Review of The Princess and the Hound, by Mette Ivie Harrison

The Princess and the Hound

by Mette Ivie Harrison

eos (HarperCollins), 2007. 410 pages.

A big thank you to my sister Becky for giving me this book for Christmas. It’s one I’d heard of and had been meaning to read, and Becky’s recommendation was enough to get me to go ahead and do it.

People with animal magic had been hated and feared in this kingdom ever since the time of King Davit, a hundred years ago. So Prince George doesn’t dare let anyone know that he has it. He has to use it periodically, though, or he would die like his mother, burning up from the inside.

When George reaches seventeen, he is betrothed to Princess Beatrice of Sarrey. Beatrice has a reputation of being cold, and she always keeps a large black hound by her side. She treats the hound like a person, her constant companion. Yet George is sure she doesn’t have animal magic. There is something else strange going on between the princess and the hound.

Both George and Beatrice have secrets, and uncovering those secrets will transform both of them and their kingdoms.

I enjoyed this book, though somehow it didn’t captivate me as much as some other fairy-tale type stories. The plot is nicely woven and the story is interesting. I felt a little sorry for George’s character, but he didn’t quite capture my heart.

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Review of Candor, by Pam Bachorz

Candor

by Pam Bachorz

Egmont USA, New York, 2009. 249 pages.
Starred Review.

Candor is a town full of perfect teenagers. They do their homework. They study for their SATs. They respect their parents. They don’t lie. They don’t stay out late. They don’t use drugs or alcohol.

Oscar Banks is the model teen for them all, the proof that his father’s Messages work. Except his father doesn’t know that Oscar has learned how to thwart the Messages.

Oscar’s father founded Candor, and desperate parents pay top dollar to live there — where night and day, ever-present speakers play music full of subliminal messages. Telling them how to think and what to do.

The book opens when Oscar meets a new girl, a girl who can still think for herself.

“Not that she’ll make it past two weeks. Nobody does.

“Not unless I get them out. That’s my business. I get new kids out of Candor before they’ve changed. Back to the real world. It’s not cheap, but it’s the best deal of their lives.”

The girl, Nia, is an artist. Oscar knows that will change if he doesn’t save her from Candor. Somehow, he finds himself not wanting that to happen. But does he want her to leave Candor? And if not, couldn’t he use some of his own messages to catch her interest? But then he can’t really tell her about them, can he?

Candor is an excellent first novel, full of tension and thought-provoking ideas. I didn’t quite believe that people would go crazy if suddenly deprived of the Messages, but the basic scenario is pretty easy to imagine happening, given the right technology. And if it did, there would be sure to be some teens who would find a way to rebel.

This is a fun and engaging story, though like most dystopian novels, a bit depressing in the end. It will get you thinking about Art and Individuality and what is important about you as a person.

This review is based on an Advance Readers’ Copy I received at the Kidlitosphere conference.

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Review of Lizzie Bright and the Buckminster Boy, by Gary D. Schmidt

Lizzie Bright and the Buckminster Boy

by Gary D. Schmidt

Clarion Books, New York, 2004. 219 pages.
2005 Newbery Honor Book.
2005 Printz Honor Book.
Starred Review
Sonderbooks Stand-out 2010: #4 Other Teen Fiction

I read this book as one of my assignments for the class I took on the Newbery Medal. I’m afraid I would have liked it better if I hadn’t just read Kira-Kira, the Newbery Medal winner for 2005. I was ready for something cheerier. An awful lot of people die in this book! So it, too, is better if you want a book that makes you cry.

However, this is a truly wonderful book. Well-crafted, with characters that come alive and plenty of humor mixed through the tragedy. There’s some injustice that doesn’t get righted, but many eyes are opened, and the story is satisfying and uplifting.

“Turner Buckminster had lived in Phippsburg, Maine, for fifteen minutes shy of six hours. He had dipped his hand in its waves and licked the salt from his fingers. He had smelled the sharp resin of the pines. He had heard the low rhythm of the bells oon the buoys that balanced on the ridges of the sea. He had seen the fine clapboard parsonage behind the church where he was to live, and the small house set a ways beyond it that puzzled him some.

“Turner Buckminster had lived in Phippsburg, Maine, for almost six whole hours.

“He didn’t know how much longer he could stand it.”

