Here’s one more review of a book from School Library Journal’s Battle of the Kids’ Books. I hope I’ve convinced my readers to follow the Battle next year!
I don’t read a lot of graphic novels, but when I saw the caption on the cover of Hereville, I knew I had to try it: “Yet Another Troll-Fighting 11-Year-Old Orthodox Jewish Girl.” I’m sorry, but that’s one caption I can’t possibly resist.
“Hereville: How Mirka Got Her Sword, a graphic novel by Barry Deutsch, must be the only book ever whose outside front cover made me laugh. “Yet Another Troll-Fighting 11-Year-Old Orthodox Jewish Girl,” it proclaims. Thick, shiny, paper painted in shades of coral, brown, black and white—changing to deep purples and grays in the scary night scenes—feel silky to the touch. Every page is vibrant with energetic pictures, dialogue, sound effects—and extremely minimal exposition.
“The story plays with genres, tilting them on their sides; using incongruity, it skewers conventions. Seemingly we are in the middle of a Hansel and Gretel pastiche, a fairy tale, in which the characters sprinkle their dialogue with Yiddish words, “A klog iz mir: Woe is me!” as well as expressions like “Yaaaah!” ”Mumph!” and “Aaak!” Mirka, one daughter in a large family of sibs and step-sibs, rebels against the traditional role expected of her in the Orthodox Jewish community of Hereville. Rather than learning such “womanly arts” as knitting, she wants to fight dragons. There is lots of very clever stuff here: visual jokes such as an illustration contained within an exclamation point, table legs morphing into trees, and a deliciously horrid troll.
“Wit and irony also abound in the text: a monster pig eats Mirka’s homework, Mirka and her clever, loving stepmother engage in wonderfully funny debates, and some Orthodox traditions are gently poked fun at (“preparing for all that non-working [on Shabbos] takes a lot of work!” and “In Hereville, kids aren’t allowed to have non-Jewish books. So Mirka keeps hers hidden”). I was hugely entertained, even as one tender scene brought tears to my eyes.”
I don’t read a lot of graphic novels, but I know that I will want to read absolutely anything Barry Deutsch writes about Mirka. The setting is utterly unlike any other book I’ve read (a small orthodox Jewish community in the country), but I can relate to Mirka’s fairytale dreams. I love the prosaic nature of her first nemesis — the giant talking pig. You can see she has the heart to fight a troll as well.
This book is funny, magical, insightful, and a joy to read. I can’t wait to find out what Mirka will do with her sword.
Here’s another book that appeared in School Library Journal’s Battle of the Kids’ Books. To celebrate the excellent battle action this year, I’m posting reviews of books from the Battle, and including commentary from the distinguished judges. This will give you an idea of the stellar critiques that make sljBoB so entertaining.
In the first round, this book drew a judge whose readers I think are just perfect for A Tale Dark and Grimm: R. L. Stine. He talked at length about why he chose it to win:
“When I was in elementary school, I was already fascinated by the worlds of fantasy and magic and horror. I read every book of fairy tales in our school library. I then proceeded to our town library where I moved up and down the shelves of fairy tales, Norse legends, and Greek myths, devouring book after book.
“As a long-time devotee of these stories, I opened Adam Gidwitz’ A Tale Dark and Grimm with great anticipation. I’m happy to say the book provided a wonderful return to the Grimm world—the world of dark woods, unspeakable evil, not-so-innocent children, witches, dragons, and more—that had enthralled me as a child.
“Gidwitz has not only presented us with a masterful retelling and re-imagining of the original Grimm works. His book provides a wonderful lesson in story-telling—how stories are made, how they can be twisted and turned, and how they change over time.
“The book is inviting right from the start. The author warns that the old Hansel and Gretel story isn’t what you expect, that fairy tales aren’t for the faint-of-heart. His warning that “the one true tale is as violent and bloody as you can imagine” makes the book irresistible. Who could stop reading after a warning like that?
“He then presents a retelling of several Grimm tales, beginning with Hansel and Gretel and using them as protagonists for the ensuing stories. We follow the brother and sister from adventure to adventure, into the woods and out, into king’s castles and witch’s hovels, into deep darkness, and finally to redemption– and even a happy ending. Thus he has cleverly tied the stories together and turned them into a novel.
