Review of Black Dove, White Raven, by Elizabeth Wein

black_dove_white_raven_largeBlack Dove, White Raven

by Elizabeth Wein

Hyperion, Los Angeles, 2015. 357 pages.
Starred Review

Wow. Once again Elizabeth Wein illuminates a historical situation I knew nothing about. In some ways, this combines themes from her two different series. We’re back in Aksum of Ethiopia – but this is not ancient Aksum. Instead, Aksum is combined with female pilots of World War II – okay, just before World War II, when Italy invaded Ethiopia. (Did you know about that? I sure didn’t.)

At the start of the book, Black Dove and White Raven are the airshow names for the mothers of Emilia Menotti and Teodros Dupré. Black Dove is Teo’s mother, Delia Dupré; and White Raven is Em’s Momma, Rhoda Menotti. They travel around doing airshows together in 1930s America, doing aerobatics and wing-walking. They met in France after World War I. They dream of moving to Ethiopia, where Teo’s father was from, where people won’t be shocked by a black woman and a white woman living and working together.

But then there’s an accident, and Delia is killed. However, the family still makes it to Ethiopia, and Teo and Em work on becoming the new Black Dove and White Raven.

Teo and Em grow up in Ethiopia, and Momma teaches them to fly – just in time to come of age when Italy invades Ethiopia in 1936.

This book is filled with historical details I knew nothing about, but mostly it’s the compelling story of two children with strong family ties, living in another culture, learning to find their place in the world and deal with all manner of people – and coming of age in wartime — wartime that involved mustard gas against spearmen, and the need to protect ancient treasures, including the Ark of the Covenant.

As always, Elizabeth Wein’s writing is powerful and evocative. I’ll admit that this is slower, atmospheric reading most of the way through, but these are distinctive characters you will remember long afterward.

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Review of Gilead, by Marilynne Robinson

gilead_largeGilead

by Marilynne Robinson

read by Tim Jerome

BBC Audiobooks America, 2004. 7 CDs.

My co-worker Lynne Imre recommended these books, and I’ve long been meaning to read Housekeeping, so I grabbed an audiobook, which is my way of reading books I’ve long been meaning to read.

This reminded me of the Marilynne Robinson nonfiction I’ve read, When I Was a Child, I Read Books. The fictional story is narrated by an old preacher in 1956, writing a letter to his young son. The preacher, John Ames, has a heart problem, and doesn’t think he will live to see his son reach adulthood.

The book is gentle and philosophical, and has some Scriptural insights thrown in throughout, since, after all, a preacher is narrating.

Reverend Ames tells about his father and grandfather, both preachers before him. His grandfather was an abolitionist and a character.

In many ways, the book is a meditation on fathers and sons, and blessings handed down from one generation to the next. Besides John Ames’ own family, his dear friend and fellow preacher has a wayward son who was named after John Ames. Young Jack comes back to town and he and the preacher embark on a journey of understanding, forgiveness and blessing.

This is a slow moving novel, but a rich one. I didn’t always hurry to put in the next CD when one ran out, and it’s not the kind of book that it’s hard to stop the car and shut off the sound when you arrive at your destination. But sometimes that’s the best kind of audiobook — something to mull over on your commute, which will stick in your thoughts.

The reader has a deep, rich, friendly, thoughtful voice. He made it easy to imagine an old preacher speaking these words.

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Review of A Fine Dessert, by Emily Jenkins and Sophie Blackall

fine_dessert_largeA Fine Dessert

Four Centuries,
Four Families,
One Delicious Treat

by Emily Jenkins
illustrated by Sophie Blackall

Schwartz & Wade Books, New York, 2015. 40 pages.
Starred Review

This book has a quiet cover that doesn’t reach out and grab you, but if you open it up and start reading, it’s wonderful on so many levels.

The subtitle tells you what’s going on. This book looks at families from 1710, 1810, 1910, and 2010 – all preparing and enjoying the same dessert, Blackberry Fool. All the kids who help get to lick the bowl at the end.

