Review of A New York Christmas, by Anne Perry

new_york_christmas_largeA New York Christmas

by Anne Perry

Ballantine Books, New York, 2014. 164 pages.

I’ve gotten hooked on Anne Perry’s Christmas mysteries. They offer a wide variety of situations, and I like some better than others. But all take place at Christmastime, and all offer a quick cozy holiday read – with murder. But justice is always done and they all have an overall message of peace and hope.

My hold on this year’s novella came in just in time for Christmas, though I was already in the middle of another eagerly awaited novel, so I got A New York Christmas read a few days after Christmas.

I particularly like it when Anne Perry uses characters from her other books in the Christmas novels. I don’t know why, since I haven’t read many of her other books (some day), but it gives a sense of a window into a larger world.

A New York Christmas is told from the perspective of Jemima Pitt, twenty-three-year-old daughter of Thomas and Charlotte Pitt. The book opens with her on an ocean liner crossing the Atlantic.

It was December 1904, and she was crossing the Atlantic to New York, where she would stay for at least a month. Mr. Edward Cardew had invited her to travel as a companion to his daughter, Delphinia, who was to marry Brent Albright, the son of Rothwell Albright, Mr. Cardew’s international business partner. It would be the society wedding of the year.

Not long after arriving, a murder happens, and Jemima is the primary suspect. The wealthy family she’s been staying with seems extra eager to place the blame on her. Can she use what she’s learned from her father to find out who is the actual killer? And where can she find help in New York City? And why did Miss Cardew’s mother abandon her child so many years ago? If Jemima can find out about the murdered woman, she thinks she might be able to figure out who did kill her.

It’s after Christmas now, but this story makes cozy reading at any time. This is now Anne Perry’s twelfth Christmas mystery, and it’s never too late to start a holiday tradition.

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ballantinebooks.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Abracadabra Tut, by Page McBrier

abracadabra_tut_largeAbracadabra Tut

by Page McBrier

Palm Canyon Press, 2014. 234 pages.

Abracadabra Tut is a fun time-travel story, taking two kids back to Ancient Egypt where they get to meet King Tut.

Fletcher is a magician in middle school with a birthday party business and dreams of greater things. He goes to an estate sale for a famous professional magician and sees many things he would love to have – but his attention is especially caught by an actual mummy’s coffin.

He talks with a woman at the auction about the mummy’s coffin. She seems impressed with his knowledge of ancient Egyptian magic, which he’s read a book about. But he’s not prepared when a mysterious benefactor – named Isis – purchases the mummy’s coffin by bidding online and gives it to Fletcher.

When the head of the Spirit Committee at school, Arielle Torres, hears that Fletcher got an actual mummy’s coffin, she asks him to do a magic show during the break at the end-of-the-school-year dance in two weeks. And she wants to be his assistant.

But she can’t be bothered to practice, and when the show takes place, everything that can go wrong does go wrong – until they both get into the coffin, and it transports them to Egypt during the time of King Tut.

In Egypt, Fletcher uses a little stage magic to impress the crowd and keep from getting killed. But then King Tut decides that Fletcher’s magic gives him luck and protects him, and Fletcher’s worried. Because he knows King Tut died when he was not much older than the king Fletcher has just met. What will happen when his luck runs out? And if someone in the court is trying to kill the king, will they kill Fletcher? And how can Fletcher and Arielle find the coffin and get back home while they’re still alive?

This book is mostly light-hearted fun, but it does throw in some facts and history about ancient Egypt. There’s adventure and humor and two kids trying to do something good when they may be out of their depth.

pagemcbrier.com
PalmCanyonPress.com

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Source: This review is based on a book sent to me by the publisher.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Brother Hugo and the Bear, by Katy Beebe and S. D. Schindler

brother_hugo_and_the_bear_largeBrother Hugo and the Bear

by Katy Beebe
illustrated by S. D. Schindler

Eerdman’s Books for Young Readers, Grand Rapids, Michigan, 2014. 36 pages.

This lovely picture book, with elaborately illuminated capital letters and nice variety in the illustrations, is based on a detail in a letter written by a twelfth-century French Benedictine Monk.

