Review of Jack and the Baked Beanstalk, by Colin Stimpson

Jack and the Baked Beanstalk

by Colin Stimpson

Templar Books (Candlewick Press), 2012. 36 pages.

Here’s a cinematic retelling of Jack and the Beanstalk set in what looks like 1930s America. Jack and his mom run a diner, but when a huge overpass is built, all their business goes away, and they’re down to their last few pennies. Jack’s mother sends him to buy some coffee beans, but then Jack meets a guy who looks like a bum under a city bridge who offers to sell him a can of magic baked beans.

Now Jack had read enough fairy tales to know that you don’t turn down an offer like that. Also, baked beans were his favorite food in the whole world, so he couldn’t resist tasting some magic ones. Thanking the man, Jack exchanged his last pennies for the beans and ran home.

You know how the story goes. This vine, instead of growing regular beans, grows cans of baked beans as it stretches high into the sky.

But this story has all the unkind and unethical bits taken out.

“We have visitors,” boomed the giant.

“So I see,” squawked the chicken.

“And we know just what to do with visitors, don’t we?” said the giant. “Now you STAY THERE. I’ll be back in a jiffy.” And with that the giant grabbed a handful of the chicken’s eggs and marched off to his kitchen. Soon the sound of clattering pots and pans was making the table tremble.

“Is he going to eat us, Chicken?” squeaked Jack.

“Don’t be silly!” cackled the chicken. “He just wants to make you some lunch. He hasn’t cooked for someone new in a long, long time.”

You see, it’s all good-hearted and ever so friendly. No nasty running off with the harp or stealing the goose that lays the golden eggs. (And instead of a harp, it’s a magic radio. Instead of eggs of gold, the chicken lays eggs that taste good.)

I wasn’t surprised to read at the back that Colin Stimpson has been an art director and production designer for Steven Spielberg and Walt Disney Feature Animation, because these paintings look like stills from an excellent animated feature film. He uses light to highlight the action. He has incredibly detailed three-dimensional-looking backgrounds. This would work well as a cartoon short.

But mostly, it’s just plain fun. The nice giant helps good-hearted Jack and his mother (and his ever-present dog) feed plain working folk. And everybody ends up happy. Did I mention the book is beautiful to look at? This book will leave you smiling.

candlewick.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of When Stravinsky Met Nijinsky, by Lauren Stringer

When Stravinsky Met Nijinsky

Two Artists, Their Ballet, and One Extraordinary Riot

by Lauren Stringer

Harcourt Children’s Books, 2013. 32 pages.
Starred Review

This picture book nonfiction book is extraordinary. It’s a picture book; the language is simple enough for young elementary school students to fully understand. The pictures exquisitely evoke the music and dance of the ballet The Rite of Spring.

I’ve seen a performance of The Rite of Spring years ago in Los Angeles, but I wasn’t prepared for how completely this book brought that performance — which I hadn’t thought about in years — to the forefront of my mind.

I hadn’t remembered that the first time the ballet was performed, it ignited a riot in Paris. That event is the climax of the book, but it gets there in such a delightful way.

First, the book talks about the music and dance that Stravinsky and Nijinsky created by themselves.

Then Stravinsky met Nijinsky
and his music began to change.

His piano pirouetted a puppet,
his tuba leaped a loping bear,
and his trumpet tah-tahed
a twirling ballerina.

And when Nijinsky met Stravinsky,
his dance began to change.

His torso trumpeted a melody,
his arms and legs sang from strings,
and his feet began
to pom-di-di-pom like timpani.

Stravinsky inspired Nijinsky.
Nijinsky inspired Stravinsky.

Together they decided to dream of something different and new.

The book goes on to talk about the creation of The Rite of Spring and the reactions of the musicians and dancers, and, eventually, the crowd in Paris.

I can’t stress enough how wonderful the illustrations are. They aren’t a literal, photographic description of the times. They use styles of the art of the times to symbolically represent what’s going on, while still showing concrete things like dancers in Paris. I love the faces of the people in the music hall and in the streets of Paris. Some are smiling beatifically. Others have their hands over their ears with their faces puckered in disgust.

I also love the picture of Stravinsky and Nijinsky in tuxedo with tails dancing together surrounded by a ring of music with costumed dancers and instruments and music with unusual time signatures. That goes to show I can’t describe it nearly as effectively as one glance at the picture will give you. Across the page, there’s an exuberantly dancing cat and dog.

