Review of Lady Tremaine, by Rachel Hochhauser

Fairy Tale Variant, Fiction Review, Historical, Starred Review 0

Lady Tremaine

by Rachel Hochhauser
read by Bessie Carter

Macmillan Audio, 2026. 12 hours, 42 minutes.
Review written June 30, 2026, from a library eaudiobook.
Starred Review

Oh, this one’s brilliant! I’ve made no secret that I love fairy tale retellings. This is something of a feminist retelling of Cinderella – with plenty of depth. I’m going to list it under Historical Fiction rather than Fantasy Fiction, because it takes out the magic in the tale, and looks at the plight of a twice-widowed woman in medieval times trying to protect her daughters.

The book is published for adults, not because of “adult” content, but because the focus is not the young women trying to find husbands, but the mother and stepmother in the tale.

And why did we not notice that Etheldreda Tremaine has a story? Woven through the present of the story, we get Ethel’s back story – how she met and married a man who loved her and they had two daughters, for whom she would do anything.

But when her husband died, his family was going to marry off her daughters and send them away without her, even though they were only 7 and 8 years old. So she found another man to marry, this one with a title.

She tried to be a mother to his motherless daughter, but the girl was resistant. After this husband died, Ethel was left with the estate – but no money to keep it up. His daughter Ellen had a dowry that she couldn’t touch until she got married.

Ethel and her daughters worked hard to put food on the table, but keep up appearances in order to keep the girls’ prospects for marriage open. Ellen? Not so much. She’s used to being a gentleman’s daughter and prefers to stay in her room, reading. As the book opens, Ethel is hunting with the falcon her first husband left behind. Her daughters are diligent – one keeping the books and managing sales of apples, with the other making skilled creations with her embroidery.

At first, I thought it was a simple up-ending of the tale with Cinderella shown to be actually the less hard-working sister. But it goes a lot deeper than that.

When Ellen gets invited to the ball, but her stepsisters don’t, Ethel has to dredge up things from her past to fix matters. But she’ll do anything for her daughters.

And then Ellen misses going to the ball with her stepsisters because she was supposed to make her own dress (with expensive materials provided) – and simply didn’t get it done. It’s not a godmother who helps her show up later, but she does get help.

It’s after Ellen seems to have gained the affections of the Prince that the story turns darker than the fairy tale. Ellen’s going to need her stepmother’s help, and Lady Tremaine is willing to go to the ends of the earth for her stepdaughter.

I can’t give anything away, but the ending is perfect and hugely satisfying – and leaves me with a look at the old fairy tale that I greatly prefer.

rachelhochhauser.com

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Review of Spindle’s End, by Robin McKinley

Audiobooks, Fairy Tale Variant, Fantasy, Old Favorites, Starred Review, Teen Fiction Review 0

Spindle’s End

by Robin McKinley
read by Justine Eyre

Tantor Media, 2019. 12 hours, 30 minutes.
Review written May 31, 2025, from a library eaudiobook.
Starred Review

I was surprised to realize I never reviewed this Old Favorite on Sonderbooks. I was looking for Robin McKinley books the library has as eaudiobooks, thinking I’d be rereading books from the early years of writing Sonderbooks – and found Spindle’s End. It wasn’t until I looked for the old review on Sonderbooks that I discovered there wasn’t one. Amazon now tells me I purchased a hardcover copy of this book on May 5, 2000 – so I read it a year before I started writing Sonderbooks.

And I honestly hadn’t remembered how good it is! This time through was a delight. I loved the narrator – with a delightful English accent – much more than the narrator of my two favorite Robin McKinley books, The Blue Sword, and The Hero and the Crown. Am I so shallow that I require an English accent? I do think it seems appropriate for a fairy tale retelling. Anyway, I loved this narrator.

Spindle’s End is a very loose retelling of “Sleeping Beauty.” Very loose, with many significant details changed. I think the first time I read it, I couldn’t quite forgive those changes. This time, I knew they were coming, and I was simply caught up in the wonderful tale.

One significant change makes the story make a whole lot more sense – The evil fairy who curses the princess explicitly states that while she originally planned her curse for the princess’s 21st birthday, she could make it happen at any time. So this is why the princess must go into hiding.

I like the way the book begins by focusing in on 15-year-old Catriona, a young fairy learning from her aunt. She’s handed the baby princess and gets the responsibility of hiding her and bringing her home. Along the way, Catriona, who can talk to animals, gets help from animals who arrange to feed the baby.

