Review of Duels & Deception, by Cindy Anstey

April 8th, 2017

Duels and Deception

by Cindy Astey

Swoon Reads (Feiwel and Friends), April 2017. 345 pages.
Starred Review

Oh, these Cindy Astey Regency romances are so much fun! In this one, we meet Lydia Whitfield, a friend of our heroine from Love, Lies and Spies, but you don’t have to read the first book to enjoy this one.

Lydia thinks of herself as not romantic at all. Before he died, her papa picked out the man she should marry, Lord Aldershot, so their estates could be joined. Lydia wants to draw up a contract about the arrangements between them – and gets kidnapped! Her carriage is diverted, while the handsome young law clerk is in it. He is shortly thrown out, but after Lydia is imprisoned in an abandoned barn, Mr. Newton comes to rescue her.

Together they seek to investigate who was behind the nefarious plot. But whoever it was wants to destroy Lydia’s reputation with knowledge that she was out all night in the company of a young man. Unless she will give in to blackmail.

Meanwhile, Lydia’s drunken uncle is guardian of her estate together with a lawyer who’s showing signs of senility. And Mr. Newton’s friend got himself embroiled in a duel.

Lydia’s a delightful heroine and it’s lovely to watch her figure out she might think romance is a good thing, after all.

Here’s how the book begins. You get a nice taste of Lydia’s character. It also leads up to the carriage accident, caused by her uncle, which is where she first meets Mr. Newton.

Had Miss Lydia Whitfield of Roseberry Hall been of a skittish nature, the sound of a rapidly approaching carriage would have caused considerable anxiety. As it was, the driver behind her did nothing to stay her steps. Besides, she recognized the bells on Esme’s harness and Turnip’s nicker of protest – poor creature hated to canter. The vehicle could be none other than the family landau.

However, as the nickering changed from protest to panic, Lydia was certain the carriage was now descending the steep hill too quickly. The road from Spelding was rocky and rutted, especially in the spring, and it made for a rough ride. Most drivers took it at a walk.

But not this driver.

This book was simply tremendous fun. If you like Jane Austen at all, this is more fast-paced, but still gives you a lovely taste of that world, with remarkable characters you’ll enjoy spending time with.

swoonreads.com

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Source: This review is based on an Advance Reader Copy I got at ALA Midwinter Meeting.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Cloud and Wallfish, by Anne Nesbet

April 3rd, 2017

Cloud and Wallfish

by Anne Nesbet

Candlewick Press, 2016. 385 pages.
Starred Review

One day both Noah’s parents come to pick him up from school. He is informed that they are taking a sudden trip to Germany, leaving now. And not West Germany, the one they’d talked about going to for vacation some day, the other Germany. Noah’s Mom is going to continue her PhD research, looking at education for people with disabilities on both sides of the Wall.

That’s only the beginning for Noah. They also tell him that he’s going to be called Jonah and he has a different birthday than the one he’s always used. They even made a book for him, showing him the history of his life – with fake elementary school pictures and fake places they supposedly lived.

It’s 1989, and Noah and his parents – now the Brown family instead of the Keller family – are going to live in East Berlin for six months.

They’ve got a set of Rules. They must not draw attention to themselves. They must smile. They must not talk about serious things indoors, where they’ll be bugged. If Noah absolutely must talk about the past, he must stick to the Jonah Book.

Noah has a stutter, which makes German, with all its consonants, even harder for him than English, even though he has a gift for languages and can understand. But the authorities don’t think he can speak it well enough to go to school. He meets a girl named Claudia (pronounced “Cloud-ee-a”) who lives in their apartment building with her grandma and missed school because she was sick.

Before contact is forbidden, Noah/Jonah and Claudia, who both feel like Changelings, invent a fairyland and draw pictures of that place on a map of Berlin. On the map, West Berlin is blank, so they fill it in as fairyland.

The adult reader will know this was an interesting time to be in Berlin – and sure enough, things progress as events move toward the Wall coming down. To fill in historical details, every chapter has a “Secret File” giving some background. I was a little ambivalent about those being included. But since it was information I had already, it seems only fair that kids should have that information, too.

I was pulled into this book right away, as Noah was bewildered by his parents’ news of the sudden move and name change. The characterization is brilliant as his parents take on East Germany, and Noah observes, follows the Rules, and makes a Changeling friend.