He wanted to replace a manuscript that had been lost by brothers who had gone to a remote location to pray. Apparently, the perils of the soul were not the only dangers there. Peter wrote: “And send to us, if it please you, the great volume of letters by the holy father Augustine… For it happens that the greater part of our volume was eater by a bear.

The creators of this book play with that idea. Brother Hugo, the monk who lost a manuscript is assigned a penance of replacing the manuscript himself.

He sorely sighed and sorrowed in his heart, for he knew that once a bear has a taste of letters, his love of books grows much the more.

Brother Hugo must go to a distant monastery to get the book to copy, then prepare the parchment and supplies and get all ready before the work of copying begins. And then he must try to keep the borrowed manuscript from the hungry bear.

The author plays with language along the way, giving a taste of medieval without being incomprehensible to kids. Readers will understand that the author, like the illustrator, has embellished the tale, with a result that is a lot of fun.

And it makes the “My dog at my homework” excuse pale in comparison.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Shadow Hero, by Gene Luen Yang and Sonny Liew

shadow_hero_largeThe Shadow Hero

story by Gene Luen Yang
art by Sonny Liew

First Second, New York, 2014. 158 pages.
Starred Review
2014 Sonderbooks Stand-out, #6 Teen Fiction

The story of why this graphic novel exists is so interesting, I’m going to copy text from the author’s note at the back of the book (minus examples from the actual Green Turtle comics):

[Chu] Hing was among the first Asian Americans working in the American comic book industry. This was decades before the Asian American movement, though, so he wouldn’t have self-identified as such. Most likely, he would have just called himself Chinese.

For Rural Home, Chu Hing created a World War II superhero called the Green Turtle. The Green Turtle wore a mask over his face and a cape over his shoulders. He defended China, America’s ally, against the invading Japanese army. He had no obvious superpowers, though he did seem to have a knack for avoiding bullets.

So those are the facts. Here are the rumors.

Supposedly, Hing wanted his character to be Chinese.

Supposedly, his publisher didn’t think a Chinese superhero would sell and told Hing to make his character white.

Supposedly, Hing rebelled right there on the page. Throughout the Green Turtle’s adventures, we almost never get to see his face. Most of the time, the hero has his back to us.

When he does turn around, his visage is almost always obscured by something – a combatant or a shadow or even his own arm….

The Green Turtle’s face isn’t all that Hing keeps from us. Over and over, the Green Turtle’s young Chinese sidekick, Burma Boy, asks him how he came to be the Green Turtle. Every time, an emergency interrupts before the Green Turtle can give his answer.

So Gene Luen Yang and Sonny Llew have stepped in and written an origin story that fits everything that appears in the short-running comic book series.

The Shadow Hero is our answer to Burma Boy’s question, our imagining of the Green Turtle’s origin story. We firmly establish him as an Asian American superhero, perhaps even the first Asian American superhero. Our Green Turtle is a shadow hero. Not only is his identity secret, so is his race….

But let me end on a fact: Studying Chu Hing’s comics, imagining what might have been going through his head, and then writing this book in response were a lot of fun – a crazy, Golden Age sort of fun. I hope reading it is, too.

And that brings me to the story found in these pages – the origin story of the Green Turtle. The story is indeed tremendous fun.

Hank is a Chinese boy living in San Incendio, America, with no ambitions other than to be a grocer like his father. However, his mother has ambitions for him.

After she is saved by a superhero from a carjacking by a bank robber, Hank’s mother decides that he needs to be a superhero.

Her methods are hilarious, including pushing him into a toxic spill and trying to get him bitten by a dog used for scientific research. Eventually, she settles for arranging for him to learn to fight.

But his first efforts toward fighting for justice end up getting his father shot. However, what Hank and his mother don’t know is that a spirit from ancient China was residing with Hank’s father. Now that he is dead, the spirit – shaped like a turtle – will stay with Hank – and grant one request.

This book has plenty of humor and plenty of adventure. It nicely captures the flavor of Golden Age comics. (I know a little bit about this because my son is a fan.) At the end of the book, the first Green Turtle comic is reproduced in its entirety. I like the way the source of all the details in the comic has been revealed (including our hero’s unnaturally pink skin).