“Gidwitz’ writing is simple, clean, easy-to-read. In a word: delightful. He manages to capture all the dark feelings and atmosphere of the original tales in language appealing to kids today. He doesn’t modernize. He doesn’t camp it up. The writing is crisp and clear, and he takes the story-telling seriously.”
However, in the second round, A Tale Dark and Grimm lost to Trash, by Andy Mulligan. Judge Pete Hautman still had good things to say about A Tale Dark and Grimm. I love the way he explains why kids might enjoy it more than adults:
“I felt a little uncomfortable stepping into these books. Okay, I’ll admit it—I like happy books that make me glad I am who I am. Murderous parents, child-eating witches, orphaned trash pickers, and monstrously corrupt politicians do not make me feel good about being human. But that’s because I’m a grownup, all tender and vulnerable and fiercely protective of my comfort level. Younger readers are more adventurous. As was I, once upon a time. Clearly, to give these books a fair shake I would have to channel my younger self.
“In A Tale Dark and Grimm, Adam Gidwitz makes it easy. These fairly straightforward retellings are interrupted, frequently, by the author, who offers warnings (“This next bit is a bit gross,”) commentary (“No, I didn’t think the moon ate people either. But is says so, right in the original Grimm,”) and alternate endings to several of the tales. There is a forbidden fruit deliciousness here—like being a kid and having your most favorite and funniest uncle telling you stories that might make your overly-protective helicopter parents blanch.”
For me, I enjoyed the book. I like the way it reminded me of reading the Grimm fairy tales as a kid. The book is clever and well-written and nicely plotted — but it didn’t win my heart. The fact is, I like the original tales better. And I admit my favorites were the happier, princess-filled tales. I wasn’t ever really a fan of the ones with heads chopped off. This book ended up with a very different tone than what I remember from being a little girl reading fairy tales.
However, I think my boys would have loved it! When they were around upper elementary or middle school age. This would have made an excellent family read-aloud. And I’m looking forward to recommending this book to boys in the library, especially ones who like a little blood and gore. This is a perfect book to hand to a boy who’s been reading A Series of Unfortunate Events, or, yes, R. L. Stine’s books.
Now if you’ll excuse me, I think I’ll go enjoy a fairy tale or two.
In honor of the finishing of School Library Journal’s Battle of the Kids’ Books, I’m plannning to review the remaining books that competed, but which I hadn’t yet reviewed. It seems fitting to next tackle Keeper, which made it all the way to the Big Kahuna Round, defeating three excellent books along the way.
I read Keeper at the start of the year, after hearing great things about it on the Heavy Medal blog, where people discuss possible Newbery winners. I would have liked to have seen it win an Honor, because this is a truly beautiful book.
This time, I’ll start by giving some highlights from the Battle of the Books judges:
“Keeper is heir to the oral tradition; the narrator’s voice is powerful and always present, creating an exquisite tension between what we know is fiction and our urge to hand over our hearts to it anyway. And this narrative switches easily from the points of view of a girl, a couple of dogs, a cat, a seagull, an elderly gay French grandfatherish neighbor, a young stuttering war-veteran surf-shop owner, and more; it shifts from past to present tense, from lyrical to earthy. As ten-year-old Keeper gets deeper and deeper into a dangerous situation, all the characters’ back stories and the setting itself enrich the drama and give it texture. Keeper’s wish, her desperate need, is to find her mother and, under a blue moon, she does—though it’s not the mother she expected. All three of us, my inner librarian, my inner writer, and my inner tween savored every word, and the many surprises that were gradually revealed.”
“Keeper is resident of a motley, miniature community down on the Texas Gulf coast. She loves her dog BD and her pet seagull Captain who adores watermelon. Her alleged “mermaid mother” Meggie Marie abandoned her 7 years prior to a mid-western escapee called Signe who is only 25 herself. I kept doing the math…Their neighbors, the stuttering Dogie who rents surfboards and the elderly Mr. Beauchamp, still longing for his young love Jack from France, as he waits for his night-blooming cyrus flowers to pop open, create a sleepy, somewhat surreal swoon of neighborhood texture for a little girl to wander dreamily through. Keeper waxes surfboards for Dogie, saves her money, watches the waves and tides closely, lives in a rich drift of fantastic thinking. She wants to see her mother again. And she’s ready to make it happen on the rare night of the “blue moon.” This is a gumbo-rich brew of magical farfetched wishing – spells – plans and lists – melodrama launched in a small rowboat…chapter 55, about all the oceans of the world being connected, is a gem-like poem shining at the heart.”
