Sonderling Sunday – Chapter 22 – Desolation Day is Coming

February 6th, 2017

It’s time for Sonderling Sunday! That time of the week when I play with language by looking at the German translation of children’s books.

I’m afraid it’s actually been months since the last time I did Sonderling Sunday. When I was reading for the Cybils, it was hard to fit in, and then I got out of the habit… and went to ALA Midwinter Meeting….

So tonight, I’m going to write a short one, even though it’s late — the better to get back in the habit!

I’m going back to my stand-by, Der Orden der Seltsamen Sonderlinge, by James Kennedy, known in the original English as The Order of Odd-fish.

Last time, we finished a chapter! So we are now beginning Chapter 22, which is on page 296 in the English edition, and on Seite 376 in the German edition.

It’s always nice to start a chapter with the first sentence, and this time I’ll go with the first two:

“The rain kept coming. Two months into the rainy season, Jo found it hard to remember life without rain.”
= Es regnete unaufhörlich. Nach zwei Monaten Regenzeit konnte Jo sich kaum noch daran erinnern, wie das Leben ohne Regen gewesen war.

“a dull weariness” = eine dumpfe Trägheit

“colorless, drenched, and dead” = farblos, nass und tot vor

This just doesn’t have the same sound in German:
“when the rain pattered gently on her windowpane”
= wenn der Regen sanft an ihr Fenster klopfte

“bang of thunder” = Donnerschlag

“Jo tried to shove it into the back of her mind”
= Jo wollte den Gedanken eigentlich beiseiteschieben
(“Jo wanted the thoughts actually to aside-push”)

Here’s a nice long word:
“background noise” = Hintergrundgeräusch

“constant worry” = ständiger Furcht

“didn’t dull its edge”
= schmälerte das die Intensität des Gefühls nicht
(“reduced it the intensity of the feeling not”)

“She needed distractions.”
= Sie brauchte dringend eine Ablenkung.
(“She needed urgently a distraction.”)

“specialties” = Fachgebiete

“slept over” = genächtigt hatte

“but no, it was too nerve-wracking to think about”
= Doch nein, schon darüber nachzudenken, war eine zu große Belastung für ihre Nerven.
(“But no, already about that overthinking, was a too big burden for her nerves.”)

“Desolation Day” = der Tag der Verwüstung (“the day of devastation”)

“special festival” = besonderes Fest

“It was bad luck even to mention Desolation Day.”
= Es brachte bereits Unglück, wenn man den Tag der Verwüstung auch nur erwähnte.

And I’m going to stop there, with just the first section of Chapter 22 finished. But I’m going to look for reasons to talk about Hintergrundgeräusch this week.

Bis Bald!

Review of The Water Princess, by Susan Verde, illustrated by Peter H. Reynolds

February 4th, 2017

The Water Princess

Based on the childhood experience of Georgie Badiel

by Susan Verde

illustrated by Peter H. Reynolds

G. P. Putnam’s Sons, 2016. 40 pages.
Starred Review
2016 Sonderbooks Stand-out: #9 Picture Books

Here is a picture book with a message – but the creators wisely made telling a good story a higher priority than just getting the message across.

As the book opens, we are introduced to Princess Gie Gie. I’ve long been a fan of Peter H. Reynolds, and here his work is more detailed – and more beautiful – than ever before. We see Princess Gie Gie first looking up into a sky full of stars.

As we turn the page, we learn her location:

My kingdom . . .
the African sky, so wide and so close.
I can almost touch the sharp edges of the stars.

First, Gie Gie talks about the things she can do – taming the wild dogs, making the tall grass sway, and making the wind play hide-and-seek. But Gie Gie cannot make the water come closer or run clearer.

Each morning, when it is still dark, Gie Gie and her mother set off to collect the water. Most of the book is about that journey. I love the way Gie Gie is still dramatic and joyful, even though she doesn’t want to get up early and go for the long walk. Even though she wishes she could bring the water by magic.

I also love the way Gie Gie’s parents consistently address her as “princess.” I like the way, when she brings the water back, she celebrates the achievement.

At the water hole, Gie Gie plays with her friends while her mother holds their place in line. The water there is dusty and earth colored, but it is flowing, and they make the journey back with full pots on their heads.

I also love the page at the end of the day, after they have used the water:

Clothes and body clean,
I sing to the dogs.
I dance with the tall grass.
I hide from the wind.