The dessert is the same in each century. But how it is prepared is quite different. How do they get the blackberries? Pick or purchase? And where do they get the cream?

Whipping the cream changes completely each hundred years – first, a bundle of twigs, taking fifteen minutes, next a wire whisk, taking ten minutes, then cast-iron rotary beaters, taking five minutes, and finally an electric mixer, taking two minutes.

How they chill the dessert changes each century as well, as does the food they eat for supper before the fine dessert is served.

Another contrast is that it isn’t until 2010 that a man and his son do the food preparation. In 1810, a slave girl and her mother do the work. But the daughter still gets to lick the bowl.

And at the end of each section, we’ve got the refrain: “What a fine dessert!”

This book is gently written, with wonderful detailed pictures. It is as irresistible as the fine dessert! The recipe for Blackberry Fool is at the end of the book.

Yes, I purchased blackberries and whipping cream when I went to the store this week, and last night I treated myself to Blackberry Fool! And yes, my hands turned purple when I pushed the fruit through the sieve. It would have been fun to do with a kid — but this way I get to lick the bowl myself. Indeed, it is a fine dessert. (In fact, after posting this review, I’m going to have to have a little more.)

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Review of Shades of Milk and Honey, by Mary Robinette Kowal

shades_of_milk_and_honey_largeShades of Milk and Honey

by Mary Robinette Kowal

A Tom Doherty Associates Book (Tor), New York, 2010. 320 pages.
2010 Nebula Nominee for Best Novel
RT Book Reviews Reviewers’ Choice Award for Best Fantasy Novel 2010

Thank you to my sister Melanie for giving me this book for Christmas.

The book is essentially Jane Austen – with magic. Now, it didn’t enchant me as much as the other Jane Austen with magic series which began with Sorcery and Cecelia. I think the reason was that the sibling rivalry was a bit intense for my taste. The younger, more beautiful sister, Melody, is intensely jealous of her older sister Jane’s accomplishments. (I missed the love between Elizabeth and Jane in Pride and Prejudice.) Those accomplishments include ability with Glamour – magical enhancement of art and music.

The story is fun, in many ways mirroring Pride and Prejudice. I rightly looked for romance to develop with the most distasteful man Jane was initially introduced to. But things do stay interesting. I didn’t particularly like the jealousy subplot, as Melody also has some men to choose from. Does she really need to like the same ones as her sister? Meeting and getting to know the various eligible men and their sisters takes up most of the book. It was also not a surprise that one of the men turns out to be a cad.

Here’s a taste from the first chapter:

When all was settled, Jane seated herself at the pianoforte and pulled a fold of glamour close about her. She played a simple rondo, catching the notes in the loose fold; when she reached the point where the song repeated, she stopped playing and tied the glamour off. Captured by the glamour, the music continued to play, wrapping around to the beginning of the song with only a tiny pause at the end of the fold. With care, she clipped the small silence at the end of the music and tied it more firmly to the beginning, so the piece repeated seamlessly. Then she stretched the fold of glamour to gossamer thinness until the rondo sounded as if it played in the far distance.

The door to the drawing room opened. Melody leapt to her feet with a naked expression of welcome on her face. Jane rose slowly, trying to attain a more seemly display. She placed her hand on the pianoforte as the room spun about her with the lingering effects of working glamour.

But only their father entered the room. “Hullo, my dears.” The plum brocade of his waistcoat strained across his ample middle. He looked around the drawing room in evident pleasure. “Are we expecting company?”

Melody said, “Mr. Dunkirk said he would honour us with a visit this afternoon.”

“Did he?” Her father looked befuddled. “But I saw him not fifteen minutes ago passing through our fields with the FitzCamerons. They looked for all the world as if they were going hunting. Are you certain you did not mistake his meaning?”

Melody’s face soured. “His meaning was clear. But perhaps he preferred to spend the afternoon in the company of a lady than a farmer’s daughter.”