And these are the sort of delightful details Robin McKinley has added to the fairy tale. The kingdom is packed full of magic, so much so that ordinary folks have ways of dealing with it to avoid the inconvenience of things transforming unexpectedly. First we focus on Catriona, bringing up baby Rosie as an ordinary village girl with the help of her aunt. Then as Rosie grows, the focus shifts to her, as her 21st birthday approaches and it appears that the evil fairy has finally found her.

The story is lovely, but you won’t find any princess passively waiting for a prince to save her. I like the way they subverted some of the fairy “gifts” bestowed at birth by, for example, not ever teaching Rosie to embroider, so her being supernaturally good at it wouldn’t be noticed. They didn’t have to worry about the magically perfect ringlets in her hair, because Rosie cut her hair short even as a small child.

So, yes, the frame of the fairy tale is there, but the delightful particularity comes entirely from Robin McKinley, who’s especially good at making characters who are far from perfect, but get you completely on their side. They work for their happily ever after, and you’ll be with them all the way.

robinmckinley.com

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Review of Ella Enchanted, by Gail Carson Levine, read by Eden Riegel

Children's Fiction Review, Fairy Tale Variant, Fantasy, Old Favorites, Sonderbooks25, Stand-outs, Starred Review 0

Ella Enchanted

by Gail Carson Levine
read by Eden Riegel

Listening Library, 2000. 5 hours, 42 minutes.
This review written August 25, 2025, from a library eaudiobook.
Original review posted February 25, 2002.
1998 Newbery Honor Book
Starred Review
2002 Sonderbooks Stand-out: #4 Young Adult and Children’s Fantasy Rereads

To this day, I am proud that I discovered Ella Enchanted *before* it won Newbery Honor. I have a first edition, without the sticker. I don’t know where I got it, but in 1997 I lived in Germany, and I wanted to be a children’s writer. Somehow I got some copies of some publisher catalogs. I was taken with the description of Ella Enchanted – I always love fairy tale retellings – and must have ordered my copy from Amazon. I loved it and was delighted when it won Newbery Honor.

In honor of my 25th year of writing Sonderbooks, I’ve been celebrating #Sonderbooks25. My plan was to reread my reviews of all my Sonderbooks Stand-outs over the years and choose one book to reread from each year. Well, that was a good plan! Instead, I’ve started rereading *all* my reviews and have found the old favorites that my library has on audio and have revisited many. I started at the beginning of 2025, and am still working on 2003. I tell myself it will go more quickly when I don’t have to convert those older pages to phone-friendly format (after 2005) – but hey, the only deadline is my own, and I’m having lots of fun.

It was a delight to enter the world of Ella Enchanted again. At last, we understand why Cinderella let her step family boss her around so horribly – she was cursed at birth with the “gift” of obedience – when someone gives her a direct command, she has to obey.

Gail Carson Levine added many other delightful details as well. It’s a magical kingdom where ogres can charm humans and make you do whatever they want. And it’s also inhabited by kindly gnomes and giants. Ella has a gift of languages, and she gets to know Prince Charmant well before the ball – but he doesn’t recognize her because it’s a masked ball. Besides the romance, the plot involves Ella trying to break her curse.

I put my original review in Young Adult Fiction, but this time around, I have to bow to the fact that despite Ella being a teen who’s old enough to marry, the book is really written for children in the middle grades. The romance isn’t about physical attraction so much as it is about making each other laugh. It all adds up to a sweet story that will make you smile, whatever age you are when you discover it.

gailcarsonlevine.com

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Review of The Goose Girl, by Shannon Hale

Audiobooks, Fairy Tale Variant, Fantasy, Stand-outs, Teen Fiction Review 0

The Goose Girl

by Shannon Hale
read by Cynthia Bishop and the Full Cast Family

Blackstone Audio, 2012. 10 hours, 16 minutes.
Review written June 3, 2025, from a library eaudiobook.
Starred Review
Original review written November 24, 2003.
2003 Sonderbooks Stand-out: My favorite book of the year

In honor of #Sonderbooks25, my 25th year of writing Sonderbooks, I’ve been revisiting my earlier reviews. My plan was to reread one book from each year’s Sonderbooks Stand-outs, and I’d decided to reread one for 2003 that I hadn’t read again in all that time – and then I did a search of the library’s eaudiobook collection – and found I simply had to give this favorite a listen. I’m also writing new reviews for the ones I reviewed before my “new” format in 2006 and when I added the blog.