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Swallow, by Charis Cotter

swallow_largeThe Swallow

A Ghost Story

by Charis Cotter

Tundra Books, 2014. 318 pages.
Starred Review
2014 Cybils Finalist, Speculative Fiction for Elementary and Middle Grades
2014 Sonderbooks Stand-out, #11 Children’s Fiction

I don’t think of myself as liking ghost stories, but this didn’t feel like a typical ghost story to me. This is a cozy friendship story and a girl-in-a-big-family-finding-a-friend story.

Sections in this book alternate between the voices of Polly and Rose. Their houses are next door to one another, and it turns out that their attics adjoin. The houses overlook the cemetery.

Rose has always been able to see ghosts, and she hates it. Polly has always wanted to see a ghost, and she isn’t sure that Rose isn’t one herself. She’s so pale and otherworldly.

Polly says:

I’ve always wanted to see a ghost. More than anything. I keep watch at my window for hours, I go for walks in the cemetery almost every day after school and I read all the ghost books I can find at the Parliament Street Library.

Rose says:

I never want to see a ghost again. I’m sick of it. Ladies all in white who follow me down the street, sad men in suits who sit at the back of the bus, children in nightgowns floating out hospital windows – I wish they would all disappear.

Rose hasn’t seen any ghosts, for some reason, since her hospital stay a few months ago. But then, when she hears Polly through the wall of her attic, she thinks they’re back. Polly, after hearing Rose’s voice, thinks she’s finally met a ghost.

Rose says,

I felt sick to my stomach. I was not used to invisible ghosts. And I certainly was not used to ghosts that talked so much. Especially out loud.

My heart sank. I hadn’t seen one ghost since I’d got home from the hospital, and I had really hoped they were gone forever. And now here was a ghost, right in my attic, in my own special nest. Where one came, the rest would follow, and I just knew I’d go stark raving mad if I couldn’t keep them away from me.

“Tell me,” said the ghost, “did you die a horrible death? Are you doomed to wander the ghostly regions between the land of the living and the life beyond?”

“Stop playing games,” I said. “You know I’m not a ghost. You’re the ghost, and you’re pretending to think I’m a ghost to drive me crazy. It isn’t going to work. Go away. All I want to do is sit in my attic and read my books and sing my songs in peace. Is that too much to ask?”

“Do ghosts read?” asked the ghost. “That’s very interesting. Do you have to turn the pages or can you sort of absorb the story by holding the book and pulling the words into your head?”

“I – am – not – a – ghost!” I said slowly and firmly. “Ghosts don’t read! They’re ethereal. They haunt people. They follow them down the street, they watch them when they’re doing their homework, they lurk behind gravestones, they hide in people’s attics –“

“For someone who says they’re not a ghost, you seem to know an awful lot about them,” said the ghost.

I opened my mouth but no words came out. This was the most infuriating ghost I had ever met.

I love the part – in the next chapter – where they figure out what’s actually going on. Rose had gotten frustrated and shouted out, “MY NAME IS ROSE MCPHERSON AND I LIVE AT 43 CEMETERY LANE AND I AM TWELVE YEARS OLD AND I AM NOT DEAD!”

She continues:

It felt good to lose my temper. I made a lot of noise, but the ghost didn’t seem at all put out.

“Wait. Where did you say you live?” she asked calmly.

“43 CEMETERY LANE!” I repeated.

Silence.

“Hit the wall again,” suggested the ghost.

THUMP.

“Umm . . . Ghost?” she said.

“My name is Rose!”

“Ummm . . . Rose?” she said.

“What?”

“I live at 41 Cemetery Lane. Next door.”

It took me a minute to figure it out. “You mean you’re in your own attic? On the other side of the wall?”

“Yes,” replied the ghost. “I guess you’re not a ghost after all.” She sounded disappointed.

“But why is it I can hear you so clearly?” I asked. “As if you were right here beside me?”

“I am right here beside you,” she said, starting to tap against the wall. “This wall must be really thin, not like the brick wall downstairs.”

“That must be it,” I said. A great feeling of relief swept over me and I spoke without thinking. “So you’re not a ghost either. You must be one of the dreadful Lacey children who live next door.”

“Who says we’re dreadful?” asked the girl.

