Review of Beauty Queens, by Libba Bray

Beauty Queens

by Libba Bray

Scholastic Press, New York, 2011. 396 pages.
Starred Review

Okay, this book is hilarious, laugh-out-loud funny. It is irreverent, has frank sexuality of different types, and makes fun of people who give easy answers — including a Christian leading a song “Jesus is my Co-pilot” while their plane crashes. However, most of the things the author makes fun of fully deserve to be made fun of. The book mostly mocks our corporate culture and the messages we send to women about their bodies and their sexuality. And the book is definitely funny. Did I mention that it made me laugh out loud?

I love Libba Bray from the moment I heard her speech at the 2010 Printz Awards. Funny irreverence is where she shines, and in this book, she harnesses it all into a rollicking tale of survival.

The story is about a group of survivors of a plane crash on a desert island. The plane was filled with Miss Teen Dream contestants, and all the adults (and most of the contestants) die in the crash. But don’t worry! I’ll give you the first page or so, so you’ll know it’s a Happy Story:

A WORD FROM YOUR SPONSOR

“This book begins with a plane crash. We do not want you to worry about this. According to the U.S. Department of Unnecessary Statistics, your chances of dying in a plane crash are one in half a million. Whereas your chances of losing your bathing suit bottoms to a strong tide are two to one. So, all in all, it’s safer to fly than to go to the beach. As we said, this book begins with a plane crash. But there are survivors. You see? Already it’s a happy tale. They are all beauty queen contestants. You do not need to know their names here. But you will get to know them. They are all such nice girls. Yes, they are nice, happy, shining, patriotic girls who happen to have interests in baton twirling, sign language, AIDS prevention in the animal population, the ancient preparation of popadam, feminine firearms, interpretive dance, and sequins. Such a happy story. And shiny, too.

“This story is brought to you by The Corporation: Because Your Life Can Always Be Better (TM). We at The Corporation would like you to enjoy this story, but please be vigilant while reading. If you should happen to notice anything suspicious in the coming pages, do alert the proper authorities. Remember, it could be anything at all — a subversive phrase, an improper thought or feeling let out of its genie bottle of repression, an idea that challenges the status quo, the suggestion that life may not be what it appears to be and that all you’ve taken for granted (malls, shopping, the relentless pursuit of an elusive happiness, prescription drug ads, those annoying perfume samples in magazines that make your eyes water, the way anchormen and women shift easily from the jovial laughter of a story about a dog that hula-hoops to a grave report on a bus crash that has left five teenagers dead) may be no more consequential than the tattered hem of a dream, leaving you with a bottomless, free-fall feeling.

“This is the sort of thing we are warning you about.

“But let’s not worry, shall we? There’s nothing to worry about. Though there is the threat of war, it happens in the background, in snippets on the nightly news between ads for sinus medicines. It’s none of our concern. This is a happy story.

“Now, our story begins, as many happy stories do, with a blue, blue sky. A blue, blue sky punctuated by thick white clouds; they drift across the expanse like semicolons, reminding us that there is more to come. The pilot, a man in his forties who once stayed on a mechanical bull for a full eight seconds, has just turned off the FASTEN SEAT BELTS sign. The flight is on its way to a remote tropical paradise where the girls will compete against one another for the title of Miss Teen Dream.

“Oh dear. Compete is a rather ugly word, isn’t it? After all, these are such lovely girls, pure of heart and high of spirits. Let’s say that they will be ‘drawing on their personal best,’ and some girls will ‘proceed on a path of Miss Teen Dreamdom’ while others will ‘have the option to explore other pageant opportunities elsewhere at an unspecified future time.’ Ah. There. That’s much better, isn’t it?”

That should give you the idea. If the above strikes you funny, you will enjoy this book, because that is just the beginning.

When twelve girls find themselves on a beach after the plane crash, Taylor Rene Krystal Hawkins, Miss Teen Dream Texas, organizes them into two teams, The Sparkle Ponies and The Lost Girls, to find out what they have and deal with the situation. They’re determined to stay Pageant-ready until they are rescued. But rescue is not quick in coming.

Here’s the scene when the Lost Girls come back and report that there are no survivors at the plane crash site:

“Taylor’s sharp clap echoed on the beach, ‘Teen Dreamers! We need to focus like it’s the final interview round and the questions are all about anorexia and current events. Now, I know y’all are upset. This is just plain awful. But God doesn’t make mistakes. Is this a setback, Teen Dreamers?’

“‘Totally,’ wailed Miss Arkansas. Her left arm was broken. It had been bandaged into a ninety-degree angle as if she were perpetually waving to an unseen crowd.

“‘No, ma’am. No, it is not. I know what Ladybird Hope would say. She would say that this is an opportunity for growth and the establishment of your personal brand. Everybody loves a survivor. And everybody loves a Miss Teen Dream contestant. When you put those two together, you have a lot of hope. And big endorsement opportunities when we get back. Let’s get a woo-hoo goin’!’

“A halfhearted chorus of ‘woo-hoo’ rippled through the horseshoe-shaped cluster of exhausted, hungry girls.

