Review of Somebody Give This Heart a Pen, by Sophia Thakur

Somebody Give This Heart a Pen

by Sophia Thakur

Candlewick Press, 2020. First published in the United Kingdom in 2019. 99 pages.
Review written October 24, 2020, from a library book

This is a book of poems, and Sophia Thakur is a performance poet. Learning that, I wasn’t surprised that several of the poems made me want to read them aloud.

The poems talk about writing out your feelings, and they do express feelings remarkably well. Many of the poems are about loving but breaking up, and some of those made me nod my head at the Truth.

Here’s the start of a poem called “Let Hurt”:

Sometimes
to heal once and one time only
first we must properly hurt.
To understand the sadness that stifles us
we must let it stifle us first
let it sink its teeth deep into our eyes
and let whatever leaks out purse
its lips against our cheeks
like a kiss asking us to be patient
to slow dance with the aching
to understand its twists and turns

Here’s the end of my favorite poem, called “Sprouting.” It’s about new life after healing from a break-up.

This growth is not for you or in spite of you.
In fact it stopped being about you once I let go of you.
But I’m healed enough to be honest.
It did take being emptied by you
to reseed
and to bloom.
So I guess this is me thanking you
for forcing me to move.

And here’s the beginning of the final poem, “When to Write”:

When your fists are ready to paint faces
When there is nowhere to confide
When your skin lingers high above your bones
and you’re so out of touch with self,
Write.
When the mouth fails
and shyness strangles
and your throat becomes tight,
Write.
When your eyes won’t dry,
Write.
Before you fight
Before you fall,
Write.
When they lie to you
When they hurt you
When they leave you,
Write.

I so glad somebody gave that heart a pen.

candlewick.com

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Review of I’d Like To Be the Window For a Wise Old Dog, by Philip Stead

I’d Like To Be the Window For a Wise Old Dog

words and pictures by Philip Stead

Doubleday Books for Young Readers, 2022. 48 pages.
Review written July 12, 2022, from a library book
Starred Review

This picture book is a beautifully illustrated nonsense poem, and it won my heart. The elephant in the illustrations reminds me of the author’s wife’s Caldecott-winning work in A Sick Day for Amos McGee.

How could I be the window for a wise old dog? I’m not exactly sure, but this book makes me want to be one, too. The Poetry is whimsical and rolls off the tongue. The pictures are lovely and somewhat fantastical, but especially lovable are the pictures of the wise old dog by the window.

Here are some of the lovely lines:

Will I ever be the dawdle of a penguin?

Will I ever be the waddle of a snail?

Will I ever be the tumble of a honeybee?

Will I ever be the bumble…

… of a whale?

And each line has big, bright, colorful pictures.

I never before wanted to be a window for a wise old dog, but this book sends my imagination into flight. I would so love to discuss it with a child — I bet their imagination would fly even further than mine. (This might be one to get for my nieces!)

philipstead.com

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Review of Marshmallow Clouds, by Ted Kooser and Connie Wanek, illustrated by Richard Jones

Marshmallow Clouds

Two Poets at Play among Figures of Speech

by Ted Kooser and Connie Wanek
illustrated by Richard Jones

Candlewick Press, 2022. 72 pages.
Review written May 13, 2022, from a library book
Starred Review

I don’t usually get too excited about poetry collections, but this one had me smiling at new ways of looking at things I’d never thought of before. I started wanting to read bits aloud to a coworker. Though I’d also have to show them the beautiful images accompanying the poems.

The poets are indeed playing with ideas. First, we meet a winter tree that looks like it’s clowning around on the top of a hill, up on one leg and juggling a pie. Then there’s a meteor shower like scratches a black cat playing with an enormous ball that glitters, a fireplace like a playpen for the fire, a book as a sandwich of words and ideas, and a harp like a great golden moth as a harpist smooths the veins in its wings. Or let me type out the whole poem “Thunderstorm”:

This one’s gotten up in the night
and, not wanting to wake us,
stumbles around, bumping the walls
of the long empty hallway leading away,
now and then lighting a match
and then, just as quickly, blowing it out.