Of course, I’ve got a soft spot for this book since I lived in Germany for 10 years, though it was after the Wall fell. There was even a Sonderschule mentioned. It’s a school for special needs kids, but hey, it’s part of a special book.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Rooster Who Would Not Be Quiet, by Carmen Agra Deedy

March 24th, 2017

The Rooster Who Would Not Be Quiet!

by Carmen Agra Deedy
illustrated by Eugene Yelchin

Scholastic Press, 2017. 48 pages.
Starred Review

Yes, I heard this book read by the author on Inauguration Day, 2017. Yes, this is a book with a message. Yes, I am a fan.

(And Carmen Agra Deedy had first regaled us with stories of her family. She is a magnificent storyteller!)

La Paz was a village “where streets rang with song from morning till night.”

You can hear the rhythm to Carmen Agra Deedy’s words with this early page:

Dogs bayed,
mothers crooned,
engines hummed,
fountains warbled,
and everybody sang in the shower.

But the village was a very noisy place, so the people elect a new mayor, who promises peace and quiet.

The new mayor’s rules start quite reasonable: “NO LOUD SINGING IN PUBLIC,” but they progress through NO LOUD SINGING AT HOME to NO SINGING to ¡BASTA! QUIET, ALREADY!

The village is now a very quiet place. Even the teakettles were afraid to whistle. But then a rooster wandered into the village with his family.

When the little rooster awoke the next morning, he did what roosters were born to do.

He sang:

Kee-kee-ree-KEE!

As his rotten luck would have it, the mango tree grew beneath the cranky mayor’s window.

Uh-oh.

A showdown proceeds between the rooster and the mayor. Here’s the first encounter:

“You, there!” groused Don Pepe. “No singing! It’s the law!”

“Well, that’s a silly law,” said the merry gallito. “Smell this sweet mango tree! How can I keep from singing?”

“Humph! Then I’ll chop down that stinky tree!” huffed Don Pepe. “Will you sing then?”

The plucky gallito shrugged. I may sing a less cheerful song. But I will sing.”

And he did.

As the encounters continue, the rooster sings a lonelier song, a hungrier song, and a darker song.

A crowd gathers for the final showdown, where the rooster says, “I sing for those who dare not sing – or have forgotten how. If I must sing for them as well, señor, how can I keep from singing?”

And when the mayor then threatens the rooster’s life, he proclaims:

“But a song is louder than one noisy little rooster and stronger than one bully of a mayor,” said the gallito. “And it will never die – so long as there is someone to sing it.”

And then the crowd joins in the little rooster’s song and causes the mayor to flee.

The Author’s Note at the back brings the point home. And though technically, that probably isn’t necessary, I so much love her way of putting it, and I feel the message is so timely, I’m going to copy it out here:

Roosters sing at sunrise; they also sing
at noon, sundown, and in the middle of the night.
Roosters sing when they please, and that’s all there is to that.

Much like roosters, human children are born with voices
strong and true – and irrepressible.

Then, bit by bit, most of us learn to temper our opinions,
censor our beliefs, and quiet our voices.

But not all of us.

There are always those who resist being silenced,
who will crow out their truth,
without regard to consequence.

Foolhardy or wise, they are the ones
who give us the courage to sing.

Thank you, Carmen Agra Deedy!

carmenagradeedy.com
eugeneyelchinbooks.com
scholastic.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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The Jazz of Physics, by Stephon Alexander

March 20th, 2017

The Jazz of Physics

The Secret Link Between Music and the Structure of the Universe

by Stephon Alexander

Basic Books, 2016. 239 pages.
Starred Review

I heard Stephon Alexander speak at ALA Midwinter Meeting last year. He speaks with passion about how his love of jazz gave him insights into cosmology. (Of course, I was disposed to like him, because when I got the book signed and showed him my prime factorization scarf, he liked it so much, he called over his girlfriend, an artist, from another part of the exhibits so she could see it.)

As a Black American with roots in Trinidad, Stephon Alexander knows what it’s like to be a minority in physics. This book also tells his story and how he was inspired to turn to science.

I’ll admit, I don’t understand much about the equations or the physics mentioned in this book. But the author’s excitement comes across as he explains how he discovered insights about physics in music.