“Taylor shouted, ‘Now, I know y’all can be louder than that!’

“‘WOO-HOO!’

“‘That’s the Miss Teen Dream spirit. Sparkle Ponies, report: What did y’all salvage from the plane?’

“The girls listed off their bounty: four hot roller sets, two straightening irons, a few teeth-bleaching trays, five seat cushions, three waterlogged beauty magazines, a notebook, laxatives, diet pills, a few suitcases filled with clothes, evening gowns, a collection of mismatched bathing suit tops and bottoms, various shoes, bags of pretzels, and bottles of water.”

It’s actually surprising how well the girls do under these difficult conditions. To add to the fun, the author throws in that they have crashed on an island where a government conspiracy is taking place. What’s more, after some weeks, the cast of the reality show, Captains Bodacious IV: Badder and More Bodaciouser and their shipload of pirates, gets shipwrecked on the very same island.

That should give you the idea. It’s not intended to be realistic. (Or is it?) The story is punctuated with pageant data sheets about the contestants and “Commercial Breaks” in favor of products made by The Corporation. I loved lines like this: “Lady ‘Stache Off. Because there’s nothing wrong with you. . . that can’t be fixed.”

This book is good, silly fun with barbs pointed at our corporate culture. Definitely an entertaining read.

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/beauty_queens.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Name of the Star, by Maureen Johnson

The Name of the Star

Shades of London
Book One

by Maureen Johnson

G. P. Putnam’s Sons, 2011. 372 pages.
Starred Review

On the same day that Rory Deveaux from Benouville, Louisiana, arrives in London for a year of boarding school, someone decides to imitate the murders of Jack the Ripper. The murders are gruesome and horrible, and keep arriving on schedule, with Rory’s school in the middle of Ripper territory. But the worst part about these new murders is that the victims can be seen on the closed circuit TV cameras posted all over London. But the person murdering them cannot be seen.

Then Rory begins seeing people that her friends don’t see. And on the night of one of the murders, one man in particular talks to her, but her roommate Jazza doesn’t even see him. He knows who she is and where she lives.

I don’t want to say too much more about the plot, because it’s all played out beautifully, with plenty of growing suspense as we begin to figure out, along with Rory, what is going on.

It all leads into a frightening and dangerous confrontation at the end, with a nice twist that assures us there will be more books about Rory. (Though the story in this book is complete, thank goodness! None of that awful “To Be Continued” stuff here.)

Now, call me sheltered, but I had no idea how gruesome Jack the Ripper’s murders were. I thought he just slit people’s throats or something. Using those details definitely raises the stakes in this novel. We want to see the murderer brought to justice, and we don’t want to see Rory fall into his clutches.

The non-paranormal part of the story is entertaining on its own with an American girl trying to fit in at an English boarding school. I fully sympathized with Rory’s horror at field hockey every single day.

I enjoyed the passage where she explains what she learned in the first week:

“Some other facts I picked up:

“Welsh is an actual, currently used language and our next-door neighbors Angela and Gaenor spoke it. It sounds like Wizard.

“Baked beans are very popular in England. For breakfast. On toast. On baked potatoes. They can’t get enough.

“‘American History’ is not a subject everywhere.

“England and Britain and the United Kingdom are not the same thing. England is the country. Britain is the island containing England, Scotland, and Wales. The United Kingdom is the formal designation of England, Scotland, Wales and Northern Ireland as a political entity. If you mess this up, you will be corrected. Repeatedly.

“The English will play hockey in any weather. Thunder, lightning, plague of locusts . . . nothing can stop the hockey. Do not fight the hockey, for the hockey will win.

“Jack the Ripper struck for the second time very early on September 8, 1888.”

This is a well-written novel of suspense, but with lots of fun mixed in. I’m an avid follower of Maureen Johnson on Twitter, where she’s the funniest person ever, so I wasn’t at all surprised to love Rory’s voice. I am not a person who deliberately chooses to read scary books. Yet I thought this scary book was wonderful, and a whole lot of fun. I’m looking forward to future books.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book I ordered from Books of Wonder, signed by the author.

Review of Tuesdays at the Castle, by Jessica Day George

Tuesdays at the Castle

by Jessica Day George

Bloomsbury, New York, 2011. 232 pages.
Starred Review

I always wish for fantasy books to get some Newbery glory. It’s my favorite genre, and although some win, some years outstanding books get passed over. This year, the fantasy book I’m rooting for is Tuesdays at the Castle, by Jessica Day George.

Okay, it’s got some tough competition in the form of Okay For Now, by Gary Schmidt. Tuesdays at the Castle is much lighter fare, not covering big, heavy issues that come up in Okay for Now. However, what Tuesdays at the Castle does, providing a light, intriguing fantasy tale for middle grade readers, it does exceptionally well.

It’s a story of a medieval-type world with a princess at the center of the tale, yes. But the magical setting is highly unusual and delightfully different:

“Whenever Castle Glower became bored, it would grow a new room or two. It usually happened on Tuesdays, when King Glower was hearing petitions, so it was the duty of the guards at the front gates to tell petitioners the only two rules the Castle seemed to follow.

