Talking About Books

I do need to talk about books. Because talking about books allows me to talk about anything with anyone. With family, friends, and even with strangers who contacted me through my Web site (and became friends), when we discuss what we are reading, what we are really discussing is our own lives, our take on everything from sorrow to fidelity to responsibility, from money to religion, from worrying to inebriation, from sex to laundry, and back again. No topic is taboo, as long as we can tie it in to a book we’ve read, and all responses are allowed, couched in terms of characters and their situations.

— Nina Sankovitch, Tolstoy and the Purple Chair, p. 210-211

Time to Read

I have never squandered an opportunity to read. There are only twenty-four hours in the day, seven of which are spent sleeping, and in my view at least four of the remaining seventeen must be devoted to reading. Of course, four hours a day does not provide me with nearly enough time to satisfy my appetites. A friend once told me that the real message Bram Stoker sought to convey in Dracula is that a human being needs to live hundreds and hundreds of years to get all his reading done; that Count Dracula was a misunderstood bookworm, was draining blood from the porcelain-like necks of ten thousand hapless virgins not because he was the apotheosis of evil but because it was the only way he could live long enough to polish off his reading list. But I have no way of knowing if this is true, as I have not yet found time in my life to read Dracula.

— Joe Queenan, One for the Books

Knowing the Unknowable

I wanted to know the unknowable and my father, the scientist, the professor, could not tell me. My mother could because she read fiction and fantasy. But it was coded so that it appealed to a part of the brain beyond consciousness, so it carried the feeling of being a right answer without any way to articulate it, in the same way that an aroma of gardenias can reach inside you and find its rightful place, its confirmation, and yet remain out of reach of some literal explanation of its effects. The scent of a gardenia is true even if you can’t articulate it. Or, as Edna St. Vincent Millay put it, “It is a thing that exists simply, like a sapphire, like anything roundly beautiful; there is nothing to be done about it.”

— Laurence Gonzales, Surviving Survival, p. 141

We Are Not Alone.

But books were showing me that everyone suffers, at different times in our lives. And that yes, in fact, there were many people who knew exactly what I was going through. Now, through reading, I found that suffering and finding joy are universal experiences, and that those experiences are the connection between me and the rest of the world. My friends could have told me the same, I know, but with friends there are always barriers, hidden corners, and covered emotions. In books, the characters are made known to me, inside and out, and in knowing them, I know myself, and the real people who populate my world.

— Nina Sankovitch, Tolstoy and the Purple Chair, p. 141

Experience on the Page

Those two books — and all the great books I was reading — were about the complexity and entirety of the human experience. About the things we wish to forget and those we want more and more of. About how we react and how we wish we could react. Books are experience, the words of authors proving the solace of love, the fulfillment of family, the torment of war, and the wisdom of memory. Joy and tears, pleasure and pain: everything came to me while I read in my purple chair. I had never sat so still, and yet experienced so much.

— Nina Sankovitch, Tolstoy and the Purple Chair, p. 139

The Community of the Written Word

I belong to the community of the written word in several ways. First, books have taught me most of what I know, and they have trained my attention and my imagination. Second, they gave me a sense of the possible, which is the great service — and too often, when it is ungenerous, the great disservice — a community performs for its members. Third, they embodied richness and refinement of language, and the artful use of language in the service of the imagination. Fourth, they gave me and still give me courage. Sometimes, when I have spent days in my study dreaming a world while the world itself shines outside my windows, forgetting to call my mother because one of my nonbeings has come up with a thought that interests me, I think, this is a very odd way to spend a life. But I have my library all around me, my cloud of witnesses to the strangeness and brilliance of human experience, who have helped me to my deepest enjoyments of it.

— Marilynne Robinson, When I Was a Child, I Read Books, p. 22-23

Sharing Books

People share books they love. They want to spread to friends and family the goodness that they felt when reading the book or the ideas they found in the pages. In sharing a loved book, a reader is trying to share the same excitement, pleasure, chills, and thrills of reading that they themselves experienced. Why else share? Sharing a love of books and of one particular book is a good thing. But it is also a tricky maneuver, for both sides. The giver of the book is not exactly ripping open her soul for a free look, but when she hands over the book with the comment that it is one of her favorites, such an admission is very close to the baring of the soul. We are what we love to read, and when we admit to loving a book, we admit that the book represents some aspect of ourselves truly, whether it is that we are suckers for romance or pining for adventure or secretly fascinated by crime.

— Nina Sankovitch, Tolstoy and the Purple Chair, p. 101

Imaginative Love

I have spent literal years of my life lovingly absorbed in the thoughts and perceptions of — who knows it better than I? — people who do not exist. And, just as writers are engrossed in the making of them, readers are profoundly moved and also influenced by the nonexistent, that great clan whose numbers increase prodigiously with every publishing season. I think fiction may be, whatever else, an exercise in the capacity for imaginative love, or sympathy, or identification.

I love the writers of my thousand books. It pleases me to think how astonished old Homer, whoever he was, would be to find his epics on the shelf of such an unimaginable being as myself, in the middle of an unrumored continent. I love the large minority of the writers on my shelves who have struggled with words and thoughts and, by my lights, have lost the struggle. All together they are my community, the creators of the very idea of books, poetry, and extended narratives, and of the amazing human conversation that has taken place across millennia, through weal and woe, over the heads of interest and utility.

— Marilynne Robinson, When I Was a Child I Read Books, p. 21

One Great Aspect of the Goodness of Life

Over the years I have collected so many books that, in aggregate, they can fairly be called a library. I don’t know what percentage of them I have read. Increasingly I wonder how many of them I ever will read. This has done nothing to dampen my pleasure in acquiring more books. But it has caused me to ponder the meaning they have for me, and the fact that to me they epitomize one great aspect of the goodness of life.

— Marilynne Robinson, When I Was a Child, I Read Books, p. 19