Review of The Mighty Miss Malone, by Christopher Paul Curtis

The Mighty Miss Malone

by Christopher Paul Curtis

Wendy Lamb Books, 2012. 307 pages.
Starred Review

The Mighty Miss Malone is a companion book to Christopher Paul Curtis’ Newbery Medal-winning book, Bud, Not Buddy. I read Bud, Not Buddy so long ago, I didn’t really remember it, so I can confidently say that did not in any way reduce my enjoyment of The Mighty Miss Malone. Bud makes a very short appearance in this book, but mostly this one is just set in the same time period of the Great Depression. This book is all about Deza Malone.

Deza Malone is the smartest person in her class, and she knows it. She wants to be a writer, so of course she uses her dictionary and thesaurus a lot — too much, according to her teacher.

In the first chapter, Deza shows us an essay she wrote about her family. About herself, she says:

“My most annoying trait is that some of the time I might talk a little too much, I can be very verbose. I exaggerate but that is because I come from a family of great storytellers which is not the same as great liars.”

Deza’s excited about getting extra teaching from her beloved teacher. But then her father loses his job and her family loses their home. Her father goes on the road to find work, and they in turn try to find him.

Along the way, we see Deza, her brother Jimmie with the voice of an angel, and her parents interacting with lots of laughs and lots of love.

Deza’s family has a motto: “We are a family on a journey to a place called wonderful.” I’m glad I got to go along for the ride.

ChristopherPaulCurtis.com
randomhouse.com/kids

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Bear Has a Story to Tell, by Philip C. and Erin E. Stead

Bear Has a Story to Tell

written by Philip C. Stead
illustrated by Erin E. Stead

A Neal Porter Book, Roaring Brook Press, 2012. 32 pages.
Starred Review

Here’s a gorgeous new offering by the creators of the Caldecott winner A Sick Day for Amos McGee. I like this one even better. The story is similar, but I like that the characters are all animals, and so don’t include an adult at all, just a big furry bear who looks completely huggable.

This is a great getting-ready-for-winter tale and a great friendship tale. It’s gentle and quiet, with a nice ending that circles back to the beginning.

The book begins:

It was almost winter and Bear was getting sleepy.
But first, Bear had a story to tell.

Bear asks all his friends if they’d like to hear a story. He asks Mouse, Duck, Frog, and looks for Mole. But Mouse has seeds to gather, Duck has to fly south, Frog has to find a warm place to sleep, and Mole is already asleep. Erin E. Stead so beautifully shows us a sleepy, sleepy bear walking through falling leaves and patiently helping out his friends. After a two-page spread of falling snow, we see Bear asleep in his den, and then waking up in the springtime.

In the spring, first Bear greets his friends and thinks of them. But the story is no longer on the tip of his tongue. Good thing he has his friends to help.

This is a book every parent of a young child should check out or purchase simply to enjoy the quiet but gorgeous artwork, perfectly paired with a story that kids will understand. And it’s fun to have a story about hibernation that doesn’t end with going to sleep. But it’s also a book about Story. I love the way Bear gives up the story he originally wanted to tell and, with his friends’ help, realizes that story is all around.

mackids.com

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Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Liar’s Moon, by Elizabeth C. Bunce

Liar’s Moon

by Elizabeth C. Bunce

Arthur A. Levine Books, Scholastic, 2011. 356 pages.
Starred Review

This book is a sequel to Star Crossed, and I liked Elizabeth Bunce’s first book, A Curse Dark as Gold so much, I bought my own copy of StarCrossed and Liar’s Moon. I did get a chance to reread StarCrossed before I took up Liar’s Moon.

I did enjoy Liar’s Moon, and there’s absolutely no question in my mind that I will snap up the next book. Some details are left very badly hanging, so it’s clear this is intended as at least a trilogy.

This is not your typical second-book-of-a-trilogy, though. After narrowly escaping from her home in the city of Gerse in the first book, Digger is back, trying to survive in the underbelly of the city. Right from the start, she’s captured and thrown into prison — in a cell with Durrell Decath, whom we met at the very start of StarCrossed, but then didn’t see much of.