Jane winced as Melody flew from the room.

If you’re in the mood for a fun old-fashioned romance with a nice dose of magic, this book is a fun read.

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Review of A New York Christmas, by Anne Perry

new_york_christmas_largeA New York Christmas

by Anne Perry

Ballantine Books, New York, 2014. 164 pages.

I’ve gotten hooked on Anne Perry’s Christmas mysteries. They offer a wide variety of situations, and I like some better than others. But all take place at Christmastime, and all offer a quick cozy holiday read – with murder. But justice is always done and they all have an overall message of peace and hope.

My hold on this year’s novella came in just in time for Christmas, though I was already in the middle of another eagerly awaited novel, so I got A New York Christmas read a few days after Christmas.

I particularly like it when Anne Perry uses characters from her other books in the Christmas novels. I don’t know why, since I haven’t read many of her other books (some day), but it gives a sense of a window into a larger world.

A New York Christmas is told from the perspective of Jemima Pitt, twenty-three-year-old daughter of Thomas and Charlotte Pitt. The book opens with her on an ocean liner crossing the Atlantic.

It was December 1904, and she was crossing the Atlantic to New York, where she would stay for at least a month. Mr. Edward Cardew had invited her to travel as a companion to his daughter, Delphinia, who was to marry Brent Albright, the son of Rothwell Albright, Mr. Cardew’s international business partner. It would be the society wedding of the year.

Not long after arriving, a murder happens, and Jemima is the primary suspect. The wealthy family she’s been staying with seems extra eager to place the blame on her. Can she use what she’s learned from her father to find out who is the actual killer? And where can she find help in New York City? And why did Miss Cardew’s mother abandon her child so many years ago? If Jemima can find out about the murdered woman, she thinks she might be able to figure out who did kill her.

It’s after Christmas now, but this story makes cozy reading at any time. This is now Anne Perry’s twelfth Christmas mystery, and it’s never too late to start a holiday tradition.

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Source: This review is based on a library book from Fairfax County Public Library.

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Abracadabra Tut, by Page McBrier

abracadabra_tut_largeAbracadabra Tut

by Page McBrier

Palm Canyon Press, 2014. 234 pages.

Abracadabra Tut is a fun time-travel story, taking two kids back to Ancient Egypt where they get to meet King Tut.

Fletcher is a magician in middle school with a birthday party business and dreams of greater things. He goes to an estate sale for a famous professional magician and sees many things he would love to have – but his attention is especially caught by an actual mummy’s coffin.

He talks with a woman at the auction about the mummy’s coffin. She seems impressed with his knowledge of ancient Egyptian magic, which he’s read a book about. But he’s not prepared when a mysterious benefactor – named Isis – purchases the mummy’s coffin by bidding online and gives it to Fletcher.

When the head of the Spirit Committee at school, Arielle Torres, hears that Fletcher got an actual mummy’s coffin, she asks him to do a magic show during the break at the end-of-the-school-year dance in two weeks. And she wants to be his assistant.

But she can’t be bothered to practice, and when the show takes place, everything that can go wrong does go wrong – until they both get into the coffin, and it transports them to Egypt during the time of King Tut.

In Egypt, Fletcher uses a little stage magic to impress the crowd and keep from getting killed. But then King Tut decides that Fletcher’s magic gives him luck and protects him, and Fletcher’s worried. Because he knows King Tut died when he was not much older than the king Fletcher has just met. What will happen when his luck runs out? And if someone in the court is trying to kill the king, will they kill Fletcher? And how can Fletcher and Arielle find the coffin and get back home while they’re still alive?

This book is mostly light-hearted fun, but it does throw in some facts and history about ancient Egypt. There’s adventure and humor and two kids trying to do something good when they may be out of their depth.

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Brother Hugo and the Bear, by Katy Beebe and S. D. Schindler

brother_hugo_and_the_bear_largeBrother Hugo and the Bear

by Katy Beebe
illustrated by S. D. Schindler

Eerdman’s Books for Young Readers, Grand Rapids, Michigan, 2014. 36 pages.