Oops. “Um – my mother.”

“Oh,” said the girl. “Well – she’s right. We are.”

The girls agree to meet in the cemetery – and then find a grave with Rose’s name on it. Rose is convinced she’s not a ghost, but who is Winnifred Rose McPherson, who died at twelve years old, 40 years earlier?

The girls build a friendship. They research this other ghost. And then they find a way to go secretly into each other’s attics. But Rose’s home does have a ghost – and she’s angry, and doesn’t seem to want Polly to go into her attic.

This book is indeed a ghost story – but it’s also a friendship story, and a story that warmed my heart, despite the ghostly chill.

chariscotter.com
tundrabooks.com

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Source: This review is based on a book sent to me by the publisher to evaluate for the Cybils Awards.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Mortal Heart, by Robin LaFevers

mortal_heart_largeMortal Heart

by Robin LaFevers

Houghton Mifflin Harcourt, Boston, 2014. 444 pages.
Starred Review

Wow! The third book of the trilogy that began with Grave Mercy is everything I hoped it would be! I had preordered the book before I found out I was going to be a Cybils judge. So the book came in while I was very busy with Cybils reading – and was the first thing I pulled out when we had finished making our list of Finalists.

The trilogy is summed up in three words: Medieval Assassin Nuns.

One thing I love about the three books is that each one is a complete story on its own – the complete story of one of the initiates into the order of St. Mortain – the god of Death. I also love that each girl’s story is totally different from the next. Each book has romance – and I thought I had it all figured out how it would go. Then this volume was completely different.

Because each book tells a complete story, with even a little bit of overlap in the timelines, you could read the books in any order. But I still highly recommend beginning with Grave Mercy. You will want to read all three books, so you might as well start at the beginning. The first book also goes into a little more depth about the political situation facing the Duchess of Britany. (The duchess in the 1490s really was engaged to multiple suitors when her father died.)

It’s all based on actual historical events – even the ancient gods of Brittany, whom the church absorbed as saints. I’m guessing that in real life, the god of Death didn’t have actual physical daughters who had special gifts as assassins, but it definitely makes a good story!

This third volume goes into more detail about some of the paranormal elements, as Annith meets the Hunt, with hellequins sent out from Death himself. Like Ismae and Sybella in the books that went before, she is struggling with her role and whether the Abbess is actually representing Mortain’s guidance, or following her own purposes.

There is an overall plot arc to the series, too, which is resolved in this book. I didn’t know anything about Brittany and its history with France, so the resolution was a surprise to me. I’m guessing things didn’t happen the way they did for the same reason portrayed in this book, but they *could* have, and I love that in a historical novel.

Parents of young teens, just to warn you: All the girls “take lovers.” No details are given, so they are not sexy reads, but that might influence whether or not you think it’s good reading for your own daughters.

They are wonderfully romantic tales, with each book having its own conflict and dangers, and each girl having a different – but beautiful – relationship with the god of Death. And I do like the way no one can push around these trained assassins!

Yes, on finishing this trilogy, I’m all the more impressed with each book individually, and the series as a whole. Each book demonstrates outstanding writing. I have no doubt I will be coming back to these books over the years. In fact, I’ll be looking for an opportunity to reread the whole series soon.

robinlafevers.com
hmhco.com

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Source: This review is based on my own copy, preordered via Amazon.com.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Falconer, by Elizabeth May

falconer_largeThe Falconer

by Elizabeth May

Chronicle Books, San Francisco, 2014. 382 pages.

All the society ladies gossip about Aileana. She was found crouched over her mother’s body, covered in blood. Aileana knows that a faery killed her mother and ripped out her heart. Now she hungers to kill faeries herself.

But meanwhile, she’s supposed to be a proper young lady, and her father wants her to get serious about attracting a husband. It’s tricky when Aileana senses that a faery is hunting one of the guests at the dance. How can she stay for all the dances when she needs to save someone’s life?

Since her mother’s death, Aileana, unlike most people, can see faeries. Like even fewer people, she can kill them. She’s being trained by one of the more powerful faeries, but she’s not at all sure she can trust him. Then her childhood friend comes back from school, and he can see faeries, too. But more and more fearsome creatures are coming after Aileana, and she learns the seal keeping humanity safe is weakening.