“Rule One: the Throne Room was always to the east. No matter where you were in the castle, if you kept heading east you would find the Throne Room eventually. The only trick to this was figuring out which way east was, especially if you found yourself in a windowless corridor. Or the dungeon.

“This was the reason that most guests stuck with Rule Two: if you turned left three times and climbed through the next window, you’d end up in the kitchens, and one of the staff could lead you to the Throne Room, or wherever you needed to go.

“Celie only used Rule Two when she wanted to steal a treat from the kitchens, and Rule One when she wanted to watch her father at work. Her father was King Glower the Seventy-Ninth, and like him, Celie always knew which way was east….

“The Castle didn’t seem to care if you were descended from a royal line, or if you were brave or intelligent. No, Castle Glower picked kings based on some other criteria all its own. Celie’s father, Glower the Seventy-Ninth, was the tenth in their family to bear that name, a matter of great pride throughout the land. His great-great-great-great-great-great-great-great-grandfather had become king when Glower the Sixty-Ninth’s only heir had turned out to be a nincompoop. Legend had it that the Castle had repeatedly steered the old king’s hairdresser to the throne room via a changing series of corridors for days before the Royal Council had declared him the next king, and the young man who should have been Glower the Seventieth found himself head down in a haystack after having been forcibly ejected from the castle through the water closet.

“King Glower the Seventy-Ninth, Lord of the Castle, Master of the Brine Sea, and Sovereign of the Land of Sleyne, knew when to leave well enough alone. He married the beautiful daughter of the Royal Wizard when the Castle guided them into the same room and then sealed the doors for a day. He paid attention when the Castle gave people larger rooms or softer chairs. When his oldest son, Bran, kept finding his room full of books and astrolabes, while his second son, Rolf’s, bedroom was moved next to the Throne Room, King Glower sent Bran to the College of Wizardry and declared Rolf his heir.

“And when little Celie was sick, and the Castle filled her room with flowers, King Glower agreed with it. Everybody loved Celie, the fourth and most delightful of the royal children.”

But Celie ends up facing some big problems. Her parents go to Bran’s graduation from the College of Wizardry, and on the way home, they are attacked by bandits in the pass. Bran’s horse is found dead, but they don’t find the bodies of the royal family. However, the king’s Griffin Ring, which rumor says can only be removed at the king’s death, was found at the site of the attack.

Search parties are sent out, but the king and queen and Bran are not found. But things don’t look hopeful for them, and the ministers don’t want to be without a king. Princes from their neighboring countries come with armed guards, plus servants and advisors and ministers of state. Ostensibly they are coming for the funeral. But Celie and her brother and sister don’t want to have a funeral. Though there seems to be no reasonable hope of finding their father alive, the Castle has not yet turned Rolf’s bedroom into the Royal Bedchamber, where the Crown of Sleyne remains. So the current King Glower must still be alive.

But with the king missing, the neighboring kingdoms see Sleyne as weak. The ministers want to go ahead with Rolf’s coronation, but at fourteen they think he’s too young to rule, and will need a regent. The Castle is filled with foreign soldiers and now the foreign princes say they’re staying for Rolf’s coronation. How can Celie and her sister and brother salvage the situation and save the kingdom? And how can Celie use her knowledge of the castle to defend the country and her family?

The story that follows is inventive and suspenseful and wonderfully creative. One lovely thing about it is that, though there’s a little romance with Celie’s big sister, the main focus all the while is on Celie, who is firmly a child, about ten years old. I love it that this child saves the day, doing realistic things for a child and little sister to do. For example, Celie is interested in the Castle and has been mapping it out. She knows it better than anyone. Which enables her to go places no one else can go….

A huge strength of this book is its wonderfully imaginative setting, though perhaps I should say the strength is really
in the characterization, because the Castle is like a character itself. The three royal siblings left at the Castle are all distinct personalities and contribute to the solution in ways that are true to their character. And the plot is wonderful, too — with plenty of twists and turns showing up like castle corridors changing direction, but all arising naturally out of the inventive situation the author has created. This book is tremendous fun, and my favorite children’s fantasy book of the year so far.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Review Copy I got at ALA Annual Conference.

Review of The Scorpio Races, by Maggie Stiefvater

The Scorpio Races

by Maggie Stiefvater

Scholastic Press, New York, 2011. 409 pages.
Starred Review

I wasn’t sure I would like this book when I read the cover flap, but ended up completely entranced. All my childhood love of The Black Stallion books was aroused. I started it on the way to KidLitCon, and was awfully annoyed when the plane landed and I had to stop. The second night (when I didn’t have a roommate), I kept reading until I finished, because sleep could wait!

Now, I haven’t read any of Maggie Stiefvater’s other books. I’ve pretty much had my fill of werewolf or vampire books, so I didn’t even try them. But this one is about horses — bloodthirsty water horses.

I thought the author had invented a completely new creature, but I learned in the afterword that there is a strong tradition of Manx and Irish and Scottish dangerous water horses. Of course, Maggie Stiefvater took the idea and made it her own. This is no fairy tale retelling, but an intriguing story with mythic elements.