It turns out that Digger’s in prison just to talk with Durrell. He says he’s been falsely accused of murder. But if he didn’t murder his elderly wife, who did?

If you’re expecting a book very similar to StarCrossed (like I was), then you’re going to be disappointed. But if you take it for what it is — a murder mystery set in a fantastical world, with our heroine scouring the underworld for clues — then there’s lots to enjoy here.

In all her books, Elizabeth Bunce is skilled at making another world seem completely down-to-earth and real.

Now, there’s a huge plot development at the very end, so I think I need to reserve judgment on this trilogy until it finishes up and the story is complete. So far, I enjoyed the first book more, but I definitely liked this one enough to want to reread it when the third book comes out. I definitely want to see more of Digger’s friends, fighting in the war, and find out how that battle turns out. I don’t really understand Digger’s relationship with her brother, and that will probably become more clear with time, too.

But meanwhile I highly recommend this series. The first book gave you conflicting loyalties and magic and secrets. This one gives you a murder mystery set in an alien world. Who knows what will be next?

elizabethcbunce.com
thisisteen.com/liarsmoon
scholastic.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

There’s a lot we could discuss about the ending, so please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Spy Princess, by Sherwood Smith

The Spy Princess

by Sherwood Smith

Viking, 2012. 386 pages.
Starred Review

Sherwood Smith does politics really well. I know, that sounds boring, but in Sherwood Smith’s hands, it’s not boring, not at all. She takes a medieval world with a kingdom and adds an unhappy populace, but applies realistic, not simplistic solutions. Then she puts her characters in the thick of unrest and change and has them try to figure out what is right and what is best. Oh, and she mixes in some magic along the way.

Sherwood Smith also does romance wonderfully well. Hold on — there’s no romance at all in this book. This one’s about kids embroiled in a kingdom at war, trying to figure out a way to make a difference. I only miss the romance because I know how well she writes it, but this book is firmly for middle grade readers and has all the adventure they could wish for with no mushy stuff.

When Princess Lilah Selenna hears peasant children yelling insults at her family’s carriage, she wants to find out what’s going on. She decides to sneak out and disguise herself as a village boy. When she does, she makes her first friends — but they are planning Revolution.

By another author, this book might be simply about carrying out the revolution. But Sherwood Smith delves a little deeper. Yes, there’s Revolution, but once the peasants are incited to violence, can the leaders get them to stop? Who will govern now and what new laws will be needed? And can they even hold their gains? For Lilah, what part can kids play in bringing about Slam Justice?

Lilah’s uncle the king has banned mages from his kingdom, but she does find some in a hidden valley. So there’s magic and spying and secret passages and vigilante justice and plenty of adventure, with some deep thinking about justice and leadership.

So this was revolution. I remembered how impatient I’d been for it to happen — just so I wouldn’t have to curl my hair. But in my idea of revolution, people gathered to make stirring speeches about how we could better our lives, followed by cheers and exciting trumpet blasts as . . . things somehow changed. Not this horror.

sherwoodsmith.net
penguin.com/youngreaders

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Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Beauty and the Werewolf, by Mercedes Lackey

Beauty and the Werewolf

by Mercedes Lackey

Luna, 2011. 329 pages.
Starred Review

I’ve read all of Mercedes Lackey’s Tales of the Five Hundred Kingdoms, and I’ve thoroughly enjoyed each one. They aren’t fairy tale retellings. In some ways they’re fairy tale improvements. They tell us stories of people in fairy tale situations and show us those people figuring out how to come up with a happy ending, despite what the Tradition might want to push them toward.

That’s how magic works in the Five Hundred Kingdoms. The Tradition builds up around people in fairy tale situations and uses its power to point them into storybook lives. But that often doesn’t turn out nicely for the people involved. The books about these people are clever and funny and anyone who’s ever enjoyed fairy tales will find great satisfaction out of seeing how the characters foil tradition.