Have you noticed all these judges are lyrical in describing Kathi Appelt’s lyrical language? In Round Three, Grace Lin was no different:
“When I read the book, suddenly the magic became apparent. I loved the slow unveiling of each story, the way the back and forth narratives seemed to echo the motion of the ocean waves that rocked Keeper’s boat. I found the fantasy elements of Yemaya and Jacque der Mer enchanting and I could feel the heartbreak of each character. Even the animals—the dog BD and the crow Captain had fully-realized personalities.
“The blurring of myth and reality was seamless and the writing was poetic, yet always accessible. But most of all, the theme of the story—that love of all kinds, even the untraditional, are worth keeping— and how it was conveyed was just beautiful.”
“To cope with this maternal absence and abandonment, Keeper has recast her mother as a mermaid who has swum away. By this childhood logic, Keeper herself has merblood and the borrowed lineage of “Signa and Lorelie, the siren, the ningyo, and the rusalka and the Meerfrau,” all the mystic mother figures of the deep.
“Kathi Appelt’s story captures that time at the outer edge of childhood when the fantasies that have always kept you safe no longer work. Keeper’s fantasy folds all in a single action-packed twenty-four-hour period (though it feels longer), the night of the blue moon. Keeper’s belief in her aquatic DNA leads her into a series of descending missteps. She frees clamoring crabs meant for the gumbo, and before she knows it she’s literally out of her depth, in pursuit of a mermaid mother.
“This book is a keeper for its gentle tone in chronicling that jarring moment when you can no longer afford to be as young as you’ve been. Every book for the young is the story of a step, and in these pages a girl takes a big one. Where it will lead her, we’re less sure. But that’s what sequels are for.”
My own reaction to Keeper was that it was very slow-moving. In the middle, I almost stopped. Another thing that Grace Lin said pertains:
“Keeper is a book that needs you to be present to appreciate it. It’s not a story that can be half listened to or quickly skimmed, because then you miss the wonder. Appelt reveals the story like ocean waves lapping away bits of sand on a beach until a treasure is uncovered. And it’s the serene watching of the waves, not the sparkling pearl, that creates the book’s charm.”
I did stick with it, and by the time I finished, I was completely enchanted and caught into that world with lots of love and a touch of magic.
Truly a beautiful book. I’m glad it’s gotten the attention of being a Finalist in the Battle of the Books.
Disney Hyperion Books, New York, 2010. 161 pages.
Starred Review
I love Clementine! By reading Clementine, Friend of the Week, I’ve finally caught up to read the most recent brilliant addition to the books about Clementine. I enjoyed this one very much. The books, besides being clever and funny, are gaining in some depth. There were several plot threads, all related to friendship, that all twined together in this book, even though the storyline is quite simple.
These books are shortish chapter books with plenty of pictures, but there’s so much there. Clementine reveals so much in her speeches, and the wonderful pictures give you a more realistic — and funny — perspective on what’s going on. Taken together, this book is an absolute delight.
Right at the start of the book, Clementine announces that she’s been chosen for Friend of the Week. Margaret, who’s a whole year older, knows all about that, and has plenty of ideas for getting people to write nice things in Clementine’s booklet. The trouble is, when Clementine goes to Margaret’s apartment to see her booklet, something happens that makes Margaret mad, and all of sudden they aren’t friends any more.
Clementine spends the whole week trying to think of ideas, but then her kitten, Moisturizer (Clementine names pets from words she finds in the bathroom.), gets lost and she can’t think of anything else. The story threads get woven together and Clementine finds out what true friendship is all about.
In the tradition of Frog and Toad, George and Martha, and Elephant and Piggie, here’s another easy-to-read book about two friends who are very different, but who have a great time together.
This one’s a beginning chapter book, with 82 pages, rather than a traditional easy reader format. But much of the story is told in the exuberant pictures and there are not a lot of words on each page. Readers will feel they have accomplished something when they finish this book with three chapters.
Bink is short and a little wild, with yellow hair going in every direction. Gollie is tall and calm, and likes things just so. You can see all that from the picture of them rollerskating on the front cover.
The first chapter brings a conflict in their personality types:
“‘Bink,’ said Gollie, ‘the brightness of those socks pains me. I beg you not to purchase them.’
‘I can’t wait to put them on,’ said Bink.”