I love the images in these poems. They’re creative and so imaginative. Here’s the first stanza of a poem called “July”:

One summer day I was boiled and salted
like a peanut. I was the meat
in a heat sandwich, the dog in a hot.
I was the crimson crayon
melting in a sunny car,
the color of firecrackers and flags
and Mars, where once water
cooled the red stones.

Here’s the first stanza of a poem called “Secret”:

It’s safe to tell a secret to the stars,
aliens all. They haven’t
a word of English,
which means they are reliable
in their silence.

That poem has more about stars and secrets and fire burning up the secrets and how good it is to let them go.

And I need to stop giving examples, because there are far too many good ones. At the back, poet Ted Kooser tells what they are trying to do with this book:

Each of us is born with a gift of imagination and, as if it were a favorite cat or dog, playing with your imagination can keep it healthy and happy. The poems in this book are about fooling around, about letting one’s imagination run free with whatever it comes upon. Our idea is to encourage you to run with your own imagination, to enjoy what you come up with.

The poems in this book, combined with the simple and meditative images, filled me with delight. They’re divided into sections for Fire, Water, Air, and Earth.

A lovely collection of poems that might surprise you — as it did me.

candlewick.com

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Review of Ain’t Burned All the Bright, by Jason Reynolds, artwork by Jason Griffin

Ain’t Burned All the Bright

by Jason Reynolds
artwork by Jason Griffin
read by Jason Reynolds and a full cast

Atheneum, 2022. 384 pages.
Audiobook: Simon & Schuster Audio, 2022. 30 minutes.
Review written April 12, 2022, from a library book and eaudiobook.
Starred Review

Ain’t Burned All the Bright is an illustrated poem about a kid and his family at home during the pandemic. That doesn’t sound very exciting — but the poet is Jason Reynolds. And his long-time friend Jason Griffin did 384 pages of art to go with it.

I put a hold on the audiobook before I realized it was an illustrated poem and not a novel. And decided that both listening to the audiobook and looking at the artwork was the perfect way to experience this book.

The audiobook performs the text twice — first with Jason Reynolds reading it, then with a full cast. And then there’s a discussion between the creators at the end (which is also printed in the book). The whole thing only takes 30 minutes, so this is a quick read, but has lovely play with images and language.

Jason Reynolds said this book began thinking about oxygen masks. The way he plays with that image is surprising and lovely.

We’ve got a kid wondering why his mother doesn’t change the channel, a brother playing video games, a sister talking on her phone, and a father ill in his bedroom. And the kid has thoughts about it all.

I’m not even sure how to describe this book. But it’s Jason Reynolds’ poetry along with striking images, and I would really like to talk with a kid who reads this book to find out all the things they notice that I miss. It feels like there’s more than meets the eye here. But I do know I like it.

jasonwritesbooks.com

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Review of Legacy, by Nikki Grimes

Legacy

Women Poets of the Harlem Renaissance

by Nikki Grimes

Bloomsbury Children’s Books, 2021. 134 pages.
Review written April 19, 2021, from a library book

Quick, name a female poet from the Harlem Renaissance! I couldn’t do it before I read this book.

Here Nikki Grimes features poems from fifteen women poets of the Harlem Renaissance. After each poem she selects, she writes her own Golden Shovel poem – taking a significant line from the original poem and using those words at the ends of the lines in her tribute poem.

She says in the introduction:

In these pages, you will meet some of the gifted female poets – and remarkable women – of the Harlem Renaissance who created alongside and often nurtured the male poets we know. They didn’t all produce poetry collections of their own, but each played an integral part in this historic era in America.

Then, alongside the challenging, inspirational, and beautiful poetry is placed art from nineteen black women artists. In the back, there are biographies of all the poets and all the artists.

The poems themselves are inspirational. As an example, the poem “Four Walls,” by Blanche Taylor Dickinson, about overcoming obstacles, is paired with Nikki Grimes golden shovel poem “What Girls Can Do,” also about breaking out of boxes.

