Review of You Can’t Say That, compiled and edited by Leonard S. Marcus

Biography, Creativity, Starred Review, Teen Nonfiction 0

You Can’t Say That

Writers for young people talk about censorship, free expression, and the stories they have to tell.

compiled and edited by Leonard S. Marcus

Candlewick Press, 2021. 220 pages.
Review written September 13, 2023, from a library book.
Starred Review

I’m not completely sure what took me so long to get this book read, but in 2023, the topic of censorship seems even more timely than it was in 2021. This book helps teens understand what censorship takes from them.

Leonard Marcus here collects interviews with thirteen distinguished writers for young people whose books have often been banned. Those writers are Matt de la Peña, Robie H. Harris, Susan Kuklin, David Levithan, Meg Medina, Lesléa Newman, Katherine Paterson, Dav Pilkey, Justin Richardson and Peter Parnell, Sonya Sones, R. L. Stine, and Angie Thomas.

This is an examination of censorship from authors’ perspectives. Here’s a part from the introduction:

Here, then, from thirteen accomplished authors for young people are fresh perspectives on why writers write their books in the way they choose, regardless of the consequences; and on what can happen to a book once the author lets go of it and it enters the public square of our country and world’s wildly divergent panoply of ideals, beliefs, and expectations.

Here, too, is a chance to examine at close range what it means when any person or group, however well intentioned, seeks to limit the writing or reading lives of others.

I ended up reading this book little by little, one author interview at a time, getting inspired by each one’s passion for art and creativity. I think this look into their hearts will give anyone pause who wants to pull books from shelves.

Here’s something from former National Ambassador for Young People’s Literature, Katherine Paterson:

When the Berlin Wall fell and Communism seemed to be on the wane, I turned to my husband and said half in jest, “Now they’ll start coming after me.” He didn’t know what I was talking about, so I explained, “There are people who have to have an enemy.” For a while after that, I did see more challenges to my books.

May this discussion of young people and art and on bringing difficult topics to young people shed light on the world of ideas and the power of reading.

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Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Everybody Wins, by James Wallis

Creativity, History, Nonfiction Review, Starred Review 2

Everybody Wins

Four Decades of the Greatest Board Games Ever Made

by James Wallis

Aconyte Books, 2022. 221 pages.
Review written May 4, 2023, from a library book.
Starred Review

I enjoyed this book so much! It looks at the recent history of the rise in popularity of tabletop games through the lens of the German award Spiel des Jahres (Game of the Year), through its first 44 years of selecting winners.

The reason I loved this so much was that I lived in Germany from 1996 to 2006. At the time, before I’d even heard the term “Eurogames,” I discovered awesome games at the local stores (not even specialty stores, just the local Aldi), and thought a great way to practice German was to buy games and translate them. Eventually, I learned I could download translations from the internet, but I had fun puzzling out how to play the games and delighted in their cool wooden pieces. The games were fun to look at and to touch and to play. My theory at the time was that because the German games listed the designer on the box, you’re going to get better games. It’s just like books — series books that don’t list the actual author on the cover aren’t as good as books that do list the author. Same with games. Now I also argue that awards help things improve. As the Newbery Medal made American children’s books better, so the Spiel des Jahres has helped German games improve. I also loved reading this book and discovering games with interesting new mechanics and nicely calibrated combinations of strategy and luck.

In this big and beautiful oversize book, the author dedicates two spreads to each Spiel des Jahres winner from 1979 to 2022. He also lists other nominated games and eventually the Kennerspiel and Kinderspiel winners. He tells if the game was a worthy winner and if it’s still available today. And talks about trends and new innovations and all kinds of fascinating stuff. There are also chapters grouping different eras. It turns out that the author called 1996 to 2004 the “Golden Age” — which is exactly when I lived in Germany. I own most of the winners from that time period and lots of runners up.

Here’s what the author says this book is about, not actually a history of the Spiel des Jahres:

Instead, the book’s focus is about the games themselves — the winners and, in some cases, the runners-up and also-rans — and uses them as a lens thrugh which to look at the ways in which games, games culture and the games industry have changed over the last five decades. It looks at how tastes have evolved, how German game design (not unlike superb German engineering) became a worldwide trend, and how our understanding of the way games work has led to a renaissance in new designs and new ways of making and playing games.

I have only one complaint about this wonderful book — the sidebars are written in tiny white letters on colored backgrounds, and some of those colors made it impossible for me to read the words, even with a magnifying class. The printing may have been a little fuzzy, too. I could read the ones with lots of contrast, but not so much for the gold background (which was in the Golden Age chapter). This annoyed me, because I was so fascinated with the book, I wanted to read every single word. So it took a high level of frustration before I gave up and stopped reading the golden-colored sidebars.