And what a treat! This audiobook is a lavish production of a wonderful story. Every character who speaks gets their own voice actor, and there are musical cues throughout, reflecting the mood.

I’ve always loved fairy tale adaptations, and this is one of my all-time favorites. It makes sense of the original fairy tale and answers some questions. Why did the princess allow her lady-in-waiting to steal her identity? Why did they hang her horse’s head over the city gate? How did she make the wind drive the goose boy’s hat away so he wouldn’t bother her?

I love the way Shannon Hale shows growth in the princess Ani’s character. She starts out overawed by her mother and all too aware of her own inadequacies. Both Ani’s mother and her lady-in-waiting have a magical gift that helps them persuade people – a gift that Ani completely lacks. But over the course of the book, Ani learns the gifts she does have and the power she holds. When out of necessity she lives as a goose girl – she gets to know the working people of her new country – and gains a reason beyond herself to speak up and win back her crown.

This book began a whole series of the Books of Bayern, and so many reviews of Shannon Hale books that I gave them a webpage of their own. It still has a special place in my heart as the book that helped me discover the magic of Shannon Hale’s writing.

shannonhale.com
fullcastaudio.com

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Review of East, by Edith Pattou

Audiobooks, Fairy Tale Variant, Fantasy, Sonderbooks25, Stand-outs, Starred Review, Teen Fiction Review 0

East

by Edith Pattou
read by a Full Cast

Listening Library, 2005. 10 hours, 48 minutes.
Review written May 21, 2025, from a library eaudiobook.
Original Review written December 6, 2003.
Starred Review
2003 Sonderbooks Stand-out: #2 Young Adult Fantasy

As part of #Sonderbooks25, celebrating my 25th year of writing Sonderbooks, my plan was to choose one book to read from each year’s Sonderbooks Stand-outs. But then reading all the reviews, I remembered how much I love these books… And then I discovered several of my favorites available or with a short wait as eaudiobooks with my library… And I’m rereading a lot more than one book per year.

And I love East as much as ever! It’s still a weird fairy tale – “East of the Sun, West of the Moon” – but I love the way the author fills the book with family and friends who help Rose along the way. It ends up being a book about relationships with family and friends and about not giving up despite impossible odds.

I’m also pleased that after I finished this, I’m able to start right into listening to the follow-up, West, for more about Rose and her White Bear. I read West the year I was on the Newbery committee, so I didn’t have the luxury of rereading East before I did. This time, I get to read them one after the other.

I’m not going to write new reviews for every book I reread during #Sonderbooks25. But I like having a pretty new review in place of the ones I wrote before 2006, before I made the new format and added the blog. So here’s a new review for East, but I’ll let the old one stand for West.

If you love fairy tale retellings, as I do, pick up this atmospheric tale about a girl who’s prone to wander, and who goes with a white bear to help her family. After her curiosity causes disaster to strike, she’s determined to make things right for the white bear – and ends up helping other people, too.

Oh, and this is a lovely Full Cast production audiobook, with separate voices for each character who gets viewpoint chapters – Rose, her brother Neddy, her father, the White Bear, and the Troll Queen.

edithpattou.com

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Review of Into the Bloodred Woods, by Martha Brockenbrough

Fairy Tale Variant, Fantasy, Teen Fiction Review 0

Into the Bloodred Woods

by Martha Brockenbrough

Scholastic Press, 2021. 354 pages.
Review written October 18, 2022, from a library book

In this very dark and atmospheric fairy tale-esque young adult novel, we’ve got fairy tale tropes all interwoven throughout a story that implies here’s what really happened, and the tales you’ve heard were changed for an audience of children.

There’s a storyteller featured in short interludes between the parts, weaving tales that become truth as they are repeated. But the book promises us the real story at the start:

This is the story of a werebear and her brother, one of whom will inherit a kingdom . . .

It’s the story of another werebear who wanted to burn it all down . . .

Of a sister who traded everything to spin grass into gold . . .

Of an angry musician who loved a gentle werewolf . . .

Of a girl who loved a singing forest more than life itself . . .

And of a kingdom shattered like a mirror, the pieces of which can be put back together, but only by someone brave enough to look.

The book has its heart in a singing forest, a forest just outside a kingdom.