The book begins with a Prologue set nine years earlier. The heading says we’re hearing from Sean, who we soon learn is 9 years old. Here’s how it begins:

“It is the first day of November and so, today, someone will die.

“Even under the brightest sun, the frigid autumn sea is all the colors of the night: dark blue and black and brown. I watch the ever-changing patterns in the sand as it’s pummeled by countless hooves.

“They run the horses on the beach, a pale road between the black water and the chalk cliffs. It is never safe, but it’s never so dangerous as today, race day.”

As Sean watches his father mount the red stallion, he hopes the capall will remember what Sean whispered in his ear: Do not eat my father.

“I am watching the race from the cliffs when a gray uisce horse seizes my father by his arm and then his chest.

“For one moment, the waves do not attack the shore and the gulls above us do not flap and the gritty air in my lungs doesn’t escape.

“Then the gray water horse tears my father from his uneasy place on the back of the red stallion.

“The gray cannot keep its ragged grip on my father’s chest, and so my father falls to the sand, already ruined before the hooves get to him. He was in second place, so it takes a long minute before the rest of the horses have passed over the top of his body and I can see it again. By then, he is a long, black and scarlet smear half-submerged in the frothy tide. The red stallion circles, halfway to a hungry creature of the sea, but he does as I asked: He does not eat the thing that was my father. Instead, the stallion climbs back into the water. Nothing is as red as the sea that day.”

Then the book begins, nine years later, from the perspective of our other protagonist, Kate “Puck” Connelly. Her parents were also killed by water horses, but not because they were racing. Last Fall, they were simply going for a ride in their boat offshore the island, when a water horse attacked and killed them. Now Puck’s older brother, Gabe, goes to work at the Hotel, and Puck keeps things going at home for him and their younger brother, Finn.

Puck and Finn are going into town along the beach with Puck’s beloved ordinary horse Dove when they see the first water horse of the year come onto the land.

“Finn flinches as the horse gallops down the beach toward us, and I lay a hand on his elbow, though my own heart is thumping in my ears.

“‘Don’t move,’ I whisper. ‘Don’t-move-don’t-move-don’t-move.’

“I cling to what we’ve been told over and over — that the water horses love a moving target; they love the chase. I make a list of reasons it won’t attack us: We’re motionless, we’re not near the water, we’re next to the Morris, and the water horses despise iron.

“Sure enough, the water horse gallops past us without pause. I can see Finn swallowing, his Adam’s apple bobbing in his skinny neck, and it’s so true, it’s so hard not to flinch until it’s leapt back into the ocean once more.

“They’re here again.

“This is what happens every fall. My parents didn’t follow the races, but I know the shape of the story nonetheless. The closer it gets to November, the more horses the sea spits out. Those islanders who mean to race in future Scorpio Races will often go out in great hunting parties to capture the fresh capaill uisce, which is always dangerous, since the horses are hungry and still sea-mad. And once the new horses emerge, it’s a signal to those who are racing in the current year’s races to begin training the horses they caught the years before — horses that have been comparatively docile until the smell of the fall sea begins to call to the magic inside them.

“During the month of October, until the first of November, the island becomes a map of safe areas and unsafe areas, because unless you’re one of the riders, you don’t want to be around when a capall uisce goes crazy. Our parents tried hard to shield us from the realities of the uisce horses, but it was impossible to avoid it. Friends would miss school because an uisce horse had killed their dog overnight. Dad would have to drive around a ruined carcass on the way to Skarmouth, evidence of where a water horse and a land horse had gotten into a fight. The bells at St. Columba’s would ring midday for the funeral of a fisherman caught unawares on the shore.

“Finn and I don’t need to be told how dangerous the horses are. We know. We know it every day.”

Then the narration alternates back to Sean Kendrick. He’s nineteen now, and he knows the water horses better than anyone else on the island. He has won the Scorpio Races the last four years, riding on Coll, the red stallion his father rode the day he died. But Sean isn’t racing on his own name. He works for Mr. Malvern, the richest man on the island. He wants nothing so much as to own Coll for himself, but Malvern isn’t selling.

Then Puck’s brother Gabe tells her he’s leaving the island to find work. Puck will do anything to keep him here, for any length of time, so she decides to enter the race this year.

But the island men don’t want a woman in the races. They say it’s bad luck, that she doesn’t belong. But Puck has to win. That’s the only way she can save their home, on which Malvern says he’s going to foreclose.

To add to Sean’s difficulties, Malvern’s son Mutt is jealous. Sean has always told Malvern which horse is the safest, so Mutt can ride that one. But now Mutt wants to win, even if it takes riding a horse that’s more than he can handle.

We quickly get drawn into these characters’ lives. They both love the island and the island’s traditions. They both love their horses. And they both really need to win.

Meanwhile, there’s a long tradition of how the training is done in the weeks leading up to the race, and Maggie Stiefvater has the reader mesmerized as Puck and Sean go through those weeks, Puck facing the hostility of the whole town, and Sean facing Mutt Malvern’s hatred and Malvern’s refusal to let him buy Coll. Along the way, they both are in life-or-death danger over and over again.