This is especially an anthology to hand to black girls to let them know there are no limits, but anyone can appreciate this message and the beauty of the words and images. And find out about some too-long-overlooked poets.

nikkigrimes.com
bloomsbury.com

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Review of Martin Rising, by Andrea Davis Pinkney, paintings by Brian Pinkney

Martin Rising

Requiem for a King

by Andrea Davis Pinkney
paintings by Brian Pinkney

Scholastic Press, January 2018. 128 pages.
Starred Review
2018 Sonderbooks Stand-out:
#9 Longer Children’s Nonfiction

I’m writing this review on Martin Luther King, Jr.’s birthday in 2018. It’s a shame I can’t post it today, but I have to remain silent online about any 2018 children’s books until after we announce our Newbery winners.

This book is poetry combined with art, telling about the events that happened 50 years ago in 1968, the last months of Martin’s life.

I have to confess I’m not the best audience for unrhymed poetry. I haven’t spoken with anyone else yet about this book, and I have a feeling that when I do, others will be able to point out details of the craft that went right by me.

But what we have here is history in the form of poetry. There is symbolism – a progression from daylight to darkness to dawn. Some more symbolism that even I could catch was in a poem about forcing forsythia to bloom where that’s compared with forcing garbage collectors in Tennessee to do degrading work in harsh conditions. March is said to come in like a lion – but no progress is made, and it leaves much more quietly.

And the event that sparks the chain of events in this book was the death of two sanitation workers in Memphis, Tennessee, and the protests that sparked. There are lots of facts here – you’ll learn about what happened, along with the dignity and nobility of those who protested.

(I’m now going to pause and reread the book as a fitting way of celebrating Martin Luther King’s birthday.)

Here are some good bits:

In the poem “Come: February 24, 1968”:

But, Lord,
even with your handiwork
hard at work,
it is hard, hard work
not to strike back violently,
especially when you’re striking.

In the poem “Roar! March 11, 1968”:

These strikers have volunteered for
peaceful protest.

When the police handcuff
and shove them,
and choke hold their hope,
and cart them away,
these men and women,
and girls and boys
who have volunteered
for self-dignity,
will not
enter jail
in the same way
March
enters the calendar.

These strong, quiet
strikers,
and all who stand by them
refuse to Roar.

Going out like lambs,
they are ignored.

From the final poem, “Rejoice the Legacy: January 15 – Martin Luther King Day – Forever”:

And so, today, though his candles stopped
at thirty-nine,
we celebrate Martin’s exquisite life.

His sparkling-eyed vision
of tomorrow’s promise.
His destiny.
His dream.

How he led us to the mountaintop
on the path of light, love, and truth.
He didn’t get there with us.
But he showed us the way.

So that’s this book – a poetic tribute to Martin Luther King’s life and the story of his final months. I love the suggestion in the author’s note at the back to perform these as a group reading or as a classroom play. It is all too easy to rush through these poems. I’m pretty sure that the harder I look at them, the more riches I’ll find.

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Source: This review is based on a book sent by the publisher.

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Review of Imagine, by Juan Felipe Herrera, illustrated by Lauren Castillo

Imagine

by Juan Felipe Herrera
illustrated by Lauren Castillo

Candlewick Press, 2018. 32 pages.
Starred Review
Review written November 2, 2018, from a book sent by the publisher
2018 Sonderbooks Stand-out:
#6 Children’s Nonfiction Picture Books

I confess – when I first read this book at the library, I looked through it hastily and wasn’t impressed. But when the publisher sent it to my house, I gave it another look, knowing what it was, took my time, and this time was touched by its beauty.

This picture book is an illustrated poem – an autobiographical poem addressed to the reader and intended to inspire.

It’s short – I admit that it’s easy to dismiss if you don’t take your time with it and stop to look at each picture.

Juan Felipe Herrera was Poet Laureate of the United States from 2015 to 2017. This poem shows us his humble beginnings, and his journey to become a poet.