After some conflict over the socks, the two friends come up with a compromise bonanza.
The book goes on in the classic tradition of friendship tales — with simple situations that test the friendship, but allow the friendship to come out strong and shining. The illustrations in this book tell much of the story and convey much of the emotion behind the words. And it’s fun to read one of these tales where we see cordless phones and a laptop computer in the illustrations. The book is classic — but modern.
This week I had a couple different people ask about chapter books that are not too difficult, but for a child who wants something beyond the traditional easy reader. Bink and Gollie will fill the bill. There are lots of big words: “outrageous socks,” “marvelous companion,” “remarkable fish,” and “extraordinary accomplishment.” But there is not a lot of text on each page, and many of the big words are repeated throughout the book. Children who read it themselves will realize that they have achieved an extraordinary accomplishment.
Hyperion Books for Children, New York, 2008. 150 pages.
Starred Review
I am so hooked on Clementine! This is the third book about this irresistible third-grader who knows how to pay attention — to the important things.
Just when Clementine is getting the hang of third grade and in sync with her teacher, he applies for a special program to send a teacher to Egypt. The class is supposed to write letters to the judges about their teacher, and Clementine decides to write a letter to make sure he doesn’t go.
Meanwhile, she has to deal with a substitute. A substitute who doesn’t know how things are done in their classroom.
“The rest of the morning got worse. By the time the recess bell rang, I bet I heard a hundred ‘Clementine-pay-attention!’s. And every time, I was paying attention!
“But okay, fine, not to Mrs. Nagel, because she had gone from boring to extra-boring. Instead, I was paying attention to the astoundishing idea that had jumped into my head when I passed by the trash-and-recycling area last night. Which was the opposite of boring, believe me.”
Sara Pennypacker doesn’t settle for just the story of what happens to Clementine at school. She also weaves in Clementine’s interactions with her parents and baby brother, her neighbor the prissy Margaret and Margaret’s brother Mitchell, and Clementine’s scheme to buy her mother a present. I love the way Clementine goes to find names for her brother. Since her name is also the name of a fruit, she feels her brother should have the name of a vegetable. She finds some interesting names at the Chinese grocery, and from then on we hear about Bean Sprout and Bok Choy and Scallion.
These books would make absolutely wonderful bedtime reading — if only I had a child young enough. I’ll keep it in mind some day for a grandchild! And meanwhile, if you’re lucky enough to have an early-elementary-school-age child to read aloud to, I think the Clementine books would make a delightful choice.
Hyperion Paperbacks for Children, New York, 2007. 137 pages.
Starred Review
I’m hooked on Clementine, and am so happy I finally discovered her. In this second book about her, her third grade class is going to put on a talent show. But Clementine does not think she has any talents that could be displayed in a show. Not like Margaret, whose fourth grade class will also be taking part. Margaret has talents to spare.
This book is full of Clementine’s hilarious attempts to find an act, with an unexpected and satisfying solution.
Once again, Marla Frazee’s brilliant illustrations add to the characterization of Clementine and her friend Margaret. Even before the book begins, we see Clementine walking to the bus with a loaded backpack — until she is overcome by the weight of it and must crawl.
I love the first paragraph, which gives you a taste of Clementine’s way of thinking:
“I have noticed that teachers get exciting confused with boring a lot. But when my teacher said, ‘Class, we have an exciting project to talk about,’ I listened anyway.”
This book is exciting and fun. And I’m not a teacher.
Atheneum Books for Young Readers, New York, 2010. 295 pages.
Melody introduces herself by talking about words:
“Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them.
“I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings.
“But only in my head.
“I have never spoken one single word. I am almost eleven years old.”
Melody has cerebral palsy, a condition that gives her no control over her body.
“I can’t talk. I can’t walk. I can’t feed myself or take myself to the bathroom. Big bummer.
“My arms and hands are pretty stiff, but I can mash the buttons on the TV remote and move my wheelchair with the help of knobs that I can grab on the wheels. I can’t hold a spoon or a pencil without dropping it. And my balance is like zip — Humpty Dumpty had more control than I do.
“When people look at me, I guess they see a girl with short, dark, curly hair strapped into a pink wheelchair. By the way, there is nothing cute about a pink wheelchair. Pink doesn’t change a thing.”