Turner is the new minister’s son. There’s a lot of pressure on the minister’s son in Phippsburg, Maine, in the early 1900s. Turner would like to light out to the Territories, to somehow escape. He doesn’t play baseball like they do. He can’t jump off the cliff like they do. He gets picked on by the other kids. He gets criticized by the older people. It seems he can’t win, can’t fit in, can’t find a friend.

And then he meets Lizzie Bright Griffin.

Lizzie is the Preacher’s granddaughter from the community of colored people who live on Malaga Island. Turner meets her down by the shore when he was trying to be alone, practicing hitting a baseball.

Lizzie teaches him how to hit the ball every time. They dig clams together. They become friends. Lizzie even takes him out to Malaga Island.

But people in his father’s congregation don’t approve. They want to develop tourism in Phippsburg and feel the community on the island is an eyesore and needs to go.

The plot is much more intricate than this summary suggests. Turner makes an interesting friend out of an old lady who disapproved of him at the beginning, and she meets Lizzie, too. Meanwhile, he’s trying to gain his father’s approval, yet he can’t seem to stay away from Lizzie Bright.

This book will stick with you long after you finish it.

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Review of Kira-Kira, by Cynthia Kadohata

Kira-Kira

by Cynthia Kadohata

Atheneum Books for Young Readers, New York, 2004. 244 pages.
2005 Newbery Award Winner.

“My sister, Lynn, taught me my first word: kira-kira. I pronounced it ka-a-ahhh, but she knew what I meant. Kira-kira means ‘glittering’ in Japanese. Lynn told me that when I was a baby, she used to take me onto our empty road at night, where we would lie on our backs and look at the stars while she said over and over, ‘Katie, say “kira-kira, kira-kira.”‘ I loved that word! When I grew older, I used kira-kira to describe everything I liked: the beautiful blue sky, puppies, kittens, butterflies, colored Kleenex.

“My mother said we were misusing the word; you could not call a Kleenex kira-kira. She was dismayed over how un-Japanese we were and vowed to send us to Japan one day. I didn’t care where she sent me, so long as Lynn came along.”

Kira-Kira is a beautiful story about a struggling immigrant family in 1950s America. But even more, it is about two sisters, one of whom gets a long, slow disease. They grow up together, with the mix of conflict and love that sisters have, while their parents struggle to make a home for them in America.

This is a very sad story, but it also glitters with hope. Good reading for those who enjoy a book that makes them cry.

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Review of Once a Princess, by Sherwood Smith

Once a Princess

Sasharia en Garde! Book One

by Sherwood Smith

Samhain Publishing, 2009. 278 pages.
Starred Review
Sonderbooks Stand-out 2010: #7 Fantasy Teen Fiction

I read this wonderful swashbuckling tale on the flight to Los Angeles for Christmas, and was very upset with myself that I hadn’t brought along Book Two. (Though that’s the first book I’ve read in the New Year.)

The book begins in a January Los Angeles heat wave, but doesn’t stay there long. Sasha was born in another world, and now people from that world are looking for her.

Long ago, her father, a prince of Khanerenth, had come to our world and romanced Sasha’s mother. He married her and brought her back to his world, but when King Canardan took over the throne, things got dangerous for their family. Sasha and her mother got sent back to our world for their own protection, and now Sasha is an adult, still not knowing if her father is alive or dead.

When a young man disguised as a lawyer tricks her and transports her back to Khanerenth, they run right into a group of King Canardan’s guards. Fortunately, a mysterious pirate helps them fight their way out, and Sasha herself has been trained all her life for fighting.

As they continue, everyone has their own agenda, and Sasha is the only one with the spell that can release her father — if he’s still alive. Meanwhile, her mother, Princess Ataniel in Khanerenth, comes after Sasha but gets entangled with the king.

The evil war commander knows she is there and wants to find her to kill her father. Who can Sasha trust? The mages who forced her through the Worldgate? The handsome pirate who won’t even reveal his real name? And what about the useless prince, more interested in clothes and women than running a kingdom?

This tale is full of action and adventure, intrigue and romance. The story really isn’t complete with the first book, though, and you will definitely want to read the satisfying conclusion, Twice a Prince, as soon as possible.

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Review of Lips Touch: Three Times, by Laini Taylor

lips_touchLips Touch

Three Times

by Laini Taylor

with illustrations by Jim Di Bartolo

Arthur A. Levine Books (Scholastic), 2009. 265 pages.
National Book Award Finalist, 2009.
Starred Review
Sonderbooks Stand-out 2010: #8 Fantasy Teen Fiction

Laini Taylor is an amazing writer. Her imagination is extraordinary, as she here takes off from different mythologies to create three amazing worlds.