This is a colorful and exuberant book that tells a good story about art and a true moment in history and the way two friends working together helped both attain greatness.

This review is posted today in honor of Nonfiction Monday, hosted today at Anastasia Suen’s Booktalking.

laurenstringer.com
hmhbooks.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Chloe and the Lion, by Mac Barnett and Adam Rex

Chloe and the Lion
by Mac Barnett
Pictures by Adam Rex

Disney Hyperion Books, New York, 2012. 48 pages.
Starred Review

Meta-fiction does not always work, but Chloe and the Lion is joining the ranks of great meta-fiction picture books, along with David Wiesner’s The Three Pigs, Mo Willems’ We Are in a Book!, and even The Monster at the End of This Book, by Jon Stone.

The art is ever-so-interesting, mostly a three-dimensional scene made from paper cut-outs, but it includes plasticine figures of the author and illustrator. They introduce themselves and tell us about Chloe, who saves nickels and dimes to ride on the merry-go-round on the weekend.

The story is on the bizarre side…

But one week, Chloe found a lot of change.
So she was able to buy a lot of tickets.
And she rode around and around and around.
Which was why she got very dizzy.
And that’s how Chloe ended up lost in the forest.

We read that a huge lion leapt out at Chloe from behind an oak tree, but in the picture we see a dragon, with smoke coming from its nostrils.

The author and illustrator have it out. Adam, the illustrator, thinks that a dragon is much cooler than a lion. In the end, Mac has no choice but to fire Adam and find someone else to illustrate the book. Once the illustrator has been changed, “The first thing the lion did was walk up to Adam and swallow him whole.”

Unfortunately, the new artist, Hank Blowfeather, just isn’t as good as Adam. And when Mac tries to draw instead? Disaster!

So, Chloe and Mac need to figure out a way to get Adam out of the belly of the lion and save the book. And a thank-you at the end would be nice, too.

This is another book where description simply doesn’t do it justice. There are visual jokes throughout, a wide variety of styles, and a lot of thought about how a story works. This is a book worth reading again and again.

Oh, and I’ll have to add it to my Pinterest board: Picture Books Where Someone Gets Eaten! (Even if it’s not permanent, getting swallowed whole counts. Maybe I should put it on the Eating Thwarted page, too.)

Meta-fiction at its finest!

macbarnett.com
adamrex.com
disneyhyperionbooks.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Chloe, by Peter McCarty

Chloe

by Peter McCarty

Balzer + Bray, 2012. 36 pages.
Starred Review

Hooray! Another big family picture book! Chloe is the middle child in her family of rabbits. She has ten older brothers and sisters and ten younger brothers and sisters. And, more realistically than in Another Brother, even though they are rabbits, Chloe’s siblings are pictured as different sizes and different ages.

But this isn’t a story about having too many siblings. This is a story about having fun.

Chloe loved the end of the day, when her whole family was together. She called it family fun time.

But her father brings home a new television. When the whole family except Chloe and little Bridget watch TV, Chloe thinks it’s the worst family fun time ever.

But then Bridget finds the bubble wrap. . . .

Pop! Pap! Thip! Bip! Pop!

This is a simple story, about how doing simple things together can be the most fun at all. Peter McCarty’s wonderful illustrations are what make this a stand-out. Even though there are 21 siblings and two parents, each rabbit is portrayed as an individual. I love the way little Bridget imitates Chloe’s gestures and expressions. I love the way the character on TV looks over at Chloe and her brothers and sisters having fun. I love the way Dad stays up popping bubble wrap after everyone’s in bed, and I love the way the baby in the crib is the only child not asleep.

I complain sometimes (a little tongue-in-cheek) that with all the quest for diversity in children’s literature, big families simply aren’t well-represented. Well, here’s a picture book where the big family isn’t the point, isn’t held up as strange. The big family is what it is. This is a simple story about having fun.

[I also love that it’s a book that celebrates the fun of popping bubble wrap. Did you know those bubbles are called utricles? It was featured on my 365 Words a Year calendar one day when I was in college, and my officemate and I used to gloat over any opportunity to pop utricles.]

petermccarty.net
harpercollinschildrens.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Martin de Porres: The Rose in the Desert, by Gary D. Schmidt and David Diaz

Martin de Porres

The Rose in the Desert

written by Gary D. Schmidt
illustrated by David Diaz

Clarion Books, 2012. 32 pages.
Starred Review
2013 Pura Belpre Illustrator Award

Picture book biographies are always in danger of going unnoticed. They aren’t really written to help kids do reports; they’re written to appreciate a remarkable life.

