Review of How to Write a Poem, by Kwame Alexander & Deanna Nikaido, art by Melissa Sweet

How to Write a Poem

by Kwame Alexander & Deanna Nikaido
art by Melissa Sweet

Quill Tree Books, 2023. 32 pages.
Review written June 27, 2023, from a library book.
Starred Review

This picture book is a wonderfully illustrated poem about poetry. It is appropriately fanciful, imaginative, and full of figurative language.

The collage illustrations show kids following the instructions on one level, and imaginative flights of fancy on the other level.

Each line or pair of lines gets a spread. Some of the lines I like best include:

Close your eyes, open the window of your mind, and climb out,
like a seedling reaching for tomorrow.

Next, listen to the grass,
the flowers,
the trees — anything
that’s friends with the sun.

Another wonderful image:

And dive deep into the silent sea of your imagination

to discover a cotton candy cavalcade of sounds —
words raining everywhere.

They tell us to let the words “dance with your joy, speak to your sorrow.”

As the book goes on, the kids who started out sitting in a circle of chairs end up playing in imaginative landscapes.

I have no doubt this book can inspire a new generation of poets. I hope we get it into their hands.

kwamealexander.com
deannanikaido.com
melissasweet.net
harpercollinschildrens.com

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Review of My Name Is Jason. Mine Too, by Jason Reynolds and Jason Griffin

My Name Is Jason. Mine Too.

Our Story. Our Way.

by Jason Reynolds and Jason Griffin

Atheneum, 2022. (First created in 2009.)
Review written February 26, 2023, from a library book
2022 Cybils Finalist – Poetry Collections

My Name Is Jason. Mine Too. is from the same two Jasons who created the award-winning Ain’t Burned All the Bright. This book came first, and was recently reissued. It’s a memoir in poetry and art — about two young guys who moved to New York City after college. One dreamed of being a poet and the other an artist. They were twenty and twenty-two years old.

It wasn’t an easy road for them. They were hungry. Their parents weren’t thrilled. And they thought maybe they were making a big mistake.

Now, I’m an old fogey. There’s probably lots of symbolism in the art that I’m not getting. But together with the words, there’s something powerful going on here. The book paints a portrait of two guys, trying to be adults in the world and yet also make art.

And wow! One of them went on to become the National Ambassador for Young People’s Literature.

I hope there will be more collaborations in the future with these two Jasons.

jasonwritesbooks.com

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Review of Abuela, Don’t Forget Me, by Rex Ogle

Abuela, Don’t Forget Me

by Rex Ogle

Norton Young Readers, 2022. 198 pages.
Review written February 26, 2023, from a library book
Starred Review
2023 YALSA Excellence in Nonfiction for Young Adults Award Finalist

Rex Ogle is the author of the amazing Free Lunch and Punching Bag, both of which were Sonderbooks Stand-outs. Those books tell about his difficult childhood and difficult teen years, dealing with poverty and abuse.

This book doesn’t continue the story so much as look at the story again, this time in the light of the constant in his life — his abuela.

Abuela now has dementia. Rex Ogle wrote this about writing this book:

A few years ago, after a particularly difficult call with Abuela – in which she forgot who I was halfway through – I sat down and cried. Then I wrote out a few words. Those words led to fragments of sentences. Those fragments led to verses. Those verses formed a poem, and before I knew it, the memories were flying out of me, all of them in verse.

In the foreword to this book of poems, he writes this tribute:

My abuela is the woman who encouraged me to read and write at an early age. Who bought groceries when my mom was unemployed and we were living on food stamps. She is the woman who offered her home to me when the violence at my mom’s became too much. Abuela is the woman who got me off the streets after my father kicked me out for being gay. She told me if I wanted to be a novelist, then I should pursue it, that if I worked hard, I could accomplish anything. By every definition of the word, my grandmother is an angel. My own personal fairy godmother. Abuela is the only parent I’ve ever known who showed me truly unconditional love, kindness, and support.

This book is another version of the author’s childhood and teen years. In this version, his abuela shines as a bright and beautiful example of unselfish, generous, unconditional love – going to a kid who needed it.

nortonyoungreaders.com

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Review of Call Us What We Carry, by Amanda Gorman

Call Us What We Carry

Poems

by Amanda Gorman

Viking, 2021. 228 pages.
Review written September 20, 2022, from my own copy, purchased via amazon.com
Starred Review

I don’t purchase a lot of poetry books, but I was so happy with this one, and I’ve spent the last few months reading a poem or two a day most days.