Lips Touch: Three Times is a collection of three stories, all of which involve a kiss in some way. All also involve something fantastic and haunting. Before each story is a sequence of pictures by Jim Di Bartolo showing something that happened before the story began.

The first story, “Goblin Fruit,” is about wanting. The beginning gives you a clue how entrancing these stories are:

“There is a certain kind of girl the goblins crave. You could walk across a high school campus and point them out: not her, not her, her. The pert, lovely ones with butterfly tattoos in secret places, sitting on their boyfriends’ laps? No, not them. The girls watching the lovely ones sitting on their boyfriends’ laps? Yes.

“Them.

“The goblins want girls who dream so hard about being pretty their yearning leaves a palpable trail, a scent goblins can follow like sharks on a soft bloom of blood. The girls with hungry eyes who pray each night to wake up as someone else. Urgent, unkissed, wishful girls.

“Like Kizzy.”

The second story, “Spicy Little Curses Such as These,” takes us into the depths of Hell, where an Englishwoman barters for lives. She’s allowed to save all the children in a village if she will curse a newborn little girl. The girl will have the most beautiful voice ever to slip from human lips, but anyone who hears it will immediately fall down dead.

Anamique gets along, not challenging the curse, until she falls in love. The consequences of her love and her first kiss are surprising, perhaps not what the demon expected.

The third story, “Hatchling,” also draws you in with the first paragraph:

“Six days before Esme’s fourteenth birthday, her left eye turned from brown to blue. It happened in the night. She went to sleep with brown eyes, and when she woke at dawn to the howling of wolves, her left eye was blue. She had just slipped out of bed when she noticed it. She was headed to the window to look for the wolves — wolves in London, of all impossible things! But she didn’t make it to the window. Her eye flashed at her in the mirror, pale as the wink of a ghost, and she forgot all about the wolves and just stared at herself.”

This story develops an intricate mythology, telling of the soulless Druj, who can take the shapes of animals or humans, but always have pale blue eyes. They like to inhabit humans, and Esme’s mother has a history with them, a history about which Esme is going to learn much more.

In this book, you’ll be drawn into three worlds, left thinking about them long after.

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Review of Marcelo in the Real World, by Francisco X. Stork

marceloMarcelo in the Real World

by Francisco X. Stork

read by Lincoln Hoppe

Random House, 2009. 10 hours, 8 minutes on 8 compact discs.
Starred Review
Sonderbooks Stand-out 2010: #1 Other Teen Fiction

Marcelo Sandoval is looking forward to the summer before his senior year of high school. He’s going to be in charge of the ponies at Patterson, the special education school he’s gone to all his life. Marcelo has something similar to Asperger’s Syndrome. He sees the world differently than most people, and hears music in his head that no one else can hear.

Marcelo’s father has other ideas for him. He wants Marcelo to get a taste of “the real world,” and to learn to cope. His father is a partner in a law firm, and he wants Marcelo to work there for the summer. If he can successfully complete the assigned tasks, Marcelo can go back to Patterson, but otherwise his father wants Marcelo to go to the public high school.

The law firm has many challenges for Marcelo. The girl in charge of the mailroom, where he is assigned, had hoped for a different assistant for the summer. The other partner’s son is home from law school, and he has plans for how Marcelo can be useful to him. Then Marcelo comes up against some ethical questions and a picture that haunts him. Why does he feel so compelled by the picture? And what should he do about it?

Marcelo in the Real World is a powerful and gripping story. Listening to the audiobook, I felt like Marcelo was talking to me, telling his story in a way that made perfect sense. He explains his way of looking at the world thoroughly, and the listener gets quickly caught up in his viewpoint, wondering, along with Marcelo, what he should do next and how the people around him will react, and what it all means.

Marcelo has a “special interest” in religion, and the book tackles some major spiritual questions, as well as ethical ones. All in the context of the lives of people you come to care about. A truly wonderful book.

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Review of The Hero and the Crown, by Robin McKinley

hero_and_the_crownThe Hero and the Crown

by Robin McKinley

Greenwillow Books, New York, 1984. 246 pages.
1985 Newbery Medal Winner
Starred Review
Sonderbooks Stand-out 2010: Wonderful Rereads

Naturally, taking a class on the Newbery Medal was the perfect excuse to reread my all-time favorite Newbery Medal winner, The Hero and the Crown. I’ve already posted a review of my favorite Newbery Honor Book, The Blue Sword, which, no coincidence, is also by Robin McKinley.