This book is all the more lovely in that it tells kids about the life of a saint. Who better to inspire children?

The Author’s Note at the back tells why Martin de Porres was important:

His greatest gift was his ability to ignore the boundaries his world had erected and to reach toward the poor and the ignored. . . . He was beatified in 1837 and canonized in May 1962 — the first black saint in the Americas — when Pope John XXIII named him the patron saint of universal brotherhood. He soon also became the patron saint of interracial relations, social justice, those of mixed race, public education, and animal shelters.

The main text of the book is more poetic, and appropriate for children. The author doesn’t come out and say that Martin did miracles, but he tells what people said about him:

Soon, all the people of the barrios knew who the young cirujano was. When a man was hurt, he was carried to Martin. When a child grew pale, she was brought to Martin. When a slave was whipped, he staggered to Martin. And when the infirmary of the monastery was filled with the poorest, Martin carried his patients to play with the panting dogs in the shade of the wonderful lemon tree.

The paintings that go with the story are worthy of the Belpre Award.

This is a lovely book about an inspiring life.

After thirteen years, every soul in Lima knew who Martin was: Not a mongrel. Not the son of a slave. “He is a rose in the desert,” they said.

hmhbooks.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

I’m posting this review today in honor of Nonfiction Monday, hosted today at Wrapped in Foil.

Review of Building Our House, by Jonathan Bean

Building Our House

by Jonathan Bean

Farrar Straus Giroux, New York, 2013. 44 pages.

This book isn’t funny. It doesn’t reach out and punch you with its brilliance. It’s on the long side for preschool storytime. But it quietly won me over. I found myself reading it more than once, poring over the detailed illustrations, enjoying the oversize format and the story – the whole process of building a house.

The author based the book on what his parents actually did. They bought a farmer’s field, moved into a trailer on the property, and then built their own house. This book shows that process, starting with tools and a plan, then purchasing the materials, and setting the corners by the north star.

The format works well. It’s a larger picture book than usual. Most spreads have four pictures, two on each page, showing the day-to-day process. Special moments, like the frame-raising party and the moving-in party, get a whole double-page spread to themselves.

The pictures have lots of detail, and you can look at them over and over and still find new things. This would be a great choice for kids interested in construction machines, but also children interested in a family story, or even children who simply like to find details in complex pictures.

This is probably on the long side for preschool storytime, but it would be a lovely book for sharing individually with a child.

Mackids.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Pip’s Trip, by Janet Morgan Stoeke

Pip’s Trip

by Janet Morgan Stoeke

Dial Books for Young Readers, 2012. 32 pages.
Starred Review

Janet Morgan Stoeke is coming to our library! (That’s the City of Fairfax Regional Library on Monday, May 13, 2013 at 3:30!) I’m excited because I remember discovering her books when I first worked in a library back at Sembach Air Force Base. Her Minerva Louise books are perfect for preschoolers who enjoy someone sillier than they are.

Her recent book, Pip’s Trip, features more silly chickens, the three hens from The Loopy Coop Hens, Midge, Dot, and Pip.

Pip’s Trip is written as an easy reader, with simple vocabulary and short sentences. There are even seven very short chapters to give a child a sense of accomplishment. The format is still the large one of a picture book, which is all the better for storytime.

Midge, Dot, and Pip see the farm truck, and Pip notices there’s plenty of room in the back for them. Pip talks them into going for a ride, but after she gets in, Dot and Midge decide they should ask Rooster Sam first. So Pip is alone in the back of the truck.

We can see from the pictures that the driver has the hood of the truck up and is working on the engine. Pip, in the back of the truck, is very alarmed:

”Oh, no! It is getting loud.
This is bad.
I don’t want to see the wide world!
Oh, no! Oh, no! Oh, no!”
Pip shuts her eyes.

When Pip peeks out, “the wide world looks just like Loopy Coop Farm!”

Pip’s friends set her straight when Pip talks about the ride she went on. But they all agree that she was very brave.

This is another fun story where preschoolers can enjoy someone who is far less wise in the ways of the world than they are. And with repetition, simple structure, and lots of one-syllable words, they’ll be reading it themselves before you know it.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Green, by Laura Vaccaro Seeger

Green

by Laura Vaccaro Seeger

A Neal Porter Book, Roaring Brook Press, 2012. 36 pages.
Starred Review
2013 Caldecott Honor Book

When I first read Green, I thought it was good, but didn’t give it a lot of attention. It grew on me. The exquisite craftsmanship with so many details in exactly the right place deserved another look.