At bedtime, Gie Gie asks her mother “Why is the water so far? Why is the water not clear? Where is our water?”

The final spread answers:

“Sleep,” she says.
“Dream,” she says.
“Someday you will find a way, my princess.

I am Princess Gie Gie.
My kingdom?
The African sky. The dusty earth.

And, someday,
the flowing cool, crystal-clear water.
Someday …

After that final page of the story, there is a spread with a note from the creators and photographs of children in Africa getting water. They explain that nearly one billion people around the world don’t have access to clean water.

This crisis is what motivated African model Georgie Badiel to work to make a difference and get clean water to those in need. As a young girl in Burkina Faso, Georgie spent her summers living with her grandmother. Every morning, Georgie and the other girls and women of the village walked for miles to fill pots with water and return it home to be used for the basics – drinking, bathing, cooking – only to wake up the next morning and make the journey again.

Georgie Badiel is now working with Ryan’s Well to bring clean water to people of Burkina Faso and beyond.

This book has a wonderful message – but they communicate that message by means of a lovely story. They manage to show a joyful, playful child who happens to face a difficult task every morning.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Still Life with Tornado, by A. S. King

February 3rd, 2017

Still Life with Tornado

by A. S. King

Dutton Books, 2016. 295 pages.
Starred Review
2016 Cybils Finalist, Young Adult Speculative Fiction
2016 Sonderbooks Stand-out: #5 Teen Fiction

Wow. This book is original.

And that’s saying something. Here’s how the book begins:

Nothing ever really happens.

Or, more accurately, nothing new ever really happens.

My art teacher, Miss Smith, once said that there is no such thing as an original idea. We all think we’re having original ideas, but we aren’t. “You’re stuck on repeat. I’m stuck on repeat. We’re all stuck on repeat.” That’s what she said. Then she flipped her hair back over her shoulder like what she said didn’t mean anything and told us to spend the rest of class sorting through all the old broken shit she gets people to donate so we can make art. She held up half of a vinyl record. “Every single thing we think is original is like this. Just pieces of something else.”

Two weeks ago Carmen said she had an original idea, and then she drew a tornado, but tornadoes aren’t original. Tornadoes are so old that the sky made them before we were even here. Carmen said that the sketch was not of a tornado, but everything it contained. All I saw was flying, churning dust. She said there was a car in there. She said a family pet was in there. A wagon wheel. Broken pieces of a house. A quart of milk. Photo albums. A box of stale corn flakes.

All I could see was the funnel and that’s all anyone else could see and Carmen said that we weren’t looking hard enough. She said art wasn’t supposed to be literal. But that doesn’t erase the fact that the drawing was of a tornado and that’s it.

Sarah is having an existential crisis. She stops going to school. Her parents don’t know what to do, and they don’t know where she goes.

Sarah goes different places and tries different things. Nothing seems original. And she suddenly can’t do art.

In chapter two, she’s planning to go to City Hall and change her name to “Umbrella.” But this happens:

A woman walks up and sits down next to me in the bus shelter. She says hello and I say hello and that’s not original at all. When I look at her, I see that she is me. I am sitting next to myself. Except she looks older than me, and she has this look on her face like she just got a puppy — part in-love and part tired-from-paper-training. More in-love, though. She says, “You were right about the blind hand drawings. Who hasn’t done that, right?”

I don’t usually have hallucinations.

I say, “Are you a hallucination?”

She says no.

I say, “Are you — me?”

“Yes. I’m you,” she says. “In seven years.”

“I’m twenty-three?” I ask.

“I’m twenty-three. You’re just sixteen.”

“Why do you look so happy?”

“I stopped caring about things being original.”

Sarah later meets 10-year-old Sarah and 40-year-old Sarah as well. They keep popping up at odd times. When 10-year-old Sarah comes to the house, Sarah’s Dad doesn’t even recognize her, but Sarah’s Mom does.

They help Sarah — and the reader — piece together what happened to her and what that means. And what sort of tornado has taken over her life.

A lot hinges on that trip to Mexico that is still fresh in the mind of 10-year-old Sarah. That was the last Sarah saw her older brother Bruce.

16-year-old Sarah is piecing together and remembering what happened in Mexico, but also piecing together something that happened at school, at the art show, and what it means.

