Review of Houses with a Story, by Seiji Yoshida

Houses with a Story

A Dragon’s Den, a Ghostly Mansion, a Library of Lost Books, and 30 More Amazing Places to Explore

by Seiji Yoshida
translated by Jan Mitsuko Cash

Amulet Books, 2023. Originally published in Japan in 2020. 124 pages.
Review written February 26, 2024, from a library book.
Starred Review
2024 Mildred L. Batchelder Award Winner

When this book came in to the library we had quite a discussion with the Cataloging department about where it should be shelved. The houses and buildings pictured are clearly imaginary — but they’re given serious treatment. Pictures and diagrams show how they’re built, with details pointed out on each spread. The book doesn’t tell a story, but it suggests a multiplicity of stories. Someone looking for a novel wouldn’t find it in this book, and in size and style it fits much better with nonfiction. And yet all the buildings are fictional. What to do?

And our head cataloger came to the rescue. It turns out there’s a specific call number — 720.22 — for the architecture of imaginary buildings. Perfect!

I had already dipped into it with delight, and then this book won the Mildred L. Batchelder Award, which is given to books originally published in another country in a language other than English. The award is given to the publisher to encourage them to find international gems like this one.

And the book is so much fun! Most of the imaginary buildings are presented along with their inhabitants, and you get hints of their stories and their lifestyles. On one side of each spread is an exterior view of the building in its landscape. The other side shows a cutaway interior view, with an introduction and arrows to details. There’s often a floor plan as well. Some of the places are “Mischievous Bridge Tower Keeper,” “World-Weary Astronomer’s Residence,” “Reserved Mechanic’s Cottage,” “An Eccentric Botanist’s Laboratory,” “Methodical Witch’s House,” and “Forgotten Orphan’s Castle.” Here’s the short introductory text for that last one:

This old castle has watched over the land through several centuries. Following the loss of its original inhabitants, a lord and lady, the castle was left abandoned and became the target of robbers. Rumor has it an orphan has recently taken up residence there. The lord and lady of the castle had a young child who died, so it is also said that the orphan is actually a ghost.

There are more notes at the back about each place, including where and when it’s intended to be, at least if it’s supposed to be in our world at all.

Check out this book and take some time to pore through it. This book can send your imagination flying. Here’s how the author puts it in his Foreword:

You may find houses that feel as though they’ve come straight from certain books you’ve read in the past, while other abodes may be so peculiar that you’ve never encountered anything like them before, even in your own imagination. The tale you weave for each house is entirely up to you, and nothing would give me greater pleasure than you finding yourself immersed in a wonderful story.

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Review of Make Way, written by Angela Burke Kunkel, illustrated by Claire Keane

Make Way

The Story of Robert McCloskey, Nancy Schön, and Some Very Famous Ducklings

written by Angela Burke Kunkel
illustrated by Claire Keane

Random House Studio, 2023. 44 pages.
Review written June 13, 2023, from a library book.
Starred Review

This is a story of the duckling statues in Boston Public Garden. But deeper than that, it’s the story of two artists — Bob McCloskey, who created the classic book Make Way for Ducklings, and Nancy Schön, who made sculptures of Mrs. Mallard and her eight ducklings Jack, Kack, Lack, Mack, Nack, Ouack, Pack, and Quack, for the Boston Public Garden.

I love those sculptures and visit them every time I go to Boston. In the front of my family’s copy of Make Way for Ducklings, I taped a photo of my firstborn at two years old, happily posing on the back of Mrs. Mallard.

So you need to read your child Make Way for Ducklings first. But after that, after your kid knows about the story, here’s a child-friendly story of how it was created.

It talks about both artists going through hard times before their art was acknowledged in any way. It tells how Bob brought ducks home in order to draw them from life. Later, Nancy purchased a duck foot from a butcher to learn how it was put together. (Wait a second. That’s not as charming a story. But it works in this picture book.)

After the book was created, a friend’s family visited Nancy in Boston. When they visited the Public Garden, the kids asked, “Mommy, where are the ducks?” Nancy decided that would be her next sculpture project.