Beauty and the Werewolf starts out as a Red Riding Hood variant. Bella is taking some gifts to Granny, the local herb witch. In this story, the woodsman is the villain, not a man Bella likes at all. But when she’s attacked in the night by a lone wolf, the next day she is taken to his manor. It turns out that he’s a werewolf who was supposed to be secluded during the full moon. Now Bella must wait in his palace to see if she will transform into a wolf as well. And, of course, now she’s playing out Beauty and the Beast.

One thing I like about these books is how she picks and chooses elements, and sometimes leaves out the unpleasant ones. Bella’s stepsisters are sweet, if flighty. She gets to see her father through a magic mirror, and it does provide comfort. We even find out the story behind the invisible servants eventually. Bella’s the one who immediately thinks to have them wear armbands so she can tell where they are. (Well, duh! Mercedes Lackey brings practical thinking to these fairy tales!)

Bella’s smart, independent, and enterprising. We’re not surprised when she doesn’t wait quietly to find out if she’s going to turn into a beast herself. She’s not one to let the Tradition push her around. Once again, this is thoroughly enjoyable reading.

Harlequin.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Akata Witch, by Nnedi Okorafor

Akata Witch

by Nnedi Okorafor

Viking, 2011. 349 pages.
Starred Review

Here’s a fantasy tale of a young person discovering she has magic that is nothing like any other book I’ve read. Because this young lady, Sunny, lives in Nigeria.

Our main character explains herself:

My name is Sunny Nwazue and I confuse people.

I have two older brothers, like my parents, my brothers were both born here in Nigeria. Then my family moved to America, where I was born in the city of New York. When I was nine, we returned to Nigeria, near the town of Aba. My parents felt it would be a better place to raise my brothers and me, at least that’s what my mom says. We’re Igbo — that’s an ethnic group from Nigeria — so I’m American and Igbo, I guess.

You see why I confuse people? I’m Nigerian by blood, American by birth, and Nigerian again because I live here. I have West African features, like my mother, but while the rest of my family is dark brown, I’ve got light yellow hair, skin the color of “sour milk” (or so stupid people like to tell me), and hazel eyes that look like God ran out of the right color. I’m albino.

Then Sunny learns that she is a Leopard Person, a person with mystical abilities. She is a Free Agent, someone whose parents are not Leopard People, but are Lambs. And she runs across two other children from Leopard families who have also recently discovered their abilities.

If this sounds like Harry Potter’s world, the basic set-up is similar, with Leopard People instead of Wizards, Lambs instead of Muggles, and Free Agents instead of Muggle-born. Sunny and her friends must learn to use the magic and also to combat a powerful and evil Leopard Person who is carrying out ritual killings. But that’s where the similarity ends. The magic used is African magic and very different from the magic in Harry Potter’s world.

Though this book is complete and has a satisfying climax, it’s very much a beginning. Sunny finds things out about this new magical world she’s part of, and she has many questions about what it means for her life. This book provides a detailed and evocative set-up as well as being a gripping story by itself. I will snatch up any further adventures of Sunny and her friends as soon as they come out.

nnedi.com
penguin.com

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Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of How Many Jelly Beans? by Andrea Menotti, illustrated by Yancey Labat

How Many Jelly Beans?

A Giant Book of Giant Numbers

by Andrea Menotti
illustrated by Yancey Labat

Chronicle Books, San Francisco, 2012. 26 pages.
Starred Review

Hooray! A book that really shows how completely huge the number one million is!

The story is simple. Emma and Aiden (with thoughts expressed by their dog) are asked how many jelly beans they’d like. Emma starts with ten, and we see a close-up of her hand with ten jelly beans.

Aiden, however, wants twenty, and the picture shows that, with ten in each hand.

Emma’s response seems quite realistic for a kid. “He can have twenty? I’ll have TWENTY-FIVE!” The responses escalate: fifty, seventy-five, one hundred. All of those amounts are shown on a tabletop. Since the tabletop in the pictures is the same every time, just with greater or fewer jelly beans distributed across them, this doesn’t really show the quantities viscerally. However, that will change by book’s end.