Each stanza ends with the word “imagine” and covers a double-page spread. Here are the first few stanzas:

If I picked chamomile flowers
as a child
in the windy fields and whispered
to their fuzzy faces,

imagine

If I let tadpoles
swim across my hands
in the wavy creek,

imagine

If I jumped up high
into my papi’s army truck
and left our village of farmworkers
and waved adios
to my amiguitos,

imagine

You see the boy gradually getting bigger in the pictures. The poetry also talks about his experiences:

If I moved
to the winding city
of tall, bending buildings
and skipped
to a new concrete school
I had never seen,

imagine

If I opened
my classroom’s wooden door
not knowing how to read
or
speak in English,

imagine

It takes him through writing stories and poetry, singing in front of people, and finally reading out of his own poetry book in front of the Library of Congress as the Poet Laureate of the United States of America.

And then, finally, the book finishes all the sentences:

imagine what you could do.

Inspiring and beautiful – and there’s also a treat under the paper cover! (The stars of the cover are embossed in gold foil on the book with the title.)

candlewick.com

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Source: This review is based on a a book sent by the publisher.

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Review of Ordinary Hazards, by Nikki Grimes

Ordinary Hazards

A Memoir

by Nikki Grimes

Wordsong (Highlights), 2019. 325 pages.
Starred Review
Review written November 9, 2019, from a library book

Wow. Nikki Grimes wrote a powerful and moving memoir in verse.

Between this book and Shout by Laurie Halse Anderson, I should make a new page on my website for Teen Nonfiction. This book isn’t for children, even though it tells about Nikki Grimes’ childhood. It is for teens, and will speak to teens who have to deal with hard things.

There’s a caption at the front:

MEMOIR:
a work of imperfect memory
in which you meticulously
capture all that you can recall,
and use informed imagination
to fill in what remains.

The author explains that there are blanks in her memory because of trauma. And her childhood had lots of trauma. At the point when she finally found a loving home in a foster home, her mother took her back, and the difficulties began again.

At one point, when she’d described the abuse she went through at the hands of her mother’s husband, she then wrote about being thirteen – and I wanted to cry. So young! Later, when she was in high school and had built a good relationship with her father at last, more tragedy struck.

But she doesn’t ask you to feel sorry for her. And you can see her coping. One of the ways she coped, even as a child, was writing, always writing. She’s got excerpts from her Notebooks over the years, adding immediacy. (Though, alas, they are reconstructed and imagined.)

This is a quietly Christian book. She shows how important prayer was to her and how her faith in God was her lifeline – along with key people who came into her life and helped her through.

And there are tough things in her story, but Nikki Grimes infuses the book with joy. I love the story about going on the subway with her best friends – which goes with one of the handful of pictures in the back of the book.

One afternoon,
we three dressed up
in our finest rags
to help Gail’s boyfriend,
a fledgling photographer
in need of a portfolio
to display his considerable skills.
Debra and I ripped off our glasses,
and we three posed for portraits
in the park
(me in my new coat!),
then hung from a vertical pole
in the middle of a subway car,
swinging round it gleefully,
pretending to be
professional models.
In other words,
we hammed it up, yo!
And those photographs?
Oh, my God! Portraits
of joy.

I love reading this knowing that the little girl portrayed here, up against so much, did become the writer she planned to be.

“I want to write books about
some of the darkness I’ve seen,
real stories about real people, you know?
But I also want to write about the light,
because I’ve seen that, too.
That place of light – it’s not always easy
to get to, but it’s there.
It’s there.”

Yes! She achieved this. Even though this memoir portrays childhood trauma and difficulties, it’s a book about the light.

nikkigrimes.com
wordsongpoetry.com

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Review of The Watchman and Other Poems, by L. M. Montgomery

The Watchman and Other Poems

by L. M. Montgomery

Leopold Classic Library, reproduced from McClelland, Goodchild & Stewart Publishers, 1916. 159 pages.
Review written September 20, 2019, from my own copy

I’m rereading my L. M. Montgomery books in publication order, but never had found a copy of her book of poems, the eighth book she published. I found it in a reprint on Amazon and rectified that omission.