The pictures of her working on the ducks are wonderful. I always did think she chose the most delightful poses. And they mirror the ducks in the books so well — in three dimensions.

But she didn’t have any permission for this project before she worked on it. So we’ve got a spread showing Bob and his wife looking over her small-scale models.

My favorite page, though, is after she made a full-scale Mrs. Mallard and three ducklings. Bob thought they might be too large. So she brought them outside.

And as Bob stands, quietly observing, three children run — quack, quack, quacking — to come and pat the ducks.
Bob looks at Nancy.
And she knows she has her yes.

I love that page because I’ve seen for myself that children can’t resist those wonderful ducks.

This book owes its brilliance to the original amazing children’s book Make Way for Ducklings, but it is still brilliant. Fans of the original will love learning the story behind the story, and any family traveling to Boston should give it a read.

angelakunkel.com
claireonacloud.com
rhcbooks.com

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Review of The Witness Blanket, by Carey Newman and Kirstie Hudson

The Witness Blanket

Truth, Art and Reconciliation

by Carey Newman
and Kirstie Hudson

Orca Books, Canada, 2022. 92 pages.
Review written January 31, 2023, from a library book
Starred Review

The Witness Blanket is a powerful book about a stunning and beautiful, but hard-hitting work of art. The Witness Blanket itself isn’t what I think of as a blanket — but it’s a sort of solid patchwork quilt, with panels fastened together so that the exhibit can travel.

The Witness Blanket was assembled from thousands of objects, photographs and letters that all bear witness to Indigenous people’s experiences in the residential schools of Canada, which operated from the mid-1800s to the late 1990s.

Author Carey Newman tells about how he is an intergenerational survivor, with trauma passed down from his father.

My father was born in 1937 in the remote town of Alert Bay, British Columbia. At age seven he was taken from his parents and sent to a residential school far away from home. Residential schools were started by the Canadian government and run by churches. The goal was to erase Indigenous cultures by making children like my father think, speak and behave less like their own people and more like European settlers. At residential school my father wasn’t allowed to speak Kwak’wala, the language of his people. He couldn’t learn about their traditional ways of living or cultural ceremonies. School authorities wouldn’t even let him talk with his siblings. Losing these experiences hurt his connection to family and culture. It also changed how he thought of himself and altered who he grew up to be.

The idea Carey Newman got for making the Witness Blanket came from the work of the Truth and Reconciliation Commission of Canada, who were looking for a way to document and commemorate the experiences of Survivors of the residential schools.

This book takes a gentle approach to documenting those experiences as well, gently showing the reader different objects that people sent in to include in the blanket and explaining their stories — thus casting light on the experiences of many people. It also tells of the thought and care that went into putting the pieces together into the finished exhibit.

All along the way, we get detailed photos and explanations of individual pieces that went into the Witness Blanket. This makes it all the more moving to see the full-spread photographs of the completed project at the back.

I was surprised by how much this book affected me. Some day I would like to see this work of art and testimony in person. But in the meantime, I highly recommend this book.

humanrights.ca
orcabook.com

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Review of Washed Ashore, by Kelly Crull

Washed Ashore

Making Art from Ocean Plastic

by Kelly Crull

Millbrook Press, 2022. 40 pages.
Review written October 8, 2022, from a library book
Starred Review

This book is the kind I can’t resist showing to my coworkers on the spot. The art is stunning. The subject is convicting. And the overall presentation is mind-blowing.

Yes, I knew that there’s lots of plastic trash in the ocean. But this book makes you feel the magnitude.

This book documents the work of Angela Haseltine Pozzi and her organization called Washed Ashore. They make animal sculptures out of trash found in the ocean.

Washed Ashore shows large photographs of fourteen of these sculptures. They give facts about the ocean animals portrayed and how they’re affected by plastic trash. They also list tips for reducing plastic trash in the ocean. And across the bottom of each spread, there are objects for you to find in the sculptures.