This book is brilliant. As I said, all my horse-book-loving little girl passions were aroused! But it had more than that. These horses were faster and far more deadly than ordinary horses, so the stakes were much higher. The author also worked in a realistic scenario of a small island totally dependent on the tourism surrounding its annual race, with young people leaving the island for the mainland. Like The Black Stallion, we’ve got a young man who is the only one who can ride a wild stallion, and maybe the horse loves him back, though wild with everyone else. And we’ve got a girl willing to risk everything to stay on the island she loves. No surprise, there’s romance between Sean and Puck, and it’s beautifully, delicately done. As the end approaches, we definitely want both of them to win the race, with so much at stake.

The one little thing I wasn’t crazy about was the character of Mutt Malvern. In general, I don’t like books to have a stereotypical bully. But Maggie Stiefvater made the situation seem quite realistic and we could pretty easily believe Mutt would act the way he did. She did keep him just the right side of stereotypical. And the interaction between Mutt and Sean definitely ratcheted up the tension.

Yes, I confess, even though I never had a horse, I was a stereotypical horse-loving little girl through books. And this book was like those childhood reads, only more so. I have a feeling I will be rereading this book many times. It is that good.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of State of Wonder, by Ann Patchett

State of Wonder

by Ann Patchett

Harper, 2011. 353 pages.
Starred Review

I got to hear Ann Patchett read from this book almost a full year ago, when she spoke at the Fall for the Book Festival at George Mason University in Fairfax, sponsored by the Fairfax Library Foundation. It’s been a long time to wait for it to come out! Though it didn’t exactly make me excited to read the book — the passage she read involved an Anaconda on a small boat in the Amazon, and it was portrayed all too vividly. But I did know from that reading that the book would be well-written, vividly described, and definitely exciting!

I was right about all of that. Her writing is so evocative. She deeply pulls you into the lives of her characters — who are definitely individuals, with very particular, very unique lives. But it doesn’t take long reading to feel like you know these people, to completely believe that their lives and complex histories are exactly as described.

The story is rather exotic, taking our character to a remote tribe in the Amazon jungle. The beginning sounds completely normal, but momentous:

“The news of Anders Eckman’s death came by way of Aerogram, a piece of bright blue airmail paper that served as both the stationery and, when folded over and sealed along the edges, the envelope. Who even knew they still made such things? This single sheet had traveled from Brazil to Minnesota to mark the passing of a man, a breath of tissue so insubstantial that only the stamp seemed to anchor it to this world. Mr. Fox had the letter in his hand when he came to the lab to tell Marina the news. When she saw him there at the door she smiled at him and in the light of that smile he faltered.”

Anders shared an office with Marina. They were doctors working for a pharmaceutical company. Anders had gone to Brazil to check on the progress of the elusive Dr. Swenson, developing a valuable miracle drug for their company, exploring the late-life pregnancies of a remote jungle tribe. He was supposed to hurry Dr. Swenson along and ask her to bring most of the work back to Minnesota.

But they got an aerogram that Anders died of a fever. They buried him there.

Naturally, that doesn’t satisfy anybody. So Marina goes to find out how he died and to check on the progress of the work while she’s at it. But Dr. Swenson’s work is so secret, no one even knows where she is, and the first step is to wait in a city outside the jungle until she comes in for supplies. What’s more, Marina has some baggage. Years ago, Dr. Swenson was her advisor in her medical residency. But Marina had an accident in performing a Cesarean section, and transferred out of obstetrics and gynecology to pharmacology. She, along with all the residents, idolized Dr. Swenson. But she understands that nothing but the work is important to Dr. Swenson. So she is not surprised when Dr. Swenson doesn’t even remember her.

And there’s so much more going on. I won’t tell any more, so you can enjoy discovering it all in the delightful way Ann Patchett gives it to you, as if you’re learning it from the people themselves. This book is so richly textured, with layers and layers of meaning.

The story is rather exotic, since it takes you to the Amazon. And, yes, Ann Patchett did go to the Amazon when researching this book. You can tell in details like the way an anaconda smells.

I see in my notes from her talk that she says that when writing “you have to know the characters first — like knowing people.” And her characters are indeed like real people, each with their own unique history and hang-ups and interests. You will be fascinated when these people you’ve come to know get plunged into extraordinary situations.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Kat, Incorrigible, by Stephanie Burgis

Kat, Incorrigible

by Stephanie Burgis

Atheneum Books for Young Readers, New York, 2011. 298 pages.
Starred Review

I love the way this book begins:

“I was twelve years of age when I chopped off my hair, dressed as a boy, and set off to save my family from impending ruin.

“I almost made it to the end of the garden.

“‘Katherine Ann Stephenson!’ My oldest sister Elissa’s outraged voice pinned me like a dagger as she threw open her bedroom window. ‘What on earth do you think you’re doing?'”

Kat had heard their Stepmama telling their Papa that she had managed to get Elissa engaged to be married to a rich old man, thus saving the whole family from financial ruin.