This lovely picture book, with elaborately illuminated capital letters and nice variety in the illustrations, is based on a detail in a letter written by a twelfth-century French Benedictine Monk.

He wanted to replace a manuscript that had been lost by brothers who had gone to a remote location to pray. Apparently, the perils of the soul were not the only dangers there. Peter wrote: “And send to us, if it please you, the great volume of letters by the holy father Augustine… For it happens that the greater part of our volume was eater by a bear.

The creators of this book play with that idea. Brother Hugo, the monk who lost a manuscript is assigned a penance of replacing the manuscript himself.

He sorely sighed and sorrowed in his heart, for he knew that once a bear has a taste of letters, his love of books grows much the more.

Brother Hugo must go to a distant monastery to get the book to copy, then prepare the parchment and supplies and get all ready before the work of copying begins. And then he must try to keep the borrowed manuscript from the hungry bear.

The author plays with language along the way, giving a taste of medieval without being incomprehensible to kids. Readers will understand that the author, like the illustrator, has embellished the tale, with a result that is a lot of fun.

And it makes the “My dog at my homework” excuse pale in comparison.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Shadow Hero, by Gene Luen Yang and Sonny Liew

shadow_hero_largeThe Shadow Hero

story by Gene Luen Yang
art by Sonny Liew

First Second, New York, 2014. 158 pages.
Starred Review
2014 Sonderbooks Stand-out, #6 Teen Fiction

The story of why this graphic novel exists is so interesting, I’m going to copy text from the author’s note at the back of the book (minus examples from the actual Green Turtle comics):

[Chu] Hing was among the first Asian Americans working in the American comic book industry. This was decades before the Asian American movement, though, so he wouldn’t have self-identified as such. Most likely, he would have just called himself Chinese.

For Rural Home, Chu Hing created a World War II superhero called the Green Turtle. The Green Turtle wore a mask over his face and a cape over his shoulders. He defended China, America’s ally, against the invading Japanese army. He had no obvious superpowers, though he did seem to have a knack for avoiding bullets.

So those are the facts. Here are the rumors.

Supposedly, Hing wanted his character to be Chinese.

Supposedly, his publisher didn’t think a Chinese superhero would sell and told Hing to make his character white.

Supposedly, Hing rebelled right there on the page. Throughout the Green Turtle’s adventures, we almost never get to see his face. Most of the time, the hero has his back to us.

When he does turn around, his visage is almost always obscured by something – a combatant or a shadow or even his own arm….

The Green Turtle’s face isn’t all that Hing keeps from us. Over and over, the Green Turtle’s young Chinese sidekick, Burma Boy, asks him how he came to be the Green Turtle. Every time, an emergency interrupts before the Green Turtle can give his answer.

So Gene Luen Yang and Sonny Llew have stepped in and written an origin story that fits everything that appears in the short-running comic book series.

The Shadow Hero is our answer to Burma Boy’s question, our imagining of the Green Turtle’s origin story. We firmly establish him as an Asian American superhero, perhaps even the first Asian American superhero. Our Green Turtle is a shadow hero. Not only is his identity secret, so is his race….

But let me end on a fact: Studying Chu Hing’s comics, imagining what might have been going through his head, and then writing this book in response were a lot of fun – a crazy, Golden Age sort of fun. I hope reading it is, too.

And that brings me to the story found in these pages – the origin story of the Green Turtle. The story is indeed tremendous fun.

Hank is a Chinese boy living in San Incendio, America, with no ambitions other than to be a grocer like his father. However, his mother has ambitions for him.

After she is saved by a superhero from a carjacking by a bank robber, Hank’s mother decides that he needs to be a superhero.

Her methods are hilarious, including pushing him into a toxic spill and trying to get him bitten by a dog used for scientific research. Eventually, she settles for arranging for him to learn to fight.