We also get a peek into the mind of Sarah’s mother, an E. R. nurse who doesn’t love her husband. They’re staying together for the sake of Sarah. And the effect is that Sarah is growing up surrounded by lies.

I haven’t been able to convey the power of this book. It’s a straight contemporary novel — except that 16-year-old Sarah converses with her 10-year-old, 23-year-old, and 40-year-old selves — and other people interact with them, too, so they are indeed not hallucinations.

This is a powerful story about what happens when a metaphorical tornado goes through a seemingly still life — that was really swimming in lies.

(Tip: If you believe a woman should stay in an abusive marriage for the sake of the kids, this book will not support your views.)

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Inquisitor’s Tale, by Adam Gidwitz

February 2nd, 2017

The Inquisitor’s Tale

Or, The Three Magical Children and Their Holy Dog

by Adam Gidwitz

illuminated by Hatem Aly

Dutton Children’s Books, 2016. 363 pages.
Starred Review
2017 Newbery Honor Book
2017 Sydney Taylor Book Award Gold Medalist
2016 Capitol Choices selection
2016 Sonderbooks Stand-out: #4 Children’s Fiction

This book is marvelous! Set in France in the year 1242, it tells the story of three children with miraculous powers. Jeanne, a peasant girl, has fits during which she can see the future. William, an oblate at a monastery whose mother was a Saracen from Africa, has strength like Samson. And Jacob, a Jewish boy, has miraculous healing powers. Their other companion is a holy dog. This dog saved Jeanne’s life when she was a baby, but died. Now the dog, Gwenforte, has come back to life.

The dog started the trouble, really. People of the village had been venerating her grave. Jeanne finds Gwenforte alive in the Holy Grove where she’d been buried just before a group of knights arrives to destroy the grove, because obviously venerating a dog is false worship. When Jeanne saves the dog and the knights learn that she has visions, she becomes a target, too.

We know at the start of the book that in the last week, the three children have become famous through all of France and that now King Louis himself is after them. Their story is told at an inn outside Paris. Our unnamed narrator wants to find out about the children. He finds people at the inn who can tell their stories. So the chapters of the book have titles that remind one of The Canterbury Tales, “The Brewster’s Tale,” “The Nun’s Tale,” “The Librarian’s Tale,” and the like.

We hear the stories of all three of the children and how their paths intersected. They end up on a mission together to save books from burning.

Each of the children is a victim of prejudice. Jeanne because she’s a peasant, William because of his dark skin, and Jacob because he’s a Jew. Jacob’s is by far the most serious, as his whole village was burned. They find a kinship together, and maybe their tolerance for each other is slightly anachronistic — but it’s beautiful enough, this can be forgiven. William has done much reading in the monastery, so he knows about the wisdom found in Jewish books.

The story is told with plenty of humor. And it’s a wonderful story, with miracles and twists and turns and people chasing the children and plots and quests. All throughout the book, we have illuminations. Here’s what it says about that at the beginning:

This book has been illuminated — as a medieval text might have been — by the artist Hatem Aly. Some of his illustrations will reflect the action, or the ideas, in the story. Some will be unrelated doodles, just as medieval illuminators often doodled in the margins of their books. There may even be drawings that contradict, or question, the text. That, too, was commonplace in medieval manuscripts. The author and the illuminator are unique individuals, with unique interpretations of the story, and of the meaning behind it.

There are almost thirty pages of notes and bibliography at the back — Adam Gidwitz did plenty of studying about medieval times. I love the way he based the children’s miracles on actual medieval sources. He also wove in actual historical characters and places. I love the way Mont St. Michel is featured. (I really want to go there some day.)

The story’s engaging, exciting, and funny, but it also has a lovely message about tolerance which feels very timely. This is from the Author’s Note at the back:

It was a time when people were redefining how they lived with the “other,” with people who were different from them. The parallels between our time and theirs are rich, poignant, and, too often, tragic. As I put the finishing touches on this novel, more than a hundred and forty people were killed in Paris by terrorists. It turns out they planned the attack from apartments in the town of Saint-Denis. The tragic irony of this haunts me. Zealots kill, and the victims retaliate with killing, and the cycle continues, extending forward and backward in history, apparently without end. I can think of nothing sane to say about this except this book.