Set in a steampunk Scotland, this story is a page-turner. I’m not crazy about books written in present tense, but this one was worth the read. The other thing I didn’t like, though, was that as the first of a trilogy, this stopped in the middle of the action, and didn’t come to a satisfying conclusion at all. However, I have to admit that it hooked me, and I very much want to know what happens next.

elizabethmaywrites.com
chroniclebooks.com/teen

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Hidden, by Loïc Dauvillier

hidden_largeHidden

A Child’s Story of the Holocaust

written by Loïc Dauvillier
illustrated by Marc Lizano
color by Greg Salsedo
translated by Alexis Siegel

First Second Books, New York, 2014. Originally published in French in 2012. 76 pages.
Starred Review

Hidden is a graphic novelization of a grandmother telling her granddaughter about her experiences during the Holocaust. The graphic novel form makes this a gentle way to introduce the Holocaust to children.

I’m going to tell the ending in my review, so you know where the story goes and can judge if your child is ready for it. The pictures in the graphic novel format add to the power. And the frame of the grandmother telling the story lets you know right away that she will survive.

Dounia lived in Paris during the occupation by the Germans. At first, when her family is forced to wear the yellow stars, her father tells her they have all become sheriffs. She wears the star proudly, but quickly learns the truth when she is ostracized in school and told to sit at the back of the classroom.

Eventually, when the Nazis come for her family, Dounia is hidden under the false floor of a wardrobe. Their downstairs neighbors take her in after her parents have been taken away. But eventually, she must leave Paris. However, a woman sees Dounia and starts shouting for the police, so the father runs, and the mother must go with Dounia into hiding on a farm in the countryside.

Dounia, who now is called Simone, does make it through the war, because of the help of the people who hide her. After the war, they find her mother, looking gaunt and skeletal. They never do find her father.

And this is the story the grandmother tells her granddaughter in the night. The next day we learn that her son – the granddaughter’s father – has never heard the story. But he’s proud and happy that his daughter knows. And they end with a group hug.

It’s hard not to be moved by this story. It’s told from the perspective of a little girl who didn’t know what was going on. There’s not a lot of commentary, but the reader can easily see that the situation is not fair.

There’s one interruption in the story, flashing back to the grandmother and granddaughter, after people are first mean to Dounia at school.

Your daddy was a liar!
No, of course not!
Then why did he tell you you were a sheriff?
My daddy didn’t want to hurt me. He made up that story to protect me.
Okay, but then, why were they mean to you at school? They really didn’t like Jews?
I don’t know . . . I don’t think so. I think they didn’t know what to do. We were just children.
And the teacher? She was a grown-up!
Sometimes we do things without thinking, too.
Well, she was wrong.
Yes, I think you’re right.

I like that simple evaluation of the situation. There’s a lot more that can be said, but this sums it up nicely.

A powerful book.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Winter Horses, by Philip Kerr

The Winter Horseswinter_horses_large

By Philip Kerr

Alfred A. Knopf, New York, 2014. 278 pages.
Starred Review

Here’s a World War II tale unlike any other I’ve read. I loved it from the start. This book will appeal to animal lovers as well as readers who like to see an underdog succeed against all odds. I liked the way the people the characters met were good or bad depending on their own values, not on which side of the conflict or what nationality they were.

Here’s what the author has to say about the truth of the tale, before it gets underway:

Much of this old story has been gathered together like the many fragments of a broken vase. The pieces do not always fit as best they might, and indeed it’s quite possible that several of them do not belong here at all. It cannot be denied that the story has many holes and could not withstand much scrutiny. Historians will object – as they always seem to do – and say there is no real evidence that the old man and the girl who are the story’s hero and heroine ever really existed. And yet if today you were in Ukraine and dared to put your ear into the wind or perhaps took a trip across the steppe and listened to the deep voices of the bison, the whoop of the cranes, or the laughter of the Przewalski’s horses, you might learn that about the truth, the animals are never wrong; and that even if there are some parts of this story that are not exactly true, they could be, and that is more important. The animals would surely say that if there is one truth greater than all of the others, it is that there are times when history must take second place to legend.