Amanda Gorman was the 2021 Inaugural Poet, and the stirring poem she recited that day, “The Hill We Climb,” is the final poem in this book.

The book is full of poems as moving and insightful as that one. Amanda Gorman has a way with words. The poems are full of rhymes and alliteration and word play, turning words as if they are pieces of glass, reflecting light in different ways.

These are poems about current times. Written during the thick of the pandemic, there’s plenty about pain and death and healing.

Here’s a small stanza where I underlined the middle line:

Perhaps our relationships are the very make of us,
For fellowship is both our nature & our necessity.
We are formed primarily by what we imagine.

There’s lots that’s lovely here, and lots that made me pause in meditation.

I’ll be honest — there’s a big section in the middle with “erasure poems” — poems made by erasing parts of a document, using what is left. I didn’t enjoy those poems as much. For me, they didn’t have the resonance and didn’t roll off the tongue as well. But I think she was going for the significance of the documents she chose — documents about slaves and about indigenous people treated horribly — and they definitely still have punch.

Altogether, this is a book of poems I’ll want to come back to. I’m glad I got my own copy.

We are enough,
Armed only
With our hands,
Open but unemptied,
Just like a blooming thing.
We walk into tomorrow,
Carrying nothing
But the world.

(p. 205, from “What We Carry”)

And from “The Hill We Climb”:

When day comes, we step out of the shade,
Aflame and unafraid.
The new dawn blooms as we free it,
For there is always light.
If only we’re brave enough to see it,
If only we’re brave enough to be it.

theamandagorman.com

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Review of Somebody Give This Heart a Pen, by Sophia Thakur

Somebody Give This Heart a Pen

by Sophia Thakur

Candlewick Press, 2020. First published in the United Kingdom in 2019. 99 pages.
Review written October 24, 2020, from a library book

This is a book of poems, and Sophia Thakur is a performance poet. Learning that, I wasn’t surprised that several of the poems made me want to read them aloud.

The poems talk about writing out your feelings, and they do express feelings remarkably well. Many of the poems are about loving but breaking up, and some of those made me nod my head at the Truth.

Here’s the start of a poem called “Let Hurt”:

Sometimes
to heal once and one time only
first we must properly hurt.
To understand the sadness that stifles us
we must let it stifle us first
let it sink its teeth deep into our eyes
and let whatever leaks out purse
its lips against our cheeks
like a kiss asking us to be patient
to slow dance with the aching
to understand its twists and turns

Here’s the end of my favorite poem, called “Sprouting.” It’s about new life after healing from a break-up.

This growth is not for you or in spite of you.
In fact it stopped being about you once I let go of you.
But I’m healed enough to be honest.
It did take being emptied by you
to reseed
and to bloom.
So I guess this is me thanking you
for forcing me to move.

And here’s the beginning of the final poem, “When to Write”:

When your fists are ready to paint faces
When there is nowhere to confide
When your skin lingers high above your bones
and you’re so out of touch with self,
Write.
When the mouth fails
and shyness strangles
and your throat becomes tight,
Write.
When your eyes won’t dry,
Write.
Before you fight
Before you fall,
Write.
When they lie to you
When they hurt you
When they leave you,
Write.

I so glad somebody gave that heart a pen.

candlewick.com

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Review of I’d Like To Be the Window For a Wise Old Dog, by Philip Stead

I’d Like To Be the Window For a Wise Old Dog

words and pictures by Philip Stead

Doubleday Books for Young Readers, 2022. 48 pages.
Review written July 12, 2022, from a library book
Starred Review

This picture book is a beautifully illustrated nonsense poem, and it won my heart. The elephant in the illustrations reminds me of the author’s wife’s Caldecott-winning work in A Sick Day for Amos McGee.

How could I be the window for a wise old dog? I’m not exactly sure, but this book makes me want to be one, too. The Poetry is whimsical and rolls off the tongue. The pictures are lovely and somewhat fantastical, but especially lovable are the pictures of the wise old dog by the window.

Here are some of the lovely lines:

Will I ever be the dawdle of a penguin?