The text is only two words per page, and the second word is always “green.”

We’ve got forest green, sea green, lime green, pea green, jungle green, khaki green, fern green, wacky green, and more. But there are imaginative, beautiful, and detailed paintings on each page, not the way you’d necessarily think those adverbs would go. And each page also has a die cut hole. The hole works in very different ways on both sides of the page, enhancing the picture both times.

This isn’t as much a book for sharing with a large group (though it would work that way) as it is for exploring one-on-one with a child. They will want to look at the pictures and at the way the die cuts work again and again. This book is a masterpiece of craftsmanship and a beautiful work of art. I’m so glad it won Caldecott Honor.

This is one that’s hard to describe with words. You need to check it out and look at it yourself. Then take another look. Better yet, let a child show you how fascinating it is.

mackids.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Anno’s Mysterious Multiplying Jar, by Masaichiro and Mitsumasa Anno

Anno’s Mysterious Multiplying Jar

by Masaichiro and Mitsumasa Anno

Philomel Books, New York, 1983. 44 pages.
Starred Review
2012 Sonderbooks Standout: #7 Children’s Nonfiction

How did I not know about this book?! How did I not know there is a picture book that explains factorials?! It was written before my boys were born — and I didn’t know to buy it for them! This is a crime!

I was at the library, refilling our display of children’s nonfiction books. I find that if I put out children’s math books, they get snapped up. I make sure to put out fun children’s math books, like anything by Greg Tang, or A Million Dots, by Andrew Clements, or Piece = Part = Portion, by Scott Gifford. But while I was looking through the 510s for good fun math books, I found Anno’s Mysterious Multiplying Jar.

The idea is simple. Mitsumasa Anno and his son show us a jar that contains a sea and an island. Each island has 2 countries. Each country has 3 mountains. Each mountain has 4 walled kingdoms. In each kingdom are 5 villages. In each village are 6 houses. In each house are 7 rooms. In each room are 8 cupboards. In each cupboard are 9 boxes. And within each box, there are 10 jars.

How many jars are there all together? There are 10! = 10 x 9 x 8 x 7 x 6 x 5 x 4 x 3 x 2 x 1 = 3,628,800. The second half of the book shows this even more clearly, using dots. And there’s an afterword as well, that explains some of the further uses of factorials.

It’s so simple. So beautiful. And it explains factorials! To children! Yes!

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

This review is posted today in honor of Nonfiction Monday. You’ll find the round-up at The LibrariYAn.

Review of Oh, No! by Candace Fleming and Eric Rohmann

Oh, No!

Words by Candace Fleming
Pictures by Eric Rohmann

Schwartz & Wade Books (Random House), New York, 2012. 36 pages.
Starred Review
2012 Sonderbooks Stand-out #9 Picture Books

This book charmed me from the moment I saw it. I simply had to read it aloud. The story can be sung to the tune of “Froggie Went a-Courtin’,” with a few adjustments. In place of “Uh-huh,” you’ve got a refrain of “Oh No!” in very appropriate spots at the end of each verse, and other fun sound effects earlier in the verses.

The story is simple: Several animals fall into a hole, and can’t get out, and it looks like Tiger will eat them. When each animal falls in, we have appropriate sound effects: “Ribbit-oops!” for frog; “Pippa-eek!” for mouse; “Soo-slooow!” for loris; “Grab on!” for sun bear (bending down a branch); and “Wheee-haaaa!” for monkey. When tiger comes to taunt them, anticipating his dinner, it’s “Slop-slurp!”

But someone bigger than Tiger comes along to help, the tables are turned, and no one gets eaten. Will the animals help Tiger out of the trap? “Oh, no!”

Caldecott winner Eric Rohmann has outdone himself with the beauty of these illustrations. The book has so many elements great for a storytime picture book: A catchy tune or rhythm (if you don’t want to sing it), fun sounds, repetitive and progressive story line with nice twists, animals they might not have known, and a turn-about story that will appeal to their sense of justice.

Now, there are some places where the exact tune has to be adjusted a bit. Personally, I found I was not capable of reading it straight, without putting it to the tune. Others may have better luck! But either way, this book begs to be read or sung aloud, and you will definitely want to share it with a child.

candacefleming.com
ericrohmann.com
randomhouse.com/kids

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.