a more logical telling of Chicken Little’s story. Kids who are familiar with the traditional tale will appreciate the changes in this one.

And look! The third time through the story, I noticed for the first time a detail on the first page that adds impact to how the story turns out. This is a book that rewards close attention.

The story starts the common way:

One day an acorn hit Chicken Little on the head.

She popped up, screeching,
“The sky is falling! The sky is falling!”

The difference is apparent right away:

”I don’t think so,” said Squirrel.
Squirrel knew a thing or two about acorns.
“See, it fell from a tree.”

But Chicken Little doesn’t pay attention to squirrel.

Soon, all the chickens were in a tizzy.
Chickens are like that.

“The sky is falling! The sky is falling!”
they cried.

They danced around the yard,
flapping their wings.

But in this version, the birds don’t go to tell the king – they start a dance that infects all the animals in the barnyard!

Fox is up to his same tricks, however. If the sky is falling, he thinks everyone should hide in his den.

I love the chicken logic on this page:

”But why aren’t you dancing?” asked Chicken Little.

Fox began to feel annoyed. “Because it makes no sense!”

“Everyone dances when the sky is falling,”
Chicken Little explained. “Look!”

I will simply say about this tale that the fox does get an appropriate comeuppance.

The pictures of the animals dancing their hearts out definitely make it worth your while to pick this book up.

A very silly story which is ever so much fun.

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