But apart from that, I love Eurogames. I’ve been fascinated with the Spiel des Jahres since 1996. So this book was a complete delight to read. If you enjoy board games, I highly recommend it. And, yes, I’m ordering some new games based on this book. And pulled out some old games to show my gaming group.

aconytebooks.com

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Review of The Chemistry of Food, by Carla Mooney

Creativity, Science, Starred Review, Teen Nonfiction 0

The Chemistry of Food

by Carla Mooney
illustrated by Tracy Van Wagoner

Nomad Press, 2021. 118 pages.
Review written November 19, 2022, from a library book
Starred Review

I think this nonfiction book for middle school and up is just so cool. I took a Chemistry class in high school, but this book tells me all kinds of things I didn’t know about the chemistry of food. Sure, I know the basics, but it’s interesting to hear the actual science behind many different processes. It’s illustrated with photographs and diagrams on almost every page.

Here’s what the chapters cover: The intro chapter, besides talking about food, gives some basics of chemical bonds, mixtures, solutions, and compounds. And how heat affects those things. The next chapter covers chemicals in our food, looking at water, lipids, carbohydrates, proteins, enzymes, vitamins and minerals. Next there’s a chapter on the chemical reactions of cooking: endothermic and exothermic reactions, heat conduction, caramelization, and other kinds of chemical reactions. Then comes a chapter on nutrition and how we get nutrients and energy from food. After that we get the science of flavor, and it all wraps up with a chapter on texture.

One of the big strengths of this book are the many fascinating experiments it shows you how to do. I confess I didn’t try them, but I wanted to. If there were a kid in my home, I don’t think I could resist. Some of those experiments include: putting oil and water together and watching what happens when you add dish soap, learning about protein denaturation by making lemon curd, caramelizing sugar and checking the mixture at different temperatures, figuring out how much gluten is in different flours, examining cookies baked at different temperatures and times, making ice cream in a bag with different amounts of salt and ice, and comparing different starches as thickening agents, and comparing methods for making crispy fries. They don’t tell you what’s going to happen with these experiments, which makes them all the more intriguing. They do have follow-up questions to help you think through what did happen, as well as further things to try.

I wouldn’t be surprised if this book would kickstart a kid’s interest in science. But whether or not it does, it provides a fascinating look at the science behind everyday things.

nomadpress.net

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Review of Call Us What We Carry, by Amanda Gorman

Creativity, Nonfiction Review, Poetry, Starred Review 0

Call Us What We Carry

Poems

by Amanda Gorman

Viking, 2021. 228 pages.
Review written September 20, 2022, from my own copy, purchased via amazon.com
Starred Review

I don’t purchase a lot of poetry books, but I was so happy with this one, and I’ve spent the last few months reading a poem or two a day most days.

Amanda Gorman was the 2021 Inaugural Poet, and the stirring poem she recited that day, “The Hill We Climb,” is the final poem in this book.

The book is full of poems as moving and insightful as that one. Amanda Gorman has a way with words. The poems are full of rhymes and alliteration and word play, turning words as if they are pieces of glass, reflecting light in different ways.

These are poems about current times. Written during the thick of the pandemic, there’s plenty about pain and death and healing.

Here’s a small stanza where I underlined the middle line:

Perhaps our relationships are the very make of us,
For fellowship is both our nature & our necessity.
We are formed primarily by what we imagine.

There’s lots that’s lovely here, and lots that made me pause in meditation.

I’ll be honest — there’s a big section in the middle with “erasure poems” — poems made by erasing parts of a document, using what is left. I didn’t enjoy those poems as much. For me, they didn’t have the resonance and didn’t roll off the tongue as well. But I think she was going for the significance of the documents she chose — documents about slaves and about indigenous people treated horribly — and they definitely still have punch.

Altogether, this is a book of poems I’ll want to come back to. I’m glad I got my own copy.

We are enough,
Armed only
With our hands,
Open but unemptied,
Just like a blooming thing.
We walk into tomorrow,
Carrying nothing
But the world.

(p. 205, from “What We Carry”)

And from “The Hill We Climb”:

When day comes, we step out of the shade,
Aflame and unafraid.
The new dawn blooms as we free it,
For there is always light.
If only we’re brave enough to see it,
If only we’re brave enough to be it.

theamandagorman.com

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Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Intellectual Lives of Children, by Susan Engel

Creativity, Nonfiction Review 0

The Intellectual Lives of Children

by Susan Engel

Harvard University Press, 2021. 219 pages.
Review written September 6, 2022, from a library book

How do children form ideas? When do they become able to think abstractly? What is going on in their heads when they ask questions? When do they learn to imagine? When do they learn to invent? How can we support kids’ ability to form ideas?