During all the years of formal training as a scientist, I found myself trying to reconcile my passion for music with physics. I started to not only see how the act of doing physics research could benefit from musical analogies but how our physical world actually had a musical character. Aside from the few mentors, such as Chris Isham and Robert Brandenberger, who had encouraged me to blend the two, I felt pressure to keep these two worlds separate. Physics to some is about absolute truths encoded in rigid mathematics, and music is a language of emotion. Perhaps this tension would not have been a big deal had I known that in the early days of science, music and astronomy were inseparable. To the modern musician and scientist, this may seem preposterous, but to early people, who lacked the scientific tools we now have, music became an analogy for the ordering and structure of the cosmos.

The book talks about sound and vibration and how it relates to string theory. He talks about sonic black holes and cosmic background radiation. Especially interesting is how he arrived at a breakthrough in string theory and cosmology by thinking about jazz improvisation.

I may not understand the details presented here, but I understand passages like this:

Weaving music and physics into one avenue of thought has showed me how to use notions in music as points of access to various fields in modern physics and cosmology. Analogies have helped make the physics more accessible and stimulating.

It is wonderful to think of following the footsteps of our ancestors — the great ancient thinkers who sought to understand physics through sound, and sound through physics. Pythagoras played with hammers and strings to try to understand where the pleasures of music came from, while Kepler used his intuition that the universe was musical to make major advances in the fields of astronomy, physics, and mathematics.

He talks about how the analogies not only help explain physics, but they also help new discoveries be made.

This book is not only about the analogy between music and cosmology but also about the importance of musical and improvisational thinking in doing physics. Theoretical physicists exemplify John Coltrane’s approach to music. We use an arsenal of conceptual and mathematical tools that we practice through examples that were worked out by past masters, like Einstein and Feynman. Likewise, jazz musicians like Coltrane master their tradition throughout countless hours of practice. But for both the theoretical physicist and the jazz improviser, it is not enough to simply master the material of the past; discoveries must be made.

He ends the book by saying, “My journey to reconcile jazz with physics serves as a living example of how a small group of physicists, in the spirit of the jazz tradition, embraced me and allowed me to improvise physics with them, while challenging me to go beyond my limits.”

stephonalexander.org
basicbooks.com

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Source: This review is based on an Advance Reader Copy I got at ALA Midwinter Meeting and had signed to me by the author.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of How Much Does a Ladybug Weigh? by Alison Limentani

March 18th, 2017

How Much Does a Ladybug Weigh?

by Alison Limentani

Boxer Books, 2016. 28 pages.
Starred Review

The more I look at this book, the more I like it. Right now, I’m planning to use it for my next Toddler and Preschool Storytimes, and even bring it to Kindergarten and first grade classes for booktalking. The idea is simple, but it’s got so much depth.

Here is the text of the first several pages:

10 ants weigh the same as 1 ladybug.

9 ladybugs weigh the same as 1 grasshopper.

8 grasshoppers weigh the same as 1 stickleback fish.

7 stickleback fish weigh the same as 1 garden snail.

You get the idea! The book progresses, counting down, through starlings, gray squirrels, rabbits, and fox cubs to 1 swan. Then, of course, to finish off, we learn:

1 swan weighs the same as 362,880 ladybugs.

The illustrations are simple and clear. This whole book could almost be thought of as an infographic, except that the animals are not icons, but detailed illustrations.

I love that the animals chosen are not your typical animal-book animals. But most of them (except maybe the stickleback fish) are ones a child is quite likely to see in their own yard or neighborhood.

The back end papers list average weights of all the animals (in a colorful diagram) with the note, “Different animals of the same species can vary in weight, just as different people do. All the weights in this book are based on animals within the average healthy weight range.”

I love the way this is a counting book, a math book (about relative weight and even multiplication), a beginning reader, and a science book (about these different species).

It’s also a beautiful picture book. The note at the front says, “The illustrations were prepared using lino cuts and litho printing with digital color.” They are set against lovely solid color backgrounds, so the animals show up nice and clear.

I have a feeling that reading this book frequently with a child will get that child noticing small animals and insects in the neighborhood and thinking about weights and differences and good things like that.

A truly brilliant choice for early math and science thinking.

boxerbooks.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Scythe, by Neal Shusterman

March 16th, 2017

Scythe

by Neal Shusterman

Simon & Schuster, 2016. 435 pages.
Starred Review
2017 Printz Honor

Scythe is set in the future, when mankind has conquered death completely. The Age of Mortality is over. Everybody’s got nanites inside them that heal them quickly. Revival centers can bring “deadish” people back to life – even people who fall from buildings and splatter on the pavement. (Which of course becomes a reckless teen thing to do.)