It’s finding those objects that makes you look closely and get your mind blown with all the junk. It also helps you realize just how big these sculptures are. Some of the objects to look for include a cigarette lighter, sunglasses, an inhaler, a steering wheel, toothbrushes, multiple toys, shoe parts, and even the front of a stereo.

And the art itself is stunning. Looking closely and realizing what it’s made of makes the achievement all the more remarkable.

Take a look at this book. I don’t believe that you can fail to be moved.

kellycrull.com
washedashore.org
lernerbooks.com

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Review of Before Music, by Annette Bay Pimentel, illustrated by Madison Safer

Before Music

Where Instruments Come From

by Annette Bay Pimentel
illustrated by Madison Safer

Abrams Books for Young Readers, 2022. 88 pages.
Review written September 7, 2022, from a library book
Starred Review

I was not at all prepared for how charmed I would be by this book. Before the title page, pictures filling up oversize pages show you a boy with a drum and a woman with a stringed instrument making music. There’s a bit of text:

Music doesn’t come out of nothing.
It always starts somewhere. . .
with something. . .
with someone.

I expected to learn about the instruments of the western orchestra. But instead, the first instrument presented is a rock gong, and the next one a pututu, made from a seashell. Yes, instruments from western orchestras are included, but they’re a relatively small part of the many, many ways that humans make music.

At the back of the book, the author explains that different cultures classify musical instruments in different ways. “In writing this book, I was inspired by the ancient Chinese system, which focused on the materials instruments are made of.” Each group of instruments is presented first with a large painting and pictures of someone making an instrument of that type. Next, the book explains how that material makes music, then we see many more instruments made with that material, subdivided using the Indian and Javanese focus on how they are played.

And there are so many kinds of instruments! Leafing through the 88 pages, I see instruments made from rock, found objects, clay, gourds, strings, metal, wood, reeds, flexible sheets, and human voices. Mixed between the descriptions of instruments and how they are made are features of musical innovators, people who figured out how to make new sounds from materials already used for instruments or how to improve what was being used.

As an example of the amazing variety found here, on the gourd instruments page, I see thirteen instruments from countries all over the world, only two of which I’d ever heard of before.

This book is fascinating and beautiful. There are suggestions at the back for kids to make their own musical instruments.

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Review of Women in Art, by Rachel Ignotofsky

Women in Art

50 Fearless Creatives Who Inspired the World

written and illustrated by Rachel Ignotofsky

Ten Speed Press, 2019. 128 pages.
Review written August 5, 2020, from a library book
Starred Review

I’ve gotten a little tired of collective biographies that tell about a bunch of people and after awhile they all lump together. This one was different and distinctive. It probably helped that I had it checked out while the library was closed during the pandemic, because I found I only wanted to read about one artist per day, since there was so much information packed on each spread. I was in no hurry and didn’t have to worry about having to return the book before I was done.

The stylized illustrations are wonderful, featuring a page that highlights a portrait of the artist opposite the page with the text summary of her life and accomplishments. Both the portrait and the text, though, are surrounded with highlights from her life and images of her work.

There was a huge variety in the types of art these women made. The earliest woman featured combined poetry and painting in ancient China. The book includes more painters and sculptors, but also quilters, graphic designers, filmmakers, architects, fashion designers, photographers, and animators. I’d only heard of a small fraction of them before reading this book.

This wonderful book inspired me and reading it became a delight rather than some sort of educational chore. Here’s a paragraph from the conclusion:

Throughout history, female artists have pushed boundaries, created important works, and inspired the world. Many of these artists had to struggle against sexism, classism, racism, or other obstacles to get their work seen and taken seriously. Now we can include these women in their rightful place in art history and celebrate their contributions. Let us honor their legacy by continuing to create. Build what you see in your wildest dreams! Express yourself by creating something new! Share your ideas with the world! And go out there and make your own masterpiece!

RachelIgnotofskyDesign.com
tenspeed.com

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Review of Silent Cities, by Jeffrey H. Loria and Julie Loria

Silent Cities

Portraits of a Pandemic
15 Cities Across the World

by Jeffrey H. Loria and Julie Loria

Skyhorse Publishing, 2021. 366 pages.
Review written March 11, 2022, from a library book.