I am probably not the best audience for poetry. And these are old-fashioned in style, often using archaic language. They all rhyme, and many of the rhymes seem trite.

The story goes that when Maud Montgomery was a girl, she tried her hand at unrhymed poetry and read an example to her father. He said it didn’t sound like poetry.

She said, “It’s blank verse.”
He replied, “Very blank.”

And she wrote rhymed poetry forever after.

I wasn’t crazy about the format of the book, because it grouped poems about the sea together, and then poems about the woods together – and they began to all sound the same.

The poems I liked best were the poems that tell a story. Perhaps that’s because what L. M. Montgomery is good at is telling stories. The title poem, “The Watchman,” was about one of the soldiers guarding Jesus’ tomb when he was resurrected. Another poem, “If Mary Had Known,” told about the very bad and very good things her son would go through.

L. M. Montgomery likely suffered from bipolar disorder, so that gave a little extra light on “The Choice” – where she tells Life that she would rather “sound thy deeps and reach thy highest passion, With thy delight and with thy suffering rife” than have a boring life. “Wan peace, uncolored days, were a poor favor; To lack great pain and love were to lack savor.”

Another one I liked was “To My Enemy.” In it, she thanks not her friend, but her enemy for spurring her to do great things.

I had not scaled such weary heights
But that I held thy scorn in fear,
And never keenest lure might match
The subtle goading of thy sneer.

Thine anger struck from me a fire
That purged all dull content away,
Our mortal strife to me has been
Unflagging spur from day to day.

It’s possible that I will appreciate the poems about the woods and the sea more after I have actually visited Prince Edward Island. I think I’d better go find out!

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Lost Words, by Robert MacFarlane and Jackie Morris

The Lost Words

A Spell Book

by Robert MacFarlane and Jackie Morris

Anansi Press, 2018. First published in the United Kingdom in 2017. 132 pages.
Starred Review
Review written July 6, 2019, from a library book

This gorgeous book focuses on twenty words from nature that had been removed from the latest edition of the Oxford Junior Dictionaryacorn, adder, bluebell, bramble, conker, dandelion, fern, heather, heron, ivy, kingfisher, lark, magpie, newt, otter, raven, starling, weasel, willow, and wren.

The book is large, oversized, and heavy, making it awe-inspiring. The only trouble I see with that is I can’t imagine children carrying it around to read it over and over. This is a coffee table book that’s physically heavy to pick up. Perhaps they could make a small version for everyday use? Though this one is stunning.

Each word first has a simple spread where the lost word is hidden among other letters, but highlighted in a different color. Then we have an acrostic poem featuring the word with a painting of the object on the facing page. Next there is a full-color glorious painting on the following spread.

I had gotten through almost the entire book before I realized that these poems absolutely must be read aloud. I went back and made up for my mistake of trying to read them silently. The poems are magnificent. I will highlight a few stanzas with wordplay I especially like.

From the Willow poem:

Willow, when the wind blows so your branches billow,
O will you whisper while we listen so we learn what
words your long leaves loosen?

From the Otter poem:

This swift swimmer’s a silver-miner – with
trout its ore it bores each black pool deep
and deeper, delves up-current steep and
steeper, turns the water inside-out, then
inside-outer.

From the Fern poem:

Reach, roll and unfold follows.
Fern flares.

Now fern is fully fanned.

From the heron poem, coming just after the marvelous line that the heron “magically . . . unstatues:

Out of the water creaks long-legs heron,
old-priest heron, from hereon in all sticks
and planks and rubber-bands, all clanks and
clicks and rusty squeaks.

Now heron hauls himself into flight – early
aviator, heavy freighter – and with steady
wingbeats boosts his way through evening
light to roost.

From the Ivy poem:

You call me ground-cover; I say sky-wire.

May this magnificent book open our eyes again to nature.

johnmuirtrust.org/initiatives/the-lost-words
houseofanansi.com

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