Kat explains to her sisters how she was going to save Elissa and the family:

“‘I was going to London,’ I said. ‘I knew if I ran away, there would be such a scandal that Stepmama wouldn’t be able to sell Elissa off. And once I was there . . .’ I half closed my eyes, to see my dream past my sister’s skeptical face. ‘There are thousands of jobs a boy can get in London. I could sign on to a merchant ship and make my fortune in the Indies, or I could be a typesetter at a newspaper and see every part of London. All I’d have to do is get work, real work, earning money, and then I could send part of it home to you two, so at least you could both have real dowries and then –‘”

Kat’s sisters, of course, won’t allow her to go through with this plan, and quickly point out its shortcomings.

Kat truly is incorrigible, though. When she finds out her sister Angeline has been working with their Mama’s magic books, Kat takes a look herself — and gets more than she bargained for.

They all know that Mama’s magic was frowned upon by society. What they didn’t know was that their Mama was part of a secret Order that had power to regulate magic throughout the realm. Only one child from each generation inherits the power of the Order, and it looks like Kat is the one in this generation. But does she want training from people who disapprove of the kind of magic Angeline is doing? And Angeline’s magic looks to be causing its own trouble.

Meanwhile, Stepmama is still working to prepare Elissa to marry Sir Neville. Never mind the rumors that he killed his first wife. And why is he so interested in Kat’s powers? Add in romantic troubles for both sisters, a mysterious highwayman, and a visit to the elegant Grantham Abbey, and you end up with a rollicking tale of magic and manners both.

This book is a lot of fun. There are some coincidences (like Elissa falling in love with Sir Neville’s brother) and solutions that maybe come a little too easy — but it’s all in good fun and makes truly entertaining reading. Kat reminds me of Flavia DeLuce in her sheer incorrigibility that won’t be cowed by older sisters, and the book itself reminded me of Sorcery and Cecilia by combining Regency England with magic, though this one is for younger readers, since it’s Kat’s sisters who have the romance, not Kat herself.

But I’m totally on board with this book. Take a Jane Austen-like situation. Add magic. Add a feisty younger sister who doesn’t know her own power. Mix well. The result is delightful reading and bound to make you smile.

www.stephanieburgis.com
KIDS.SimonandSchuster.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Bigger Than a Bread Box, by Laurel Snyder

Bigger Than a Bread Box

by Laurel Snyder

Random House, New York, 2011. 226 pages.
Starred Review

The more I read Laurel Snyder’s work, the more I like what she does! This is a wonderfully written story of a girl dealing with her parents’ divorce. She finds a magic bread box that will grant wishes — as long as the item wished for can fit in the bread box. But of course wanting her parents to get back together doesn’t fit in a bread box.

Now, honestly, this book was painful for me to read, because it’s too soon after my own divorce. It had me crying. I just hate what kids have to go through when their parents divorce, and that got me mad at my husband again for leaving, and that makes me realize I have more forgiveness work to do. It’s one thing to forgive him for what he did to me, but harder to forgive him for what that meant for our kids. But let’s face it. I’m doing great. Yes, my younger son had an especially hard time, but he is doing great now. We just had a wonderful evening together playing a game. Holding a grudge on his behalf will definitely not help things. (Okay, I’m talking to myself now… I digress…)

Anyway, this book doesn’t give generalizations about divorce. It doesn’t preach. But it shows how it feels to one kid in this situation. And you can’t help but notice that her parents aren’t paying a lot of attention to how she feels.

The book starts with Rebecca overhearing a fight when their power went out. This is an efficient way for the author to show us something’s up and what some of the issues are. It works very well, with the viewpoint firmly from Rebecca’s perspective. I like her observation when the power came back on:

“I stood up. I made myself walk. I kept my eyes on my feet. Even so, out of the corner of my eye I could see Mom leaning against the side of the recliner, still wearing her blue scrubs from work, her arms limp and her face all wet. Dad was sitting on the couch, staring past her at the blank TV. He looked sad too, but also, weirdly, he looked a little like he wanted to smile. I guess maybe that was because now everyone knew he had paid the power bill.”

A few days later, on Halloween, her mom takes her two-year-old brother Lew trick-or-treating, and Dad stays home with Rebecca, which is a first. But she doesn’t think much else has changed, except for her dad sleeping on the couch.

Then her mom packs them up in the middle of the week and takes them from Baltimore to Atlanta, where Rebecca’s Gran lives. She doesn’t get to say good-by to her friends, and leaving her dad is awful.

“That was how we left him, through an open car door. My mom stepped on the gas. The car began to move. My dad jumped back to the sidewalk, off balance. When I turned around, I could see him standing in the street. He was calling after us. My dad was yelling in the street for everyone to hear; then he was running behind the car. He was calling, ‘Come back! Come back!'”

When they get to Atlanta, Rebecca learns that her mom has gotten a temporary job and enrolled Rebecca in school. She doesn’t whine about it, but she does get mad. Readers can easily see for themselves that her mom isn’t thinking a whole lot about what this means for Rebecca.

When she goes to the attic to sulk, she finds a collection of bread boxes, and one is bright and shiny. She takes it down to her room and feeling homesick for Baltimore, she wishes there were gulls in Atlanta. And then she hears the cry of a gull — in the bread box!