This book by a developmental psychologist explores all these questions. Many examples are given, and we’re told about experiments done to determine what things change as a child ages.

It was refreshing and surprising to read a book focusing on children’s thought processes. Here’s a section from the Prelude:

While children are busily gathering information, mulling things over, and speculating about the world, the adults around them are, for the most part, unaware of all that mental activity. Much of the time, they treat children as if they don’t have ideas at all. Focused on whether children are learning to behave well, acquiring skills and facts, and feeling happy, they give little consideration to children’s thoughts, or the puzzles that intrigue them.

And anyone who is around children can help nurture their ideas. This is also from the Prelude:

Outstanding capacity and extraordinary opportunity are not essential for toddlers and preschoolers to grow into children and adults who pursue ideas. Far more important is the sheer time and attention a child gives, and is encouraged to give, to the consideration of ideas. Every child can learn that building ideas is as tangible, accessible, and alluring as making things with modeling clay. It begins with opportunities to collect information — whether about candy, movie stars, or oceans. And it begins in every kitchen, sidewalk, and kindergarten.

The main chapters are “Inquiry,” “Invention,” and “Ideas.” Reading them helped me realize how much goes into a child’s thought processes. The final chapter, “The Idea Workshop,” talks about making space for groups of kids to create and generate ideas, along with some amazing examples.

I’ll be honest. It took me an awfully long time to get through this book. There is small print and long chapters, and the writing is dense. I was going to describe it as academic, and then I noticed it’s published by Harvard University Press, so of course it is! All those things are true, but when I would sit down and focus on the book, it was fascinating. There are plenty of stories of children and their ideas, and they made me think about my own experience with children. So mainly I think my slowness to finish was more about not taking the time to pick up the book than it was being interested once I’d done that.

And I do recommend this book for parents and teachers and anyone who works with children. It will get you thinking about where ideas come from.

hup.harvard.edu

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Review of Jane Austen Cover to Cover, by Margaret C. Sullivan

Austenalia, Creativity, Nonfiction Review, Starred Review 0

Jane Austen Cover to Cover

200 Years of Classic Covers

by Margaret C. Sullivan

Quirk Books, 2014. 224 pages.
Review written July 25, 2022, from my own copy, given to me as a gift.
Starred Review

First, a great big huge thank you to my coworker Pam Coughlan, who gave this book to me as a parting gift when I got transferred so I was no longer her supervisor. What a delightful treat it is!

The book tells the history of Jane Austen’s publications — with pictures of covers along the way.

They started out quite plain, but it’s fun to watch fashions in cover design change over the years. Some of the covers are almost funny when a Jane-lover realizes how little they have to do with what’s inside the book.

The chapters cover distinct time periods: 1811-1818 — while Jane Austen was alive, and shortly after; 1832-1920, 1920-1989, and 1990-2013 (Yes, there has been a revival). After that, there’s a chapter with book covers that use stills from movie adaptations, and then a chapter of foreign language editions.

It’s peppered with Jane Austen quotations, especially ones appropriate to scenes shown on the covers, and plenty of information about the different editions featured.

Above all, it’s super fun for any Austenite to browse through. I’m keeping this one in my coffee table to pull out for browsing. (It’s a glass-topped coffee table with a drawer.) So much fun!

quirkbooks.com

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Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Silent Cities, by Jeffrey H. Loria and Julie Loria

Art, Creativity, Nonfiction Review, Photography 0

Silent Cities

Portraits of a Pandemic
15 Cities Across the World

by Jeffrey H. Loria and Julie Loria

Skyhorse Publishing, 2021. 366 pages.
Review written March 11, 2022, from a library book.

This book is a large-format doorstop of a book full of large photographs. I read it at the library, looking at photos from a city or two each day, so I wouldn’t have to carry it home and back.

The idea is simple: Photos of fifteen cities taken during the start of the pandemic, when those cities were more deserted than they will ever be again. It’s striking to see the famous buildings and sites without crowds of people.

I think I will enjoy this book more in about ten years. Now it’s almost painful to remember back when the world felt we were all in this together. There are many photos celebrating healthcare workers as heroes, and almost every person who does show up in the pictures is wearing a mask.

The cities featured are London, New York, Jerusalem, Los Angeles, Madrid, Miami, Paris, Chicago, Rio de Janeiro, Boston, Rome, San Francisco, Tel Aviv, Tokyo, and Washington, DC. The photos were taken by different photographers during the beginning of the pandemic and collected by the authors. They provide very little commentary, as the pictures speak for themselves.