This book is marvelous — both filled with marvels and magnificently carried out.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Review of A Hat for Mrs. Goldman, by Michelle Edwards, illustrated by G. Brian Karas

February 2nd, 2017

A Hat for Mrs. Goldman

A Story About Knitting and Love

by Michelle Edwards
illustrated by G. Brian Karas

Schwartz & Wade Books, 2016. 36 pages.
Starred Review
2016 Sonderbooks Stand-out: #5 Picture Books
2017 Sydney Taylor Book Award Silver Medalist

Oh, here is a picture book for knitters to love!

Unlike many stories about knitting, it acknowledges that knitting is difficult and takes a long time. And this ends up being a beautiful story about showing love by knitting.

Mrs. Goldman knits hats for the whole neighborhood, including Sophia.

“Keeping keppies warm is our mitzvah,” says Mrs. Goldman, kissing the top of Sophia’s head. “This is your keppie, and a mitzvah is a good deed.

Sophia goes with Mrs. Goldman when she walks her dog Fifi, and Sophia notices that Mrs. Goldman doesn’t have a hat any more. She gave it to Mrs. Chen.

Sophia gets an idea.

Last year, Mrs. Goldman taught Sophia how to knit.
“I only like making pom-poms,” decided Sophia after a few days.
“Knitting is hard. And it takes too long.”

Now Sophia digs out the knitting bag Mrs. Goldman gave her. And the hat they started.
The stitches are straight and even. The soft wool smells like Mrs. Goldman’s chicken soup.

Sophia holds the needles and tries to remember what to do. She drops one stitch. She drops another.

Still Sophia knits on. She wants to make Mrs. Goldman the most special hat in the world.

Sophia works hard on that hat. For a long time. Finally she finishes knitting and sews it up.

I love that the hat doesn’t look very good. In fact, it looks like a monster hat.

But Sophia’s solution is wonderful, and fits with what went before. She covers the hat with red pom-poms. When she gives it to Mrs. Goldman, she says it reminds her of Mr. Goldman’s rosebushes.

And now her keppie is toasty warm. And that’s a mitzvah.

The book finishes up with instructions for knitting a simple hat and for making pom-poms.

(Hmmm. Now as I post this, I think it’s pretty much a Pussy hat. But you can cover it with pom-poms if you like. Or not.)

This is a beautiful story, as it says, about knitting and love.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Review of Goldenhand, by Garth Nix

January 27th, 2017


by Garth Nix

Harper, 2016. 344 pages.
Starred Review
2016 Sonderbooks Stand-out: #4 Teen Fiction

This is now the fifth novel set in the Old Kingdom, not counting a novella and short story. The events of this book happen just as the title story of Across the Wall finishes.

You don’t necessarily need to read the prequel, Clariel, before you read this one. But reading the other books would be helpful, so you have a feel for how Charter Magic works. And Clariel gives you background about the Witch With No Face, who is behind the scenes in this book. It had been years since I read the earlier books, so I didn’t remember details, but I didn’t have any trouble following this story.

The title refers to Lirael herself. Right at the beginning, we learn how she got the name:

Lirael hurried up the steps to the mews. She flexed her replacement hand as she did so, marveling at how well it worked. When her own hand had been bitten off by the Disreputable Dog almost seven months before in order to save her life from the ravening power of Orannis, Sameth had promised to make her a replacement. He had lived up to that promise, and shown he was indeed a true inheritor of the Wallmakers’ engineering ingenuity and magical craft, though it had taken him a long time to get it right, with much tinkering and adjustment. It was only in the last few days that it felt entirely normal to Lirael, really just like her own flesh-and-blood hand.

It was mostly made from meteoric steel, but Sam had gilded the metal, and unasked had added an extra layer of Charter spells atop the ones that made the hand work and even feel like flesh, so it also glowed faintly with a golden light.

Already, many people were calling her Lirael Goldenhand.

Sabriel and Touchstone are taking a vacation while things are apparently quiet. This leaves Lirael in charge when a dangerous free magic creature emerges across the wall. The message comes from Nicholas Sayre.

Lirael deals with the creature and tries to heal Nick, but he’s got a strange combination of free magic and charter magic inside him (from what happened in Abhorsen). She decides she needs to take him to the Clayr. Perhaps they have a book in the Great Library that will help figure out his case.

Meanwhile, north of the kingdom, a girl of the Athask tribe named Ferin is trying to bring a message to Lirael. A message left from Lirael’s mother before she died. But all the other tribes are sending their sorcerers to stop her. When Ferin is turned away at the bridge, she takes a boat, but after some fisher folk save her, they are all in danger.