The forest started singing when a girl named Esme struck a bargain in exchange for the magic that she needed to save her sister’s life. And that was necessary because their father had lied to the king to make himself seem important; he’d claimed that he had a daughter of surpassing beauty who could spin grass into gold.

And what was that bargain? (I told you the book is dark.) Esme traded her womb for magic. She buried it in the soil of the forest, and the forest taught her to spin grass into gold.

So her sister married the king and had twin babies, a boy and a girl. The girl was born first, though it wasn’t traditional for a girl to inherit the kingdom. This set them up for a rivalry.

But many things happen before the children become teens. Esme flees from the king to the forest where she has a daughter of her own, Capella. And the main characters of the book are Hans and Greta, the children of the one woodsman in the forest, and the king and queen’s children, Ursula and Albrecht. Ursula is a werebear, and Hans is a werewolf.

In this kingdom, werecreatures are treated as lesser citizens, and even Ursula must sleep in a cage at night. And when Hans and Greta’s parents die of a fever, they go to the kingdom to buy provisions, but get taken as servants to the castle.

Albrecht uses Hans to help him make mechanical creatures. He dreams of ruling the kingdom, protecting it with an army of mechanical soldiers. If he can only get the mechanisms right.

Albrecht is fascinated by how things work and what makes creatures alive. Aren’t those alive who can feel pain? He thinks about ways of causing pain….

And the kingdom is funded by the gold given as the queen’s dowry. But this gold has a weakness — it disintegrates when touched by human blood.

Throughout the book, many themes from fairy tales get pulled into a twisty atmospheric tale of powerful evil and those who would stand up against it.

marthabrockenbrough.com
scholastic.com

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Review of Cruel Beauty, by Rosamund Hodge

Audiobooks, Fairy Tale Variant, Fantasy, Starred Review, Teen Fiction Review 0

Cruel Beauty

by Rosamund Hodge
read by Elizabeth Knowelden

HarperAudio, 2014. 10 hours, 17 minutes.
Review written April 19, 2022, from a library eaudiobook
Starred Review

This is a Beauty and the Beast tale with complicated and beautiful world-building. I chose this audiobook because none of my audio holds were available and I wanted something to listen to while cleaning house. So I searched for books read by my favorite narrator, Elizabeth Knowelden. She makes any book a magical experience. As soon as I checked the book out, several of my holds were available all at once, but I was already hooked and finished this book before I was willing to look at any of them.

All her life, Nyx has known that when she comes of age, she will marry the Gentle Lord — and she must destroy him. She has been trained in just enough of the magical arts to make the Gentle Lord’s magical castle collapse in on him to free Arcadia forever. The catch is that she would be trapped as well. The Gentle Lord supposedly keeps the demons in Arcadia in check, but not always successfully. Since the time of the Sundering, Arcadia has been separate from the rest of the world with the Gentle Lord ruling over them. He makes bargains with people — bargains that pretty much always turn out badly for those who agree to them. Before her birth, Nyx’s father made a bargain for children, with the price that one of his twin daughters would have to marry the Gentle Lord on her 17th birthday. But he forgot to include that his wife would have the strength to bear children, and Nyx’s mother died in childbirth.

All her life, Nyx’s family has been preparing her for this task, but unsurprisingly, she’s not happy about it. She’s expected to avenge her mother and bring about the deliverance of Arcadia, but at the cost of her own life. When she gets to the Gentle Lord’s castle, nothing is as she had thought. She works on the plan to find the hearts of water, fire, earth, and air to negate them and bring down the castle, but as she follows this quest, she learns that’s not going to free Arcadia after all.

And it turns out there are two beasts in the castle. There’s the Gentle Lord, known as Ignafex, and his shadow-servant, Shade — who is only in human form at night. They share the same face, but Ignafex has eyes of a demon. Nyx needs to find out who they are and how they got there, or she’ll never be able to defeat the Gentle Lord — and there are questions and secrets and layers to everything.

I’m not sure if I would have enjoyed this book as much if I had read it myself, but as always, Elizabeth Knowelden cast a spell and enthralled me with this complex and dangerous world.

rosamundhodge.net

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Review of The Puppets of Spelhorst, by Kate DiCamillo

Beginning Chapter Books, Children's Fiction Review, Fairy Tale Variant, Fantasy, Starred Review 0

The Puppets of Spelhorst

A Norendy Tale

by Kate DiCamillo
illustrated by Julie Morstad

Candlewick Press, 2023. 150 pages.
Review written November 8, 2023, from a library book.
Starred Review

Hooray! Kate DiCamillo has started a series of original fairy tales!