But his first efforts toward fighting for justice end up getting his father shot. However, what Hank and his mother don’t know is that a spirit from ancient China was residing with Hank’s father. Now that he is dead, the spirit – shaped like a turtle – will stay with Hank – and grant one request.

This book has plenty of humor and plenty of adventure. It nicely captures the flavor of Golden Age comics. (I know a little bit about this because my son is a fan.) At the end of the book, the first Green Turtle comic is reproduced in its entirety. I like the way the source of all the details in the comic has been revealed (including our hero’s unnaturally pink skin).

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Swallow, by Charis Cotter

swallow_largeThe Swallow

A Ghost Story

by Charis Cotter

Tundra Books, 2014. 318 pages.
Starred Review
2014 Cybils Finalist, Speculative Fiction for Elementary and Middle Grades
2014 Sonderbooks Stand-out, #11 Children’s Fiction

I don’t think of myself as liking ghost stories, but this didn’t feel like a typical ghost story to me. This is a cozy friendship story and a girl-in-a-big-family-finding-a-friend story.

Sections in this book alternate between the voices of Polly and Rose. Their houses are next door to one another, and it turns out that their attics adjoin. The houses overlook the cemetery.

Rose has always been able to see ghosts, and she hates it. Polly has always wanted to see a ghost, and she isn’t sure that Rose isn’t one herself. She’s so pale and otherworldly.

Polly says:

I’ve always wanted to see a ghost. More than anything. I keep watch at my window for hours, I go for walks in the cemetery almost every day after school and I read all the ghost books I can find at the Parliament Street Library.

Rose says:

I never want to see a ghost again. I’m sick of it. Ladies all in white who follow me down the street, sad men in suits who sit at the back of the bus, children in nightgowns floating out hospital windows – I wish they would all disappear.

Rose hasn’t seen any ghosts, for some reason, since her hospital stay a few months ago. But then, when she hears Polly through the wall of her attic, she thinks they’re back. Polly, after hearing Rose’s voice, thinks she’s finally met a ghost.

Rose says,

I felt sick to my stomach. I was not used to invisible ghosts. And I certainly was not used to ghosts that talked so much. Especially out loud.

My heart sank. I hadn’t seen one ghost since I’d got home from the hospital, and I had really hoped they were gone forever. And now here was a ghost, right in my attic, in my own special nest. Where one came, the rest would follow, and I just knew I’d go stark raving mad if I couldn’t keep them away from me.

“Tell me,” said the ghost, “did you die a horrible death? Are you doomed to wander the ghostly regions between the land of the living and the life beyond?”

“Stop playing games,” I said. “You know I’m not a ghost. You’re the ghost, and you’re pretending to think I’m a ghost to drive me crazy. It isn’t going to work. Go away. All I want to do is sit in my attic and read my books and sing my songs in peace. Is that too much to ask?”

“Do ghosts read?” asked the ghost. “That’s very interesting. Do you have to turn the pages or can you sort of absorb the story by holding the book and pulling the words into your head?”

“I – am – not – a – ghost!” I said slowly and firmly. “Ghosts don’t read! They’re ethereal. They haunt people. They follow them down the street, they watch them when they’re doing their homework, they lurk behind gravestones, they hide in people’s attics –“

“For someone who says they’re not a ghost, you seem to know an awful lot about them,” said the ghost.

I opened my mouth but no words came out. This was the most infuriating ghost I had ever met.

I love the part – in the next chapter – where they figure out what’s actually going on. Rose had gotten frustrated and shouted out, “MY NAME IS ROSE MCPHERSON AND I LIVE AT 43 CEMETERY LANE AND I AM TWELVE YEARS OLD AND I AM NOT DEAD!”

She continues:

It felt good to lose my temper. I made a lot of noise, but the ghost didn’t seem at all put out.

“Wait. Where did you say you live?” she asked calmly.

“43 CEMETERY LANE!” I repeated.

Silence.

“Hit the wall again,” suggested the ghost.

THUMP.

“Umm . . . Ghost?” she said.