This book is worth taking the time to look through and see what happens to our great cities when the people are pushed out of the picture.

skyhorsepublishing.com

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Review of I Am Dance, by Hal Banfield

Creativity, Nonfiction Review, Photography, Starred Review 0

I Am Dance

Words and Images of the Black Dancer

by Hal Banfield

The Literary Revolutionary, 2019. 94 pages.
Review written August 27, 2020, from a library book
Starred Review

I Am Dance is a gorgeous art photography book featuring twenty black dancers. Here’s a paragraph from the creator’s introduction:

Much like the old proverb about children, it is believed that dancers should be seen and not heard since it is widely understood that dancers speak with their bodies. It was important to me that this I Am Dance project be a platform for the black dancer to express themselves beyond just using their bodies. I wanted this project to be a place for them to also have a voice. Finding a good cross section of talented and trained dancers with interesting and dynamic stories to share was the first order of business and proved to be quite a task. Through months of trial and error, I would eventually identify and assemble a core group of talented and disciplined dancers who latched onto the concept of this project and were willing to be photographed and share their personal stories. What started out as an idea for a photo gallery exhibition would eventually blossom into a collection of diverse stories and images that now fit into the pages of this book.

Each of the twenty dancers is featured in two spreads full of beautiful action photos. Looking at those photos alone gives plenty of opportunity for wonder. They are also given a short page of text each, in their own voices, talking about what dancing means to them.

After many “I Am…” statements, such as “I Am Powerful.”; “I Am Joyful.”; “I Am a Fighter.” and “I Am Connected,” the book ends with a page heading: “We. Are. Dance.”

Because we danced today, the voices of tomorrow will shout louder, every hip will sway wider and every finger will snap sharper in time. Like the roar and crash of the ocean waves, the next generation of dancers of color will hear the undulating taps and echoes of our toes urging them to pick up the beat and keep the rhythm.

I am not a dancer, and I am not black, but I was still inspired by reading and gazing at this beautiful book.

iamdancebook.com

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Review of Bibliostyle, by Nina Freudenberger

Creativity, Nonfiction Review, Photography, Starred Review 0

Bibliostyle

How We Live at Home with Books

by Nina Freudenberger
with Sadie Stein
photographs by Shade Degges

Clarkson Potter Publishers, 2019. 272 pages.
Review written November 28, 2020, from a library book
Starred Review

Here’s a book for book lovers to drool over, a book that makes me feel so much better about my book hoarding habits!

This is a coffee-table book with large, lavish photographs – of other people’s extravagant personal book collections. And between profiles of home libraries, there are interludes with photos of notable book stores.

This volume is written by an interior designer, so the focus does lean toward the look of the home libraries and how they fit into the design of the homes. But she also does talk with the owners and we hear about the types of books that they own and cherish.

The Introduction to this wonderful volume reveals that creating it was a labor of love. Here’s how that page ends:

In choosing our subjects, we were not merely interested in the beautiful and perfectly curated rooms, the most extensive collections, or those shelves filled only with rare first editions – although there’s plenty of beauty on display. This book is not about unattainable libraries, any more than it is about perfectly decorated homes. Rather, it’s about the power of books to tell stories, in both the literal and figurative sense. As we found repeatedly, surrounding yourself with books you love tells the story of your life, your interests, your passions, your values. Your past and your future. Books allow us to escape, and our personal libraries allow us to invent the story of ourselves – and the legacy that we will leave behind.

There’s a famous quote attributed to Cicero: “A room without books is like a body without a soul.” If I suspected this before, I know it now. I hope you’ll find as much pleasure in discovering these worlds as we did.

There’s a wonderful international aspect to this book, with personal collections from places as far flung as Mexico City, Los Angeles, Paris, Lisbon, and Isle of Wight. The features are gathered into sections titled “The Sentimentalists,” “The Intuitives,” “The Arrangers,” “The Professionals,” and “The Collectors” – but what you have consistently are shelves and shelves of books woven into people’s homes and lives. Oh, for a built-in bookshelf like the ones found in these pages!