I like it when they get to details. Emma tells Aiden he can’t eat five hundred jelly beans, and he tells her that in a year he could eat a thousand jelly beans.

On the next big double-page spread, we see jelly beans distributed on pages of a calendar. Emma says, “Wait a second. That’s only two or three jelly beans a day.”

She comes to the logical conclusion: “I could eat FIVE THOUSAND jelly beans in a year.” Now the view pans out to Emma happily jumping on a bed covered with five thousand jelly beans. (Never mind that they would scatter all over the place if she really tried that.)

They go on. Ten thousand jelly beans. A hundred thousand jelly beans. Now the children are shown as quite small, with a hundred thousand tiny jelly beans spread out around them. I like it when Aiden tells us how he’d distribute the flavors if he had a hundred thousand jelly beans. Only one would be lemon.

But the truly marvelous part of this book, the tour de force, is the foldout section showing ONE MILLION jelly beans. In fact, when you first pull it out, the kids are saying, “Wow! A million jelly beans is a lot!” But then they say, “This is only HALF a million jelly beans! Look up there!” When you unfold the page further, then, at last, you see a million tiny jelly beans.

So here, at last, is a book that allows you to see one million things at one glance. The only way to truly give you the feel of this book was to take a picture:

Here’s the book closed, already an extra-large format:

And here’s the book opened up, showing a million jelly beans. I can hardly hold it up:

Now, I’ll be the first to admit that this book is not going to hold up well to library usage. It was not easy even for me to hold up the book with the page open without tearing the pages. And if you tear the page along the folds, it’s not going to be at all easy to mend.

But you know what? I don’t care! I love that someone did this, that Andrea Menotti and Yancey Labat made a book that truly shows kids just how enormous a million really is. And maybe, just maybe, a million jelly beans would be too many.

chroniclekids.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Seraphina, by Rachel Hartman

Seraphina

by Rachel Hartman

Random House, New York, 2012. 465 pages.
Starred Review

Seraphina has a secret. She tries not to be noticed. If people found out the truth about her, the chances are good that she would be murdered horribly. So she didn’t plan to play her flute at Prince Rufus’s funeral. But when the soloist and backup soloist suddenly aren’t available, what else can the assistant to the court composer do? Perhaps she shouldn’t have played quite so beautifully if she really didn’t want to be noticed.

The funeral was coming at a bad time.

Rufus had been murdered while hunting, and the Queen’s Guard had found no clues as to who’d done it. The missing head would suggest dragons, to some. I imagined the saarantrai who attended the funeral were only too aware of this. We had only ten days before the Ardmagar arrived, and fourteen days until the anniversary of the treaty. If a dragon had killed Prince Rufus, that was some spectacularly unfortunate timing. Our citizens were jumpy enough about dragonkind already.

The treaty with dragons has been in effect for forty years, but not everyone — human or dragon — is happy about the treaty. On top of preparing the music for the New Year’s celebration, Seraphina gets pulled into the investigation of Prince Rufus’s death. Meanwhile, the strange visions she’s been having are acting up, her uncle is in trouble, and she has to lie to someone she cares about to try to keep her own secret.

This is one of those fantasy stories with an intricate, highly detailed world. In this case, it’s a world like Renaissance Europe, but with dragons in human form, and an elaborate religion with saints, some of which are particularly hostile to dragons. The world here is skilfully built. There’s a large cast of characters. After her prominence at the funeral, Seraphina gets to know more of the members of the court and gets pulled in to the investigation of the murder. Can the treaty continue? And can she keep her secret?

Honestly, my personal favorite fantasy novels are simpler than this, and more fairy-tale like. With all the detail, it reminded me of the Finnikin of the Rock series. Wonderful books — Just not my absolute favorite, out of a simple personal preference. If you like elaborate detail, this book does it well, and builds a completely credible world where dragons walk among humans.

I’m also not crazy about stories with lots of bigoted religious people, even if it is a made-up religion, but they did provide a realistic threat to Seraphina. The romance is a highlight of the book, built realistically as a friendship with misunderstandings along the way. I was extremely invested in the characters once I got about a third of the way through the book. The story is complete with the solving of the murder, but there are definitely some big things left unresolved and the possibility of war looming. I will definitely want to read the next book the moment I can get my hands on it.

