Review of Art and Max, by David Wiesner

Animal Characters, Art, Picture Book Review, Starred Review 0

Art & Max

by David Wiesner

Clarion Books (Houghton Mifflin), Boston, 2010. 40 pages.
Starred Review

Three-time Caldecott Medal winner David Wiesner has another stunner here. Art & Max reminds me of The Three Pigs, because it’s also a meta-book, a book about how books are made. Or at least meta-art, art about art.

The story takes place in the desert with various desert reptiles. (I won’t attempt to specify which species.) Arthur is a big horny critter who is also an artist, and obviously very pleased with himself. When little Max comes along and wants to paint, he asks Art (Arthur) what he should paint.

When Art says, “You can paint me,” Max takes him literally. That’s when the fun begins.

Art ends up covered with paint. When the other critters try to fix him, he goes through several different manifestations — created in different art styles. Most catastrophic is when he’s a watercolor and drinks a glass of water — and then becomes a line drawing. Then when he walks away with Max holding his tail — he unravels completely.

Don’t worry, Max does recreate Art, in a whole new style.

I would like to share this with children. Probably old enough that they wouldn’t worry about being unravelled! Though I think kids will understand the playful spirit and that these things could only happen in a world where all the characters are made of paint in the first place.

This book has lots to talk about or just enjoy, and is captivating on many levels.

It wouldn’t have surprised me if this book had earned David Wiesner a fourth Caldecott Medal, since the art is so innovative and stunning. For me personally, the story didn’t have as much heart as his winners, but it’s still a playful and creative look at what you can do with art.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Making Mischief, by Gregory Maguire

Art, Biography, Nonfiction Review, Starred Review, True Stories 0

Making Mischief

A Maurice Sendak Appreciation

by Gregory Maguire

William Morrow (HarperCollins), 2009. 200 pages.
Starred Review.

Lavishly illustrated with Maurice Sendak’s creations, Making Mischief is based on a symposium on Maurice Sendak’s work which Gregory Maguire presented in 2003. He goes into far more depth than I expected, and gives the reader a whole new appreciation of Maurice Sendak as an artist.

The approach Gregory Maguire takes is much more interesting than a simple chronological summary of Sendak’s work. He begins by discussing Maurice Sendak’s artistic influences, with fascinating examples from his artwork.

Next, he looks at four motifs that appear throughout Sendak’s work: Flying, reading, children, and other monsters. He approaches Sendak’s life work “as if it were a single creative act,” looking at it as a whole.

Then he looks at some unifying factors, such as the way his paintings so often look like a scene on a stage, with a traveling ensemble of characters.

I especially enjoyed the last two chapters. In Chapter Four, he shows us his personal answers to the following question:

“Suppose all of Sendak’s artwork were hanging in a museum on the corner, and the building caught on fire. You have the chance to save only ten pieces of artwork for posterity. Which ten do you save, dear?”

The final chapter, Chapter Five, I found especially delightful. He presents the complete text of Where the Wild Things Are, illustrated with wholly different illustrations from Maurice Sendak’s work, including eleven different images for the phrase, “and it was still hot.” Almost as much fun as a wild rumpus!

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Review of Show & Tell, by Dilys Evans

Art, Nonfiction Review 0

show_and_tellShow & Tell

Exploring the Fine Art of Children’s Book Illustration

by Dilys Evans

Chronicle Books, San Francisco, 2008. 150 pages.

Here’s a magnificent book for any adult who loves children’s picture books. I don’t think of myself as knowing much about art, but this book taught me much, and helped me appreciate the work and talent that goes into making picture books today and the great tradition behind it.

This wonderful book is in large format with lots of examples. It explains the career, the inspiration, and the techniques of twelve great children’s book illustrators.

The illustrators that Dilys Evans chose to feature are: Hilary Knight, Trina Schart Hyman, Bryan Collier, Paul O. Zelinsky, David Wiesner, Betsy Lewin, Harry Bliss, David Shannon, Petra Mathers, Brian Selznick, Denise Fleming, and Lane Smith.

In the Author’s Note at the beginning, she explains her choices:

The definition of “art” has been debated for centuries, but to my mind art happens when a particular creation stops us in our tracks. It makes us think. It touches our deepest emotions and oftentimes it teaches us something new.

Historically, children’s picture books have not been categorized as fine art…. My goal in this book is to explore some of the very best picture books that qualify for that distinction. As part of this exploration I looked for powerful imagery and storytelling ability that goes beyond a simple interpretation of the text or event….

For my purposes I needed a wide range of styles, techniques, and content. Some of the illustrators I have chosen are icons in the children’s book world, others are relative newcomers. But this is not a “best of” list. That would be impossible, given the incredible number of talented artists working in children’s books today…. My purpose was not to profile a particular group of illustrators but to choose a group that would offer readers as broad a frame of reference as possible.

Ultimately, my hope is that this book might help all of us who value children’s books to find a universal language to talk about art on the page; a vocabulary that helps describe this unique form of artistic expression with greater clarity and common understanding. And that we will then take that vocabulary and use it to explore the many other wonderful books that are on our shelves.

In this regard, we truly suffer from an embarrassment of riches. Children’s books have never looked better or been more important. They are one of the few quiet places left where a child can go to be alone, and to travel worlds past, present, and future. They are often the first place children discover poetry and art, honor and loyalty, right and wrong, sadness and hope. And it is there between the pages that children discover the power of their own imaginations. They are indeed a dress rehearsal for life.

Here’s a wonderful look behind the curtain at how that stage scenery is created.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Review of A Is For Art: An Abstract Alphabet, by Stephen T. Johnson

Art, Children's Nonfiction Review, Creativity, Starred Review 0

a_is_for_art.jpg

A Is For Art

An Abstract Alphabet

by Stephen T. Johnson

A Paula Wiseman Book (Simon & Schuster Books for Young Readers), New York, 2008.  42 pages.

Starred Review.

Here’s an alphabet book for adults!  Or teens.  Or children.  A Is For Art is amazing and thought-provoking and clever and playful all at once.

The illustrations are photographs of actual abstract art works.  The artist says,

“For the past six years I have been exploring the English dictionary, selectively choosing and organizing particular words from each letter of the alphabet and, based solely on the meanings of the words, developing a visual work of art.  I took ordinary objects and made them unfamiliar, removing functionality in order to reveal their potential metaphorical associations, which can lead in turn to overlapping and sometimes paradoxical meanings.  I call these individual works ‘literal abstractions’ and the ongoing series An Abstract Alphabet….

“And just for fun, I have included the letter shapes of each letter of the alphabet in all the works.  Well, most anyway — you’ll see.

“For me, art, like language, is about discovery.  At its very best it can be moving, transcendent.  Or on a visceral level it can simply make one laugh out loud.  Art provokes, confounds, challenges, surprises, informs, rejuvenates, and stretches our way of seeing the world.  We cannot get enough of it.  So I hope that my work in this book will ignite and inspire dialogues about art, words, and ideas, which might quicken children and adults to generate creative associations and explore new ways of pulling abstractions out of the real.”

This book, left around, will pull people into delighted browsing.

My personal favorite was the sculpture for the letter M.  Here’s the explanation:

“Meditation on the Memory of a Princess

“Motionless, a man-made, monochromatic magenta mass mimics multiple mattresses and makes a massive mound near a mini mauve marble.”

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