I was a college student when The Hero and the Crown was written, and I’m not sure when I first discovered it, but now it’s one of those books I simply have to revisit every few years. Reading it again this time, I happened to have a persistent headache, but, my goodness, this book makes me feel ready to go out and slay my own dragons.

Technically, The Hero and the Crown is a prequel to The Blue Sword, since it was written second but the events in the story take place before those of The Blue Sword. Nowadays, they would call it a “Companion Novel,” because really the order doesn’t matter. I happened to read The Hero and the Crown first myself, and that worked fine. All I know is this: It doesn’t matter in which order you read them, just be sure that you read them!

If you like fantasy novels even the slightest bit, with these two books Robin McKinley established herself as the queen of the adventure heroine fantasy genre.

Aerin has always known she’s a misfit of a princess. Her mother was a witchwoman who enchanted the king, and Aerin has never shown any sign of manifesting the Gift for magic that all proper royals have.

Alas, the kingdom of Damar is having plenty of trouble, which is only to be expected since the loss of the Hero’s Crown.

Then her cousin Galanna goads Aerin into eating a Surka leaf — a plant that should manifest her Gift, if she had any. Aerin, instead, gets horribly ill. While recovering and trying to stay out of everyone’s way, she befriends her father’s old wounded warhorse, Talat. In her reading, she learns about an old potion that protects against dragonfire. Through persistent experiments, she perfects the formula for the ointment.

Now Aerin the witchwoman’s daughter is ready to make herself useful. With old broken-down Talat she begins fighting off the nasty vermin dragons that were out plaguing the villages.

But then, as her father is leaving to settle an uprising, a messenger comes bearing dread news.

“The Black Dragon has come…. Maur, who has not been seen for generations, the last of the great dragons, great as a mountain. Maur has awakened.”

This is the first tremendous challenge Aerin attempts and conquers, armed with her persistence and sheer determination.

The Hero and the Crown is one of the great girl-power novels of all time, along with magic and dragons and saving a kingdom and changing from a misfit to a true heroine. Fantasy lovers, like me, will come back to it again and again.

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Review of Fire, by Robin McKinley and Peter Dickinson

fire_talesFire

Tales of Elemental Spirits

by Robin McKinley and Peter Dickinson

G. P. Putnam’s Sons, 2009. 297 pages.
Starred Review

I found it amusing that the two books I was most eager to read as soon as I finished the assigned reading for my Newbery class were both titled Fire. I confess that even though Robin McKinley is one of my very favorite authors, I read Kristin Cashore’s Fire first, because I generally find complete novels more compelling than short stories.

This collection of five tales, with two by Robin McKinley and three by her husband Peter Dickinson, is truly wonderful. The theme is fire, and we have tales of a phoenix, a hellhound, a fireworm, a salamander, and, of course, a dragon.

I think my favorite was Robin McKinley’s story about a girl with a compassion for animals who takes on a scrawny dog even though he his eyes are rimmed with fire. Her compassion is rewarded when the uncanny dog takes on the hosts of hell for her.

None of the stories is weak. In “Phoenix,” by Peter Dickinson, Ellie learns what happens to someone who befriends a phoenix. In “First Flight,” Robin McKinley quickly develops a world where dragons fly through Firespace with their third eye. A boy and his humble Foogit help their brother’s dragon, who has been injured and has only two eyes.

Of course, my only complaint is that I’d enjoy spending more time in each of these worlds and with all of these characters. Each story contains the seed for a delightful book.

For a quick jaunt into five magical worlds, Fire delivers five memorable experiences. Definitely up to the standards of these two outstanding writers.

“I think that it’s the glitter of dragon eyes that’s the origin of all those stories about the beds of jewels that wild dragons are supposed to have made for themselves back in the days when dragons were wild, and used to eat children when they couldn’t find any sheep. Where all those jewels are supposed to have come from was always beyond me; even if you put all the kings and emperors and enchanters (good and evil) together and stripped them of everything they had, I still don’t think you’d get more than about one jewel-bed for one medium-large dragon out of it. But you see the glitter of the eyes and you do think of jewels. Nothing else comes close — not fire, not stars, not anything. Of course I, and most of the other listeners to fairy tales, have never seen more than the mayor’s beryl or topaz or whatever the local badge of office is, but we can all dream. When you see a dragon’s eyes up close — if you’re lucky enough to see a dragon’s eyes up close — you don’t have to dream.”