Naturally (after shooing the two seagulls out the window), she tries out what the bread box can do. It can give her money; it can give her food; it can’t give her things that don’t exist, like a real magic wand, or things that don’t fit in a bread box like wishing she were home.

So Rebecca has to adjust to a new school, where right away everyone calls her Becky. She figures she can be a different person here, someone cool. She has the bread box, after all. She can wish for little gifts for her new friends. She can wish for an ipod and listen to music. She can wish for a little TV and watch shows under the covers.

But magic always has a catch. And when Rebecca finds out what’s really going on with the bread box, it seems like she’s in a worse fix than ever.

This isn’t a problem novel. This isn’t trying to teach anyone how to deal with divorce. But it does tell Rebecca’s story in a tough situation that a lot of kids also have to face. Rebecca has magic to help, but that doesn’t solve the real problems at all.

Now, as I mentioned, I was extra sensitive to this story. I’m afraid I cheered for Rebecca when she finally had her meltdown:

“But Mom didn’t apologize. Instead, in an angry, grown-up voice, she said, ‘I am in charge of this family, young lady, and what I do, I do for you. I only want what’s best for you–‘

“Hearing those words, I didn’t feel bad anymore. I felt justified. ‘That’s a lie,’ I said. My voice was rising, and I couldn’t help it. ‘Because what’s best for me is home, and Dad. Anyone could tell you that, even Gran. But you don’t care about that, not at all. You aren’t thinking about me, or Lew. You’re thinking about yourself, and what you want and what you need.’ I spat this last part in her face. I couldn’t believe I was talking to her this way. I meant to keep my cool, stay calm, but I couldn’t. I forgot about ‘less is more,’ and the words just flew from me like fire — and exploded into loud, angry sounds.”

Now, don’t get me wrong. The author does not present this as the solution to the problem. Like real life, the blow up creates more new problems, including hurting her mom and getting her mom angry. But I wanted it to be said, and I think it does remind her mom that she needs to consider her daughter more than she has been doing. Rebecca also gets new problems when she tries to solve the problems she inadvertently created by using the bread box.

Anyway, I liked it that someone wrote a book from the perspective of a kid caught up in the middle of her parents’ divorce. The feelings ring true. The story is compelling. And it does make you wonder: If you had a magic bread box, what would you wish for?

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Review Copy I picked up at ALA Annual Conference.

Review of Daughter of Smoke and Bone, by Laini Taylor

Daughter of Smoke and Bone

by Laini Taylor

Little, Brown and Company, 2011. 420 pages.
Starred Review

This book is incredible. However, I’ll tell you right up front that there was one thing I hated about it: The last three words, those horrible words: “…to be continued.”

Perhaps if I had realized this book was simply Part One, I wouldn’t have minded quite as much. As it was, I was frustrated. The characters are left in quite a fix.

However, if I had known, I might not have rushed to read this, and I’m so glad I did. I will definitely want to reread it when the next book comes out, and to get my hands on the next book just as soon as possible.

I maintain that Laini Taylor’s imagination is advanced beyond the realm of mere mortals. (In fact, the main character has hair of an unusual color, so perhaps this book is simply autobiographical?) This book creates a world out there, parallel with ours, and it takes the whole book to understand the ins and outs, the ramifications.

Karou is a student living in Prague who’s been brought up by demons. She still does errands for Brimstone, bringing him teeth. She doesn’t know what he uses the teeth for, but he does supply her with small wishes. And plenty of money to purchase the teeth.

Just to let you know, the book begins with frank sexuality. Karou’s ex-boyfriend, whom she caught cheating on her, is not-at-all-subtly trying to win her back. He gets a job posing nude in her life drawing class. Her use of small wishes to get rid of him is a lovely and brilliant example of fitting revenge.

But the rest of the book is much more serious, much more dangerous. Angels are coming to earth and placing black handprints on every door where Brimstone has a portal. Karou gets a rare opportunity to find out more about Brimstone — and he has a very disturbing reaction. She’s cut off from the only family she’s ever known.

And then, why is Karou so powerfully drawn to one particular angel?

But the overarching question, the one it takes the entire book to answer, is the one everyone’s asking her: “Who are you?” Karou doesn’t know the answers herself. When she finds out, it will make all the difference.

This is an incredible book. About love and loyalty and war and life and death. A tale not quite like any other I’ve ever read.

“It wasn’t like in the storybooks. No witches lurked at the crossroads disguised as crones, waiting to reward travelers who shared their bread. Genies didn’t burst from lamps, and talking fish didn’t bargain for their lives. In all the world, there was only one place humans could get wishes: Brimstone’s shop. And there was only one currency he accepted. It wasn’t gold, or riddles, or kindness, or any other fairy-tale nonsense, and no, it wasn’t souls, either. It was weirder than any of that.”

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Reader Copy that I got at ALA and had signed by the author.