For most of the book, chapters alternate between Lirael and Ferin. Lirael travels with Nick to the Clayr, and Ferin is desperately traveling over water and over mountains to get into the Old Kingdom. When Ferin does finally deliver her message, an even more daunting danger faces the Old Kingdom.

This book had me enthralled from the start. Even though the story is complete in itself, it will be especially beloved by people who already know Lirael and care about her. In this book we’re rooting for her as she faces responsibility as the Abhorsen-in-Waiting, dealing with several crises as well as facing her family at the Clayr glacier and the Great Library.

Garth Nix’s world-building is flawless. The map’s been expanded and we learn about the northern tribes. His descriptions of the way free magic and charter magic work still sound plausible and consistent and true. You’re never drawn out of the story by hand-wavy descriptions.

When I started the book, Ferin’s desperate run from free magic sorcerers manipulating the Dead to chase her were so scary, I woke up one morning from a dream about it. (It was combined with drones from Railhead, which I’d finished before starting Goldenhand. Fortunately, I woke up before I got too scared.)

Yet another wonderful and captivating story of the Old Kingdom and the Abhorsens who travel in Death to fight evil, using a necromancer’s bells.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Closing Session at #alamw17 – Neil Patrick Harris

January 25th, 2017

There’s not a whole lot to say about closing session of ALA Midwinter Meeting with Neil Patrick Harris except that it was superlatively entertaining. I will share a few nice quotes:

“Librarians are definitely the most literate group of people in the government.”

“I love books nursing my brain into uncharted territories.”

“Books are a crucial tool in my parenting magic kit.”

One of his favorite parts of magic is misdirection, and misdirection is also a valuable tool in an author’s quiver.

Reading and magic both need practice and patience and lead to perspective.

The Morris Awards and YALSA Excellence in Nonfiction Awards at #alamw17

January 25th, 2017

There are two youth media awards which have the Finalists announced ahead of time — the Morris Award for a debut author of a young adult novel, and the YALSA Excellence in Nonfiction.

Because the Finalists are known ahead of time, they can be invited to give a speech at the awards ceremony at ALA Midwinter Meeting. That morning, they will find out which one is the winner, but all are thrilled to be there.

It’s always a treat to attend this ceremony. The Morris Award Finalists are especially fun to listen to. These are debut novelists. They are still thrilled to be published, let alone to win an award. I’ll give some tidbits from their speeches.

This year, honestly, the speeches were the occasion for a John Lewis lovefest. Happening at the end of a significant weekend and in Atlanta, the heart of John Lewis’s district, after he joined in the Women’s March on Saturday — each speaker mentioned how much they love and respect him. And the crowd roared.

The Morris Finalists were first.

M-E Girard for Girl Mans Up:

She was okay with thinking of this book as a niche story. Her character’s a girl, but not in acceptable ways, but with normal teen questions about things like family relationships and friendships. After getting comments from teens, she’s found that her character’s a lot more universal than she’d thought. Librarians are getting her book to the right readers. Why? It must be a calling.

Sonia Patel for Rani Patel in Full Effect

Sonia started out with a rap speech. Her character is not your typical girl next door. She has diversity within diversity. The author is a child psychologist, and she wrote a character who has trauma-related brain damage. She’s emotionally delayed and sees people by how they make her feel. Rani opens our eyes to the long-term damage from abuse.

Bonnie-Sue Hitchcock for The Smell of Other People’s Houses

She thanked Mrs. Long, her elementary school librarian who picked out books just for her. She was someone who saw her as a person and noticed what made her tick. This is a book about Family that happens to be in Alaska. Even today’s Alaska is not the same as it was when she was growing up. As a kid, everything seems normal. The message they were taught was “Don’t be vain, and don’t ever talk about yourself.”

Calla Devlin for Tell Me Something Real

As a child, books and the library were her salvation. The library was also her future. A kid asked her, “What if no one wants to hear my story?” An important part of being a teen involves finding your voice. Librarians introduce teens to whole new worlds.

Morris Award Winner: Jeff Zentner for The Serpent King

He began the book on January 20, 2014. It was written mostly on his iPhone. He wanted to talk about the most ferocious sort of love between friends who fill the place of family for each other. They’re wrestling with faith, division, and disparity in America. There’s a festering poison in rural America that makes people afraid. He wanted to show young people wrestling with this. There’s a fundamental failure of empathy.