I like that the dragons are extra good at Math. Math is like a religion to them. The book is full of fun details like that. For example, Seraphina’s performance fell short of technical perfection, and her teacher comments, “Had you played perfectly — like a saar might have — you would not have affected your listeners so. People wept, and not because you sometimes hum while you play.”

Hmm. Rachel Hartman gets very close to technical perfection in this book. Is that perhaps why it didn’t quite affect me deeply? But I am tremendously eager to read on, and I’m curious what other people think. Meanwhile, I highly recommend this book about dragons like you’ve never seen them before.

RachelHartmanBooks.com
randomhouse.com/teens

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Back to Life, by Alicia Salzer

Back to Life

Getting Past Your Past with Resilience, Strength, and Optimism

by Alicia Salzer, M.D.

William Morrow (HarperCollins), 2011. 278 pages.
Starred Review

Back to Life is a book about resilience, a book about thriving after trauma.

Here’s what Alicia Salzer says about trauma in her Introduction:

For the purposes of this book, a trauma is any event or situation that fundamentally shakes our understanding of the world and of our place in it.

Certainly this includes all the horrors that one typically thinks of when the word “trauma” is used. But in my opinion it also includes a host of other experiences that leave us reeling because the “rules” of life seem to have suddenly changed. In this view, a trauma might be a health issue, a betrayal, the loss of an apartment or job. When a life event robs you of your sense of well-being and self-esteem and leaves you feeling unsafe or out of control — that’s a trauma, too.

To be fair, I read this book after I’d already dealt with most of the trauma of my divorce. But in many ways, the book was good confirmation that I’m on the right track in healing. I definitely recognized her descriptions of being deep in the trauma, and I thoroughly relished her ideas for dealing with it even at this level.

For a very long time, I had lots of trouble with flashbacks — mostly replaying arguments and piecing together when my husband was lying and what I should have said had I known the truth. (Okay, I’ll stop. Just writing that sentence put me in danger of obsessing again!) It was actually a different book that said betrayal is trauma (NOT “Just Friends”) that helped me realize flashbacks are completely normal, and not to get mad at myself for having them, but just, when I notice, turn my mind a different way.

Alicia Salzer presents several strategies for coping with the coping mechanisms that crop up. One is to name the nasty inner voice:

We talked in a previous chapter about how symptoms like nightmares and flashbacks are misguided but well-intentioned stabs at self-protection. In the same way, much of what keeps us in permatrauma are ways of thinking and coping that were developed in a time of tremendous, overwhelming stress. We bring these coping strategies to our current lives in an attempt to safeguard ourselves from future harm. But the way you learned to cope on the worst day of your life is no way to live the rest of it.

I’ve named my nasty inner voice Moodith because it’s funny and dismissive and reminds me that she’s not a good advisor, but Hatelyn, Buzzkill, or Mr. Misery will work just as well. Feel free to come up with your own dismissive moniker.

You can see from this example that she approaches healing from trauma with humor and humility.

Now, I didn’t do too many of her actual exercises, but I was uplifted and encouraged by her ideas. I do think reading this book helped me stay on the right track. Some of the Resilience Skills she goes through are: Flexibility, Accountability, Self-Efficacy, External Efficacy, Rosewashing, and Community. These are all great skills to build.

I also adapted her strategy at the end for changing how you feel. I modified her version, but basically it involves using a physical prop, a stone, to remind you of a positive thing you need to do or think about.

I fondly hope I will never go through major trauma again, but I know that’s not too likely. If I find myself in the depths again, struggling with discouragement, or if I feel I just need a reminder of the vibrant life I’d like to be living, that would be a good time to reread this book.

harpercollins.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of For Darkness Shows the Stars, by Diana Peterfreund

For Darkness Shows the Stars

by Diana Peterfreund

Balzer + Bray, 2012. 407 pages.
Starred Review

Wow. I’ve always loved Jane Austen’s Persuasion. The poignancy runs extra deep since Anne Elliot allowed herself to be persuaded to reject Captain Wentworth’s suit years ago. When he returns, successful and sought after, what can she do?