Yes, people grow old, but when their body starts wearing out, they get surgery to “turn the corner” and rejuvenate their body to a younger age.

Earth indeed is run by computers, but that’s not seen as a disaster in this book. Here’s how they describe it.

The greatest achievement of the human race was not conquering death. It was ending government.

Back in the days when the world’s digital network was called “the cloud,” people thought giving too much power to an artificial intelligence would be a very bad idea. Cautionary tales abounded in every form of media. The machines were always the enemy. But then the cloud evolved into the Thunderhead, sparking with consciousness, or at least a remarkable facsimile. In stark contrast to people’s fears, the Thunderhead did not seize power. Instead, it was people who came to realize that it was far better suited to run things than politicians.

In those days before the Thunderhead, human arrogance, self-interest, and endless in-fighting determined the rule of law. Inefficient. Imperfect. Vulnerable to all forms of corruption.

But the Thunderhead was incorruptible. Not only that, but its algorithms were built on the full sum of human knowledge. All the time and money wasted on political posturing, the lives lost in wars, the populations abused by despots – all gone the moment the Thunderhead was handed power. Of course, the politicians, dictators, and warmongers weren’t happy, but their voices, which had always seemed so loud and intimidating, were suddenly insignificant. The emperor not only had no clothes, turns out he had no testicles either.

The Thunderhead quite literally knew everything. When and where to build roads; how to eliminate waste in food distribution and thus end hunger; how to protect the environment from the ever-growing human population. It created jobs, it clothed the poor, and it established the World Code. Now, for the first time in history, law was no longer the shadow of justice, it was justice.

The Thunderhead gave us a perfect world. The utopia that our ancestors could only dream of is our reality.

There was only one thing the Thunderhead was not given authority over.

The Scythedom.

When it was decided that people needed to die in order to ease the tide of population growth, it was also decided that this must be the responsibility of humans. Bridge repair and urban planning could be handled by the Thunderhead, but taking a life was an act of conscience and consciousness. Since it could not be proven that the Thunderhead had either, the Scythedom was born.

Scythes operate under their own jurisdiction, ruled by ten commandments. Scythes are to kill without bias, bigotry, or malice aforethought. They kill within quotas and give a year of immunity to the families of those who submit to the gleaning. The families of those who resist are gleaned as well.

Scythes are to lead an exemplary life in word and deed and to keep a journal.

So this is the background of this book. Such creative world building! It makes you think about the repercussions of such a world, and Neal Shusterman brings up many things I would have never dreamed of.

As the book begins, two teens, Citra and Rowan, are chosen to be apprentices of Scythe Faraday, a conscientious scythe. He chooses them partly because they don’t want to be scythes.

But scythes don’t usually take two apprentices. Scythe Faraday assures them that whoever is not chosen will resume a normal life after the year is up. But at the gathering of scythes, a new “modern” faction takes issue with that and demands that whichever one becomes a scythe, their first act will be to glean the other.

Scythe Faraday thinks of a way to get around this, but it backfires. The book takes the shape of a whodunit and a thriller.

Meanwhile, this other faction of scythes includes a leader who carries out mass gleanings and takes joy in killing. Which group will prevail, the conscientious gleaners who live simply and strive to serve humanity, or those who take joy in killing and think humanity should serve them?

This book is outstanding. The premise sounds a little grim, but it’s thoughtful and visionary and a good read as well.

The flap says this is the start of a series, but the book ties up completely. I wouldn’t have guessed it was more than a stand-alone if I hadn’t read the flap. All the same, I will be delighted to return to this intriguing future earth.

storyman.com
simonandschuster.com/teen

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Girl Who Drank the Moon, by Kelly Barnhill

March 13th, 2017

The Girl Who Drank the Moon

by Kelly Barnhill

Algonquin Young Readers, 2016. 388 pages.
Starred Review
2017 Newbery Medal Winner

In the Protectorate every year, the youngest baby is left in the woods for the Witch.

But this year, the mother of the child protests and goes mad and has to be locked up.

And Antain, the young apprentice to the Elders is disturbed by what he sees and asks uncomfortable questions. But the elders leave the baby anyway.