This preface is the perfect touch to keep our suspension of disbelief in check. At the end of the book, we see a picture of a Przewalski’s horse at the Askaniya-Nova nature reserve in Ukraine today. So the horses did survive World War II. In fact, we’re told that all of the world’s Przewalski’s horses today are descended from just nine of thirty-one horses in captivity at the end of the war. So that’s enough to convince me this beautiful story might have happened.

The book opens at the Askaniya-Nova nature reserve in the Ukraine. The Germans are coming, so the Communists tell Maxim Borisovich Melnik to kill all the animals so the Germans won’t eat them.

Max has no intention of obeying. Wasn’t it a German, the Baron Falz-Fein, who first set up the sanctuary? Wasn’t he the kindest man Max ever knew? And aren’t the Przewalski’s horses a national treasure, and the rarest horses in the world?

Max was not the only person at Askaniya-Nova who was fond of the wild Przewalski’s horses. A girl had been hiding in the woods at the edge of the steppe for some time, and although she had, like many girls, loved horses as long as she could remember, for some reason that even she could not easily have explained, the wild Przewalski’s horses made friends with her. This was just as well since she had no human friends. Her family were all dead, and the few people who inhabited the scattered villages in the region drove her away from their doors because they were afraid – afraid that if the girl was arrested by the Germans, then they might also be arrested. The girl understood this and did not blame them for shunning her; she forgave them for it and told herself she would probably have done the same, although as this story proves, this was clearly not the case.

The Germans do appreciate the horses at Askaniya-Nova – but mainly the beautiful Hanoverian horses, not the wild Przewalski’s horses. Their view, with animals as well as people, is that “inferior” bloodlines should be eradicated.

So they gun down the horses, and neither Max nor the girl, Kalinka, can do anything to stop them. But two horses escape, a stallion and a mare. And just as winter starts up in all its fury, Kalinka and the horses come to Max’s door.

This book is the story of how Kalinka saves the horses, and how the horses save her. Okay, I have to admit it’s on the unbelievable side. Could Kalinka really have formed such a bond with wild horses? But I agree with the author – There are times when history must take second place to legend. This beautiful story is a triumph.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of One Dead Spy, by Nathan Hale

one_dead_spy_largeNathan Hale’s Hazardous Tales

One Dead Spy

by Nathan Hale

Abrams, 2012. 127 pages.
Starred Review

Once again, I’m struck by what a brilliant idea it is to show kids history in graphic novel form.

The frame of this series is pure fantasy. Our hero is Nathan Hale, the Revolutionary War spy. Somehow, I’m simply not surprised that he’s the hero chosen by the author Nathan Hale, who was born in 1976.

Before the historical Nathan Hale’s scheduled hanging, there’s a silly sequence about how he comes up with his famous line, “I regret that I have but one life to give for my country.” When he does, a giant book with the title, The Big Huge Book of American History appears and swallows him whole. But then he comes back, having seen hundreds of years into the future of this country.

The executioner asks, “How could you see the future in a history book? It doesn’t make any sense.”

Nathan Hale answers, “A giant book just swallowed me whole. Does that make sense?”

But then, to prove he’s seen the future, Nathan Hale begins telling stories to the executioner and the British officer overseeing the hanging. They decide he can tell more stories before he hangs, which is the premise of the series.

And the stories Nathan Hale tells are true, with plenty of invented dialog and put into comic book form.

This first book tells about Nathan Hale’s life and his service in the Revolutionary War. Once I started reading, I couldn’t stop. (And it’s not long, either.)

Did you know that Nathan Hale wasn’t actually a very good spy? He got caught on his first mission. But he was involved in some noteworthy exploits before he became a spy. I especially found interesting the way the cannons from Fort Ticonderoga got moved to liberate Boston Harbor, and the way General Washington had a fort built and moved into place in one night.

I love the warning on the back cover:

HAZARD LEVEL: Yellow/ Lethal

Riots, massacre, starvation, fever, theft, spycraft, mercenaries, sea warfare, land warfare, lightning, exploding cows, and death by hanging.

Do you know any school-age kids who can resist such a warning?

hazardoustales.com
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Source: This review is based on a library book from Fairfax County Public Library.

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