Because Melody has no way to express herself except a temper tantrum, the world (except maybe her parents and her kind neighbor) doesn’t realize that she’s actually brilliantly intelligent. She’s put in a class for “special” kids who go over the alphabet over and over again.
But things do start looking up. Her school starts a policy of inclusion. Melody and her classmates get to join a music class, and then others. Maybe she’s even making a friend.
But that doesn’t come close to what happens when Melody gets a computer — a computer that can speak for her. At last, she can communicate with the world — and the world is in for a surprise.
Melody can even try out for the Quiz Team, a team that, if it’s good enough, will go to Washington, DC, and be on TV. Maybe her classmates will finally understand her worth.
This book was a good read. I have a friend whose son has cerebral palsy. It took me awhile to understand that the condition did not affect his mind, but only his body. I can only begin to imagine how much frustration that could generate. And this book helped me understand it better.
The author didn’t go with the predictable, feel-good ending. Although this was probably much more realistic, I did find myself wishing she had. But Melody is determined and smart, and I’m sure she’ll overcome anything further that life throws at her.
Scholastic Press, New York, 2010. 372 pages.
Starred Review Sonderbooks Stand-out 2010: #5 Children’s Fiction
2011 Pura Belpre Author Award
2010 Boston Globe-Horn Book Fiction Honor Book
I loved this book. I had hoped it would be a Newbery Honor Book, but can’t really complain because of the other awards it won. One thing I like about the Boston Globe-Horn Book Award is that they select based on the entire book, words and illustrations together and give the award to both the author and the illustrator, if both contributed to the complete book. In this book, the drawings work beautifully with the text to present a wonderfully poetical story.
This book is a novelization of the childhood of Pablo Neruda, who ended up being a great poet. Pablo Neruda was not his birth name, and we start out the book with a boy named Neftali, whose father thinks he daydreams far too much.
“On a continent of many songs, in a country shaped like the arm of a tall guitarrista, the rain drummed down on the town of Temuco.
“Neftali Reyes sat in his bed, propped up by pillows, and stared at the schoolwork in front of him. His teacher called it simple addition, but it was never simple for him. How he wished the numbers would disappear! He squeezed his eyes closed and then opened them.
“The twos and threes lifted from the page and waved for the others to join them. The fives and sevens sprang upward, and finally, after much prodding, the fours, ones, and sixes came along. But the nines and zeros would not budge, so the others left them. They held hands in a long procession of tiny figures, flew across the room, and escaped through the window crack. Neftali closed the book and smiled.
“He certainly could not be expected to finish his homework with only the lazy zeros and nines lolling on the page.”
Neftali is weak and shy. He stutters. His father is demanding and believes its shameful to spend your time daydreaming or writing.
The style of this book suits the subject. The language is poetical, and inserts some lines from actual poems by Pablo Neruda (with several complete poems at the back). When telling about his daydreams, the text may take on a shape or there may be an imaginative drawing from Peter Sis.
There is a plot, as Neftali learns to be the poet he was born to be, despite his father. But I think daydreamers will most enjoy the languid beauty of this book. It gives a leisurely and lovely look at the imaginative life of a child who notices things. Like me, readers will certainly want to read more of Pablo Neruda’s poetry.
Today I’m excited to host my second-ever Blog Tour Author Interview with Diane Zahler, author of A True Princess. You’ll find my review of the book just below in the previous post on this blog.
I found Diane’s answers to my questions intriguing. I hope you enjoy them!
Diane Zahler
I’ve always loved fairy-tale retellings, and can think of several that I love, such as The Goose Girl, by Shannon Hale, Beauty, by Robin McKinley, and Ella Enchanted, by Gail Carson Levine. What are some of your favorite retellings? Would you say those influenced your own writing?
I love Beauty and The Goose Girl too – in fact, those are my absolute favorite retellings. The way Robin McKinley and Shannon Hale filled out their stories and grace with which they write were a real inspiration to me. I also love East by Edith Pattou, a retelling of “East of the Sun, West of the Moon,” and Ash by Malinda Lo, a retelling of “Cinderella.” As these writers did, I wanted to create a complete world in my retellings, with intriguing characters and settings and a sense of magic.
Which were some of your favorite fairy tales as a child?