This book is a large-format doorstop of a book full of large photographs. I read it at the library, looking at photos from a city or two each day, so I wouldn’t have to carry it home and back.

The idea is simple: Photos of fifteen cities taken during the start of the pandemic, when those cities were more deserted than they will ever be again. It’s striking to see the famous buildings and sites without crowds of people.

I think I will enjoy this book more in about ten years. Now it’s almost painful to remember back when the world felt we were all in this together. There are many photos celebrating healthcare workers as heroes, and almost every person who does show up in the pictures is wearing a mask.

The cities featured are London, New York, Jerusalem, Los Angeles, Madrid, Miami, Paris, Chicago, Rio de Janeiro, Boston, Rome, San Francisco, Tel Aviv, Tokyo, and Washington, DC. The photos were taken by different photographers during the beginning of the pandemic and collected by the authors. They provide very little commentary, as the pictures speak for themselves.

This book is worth taking the time to look through and see what happens to our great cities when the people are pushed out of the picture.

skyhorsepublishing.com

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Review of Dr. Seuss’s Horse Museum, illustrated by Andrew Joyner

Dr. Seuss’s Horse Museum

illustrated by Andrew Joyner

Random House, 2019. 77 pages.
Starred Review
Review written September 13, 2019, from a library book.

This fascinating picture book look at Art is based on manuscript notes and sketches found in Dr. Seuss’s files. I haven’t been completely impressed with some of the other things dug out of his collections after his death – but this book is a delightful way to get kids thinking about Art.

Here’s how the book begins:

ART.
What’s it all about?

This is what ART is about…
ART is when an artist looks at something…
… like a horse, for instance…
… and they see something in that horse that excites them…
so they do something about it.
They tell you about it…
… in any one of a number of ways.

Artists have been excited by horses for as long as there have been artists. But what an artist tells us about horses and how they tell us is different for every artist.

What an artist sees in a horse depends on many different things – their background, likes and dislikes, you name it.

So come with me…

Let’s look at how different artists have seen horses. Maybe we can find some new ways of looking at them ourselves?

The pages that follow incorporate 35 different pieces of art that include horses. They talk about what the artist may have seen in a horse to express it that way. The book goes through different time periods and styles of art as well – all looking at horses.

The result is brilliant – lots and lots of artwork, all expressing horses, and all looking completely different.

There is extensive back matter, with more information about each piece of art and details about Dr. Seuss and his relationship with art (He was self-taught.) and the manuscript and sketches for this book and how they went from there to completion.

Future artists should read this book.

Seussville.com
rhcbooks.com

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Review of Play Like a Girl, by Kate T. Parker

Play Like a Girl

Life Lessons from the Soccer Field

by Kate T. Parker

Workman Publishing, 2020. 204 pages.
Review written October 31, 2020, from a library book

Play Like a Girl is another book packed with wonderful action shots of people from the author of Strong Is the New Pretty and The Heart of a Boy. This book features female soccer players – girls and women from all levels of soccer competition. Every photo includes a quote with the subject’s first name and age. Professional soccer players featured are given a short bio at the back.

The book is organized into ten chapters with ten “Rules,” things like “Keep Your Head Up” and “The Team Is the Thing.” The first page of the chapter has a short inspirational text with lessons from playing soccer. The rest is all quotes and photos.

This is another astonishingly beautiful book to look through. Almost made me wish I played soccer! This book would be a wonderful gift for any girl who plays soccer.

katetparker.com
workman.com

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Review of Journeys, edited by Catherine Gourley

Journeys

Young Readers’ Letters to Authors Who Changed Their Lives

Library of Congress Center for the Book
edited by Catherine Gourley

Candlewick Press, 2017. 226 pages.
Starred Review
Review written July 5, 2019, from a library book

This book is a collection of fifty-two letters written by young readers to authors about how their lives were touched by the authors’ books. Here’s an excerpt from the Foreword:

Over the years that Letters About Literature has invited young readers to share their personal responses to authors with us at Center for the Book, we have learned that children often approach reading with reluctance and that writing about what they read is often a challenge and, for some, a struggle.