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Review of Fire, by Kristin Cashore

fireFire

by Kristin Cashore

Dial Books, 2009. 461 pages.
Starred Review.
Sonderbooks Stand-out 2010: #2 Fantasy Teen Fiction

Fire is a “companion novel” to the powerful book Graceling. I don’t think it matters which book you read first, but if you read one, you will definitely want to read the other. The books are set in the same world, but the kingdoms of one book are set apart by impassable mountains from the kingdoms of the other. The one thing they have in common is a villain, and he is sinister enough whether you know what his power is or not.

The Kingdom of the Dells does not have Gracelings. Instead, they have monsters — both animal and human.

In the Dells lived colorful, astonishing creatures that the Dellian people called monsters. It was their unusual coloration that identified them as monsters, because in every other physical particular they were like normal Dellian animals. They had the shape of Dellian horses, Dellian turtles, mountain lions, raptors, dragonflies, bears; but they were ranges of fuchsia, turquoise, bronze, iridescent green. A dappled gray horse in the Dells was a horse. A sunset orange horse was a monster.

Larch didn’t understand these monsters. The mouse monsters, the fly and squirrel and fish and sparrow monsters, were harmless; but the bigger monsters, the man-eating monsters, were terribly dangerous, more so than their animal counterparts. They craved human flesh, and for the flesh of other monsters they were positively frantic….

He heard there were one or two monsters of a human shape in the Dells, with brightly colored hair, but he never saw them. It was for the best, because Larch could never remember if the human monsters were friendly or not, and against monsters in general he had no defense. They were too beautiful. Their beauty was so extreme that whenever Larch came face-to-face with one of them, his mind emptied and his body froze, and Immiker and his friends had to defend him.

“It’s what they do, Father,” Immiker explained to him, over and over. “It’s part of their monster power. They stun you with their beauty, and then they overwhelm your mind and make you stupid. You must learn to guard your mind against them, as I have.”

Larch had no doubt Immiker was right, but still he didn’t understand. “What a horrifying notion,” he said. “A creature with the power to take over one’s mind.”

Fire is such a monster. But she’s determined not to use her mind powers on people against their will. She’s determined not to be as monstrous as her father was.

However, she can’t help her overwhelming beauty. She can cover her hair; she can try to hide from the raptor monsters that thirst for her blood; but she can’t change who she is. People are powerfully attracted to her, but they also hate her for it.

Then a stranger comes to their land and shoots Fire by accident, and he in turn is executed by an archer with prodigious skill. The kingdom is at war, so Fire and her boyfriend Lord Archer head toward the queen mother’s stronghold to find out if the strangers are coming from the rebellious lords.

One thing leads to another, and the royal family asks Fire to come to the King’s City to interrogate another stranger. Fire doesn’t want to use her powers against people, but what if the kingdom is at stake? Meanwhile, the king can’t resist her beauty and asks her every night to marry him. His brother is far more restrained, so why is Fire dismayed to see how kind he is?

Fire is a powerful tale of adventure and romance about a young woman who is too beautiful for her own good.

I thoroughly enjoyed this book. Kristin Cashore has built a world that completely draws you in, just as she did with Graceling. She quickly establishes the “rules” of life in this other world, and gets you mulling along with Fire as to what that means about who she is and what she can be and do.

I was a little dismayed by all the casual sex in a young adult novel. It’s no different than our society today, I suppose, but I found it kind of sad that it’s just taken for granted. There are plenty of illegitimate births, but not too many other repercussions; it’s just treated as the natural way of things, and I found that a little sad. Fire’s boyfriend at the beginning sleeps with plenty of other women, and I suppose that makes you less sorry for him when Fire finds true love elsewhere. Call me a romantic, but I would have been happier for Fire if she had waited a bit for that true love. And the other women are surprisingly calm to find out about each other, too, I might add.

The book isn’t graphic about the sex, but the fact that it’s going on is no secret. As I say, it’s no different from our own culture any more, but ten years ago, I think you would have only seen this sort of thing in a book for adults, not one for teens.

Anyway, the book gives you a wonderful tale of adventure and magic and romance. But I don’t think of it as a children’s book.

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