They left her knowing that there surely wasn’t a witch. There never had been a witch. There were only a dangerous forest and a single road and a thin grip on a life that the Elders had enjoyed for generations. The Witch – that is, the belief in her – made for a frightened people, a subdued people, a compliant people, who lived their lives in a saddened haze, the coulds of their grief numbing their senses and dampening their minds. It was terribly convenient for the Elders’ unencumbered rule. Unpleasant, too, of course, but that couldn’t be helped.

They heard the child whimper as they tramped through the trees, but the whimpering soon gave way to the swamp sighs and birdsong and the woody creaking of trees throughout the forest. And each Elder felt as sure as sure could be that the child wouldn’t live to see the morning, and that they would never hear her, never see her, never think of her again.

They thought she was gone forever.

They were wrong, of course.

Now, there is a witch who lived in the woods named Xan. Here’s her perspective on the Day of Sacrifice:

For as long as Xan could remember, every year at about the same time, a mother from the Protectorate left her baby in the forest, presumably to die. Xan had no idea why. Nor did she judge. But she wasn’t going to let the poor little thing perish, either. And so, every year, she traveled to that circle of sycamores and gathered the abandoned infant in her arms, carrying the child to the other side of the forest, to one of the Free Cities on the other side of the Road. These were happy places. And they loved children.

But this year, which was turning out so differently from usual, something about the baby caught at Xan’s heart. And as she journeyed with the baby, she accidentally fed it moonlight rather than the usual starlight.

There is magic in starlight, of course. This is well known. But because the light travels such a long distance, the magic in it is fragile and diffused, stretched into the most delicate of threads. There is enough magic in starlight to content a baby and fill its belly, and in large enough quantities, starlight can awaken the best in that baby’s heart and soul and mind. It is enough to bless, but not to enmagic.

Moonlight, however. That is a different story.

Moonlight is magic. Ask anyone you like.

So, baby Luna gets enmagicked, and Xan realizes that means she must care for the baby herself. So Luna grows up in the forest with tiny dragon Fyrian (who thinks he is Simply Enormous) and bog monster Glerk. When her magic comes in, there may be disastrous consequences, so Xan has to take momentous steps to control it.

Luna has no idea of her origins. And Xan has no idea what she has set in motion – things that are going to change the lives of everyone in the Protectorate and the forest. They will find the source of all the Sorrows and discover how to fight against it.

This is a lovely book with a fantasy world not quite like any other. We have the usual quest of good versus evil, but it proceeds in surprising ways.

I like the way this book celebrates Love and Joy. And conquering those who feed on Sorrows.

kellybarnhill.wordpress.com
AlgonquinYoungReaders.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Sonderling Sunday – Das Buch der Tausend Tage, Day 223

March 12th, 2017

It’s time for Sonderling Sunday! That time of the week when I play with language by looking at the German translation of children’s books!

Tonight it’s already late, but it’s been a long time since I wrote a Sonderling Sunday post, so I’m going to try to do a short one.

I’m going back to one of my favorite books, Book of a Thousand Days, by Shannon Hale, Das Buch der Tausend Tage

[Okay, I just spent way too much time talking on Facebook about our upcoming Winter Storm. Now this post needs to be extra short.]

Last time, I covered Day 160 to 180 of Dashti’s days in the Tower.

Day 223 begins like this:
“This past week I was wishing for something new to happen so I could have a reason to write. It’s bad luck to make a vague wish like that, because Under, god of tricks, is bound to grant it with something unpleasant. And so he did.”
= Letzte Woche wünschte ich mir noch, etwas Neues zu erleben, das ich aufschreiben könnte. Solch schwammige Wünsche bringen nur Unglück, weil Unter, der Gott der Streiche, sie gerne mit etwas Unerfreulichem garniert, wenn er sie erfüllt. Und genau so ist es gekommen.

I love Shannon Hale’s turns of phrase:
“as though he called all the world to dinner”
= als würde er alle Welt zum Essen rufen.