I read all the Andrew Lang fairy tale books – The Red Fairy Tale Book, The Blue Fairy Tale Book, yellow, green – if there’d been a puce one or a vermillion, I’d have read those too! I was especially taken with “The Twelve Dancing Princesses,” which I used as the basis of my first book, The Thirteenth Princess. And I loved “Rapunzel.” But I didn’t notice, at that age, that the princesses in these stories were not in control of their own fates – they were manipulated by magic, and later, generally, saved by a prince. I like a princess who can call the shots! And if there had been princesses like that when I was a kid, I think I would have loved them.
Can you put your finger on some reasons why you love fairy tales? (I’m not sure I could!)
Fairy tales treat both our earliest fears and our deepest hopes. The fact that similar tales are found in cultures around the world and have been popular for centuries indicates that the themes they treat resonate with us on a deep level. Many of them deal with abandonment, the death of a parent, and other situations that seem hopeless and out of the characters’ control. And yet often good vanquishes evil, and there’s a happily-ever-after. The idea that we – identifying with the characters in the stories – can face our fears and overcome them is empowering.
I actually very recently finished revising a middle-grade fairy-tale-type novel of my own, and have begun sending queries to agents. Do you have an agent? Any tips about getting published? Did you find any resistance to such traditional fantasy, with so many vampire and werewolves out there?
I don’t have an agent. I’ve had agents in the past, and they were not particularly helpful. Of course, the books I was sending out at the time weren’t particularly publishable, so that might have been the problem! But I had worked in children’s book publishing years ago and still knew some people, so I was able to get my work read. And I found that the fact that my books were fantasy in a more traditional vein was an relief to my editors. I get the impression from agents and editors I know that fairy tales are more likely to endure than the trendy vampire/werewolf/angel-fallen-to-earth fiction that’s so popular at the moment. As for tips – endurance. Resilience. A thick skin. Never give up! It took me decades to get here, but it took me much of that time to learn how to write.
I think of A True Princess as a wholesome story, suitable for young girls beginning on chapter books who love fairy tales, but also offering plenty to enjoy for older people like me. The main character encounters many good people who care about her, and it’s a feel-good story, even with the moments of danger. I wish that saying that didn’t make the book sound boring, because it’s not! Would you care to comment about that and about the age level of your imagined reader?
A True Princess, like The Thirteenth Princess, is marketed for the middle-grade, or tween, reader. That’s between 8 and 12 years old, though I’ve heard from many girls of 13-16 who really enjoyed The Thirteenth Princess. I did keep my readers in mind to some extent as I wrote, but the fact that my protagonist in both my novels is 12 keeps certain topics naturally off-limits. Lots of fairy tales in their original form are the opposite of wholesome – they feature murder, betrayal, abuse, every horror you can imagine, and some that are beyond imagining. Needless to say, I haven’t included most of those details in my retellings. My aim is not wholesomeness, or creating a feel-good story. Instead, my intention is to take the elements of the original story that I think would resonate with readers – the struggle between good and evil, the search for identity, the tension between fear and courage –and use those to craft a story that contains both aspects of the original and themes that work for today’s readers.
Thank you so much for sharing your thoughts with my readers and me!
Some more about Diane Zahler and A True Princess:
About Diane Zahler
Diane Zahler, author of A True Princess, has loved tales of fairies and magic since before she was old enough to read. She has worked in the children’s room at a public library, in children’s book publishing, and as an elementary and high school textbook writer. The Thirteenth Princess, her first novel for young readers, was published in 2010. She lives with her husband and dog in an old farmhouse in the Harlem Valley that is held together with duct tape and magic spells. Diane’s website is: www.dianezahler.com.
About A True Princess
Twelve-year-old Lilia is not a very good servant. She daydreams, she breaks dishes, and her cooking is awful! Still, she hardly deserves to be sold off to the mean-spirited miller and his family. Lilia refuses to accept that dreadful fate, and with her best friend Kai and his sister Karina beside her, she heads north to find the family she’s never known. But danger awaits. . . .
As their quest leads the threesome through the mysterious and sinister Bitra Forest, they suddenly realize they are lost in the elves’ domain. To Lilia’s horror, Kai falls under an enchantment cast by the Elf-King’s beautiful daughter. The only way for Lilia to break the spell and save Kai is to find a jewel of ancient power that lies somewhere in the North Kingdoms. Yet the jewel will not be easy to find. The castle where it is hidden has been overrun with princess hopefuls trying to pass a magical test that will determine the prince’s new bride. Lilia has only a few days to search every inch of the castle and find the jewel—or Kai will be lost to her forever.
Hereville