For Darkness Shows the Stars is a retelling of Persuasion in a science fiction setting. Diana Peterfreund keeps all the poignancy of the romantic situation, but adds layers of complexity involving technology and responsibility.

The story takes place on unknown islands of a post-apocalyptic Earth. Our descendants played with genetic engineering until they met with disaster. The survivors hid for years in caves. They proudly name themselves the Luddites. They did not use technology to play God, and so God allowed them to survive. Now their descendants are the rulers and estate owners. The descendants of the Lost were Reduced — mentally deficient, barely able to speak two words. The Reduced work the land, and the Luddite lords have a responsibility to care for them well.

Eighteen years ago, three babies were born on the same day on the North estate. Elliot North will grow to manage her father’s estate. Ro is Reduced, and loves Elliot and loves color and beauty, but her mental powers are not strong. Then there’s Kai. He’s Post-Reduction. He has full mental powers. But because his grandparents were Reduced, he doesn’t have the rights of the Luddite lords. He works on the estate and becomes friends with Elliot. But he can never be her equal.

Four years ago, Kai left the estate and asked Elliot to join him. But she can’t leave her responsibilities. Her mother died, and her father and sister were only interested in horses and status, not in running the estate and doing what’s best for all the people who live there.

Now Kai has returned. The North family has been forced to rent her grandfather’s boatyard to a prosperous group of Posts who are making a fleet of ships to explore the seas around the islands. They have already met with much success. The group has rejected their background on estates and chosen multisyllabic names for themselves. Admiral Innovation and his wife bring along a promising young captain, Malakai Wentforth. Elliot’s father and sister don’t even recognize that he is Kai returned. But she is all too aware. Kai is back, and he’s angry for being rejected.

Diana Peterfreund did a marvelous job paralleling the plot of Persuasion. And so doing, she keeps all the poignancy of the original, all of Elliot’s pain that she was the one who did the rejecting. And now Captain Wentforth has succeeded beyond her wildest dreams, and she’s the one in difficult straits. He is far more interested in the daughter of the neighboring estate. And why shouldn’t he be?

She also adds complexity. The Luddites have strict protocols against overusing technology. But Elliot has been experimenting with better strains of wheat in order to feed the people on her estate. What is right? And then what about the Posts who come stretching the limits of what is acceptable? Are they inviting another apocalypse?

In this book, the somewhat silly accident in the middle of Persuasion takes on whole new significance when it leads to a revelation about the Posts.

Knowing the outline of what was going to happen made the story that much more compelling, and I was all the more surprised by some of the twists the author inserted. They didn’t change the romance, but they did add to the story.

To some Luddites, the Reduced were children, fallen and helpless, but still human. To others, they were beasts of burden, mostly mute and incapable of rational thought. Elliot’s mother had taught her that they were her duty, as they were the duty of all Luddites. Cut off as the population of these two islands had been since the Wars of the Lost, they might be the only people left on the planet. The Luddites, who had kept themselves pure of the taint of Reduction, therefore had the responsibility to be the caretakers not only of all of human history and culture but of humanity itself.

It had been generations since any Luddites had tried to rehabilitate the Reduced. Mere survival had taken precedence. But Ro was more than Elliot’s duty. She’d become Elliot’s friend, and sometimes Elliot even dared wonder what Ro could be — what any Reduced could be — if the Luddites had the resources to try.

The strength of Persuasion lies in the history between the two characters. In For Darkness Shows the Stars, the author plays on the history by inserting letters Elliot and Kai exchanged through the years as children growing up together. Their friendship was never sanctioned, so they placed letters in a knothole in the barn, a knothole Elliot can’t stop checking, even now.

This is a magnificent retelling of a classic romance. A story of lost love and regret and redemption mixed with genetic engineering and tampering with technology and divine right and responsibility to rule. Not a book I could stop reading before I’d finished.

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