But stories build empathy. Stories are like fire: They give light, warmth, and they burn to let new things grow. The soul of our nation depends on getting stories to young people.

Then we heard from the YALSA Excellence in Nonfiction Finalists:

Karen Blumenthal for Hillary Rodham Clinton: A Woman Living History

At a time when the world’s tempted to divide the world between winners and losers, this award makes her feel like a winner. Hillary Clinton is still the most admired woman in America, according to a recent Gallup poll. In doing the research, Karen had to learn lots of terms for unpleasant women. Research was a challenge to learn what was actually true. She didn’t find any evidence that Hillary really did throw something at Bill in the White House, for example. She had to write two versions of the paperback ending, because it was due on November 9th.

Young people deserve to hear the full story. She mentioned this quote from Hillary: “Please never stop believing that fighting for what’s right is worth it.” Some other new terms Karen had to deal with were “gaslighting,” “fake news,” and “alternative facts.” The work of librarians is fighting for truth! Few trailblazers ever get to see their work completed. Hillary Rodham Clinton is a winner. And this is a life worth sharing.

Kenneth C. Davis for In the Shadow of Liberty

He speaks as a child of the public library. The library made him a reader and also a writer.

How could men who risked all for freedom go home to plantations dependent on slave labor? He decided to focus on 5 slaves of 4 great presidents.

William Lee was a manservant to Washington. Ona Judge was the tailor who sewed his uniform. She eventually escaped. Isaac Jefferson was in Yorktown with the British. He was taken back into bondage. Paul Jennings was taken to the White House as a 10-year-old child. Alfred Jackson was tried for murder and President Andrew Jackson paid for his defense. Alfred Jackson lived until 1901 — This is not ancient history. American slavery was a crime against humanity of epic proportions.

Today we celebrate literacy and reading. They can make us free!

Pamela S. Turner and Gareth Hinds for Samurai Rising

Yoshitsune is like King Arthur, but his story is true. Mostly. The author had no idea that sifting knowledge from fakery would be so timely. Fan fiction is not an invention of the 20th Century. Yoshitsune is deeply embedded in Japan’s national history. It’s crucial to teach young people what nonfiction is and how and why it’s fictionalized.

Linda Barrett Osborne for This Land Is Our Land: A History of American Immigration

Librarians are the front line; authors are the supply line. Her book wasn’t as timely when she started writing it in 2013. What do we mean when we say, “This land is our land”? There’s nothing new about saying awful things about immigrants. Benjamin Franklin spoke against Germans. Our history shows us why we fear, but also invite, immigrants. People come here to make a better life for their children.

The book spans four centuries. There are many parallels between then and now. Negative comments about immigrants are remarkably unchanged.

Some surprising facts:
Immigrants from Asia were not allowed to become citizens until 1952.
The first patrols along the Mexican border in 1890 were aimed at keeping Chinese people out, not Mexicans.

Her book also tells about the immigrants themselves. We have the power if we want to treat immigrants with compassion and respect, not fear and hate.

Then the YALSA Excellence in Nonfiction Award Winner: John Lewis for March: Book Three

He didn’t grow up in a big city, but in rural Alabama, poor, with six brothers and three sisters. As a kid, he asked “Why?” about things like signs for different bathrooms. Teachers and librarians told him to Read. We should teach people to find a way to get in the way. He got in trouble, necessary trouble. His late wife was a librarian. She also taught him to have a love of books. With books you could travel!

As a young child, he wanted to be a minister. He used to preach to the chickens. Some of those chickens listened to him better than his colleagues today in Congress. Some are more productive.

Keep the faith! When you see something not right, tell people to be brave!

Then we were told each of us could choose 3 of the award-winning books to have signed. I went first to John Lewis’s line (and shook his hand), then Kenneth C. Davis’s line for In the Shadow of Liberty, and then Jeff Zentner’s line (the person signing behind John Lewis in the photo above), for The Serpent King.

I’m afraid this year I hadn’t read any of the books receiving awards. But that’s going to change!

Attending the Youth Media Awards at #alamw17

January 24th, 2017

The announcement of the winners of the Youth Media Awards is without question the highlight of every ALA Midwinter Meeting.