“I want to punch him with all my strength”
= möchte ich ihn mit aller Kraft verprügeln

This has a nice sound in German:
“There was a knock on the flap” = Als jemand an die Klappe klopfte

“clanking and scraping” = klirren und kratzen

“burning straw” = brennende Stroh

“fiery chip” = brennender Span

I like this one:
“fizzled” = verpufften

“bright” = loderte

“ran and stomped and slapped” = rannte, trampelte und schlug

“My lady began to scream hysterics” = Meine Herrin fing an hysterisch zu schreien

“washcloth” = Waschlappen

“if the wood caught fire” = Wenn die Scheite erst mal zündelten

“partly charred mattress” = stellenweise verkohlten Matratze

“greasy black” = triefend schwarz

“willow flower” = Weidenblume

“chamber pot” = Nachttopf

“He hollered” = Er brüllte wie ein Stier

That section ends with:
“Then we lay back together and laughed in a tight way, as though we actually cried.”
= Rücken und bekamen einen Lachanfall, als würden wir heulen.

That’s all for tonight! This was a turning point and dramatic section. May you not need to use most of these phrases. And may all your troubles go verpufften.

Review of Duck, Duck, Porcupine, by Salina Yoon

March 11th, 2017

Duck, Duck, Porcupine

by Salina Yoon

Bloomsbury, May 2016. 70 pages.

This has the feel of another classic beginning reader. We’ve got friends in everyday situations — with a payoff ending. The story is told using speech bubbles (as well as pictures of lists). There are three stories, so it’s preliminary to chapters.

Classic beginning readers have two best friends. In this book, we’ve got a trio. There’s Big Duck, Little Duck, and Porcupine. Big Duck seems to think she’s the leader, but in all three cases, Little Duck figures out a solution.

The bright colors and thick line drawings are visually pleasing. The pages of this book reach out to the reader. Yes, the text is in speech bubbles, but there are only a few words on a page, and even the youngest reader will not have any trouble following which speech comes next.

The promise is that this is the first of a new beginning reader series. I love seeing books that not only help a child who’s beginning to be able to read on their own, but also give them something they will be happy to read. This story is good enough that kids not able to read yet will enjoy it just as much as those who gain the pride of reading it all by themselves.

salinayoon.com
bloomsbury.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Another Coded Blessing Blanket!

March 11th, 2017

I finished another Mathematical Knitting Project!

This is another Coded Blessing Blanket.

This time, though, it’s for my 22-year-old son.

I’d finished knitting for babies in the family. (Though now it’s time to knit again.) So I asked my son if there were anything he’d like me to knit for him. He said, “Blue Blankie could use a stunt double.”

Blue Blankie is the blanket I knitted him when I was expecting his birth and I was on bed rest. After he was born, I gave him the blanket every time I fed him. I was happy when he took Blue Blankie with him to college, but yes, sadly, Blue Blankie is falling apart.

However, Tim said he’d like a purple blanket this time. And I’d already used the same pattern to knit a blanket for my niece Alyssa with a blessing coded in the stitches. So I decided to do the same for Tim.

Here’s how it works. The stitches make a sort of plaid pattern with knits and purls. The pattern has a sequence of 12 rows that make one large pattern-row. Each pattern-row has seven smooth panels on the front side of the blanket. And each smooth panel is split into two parts. So I used those panels to code words of seven letters or less.

The code I used was base 5. So A = 01, B = 02, C = 03, D = 04, E = 10, F = 11, and so on. So I only need 5 stitch patterns, using three stitches.

I used some simple patterns. 0 is knit each stitch. This matches the background.

1 is purl each stitch, making a bumpy row.

2 is a cable made by holding 2 stitches to the back.

3 is a cable made by holding 1 stitch to the front. (Making the cable go the opposite direction from 2.)

4 is a yarnover and knit 2 together — making a hole.

Here’s a closer look at how the stitches turned out.

And an even closer look.

The first four rows are my son’s name, Timothy Ronald John Eklund. So the first row, for example, is 40 14 23 30 40 13 100. (To knit Y, I began one stitch ahead of the 7-stitch panel, using 9 stitches for 100.)

I’m not going to tell what the rest of the blanket says, except to say it’s a blessing. Can Tim read the code?

Now, this is exactly the same way I made Alyssa’s Blessing Blanket, but it turned out that hers had an error. I had almost finished Tim’s at Christmas time, but finally proofread it — and found an error, took out about 50 rows, and reknitted them. But now it’s done, and it’s error-free!

And it was a wonderful thing to knit a blanket full of love for my 22-year-old son who had just moved to the other side of the country.

May you thrive, Tim!