I began by reading this book slowly – looking at one personal library per day, but there were lots of holds and I had to turn it back in. So the next time it came to me, I was more purposeful about getting through it – but it was still a delight. I may have to purchase my own copy. And the next time I get someone to help me move, I could show them this book and say, “See, my book hoarding could be a lot worse!”

clarksonpotter.com

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Review of Playlist, by James Rhodes

Art, Award Winners, Children's Nonfiction Review, Creativity, Starred Review 0

Playlist

The Rebels and Revolutionaries of Sound

by James Rhodes
illustrated by Martin O’Neill

Candlewick Studio, 2019. 68 pages.
Review written April 1, 2020, from a library book
2019 Cybils Award Winner, Senior High Nonfiction
Starred Review

This book is visually stunning as well as audibly stunning (more on that in a minute). It’s oversized, but many will realize it’s the same square shape and size as a record album.

Once inside, every spread is a presentation. This is an author who loves classical music and is excited about it. If anyone can communicate that love and excitement to a young reader, this would be the person.

Here’s an excerpt from his Introduction:

I’ll be honest with you: classical music is not usually seen as riveting material for a book. I know that. You know that. It is thought of as dull, irrelevant, belonging to other (usually old) people, and about as interesting as algebra. I will say this though: classical music saved my life when I was a kid. And even today, many years later, every single time I listen to it, it makes me feel amazing.

Classical music has a bad and, in my mind, unfair reputation. Those composers with the white curly wigs, such as Bach and Mozart, might seem super old-fashioned now. But they were the original rock stars. They changed history, inspired millions, and are still listened to and worshipped all around the world today. So I hope you’ll leave behind your preconceptions: even if you think you hate it, give it an hour or two of your time and then decide.

It does have to be said that there are a LOT of classical composers, and it can be quite overwhelming to decide where to begin. I have chosen seven composers to get us started. For each composer I have selected two pieces to discuss and listen to. I’m also going to explain a bit about the lives of the composers. (You won’t believe some of their stories. Did you know Beethoven peed into a chamber pot he kept under his piano and Bach had twenty children?) I’ve chosen Bach, Mozart, Beethoven, Chopin, Schubert, Rachmaninoff, and Ravel: the perfect introduction to classical music.

So that gives the format of what follows: We’ll have a spread for each composer, then a spread telling about his life, then a spread for each of the two pieces of music that James Rhodes analyzes for us. And that’s what makes this book extra vivid: At the front he’s got a playlist of all the music. You put tinyurl.com/jamesrhodesplaylist into a browser, and you’ll get to listen to all the pieces on Spotify. So you get to listen to the music as he describes it.

And his enthusiastic descriptions help you appreciate and understand the significance of the pieces he chooses.

All of his descriptions ring with his love for the pieces. Here’s an example taken from the spread about Rachmaninoff’s Piano Concerto No. 2 in C Minor, Finale:

As we know, Rachmaninoff was a giant, and this concerto requires really, really big hands. He asks the pianist to play enormous chords and super-fast runs of notes and jumps from the bottom of the keyboard to the top and back again. The last movement, which we’re going to focus on here, is my favorite, for reasons that will become obvious as you listen to it. It has everything that any music fan could ever want – incredible, unforgettable melodies, insane piano pyrotechnics (I mean just listen to the first time the piano enters!), excitement, melancholy, heartbreak, and heroism, all in eleven minutes. There are giant cymbal crashes, sweeping romantic tunes with the entire orchestra and solo piano playing at full volume, and an electrifying ending. But it’s the big tune, perhaps his most famous melody, that really does it for me. It starts at 1’47, and Rachmaninoff, knowing how special it is, repeats it three times during the course of the movement, each time adding little touches and making it fresher and more magnificent until the very last time (9’55 OMG), when it becomes this enormous, grand, sweeping melody that has inspired dozens of Hollywood composers and would feel right at home in one of the Jurassic Park, Fantastic Beasts and Where to Find Them, or Incredibles movies.

Speaking of movies, in the section on the composer’s life, he always includes some movies that use music by the composer.

There are some additional spreads with musical terms and a timeline of Western Classical Music, and absolutely nothing in this book is remotely boring. It gives the reader a nice background of classical music, and a wonderful audio sampling of the riches you can find there.

At first when I opened this book, I was reluctant to go to the trouble of listening to the playlist. By the time I was done, I was eager to hear and notice the things James Rhodes pointed out.

As he says to finish his Introduction:

So, this is my plea: give this music a chance. Read the book, listen to the pieces in the playlist I’ve built for you (turn the page!), and then, if you want, NEVER listen to it again, safe in the knowledge you’ve given it a go and hated it. But maybe, just maybe, it’ll blow your mind and improve your life a little bit, and you’ll want to send me a giant box of cookies as a thank-you. (I’m not even joking – send as many as you like.)

Enjoy. Take it slowly. Allow yourself to experience something magical.

Count me as someone whose mind was blown. Though in lieu of sending cookies, I’m writing this review.

candlewickstudio.com

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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