Will I ever be the waddle of a snail?

Will I ever be the tumble of a honeybee?

Will I ever be the bumble…

… of a whale?

And each line has big, bright, colorful pictures.

I never before wanted to be a window for a wise old dog, but this book sends my imagination into flight. I would so love to discuss it with a child — I bet their imagination would fly even further than mine. (This might be one to get for my nieces!)

philipstead.com

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Review of Marshmallow Clouds, by Ted Kooser and Connie Wanek, illustrated by Richard Jones

Marshmallow Clouds

Two Poets at Play among Figures of Speech

by Ted Kooser and Connie Wanek
illustrated by Richard Jones

Candlewick Press, 2022. 72 pages.
Review written May 13, 2022, from a library book
Starred Review

I don’t usually get too excited about poetry collections, but this one had me smiling at new ways of looking at things I’d never thought of before. I started wanting to read bits aloud to a coworker. Though I’d also have to show them the beautiful images accompanying the poems.

The poets are indeed playing with ideas. First, we meet a winter tree that looks like it’s clowning around on the top of a hill, up on one leg and juggling a pie. Then there’s a meteor shower like scratches a black cat playing with an enormous ball that glitters, a fireplace like a playpen for the fire, a book as a sandwich of words and ideas, and a harp like a great golden moth as a harpist smooths the veins in its wings. Or let me type out the whole poem “Thunderstorm”:

This one’s gotten up in the night
and, not wanting to wake us,
stumbles around, bumping the walls
of the long empty hallway leading away,
now and then lighting a match
and then, just as quickly, blowing it out.

I love the images in these poems. They’re creative and so imaginative. Here’s the first stanza of a poem called “July”:

One summer day I was boiled and salted
like a peanut. I was the meat
in a heat sandwich, the dog in a hot.
I was the crimson crayon
melting in a sunny car,
the color of firecrackers and flags
and Mars, where once water
cooled the red stones.

Here’s the first stanza of a poem called “Secret”:

It’s safe to tell a secret to the stars,
aliens all. They haven’t
a word of English,
which means they are reliable
in their silence.

That poem has more about stars and secrets and fire burning up the secrets and how good it is to let them go.

And I need to stop giving examples, because there are far too many good ones. At the back, poet Ted Kooser tells what they are trying to do with this book:

Each of us is born with a gift of imagination and, as if it were a favorite cat or dog, playing with your imagination can keep it healthy and happy. The poems in this book are about fooling around, about letting one’s imagination run free with whatever it comes upon. Our idea is to encourage you to run with your own imagination, to enjoy what you come up with.

The poems in this book, combined with the simple and meditative images, filled me with delight. They’re divided into sections for Fire, Water, Air, and Earth.

A lovely collection of poems that might surprise you — as it did me.

candlewick.com

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Review of Ain’t Burned All the Bright, by Jason Reynolds, artwork by Jason Griffin

Ain’t Burned All the Bright

by Jason Reynolds
artwork by Jason Griffin
read by Jason Reynolds and a full cast

Atheneum, 2022. 384 pages.
Audiobook: Simon & Schuster Audio, 2022. 30 minutes.
Review written April 12, 2022, from a library book and eaudiobook.
Starred Review

Ain’t Burned All the Bright is an illustrated poem about a kid and his family at home during the pandemic. That doesn’t sound very exciting — but the poet is Jason Reynolds. And his long-time friend Jason Griffin did 384 pages of art to go with it.

I put a hold on the audiobook before I realized it was an illustrated poem and not a novel. And decided that both listening to the audiobook and looking at the artwork was the perfect way to experience this book.

The audiobook performs the text twice — first with Jason Reynolds reading it, then with a full cast. And then there’s a discussion between the creators at the end (which is also printed in the book). The whole thing only takes 30 minutes, so this is a quick read, but has lovely play with images and language.

Jason Reynolds said this book began thinking about oxygen masks. The way he plays with that image is surprising and lovely.

We’ve got a kid wondering why his mother doesn’t change the channel, a brother playing video games, a sister talking on her phone, and a father ill in his bedroom. And the kid has thoughts about it all.