Now, mind you, I’m a fairy tale fan, and this wasn’t my favorite ever. There’s not much magic — well, except puppets that can talk — and no fairies at all. But the feel does fit fairy tales, and I definitely would like to read this book aloud to an audience of primary grade kids. There’s a musical quality to the words and the atmospheric illustrations fit perfectly.

The story itself is about five puppets — “a king and a wolf and a girl and a boy and an owl.” An old sea captain named Spelhorst buys them because the girl reminds them of someone he loved once.

But when the sea captain dies, their adventures begin. The puppets want to be in a story. The wolf keeps going on about his sharp teeth. The king is very proud of his kingly nature. The owl is full of wise sayings. The boy has a quiver full of arrows. And the girl has beautiful eyes that want to see the world.

And the puppets do indeed find a story, complete with some danger in the middle, but ending up with adventure.

To give you an idea of the flavor, here’s a section when the puppets are in a dark trunk on the cart of a rag-and-bone man who takes things that aren’t wanted:

The puppets lay together in the chest. They could hear the rag-and-bone man’s song.

“Who are we?” said the owl.

“Well, I suppose we’re something that’s not wanted,” said the girl.

“Nonsense,” said the king. “Everyone wants a king. That’s the very definition of kingliness.”

“It’s so dark in here,” said the boy.

“Darkness means nothing when your teeth are as sharp as mine,” said the wolf.

“Into the darkness, there sometimes comes a light,” intoned the owl.

I’m definitely looking forward to more idiosyncratic fairy tales from the quirky mind of Kate DiCamillo. (Honestly! How does she think of these things?) This one left me smiling.

candlewick.com

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Review of Little Thieves, by Margaret Owen

Audiobooks, Fairy Tale Variant, Fantasy, Starred Review, Teen Fiction Review 0

Little Thieves

by Margaret Owen
read by Saskia Maarleveld

Macmillan Audio, 2021. 14 hours.
Review written October 31, 2022, from a library eaudiobook
Starred Review
2022 Cybils Finalist, Young Adult Speculative Fiction
2022 Sonderbooks Stand-out: #1 Teen Fantasy Fiction

Oh, this book is so, so good! I listened to it while on a road trip four hours away to New River Gorge National Park and found myself looking forward to spending more time in the car, almost more mesmerized by the audiobook than I was by the stunning autumn leaves. The narrator did a wonderful job weaving the spell, and I was hooked from the very beginning.

The book begins with a dark tale:

Once upon a time, on the coldest night of midwinter, in the darkest heart of the forest, Death and Fortune came to a crossroads.

They’ve come to the crossroads to meet with a woman and her four-year-old child. The mother believes her child is bad luck. The woman was a thirteenth child, and this child is her thirteenth. So that is how Vanja gets Death and Fortune as her godmothers.

But then we fast forward twelve more years. Vanja is wearing the face of a princess, and she’s planning a jewel heist at the house party of another noble family.

We learn that for a year, Vanja has been masquerading as the princess whom she once served, using the princess’s enchanted pearls that give her a beautiful appearance and play on the desires of those who look upon her. She’s betrothed to the margrave of Boern, but he has been away at war for a year, so she’s had charge of his castle.

As she pulls off the elaborate jewel heist, at the end of the first chapter we read:

Once upon a time, there was a girl as cunning as the fox in winter, as hungry as the wolf at first frost, and cold as the icy wind that kept them at each other’s throats.

Her name was not Gisele, nor was it Marthe, nor even Pfennigeist. My name was — is — Vanja. And this is the story of how I got caught.

I saw on the flap that this book is a retelling of “The Goose Girl,” and for a little while, I was faintly horrified to find myself sympathizing with the horrible maid who stole the princess’s life, a princess I came to love in Shannon Hale’s version, The Goose Girl. But this is a very different retelling! I think it’s kind of funny that now two of my favorite books came from that fairy tale, but in such different versions.

In this version, the truly terrible villain is actually the margrave the princess was traveling to marry.

And as Vanja pulls off her jewel heist as the Pfennigeist, she learns that the margrave is coming home. And he’s called in the Order of the Prefects of the Godly Courts to uncover the Pfennigeist. And on her way back to the margrave’s castle, she runs afoul of another of the Lower Gods and gets cursed to slowly turn into a statue of jewels by the full moon — unless she makes up for all she has taken.