This volume of letters is a showcase of young minds and hearts inspired and at times healed by the power of an author’s words. As the letters so poignantly illustrate, not all books are right for all readers. Likewise, two readers can interpret and respond to the same book quite differently. For some children, finding that right author, that right book, is in itself a bit of a journey. Once a reader finds that author and that book, something remarkable occurs. Readers discover themselves within the pages of the book. They begin to feel and to understand.

The letter-writers range in age from fourth grade to twelfth grade. Almost all of them are deeply personal. Since the editors chose from twenty-five years of letters, this isn’t a surprise. Each letter is showcased with a short description of the author and book they responded to.

I’m going to include a few random excerpts from letters. It’s not hard to find good quotations:

About Crispin: The Cross of Lead, by Avi:

I want to be a writer that opens up doors for people. I want to set scenes and describe occupations that not everyone can become. People may not have the physical or mental capabilities to be an astronaut, race-car driver, teacher, dancer, or baseball player, but for a time, I want them to experience what each of those professions would be like.

I am a ten-year-old boy. I have mild cerebral palsy, but for one cool fall afternoon, I became Crispin, living in the Middle Ages. Thank you for that gift.

About The Book Thief, by Marcus Zusak:

I used to be afraid. I used to wake up screaming and seeing a yellow star sewn onto my clothing. I have read many books about the Holocaust, but none of them struck me like The Book Thief. Instead of pain and fear, it is a book that focuses on courage, kindness, the power of words, and hope.

About the Harry Potter books, by J. K. Rowling, from a girl who’d been forbidden to read them:

You have given the world a gift, Ms. Rowling. You have given millions of people a friend, an adventure, and a happy ending that never ceases to amaze. So now, I thank you. Thank you for giving a little girl and her siblings someone to admire and dream about. Thank you for teaching the children of this world how magical love is, and most of all, Ms. Rowling, thank you for giving me Harry.

From a high school student about The Things They Carried, by Tim O’Brien:

When the soldier eventually kills himself, I was jolted awake. Why are death, war, and loss such taboo subjects? Why must we bury them down deep inside, cover our fears and uncertainties with a strained smile, and ignore a whole part of ourselves? No longer was I going to hide the past and the pain. I wouldn’t give up because people were unwilling to listen. I would spin words into poetry and attempt to define the indefinable. Circumstances had broken my heart, weighed down my shoulders, and given me a lifelong burden to carry. Yet I was unwilling to succumb to the same fate as the disillusioned soldier. I would not be shattered.

Your last story simultaneously opened fresh wounds and gave me the first real comfort since my mom’s death. I cried when Linda died. It was tragic. She was so young. I thought of my mom and it was almost unbearable. However, I realized from your book that stories could keep a person alive. Stories allow us to visit the past how it was: untainted in its beauty and unmarked by death or struggle.

And I love this one, about The House on Mango Street, by Sandra Cisneros:

“We are tired of being beautiful.” Thank you for writing those words. I was thinking them. I felt their unspoken pressure until they broke off your page and got stuck in my heart. That was your trick, I suppose. You wrote what everyone was thinking. You are so far away from me, so different, and still you spoke to me and I understood you. You knew me all along.

I am not fat anymore. I never was, I suppose, or maybe I still am. But I’ve stopped thinking about it and I am fine. “I am too strong for her to keep me here forever,” you wrote. I know that by “her,” you meant Mango Street, but I read it as “my body” and “my mind.” My heart came back together then, and I have you to thank for that. You didn’t tell me how to pull myself back together; you just showed me that I could. I was tired of trying to be somebody else’s definition of beautiful, and you told me that was okay. Beauty is not in the beholder, but in she who is beheld.

If you’ve ever wondered whether books can truly change lives, I highly recommend reading this book.

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candlewick.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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