I’m not even sure how to describe this book. But it’s Jason Reynolds’ poetry along with striking images, and I would really like to talk with a kid who reads this book to find out all the things they notice that I miss. It feels like there’s more than meets the eye here. But I do know I like it.

jasonwritesbooks.com

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Review of Legacy, by Nikki Grimes

Legacy

Women Poets of the Harlem Renaissance

by Nikki Grimes

Bloomsbury Children’s Books, 2021. 134 pages.
Review written April 19, 2021, from a library book

Quick, name a female poet from the Harlem Renaissance! I couldn’t do it before I read this book.

Here Nikki Grimes features poems from fifteen women poets of the Harlem Renaissance. After each poem she selects, she writes her own Golden Shovel poem – taking a significant line from the original poem and using those words at the ends of the lines in her tribute poem.

She says in the introduction:

In these pages, you will meet some of the gifted female poets – and remarkable women – of the Harlem Renaissance who created alongside and often nurtured the male poets we know. They didn’t all produce poetry collections of their own, but each played an integral part in this historic era in America.

Then, alongside the challenging, inspirational, and beautiful poetry is placed art from nineteen black women artists. In the back, there are biographies of all the poets and all the artists.

The poems themselves are inspirational. As an example, the poem “Four Walls,” by Blanche Taylor Dickinson, about overcoming obstacles, is paired with Nikki Grimes golden shovel poem “What Girls Can Do,” also about breaking out of boxes.

This is especially an anthology to hand to black girls to let them know there are no limits, but anyone can appreciate this message and the beauty of the words and images. And find out about some too-long-overlooked poets.

nikkigrimes.com
bloomsbury.com

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Review of Martin Rising, by Andrea Davis Pinkney, paintings by Brian Pinkney

Martin Rising

Requiem for a King

by Andrea Davis Pinkney
paintings by Brian Pinkney

Scholastic Press, January 2018. 128 pages.
Starred Review
2018 Sonderbooks Stand-out:
#9 Longer Children’s Nonfiction

I’m writing this review on Martin Luther King, Jr.’s birthday in 2018. It’s a shame I can’t post it today, but I have to remain silent online about any 2018 children’s books until after we announce our Newbery winners.

This book is poetry combined with art, telling about the events that happened 50 years ago in 1968, the last months of Martin’s life.

I have to confess I’m not the best audience for unrhymed poetry. I haven’t spoken with anyone else yet about this book, and I have a feeling that when I do, others will be able to point out details of the craft that went right by me.

But what we have here is history in the form of poetry. There is symbolism – a progression from daylight to darkness to dawn. Some more symbolism that even I could catch was in a poem about forcing forsythia to bloom where that’s compared with forcing garbage collectors in Tennessee to do degrading work in harsh conditions. March is said to come in like a lion – but no progress is made, and it leaves much more quietly.

And the event that sparks the chain of events in this book was the death of two sanitation workers in Memphis, Tennessee, and the protests that sparked. There are lots of facts here – you’ll learn about what happened, along with the dignity and nobility of those who protested.

(I’m now going to pause and reread the book as a fitting way of celebrating Martin Luther King’s birthday.)

Here are some good bits:

In the poem “Come: February 24, 1968”:

But, Lord,
even with your handiwork
hard at work,
it is hard, hard work
not to strike back violently,
especially when you’re striking.

In the poem “Roar! March 11, 1968”:

These strikers have volunteered for
peaceful protest.

When the police handcuff
and shove them,
and choke hold their hope,
and cart them away,
these men and women,
and girls and boys
who have volunteered
for self-dignity,
will not
enter jail
in the same way
March
enters the calendar.

These strong, quiet
strikers,
and all who stand by them
refuse to Roar.

Going out like lambs,
they are ignored.

From the final poem, “Rejoice the Legacy: January 15 – Martin Luther King Day – Forever”:

And so, today, though his candles stopped
at thirty-nine,
we celebrate Martin’s exquisite life.

His sparkling-eyed vision
of tomorrow’s promise.
His destiny.
His dream.

How he led us to the mountaintop
on the path of light, love, and truth.
He didn’t get there with us.
But he showed us the way.

So that’s this book – a poetic tribute to Martin Luther King’s life and the story of his final months. I love the suggestion in the author’s note at the back to perform these as a group reading or as a classroom play. It is all too easy to rush through these poems. I’m pretty sure that the harder I look at them, the more riches I’ll find.

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