You get up early to get a place in line. The doors open at 7:30 am for the 8:00 announcements. I found a friend and sat right behind the committees. (I like that I have good friends whom I only see at ALA events. It shows that these really are my people.)

When waiting in line, you exchange hopes with others. What do you think will win the Newbery? The Caldecott? Nobody I talked with mentioned what did happen.

Now, if I were a serious campaigner (and an extrovert), this would have been an ideal time to go up and down the line passing out my “Sondy for Newbery!” cards, asking for votes for the 2019 Newbery committee. As it was, I did give it to people I was near in line and sitting near, but all people I actually then spoke with. I even met someone at the airport who was on the current Caldecott committee! And this initiated some great conversations. I’m quite sure I wouldn’t have been so bold as to meet so many strangers if I hadn’t had this to introduce myself. (And I definitely needed some Introvert Time when I got home!) But it felt great to meet so many people who also love children’s books.

Here’s the crowd ready for the announcements to start!

Then the announcement of the awards began, with lots of surprises.

My friend Susan Kusel has pointed out the many striking things about the awards this year.

What I noticed was the March Madness — March: Book Three won an unprecedented four awards — The Coretta Scott King Author Award, the YALSA Excellence in Nonfiction Award, the Printz Award, and the Sibert Award! Not an Honor in any of them, but the award. Moreover, the event was happening in Atlanta, in the heart of John Lewis’s congressional district. The crowd was thrilled.

My only sad thing was that I’d hoped for some kind of award for the book Some Writer!, by Melissa Sweet — probably the Sibert, but maybe even Newbery or Caldecott Honor. Anyway, she’s been honored before, and I sure don’t begrudge John Lewis the Sibert.

Sadly, even though I read and loved March: Book One, I still have not read Book Two or Book Three! This is going to be remedied, especially now that I have a signed copy! (More on that in my next post.)

I also haven’t read the Newbery winner, The Girl Who Drank the Moon, but I have proof that I was meaning to — I’ve got it checked out! I’m going to start reading it tonight!

So I’m just going to mention which of my Sonderbooks Stand-outs did win something. (Of course, the reason I read The War That Saved My Life was because of the awards it won last year.)

Sachiko, by Caren Stilson, won a Sibert Honor (for children’s nonfiction).

Another Sibert Honor went to a book I liked very much, We Will Not Be Silent, by Russell Freedman.

Newbery Honor went to two of my Stand-outs: The Inquisitor’s Tale, by Adam Gidwitz and Wolf Hollow, by Lauren Wolk. I’m super happy about those. (Someone I talked with in the line really wanted Wolf Hollow to win because it’s one of those rare children’s books with two parents who are great role-models.)

The audiobook version of Anna and the Swallow Man, which I have yet to listen to but have on hold, won the Odyssey Award for best recording of a children’s or young adult book.

And my favorite young adult novel I read all year, The Passion of Dolssa, by Julie Berry, won a Printz Honor. Yay! I hope I’ll get to go to the Printz Awards this year and hear her speech!

It was fun to go through the Exhibit Hall after the awards ceremony and take pictures of the books with their new stickers!

I hadn’t realized until I saw their booth that Little, Brown, has published the Caldecott Medal winner for three years in a row!

Campaigning Connections (Vote Sondy for Newbery!)

January 22nd, 2017

At ALA Midwinter Meeting this year, I’m meeting lots of people, especially in various lines and at events. When someone gives evidence of being a children’s librarian, I’m giving them the card I made, which has the image at the top of this post, and a link to my Sondy for Newbery! page.

What’s been so much fun about it is that most of the people I meet this way say something along the lines of, “Oh, that would be so wonderful!” Many also ask me, “How does the process work?” I hope I’ve inspired several more people to try to serve on a committee in the future!

But it’s just brought home to me how very much the people who come to ALA conferences, especially children’s librarians, are kindred spirits and my people! I have found my tribe!

On Thursday, my friend was telling me about her experience serving on the Caldecott committee and how thrilled she was when she was selected and how the first person she told didn’t have a clue what it was. It’s so much fun to share my hope about this with people who agree with me that it would be awesome!

It’s made me just a little braver to introduce myself to people — and I have been rewarded by meeting so many wonderful people!

It’s been a lovely conference. And bright and early tomorrow morning, we get to find out who this year’s winners are….