Of course, that may not be the worst thing, because now that the margrave is back, he wants to get married quickly. And what are these monsters that keep coming after his bride?

But oh, there’s so much more — I’d better not try to tell all the threads woven together and then skillfully unwound.

I will say this is a very loose retelling of the fairy tale, with many more details woven into the story. Instead of being an actual goose girl, the deposed princess works in an orphanage which in German (or something like it) is called Gosling House. A junior prefect who comes to investigate the thefts is named Conrad, and yes, a dead horse is important to the plot by the end.

Besides being a very loose retelling, it’s also much darker than Shannon Hale’s retelling, but after all, we’re pulled into sympathy with the villain of that tale — she hasn’t been treated well by the nobility, including sexual assault by the margrave when she had the appearance of a servant. (Nothing sexual is onstage, but there are some innuendoes and some dark moments.)

But oh my goodness, how well the plot is woven!

I thought of it as an alternate-reality medieval Germany, since they use a Germanic language and The Goose Girl is a fairy tale from the Brothers Grimm. So then I was pulled up short when same-sex relationships and transgender people are seen as entirely normal. Kind of pulled me out of the medieval Germany vibe. But then I laughed at myself. It was a world where the religion involved tribute to the Lower Gods, including gods of place and the gods of Death and Fortune. So without our same Scripture, why wouldn’t same-sex relationships be seen as normal?

But oh my goodness, the plot of this book is wonderful! Vanja’s set up with lots of problems — She also wants to gain enough money to get out of the Blessed Empire so she won’t have to serve one of her godmothers for the rest of her life. But she also needs to evade justice for her thefts and break the curse so she doesn’t get turned into a statue and continue to hide her true identity and stay alive despite the monstrous attacks and also try to avoid marrying the margrave.

Yes, it’s complicated, but magnificently so.

Oh, and the title? It comes from a proverb from the Blessed Empire:

The little thief steals gold, but the great one steals kingdoms;
and only one goes to the gallows.

margaret-owen.com
fiercereads.com

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Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Windswept, by Margi Preus

Children's Fiction Review, Fairy Tale Variant, Fantasy, Starred Review 0

Windswept

by Margi Preus

Amulet Books (Abrams), 2022. 288 pages.
Review written September 30, 2022, from an advance reader copy I got at ALA Annual Conference
Starred Review

Windswept is a new fairy tale, crafted full of references to the old Norwegian fairy tales, and some influences from the Brothers Grimm. Since I read lots of fairy tales as a child, I appreciated the way this one wove in themes that show up again and again.

And since they’re Norwegian fairy tales, there have to be trolls! Expect some danger from trolls, and you will not be disappointed.

This fairy tale is set in a future earth without technology, with people living in villages, governed by the Powers That Be. There are lots of artifacts around from the Other Times — especially plastic, which is cluttered all over the place. But the Powers That Be have declared the only books Youngers should read are field guides and factual things like that.

But above all, Youngers must be kept indoors. We’re told the tale from the perspective of Tag, whose real name is Hyacinth, but who was always a tagalong to her three older sisters. But one fateful day almost seven years before her adventure begins, their guard fell asleep and Tag’s sisters went Outside. Tag was slow getting her shoes on, and didn’t quite make it over the threshold, so she saw with her own eyes the snow squall that suddenly descended and the wind that swept her sisters away.

In the seven years since, her father spent all his money looking for them, and died of a broken heart. Instead of keeping a guard, her mother keeps Tag indoors, with all the windows and doors boarded up. There’s one little knothole through which she can see a piece of the Outside.

But one day another eye appears on the other side of the knothole, and then an invitation pops through.

And when Tag finds a way to accept the invitation, encouraged along by something with a bit of magic, she finds four other Youngers and a little dog who are also defying the Powers That Be. They decide together to do something. And together, they set out on a quest to rescue their siblings, who were all windswept like Tag’s sisters.

Their quest is full of fairy tale logic and a little chaotic, but involves finding what they need to help along the way, with old crones to advise them. Not to mention trolls! And of course the ever-present danger from the wind. And they’d better watch out for small curses.

Of course, one of the best things about Norwegian fairy tales is you often have a little girl doing the impossible and overcoming against all odds. This tale falls nicely into that category.

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