“My name is Rose!”

“Ummm . . . Rose?” she said.

“What?”

“I live at 41 Cemetery Lane. Next door.”

It took me a minute to figure it out. “You mean you’re in your own attic? On the other side of the wall?”

“Yes,” replied the ghost. “I guess you’re not a ghost after all.” She sounded disappointed.

“But why is it I can hear you so clearly?” I asked. “As if you were right here beside me?”

“I am right here beside you,” she said, starting to tap against the wall. “This wall must be really thin, not like the brick wall downstairs.”

“That must be it,” I said. A great feeling of relief swept over me and I spoke without thinking. “So you’re not a ghost either. You must be one of the dreadful Lacey children who live next door.”

“Who says we’re dreadful?” asked the girl.

Oops. “Um – my mother.”

“Oh,” said the girl. “Well – she’s right. We are.”

The girls agree to meet in the cemetery – and then find a grave with Rose’s name on it. Rose is convinced she’s not a ghost, but who is Winnifred Rose McPherson, who died at twelve years old, 40 years earlier?

The girls build a friendship. They research this other ghost. And then they find a way to go secretly into each other’s attics. But Rose’s home does have a ghost – and she’s angry, and doesn’t seem to want Polly to go into her attic.

This book is indeed a ghost story – but it’s also a friendship story, and a story that warmed my heart, despite the ghostly chill.

chariscotter.com
tundrabooks.com

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Source: This review is based on a book sent to me by the publisher to evaluate for the Cybils Awards.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Mortal Heart, by Robin LaFevers

mortal_heart_largeMortal Heart

by Robin LaFevers

Houghton Mifflin Harcourt, Boston, 2014. 444 pages.
Starred Review

Wow! The third book of the trilogy that began with Grave Mercy is everything I hoped it would be! I had preordered the book before I found out I was going to be a Cybils judge. So the book came in while I was very busy with Cybils reading – and was the first thing I pulled out when we had finished making our list of Finalists.

The trilogy is summed up in three words: Medieval Assassin Nuns.

One thing I love about the three books is that each one is a complete story on its own – the complete story of one of the initiates into the order of St. Mortain – the god of Death. I also love that each girl’s story is totally different from the next. Each book has romance – and I thought I had it all figured out how it would go. Then this volume was completely different.

Because each book tells a complete story, with even a little bit of overlap in the timelines, you could read the books in any order. But I still highly recommend beginning with Grave Mercy. You will want to read all three books, so you might as well start at the beginning. The first book also goes into a little more depth about the political situation facing the Duchess of Britany. (The duchess in the 1490s really was engaged to multiple suitors when her father died.)

It’s all based on actual historical events – even the ancient gods of Brittany, whom the church absorbed as saints. I’m guessing that in real life, the god of Death didn’t have actual physical daughters who had special gifts as assassins, but it definitely makes a good story!

This third volume goes into more detail about some of the paranormal elements, as Annith meets the Hunt, with hellequins sent out from Death himself. Like Ismae and Sybella in the books that went before, she is struggling with her role and whether the Abbess is actually representing Mortain’s guidance, or following her own purposes.

There is an overall plot arc to the series, too, which is resolved in this book. I didn’t know anything about Brittany and its history with France, so the resolution was a surprise to me. I’m guessing things didn’t happen the way they did for the same reason portrayed in this book, but they *could* have, and I love that in a historical novel.

Parents of young teens, just to warn you: All the girls “take lovers.” No details are given, so they are not sexy reads, but that might influence whether or not you think it’s good reading for your own daughters.

They are wonderfully romantic tales, with each book having its own conflict and dangers, and each girl having a different – but beautiful – relationship with the god of Death. And I do like the way no one can push around these trained assassins!

Yes, on finishing this trilogy, I’m all the more impressed with each book individually, and the series as a whole. Each book demonstrates outstanding writing. I have no doubt I will be coming back to these books over the years. In fact, I’ll be looking for an opportunity to reread the whole series soon.

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