Review of You Can Count on Monsters, by Richard Evan Schwartz

You Can Count on Monsters

The First 100 Numbers and Their Characters

by Richard Evan Schwartz

A. K. Peters, Ltd., Natick, Massachusetts, 2011.
Starred Review

When I first heard of this book, I was delighted, and rushed to order my own copy. I was even more delighted when I read the book. I requested that the library system order it as well. This book would have been absolutely perfect when my sons were young and exploring numbers. I hope I get a chance to share it with a child.

I love it so much because of my experience making my prime factorization sweater. I chose a color for each prime number, then made a chart of all the natural numbers up to 100, showing their prime factorization with colors. I loved all the patterns that resulted.

Richard Evan Schwartz uses a similar idea, but adds a lot of creativity: For each prime number, he creates a monster! Then composite numbers are shown with the monsters from their prime factorization interacting together. It’s a lot of fun to look through the pictures and see the way he’s worked in the monsters. He’s also got an arrangement of dots on each page that demonstrates more about the number and the way it’s composed.

He says he created the monsters to explain prime numbers and factoring to his daughter, and I would love to share this book with a child. You can look at it again and again.

There’s a lovely simple explanation of multiplication and factoring at the front of the book. Then he explains the method behind the monsters:

“Each monster has something about it that relates to its number, but sometimes you have to look hard (and count) to find it.”

“For the composite numbers, we factor the number into primes and then draw a scene that involves the monsters that match those primes.

“It isn’t always easy to recognize the monsters in a scene. For instance, here is the scene for the number 56. You should see three 2-monsters buzzing around one 7-monster. Recognizing the monsters in the different scenes is part of the fun of the book!”

This book would also be great support for a child learning the multiplication tables. If you visualize monsters, they’ll be much easier to remember!

Most of all, I love the way this book showcases the playful, creative, and beautiful side of mathematics. You can count on Monsters to show you just how much fun math can be!

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on my own copy of the book.

Review of Radioactive, by Lauren Redness

Radioactive

Marie & Pierre Curie

A Tale of Love and Fallout

by Lauren Redniss

!t Books (HarperCollins), 2011. 205 pages.
Starred Review

This book is amazing, and like no book I’ve ever read before. It’s a biography, a record of love and scientific discovery, but it’s also a work of art.

There are striking images on almost every page. The artist used cyanotype printing, which she explains in a note at the back.

“Using this process to create the images in this book made sense to me for a number of reasons. First, the negative of an image gives an impression of an internal light, a sense of glowing that I felt captured what Marie Curie called radium’s ‘spontaneous luminosity.’ Indeed, the light that radium emits is a cyan-like, faint blue. Second, because photographic imaging was central to the discovery both of X-rays and of radioactivity, it seemed fitting to use a process based on the idea of exposure. Last, I later learned, Prussian blue capsules are approved by the U.S. Food and Drug Administration as a “safe and effective” treatment for internal contamination by radioactive cesium and radioactive thallium. (After the Chernobyl nuclear disaster, cyanotype ingredients were spread on the grass in North Wales to safeguard grazing animals.)”

The story told in the book is also fascinating. She tells how Marie met Pierre Curie and their progress in science together. She tells about Pierre Curie’s tragic death and Marie’s life afterward and continued distinguished work. Throughout the story, she provides images and clips and stories about things that happened with radioactivity later, such as Hiroshima, Three Mile Island, and Chernobyl.

I had no idea how radium was touted and marvelled over when it was first developed. The Curies did not patent their findings, but others were not so scrupulous.

“A fictitious Dr. Alfred Curie was hatched to shill Tho-Radia face cream. Radium-laced toothpaste, condoms, suppositories, chocolates, pillows, bath salts, and cigarettes were marketed as bestowers of longevity, virility, and an all-over salubrious flush.

“Radium was also touted as a replacement for electric lighting. Early electric light was both brilliant and blinding. Robert Louis Stevenson wrote, ‘Such a light as this should shine only on murders and public crime, or along the corridors of lunatic asylums, a horror to heighten horror.’ Even after the development of softer, incandescent bulbs, some lamented that electric light would ‘never allow us to dream the dreams that the light of the living oil lamp conjured up.’ The fragile glow of radium, on the other hand, offered a retreat into forgiving shadows and candlelit intimacy. Radium let the wistful romantic pose as champion of scientific advance. A chemist named Sabin von Sochocky concocted a luminous goulash of radium and zinc sulphide, with dashes of lead, copper, uranium, manganese, thallium (a neurotoxin discovered by chemist and Spiritualist William Crookes), and arsenic, and sold it to the public as ‘Undark Paint.’ Undark was marketed for use on flashlights, doorbells, even ‘the buckles of bedroom slippers.’ ‘The time will doubtless come,’ von Sochocky declared, ‘when you will have in your own house a room lighted entirely by radium. The light thrown off by radium paint on walls and ceilings would in color and tone be like soft moonlight.'”

The story is fascinating and surprising. The images are stunning and memorable. This book is definitely not for children, but if it were, I would think this was a sure winner of the Caldecott Medal for the most distinguished picture book providing a visual experience. Spend a little time gazing at the pages of this book, and you will be amazed. Spend a little time reading the pages of this book, and you will be intrigued.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.