Review of Reading Like a Writer, by Francine Prose

Reading Like a Writer

A Guide for People Who Love Books and For Those Who Want to Write Them

by Francine Prose

HarperCollinsPublishers, 2006. 273 pages.

Francine Prose begins her book like this:

“Can Creative Writing be taught?

“It’s a reasonable question, but no matter how often I’ve been asked, I never know quite what to say. Because if what people mean is: Can the love of language be taught? Can a gift for storytelling be taught? then the answer is no. Which may be why the question is so often asked in a skeptical tone implying that, unlike the multiplication tables or the principles of auto mechanics, creativity can’t be transmitted from teacher to student. Imagine Milton enrolling in a graduate program for help with Paradise Lost, or Kafka enduring the seminar in which his classmates inform him that, frankly, they just don’t believe the part about the guy waking up one morning to find he’s a giant bug.

“What confuses me is not the sensibleness of the question but the fact that it’s being asked of a writer who has taught writing, on and off, for almost twenty years. What would it say about me, my students, and the hours we’d spent in the classroom if I said that any attempt to teach the writing of fiction was a complete waste of time? Probably, I should just go ahead and admit that I’ve been committing criminal fraud.”

She goes on to admit:

“Like most, maybe all, writers, I learned to write by writing and, by example, from books….

“In the ongoing process of becoming a writer, I read and reread the authors I most loved. I read for pleasure, first, but also more analytically, conscious of style, of diction, of how sentences were formed and information was being conveyed, how the writer was structuring a plot, creating characters, employing detail and dialogue. And as I wrote I discovered that writing, like reading, was done one word at a time, one punctuation mark at a time. It required what a friend calls ‘putting every word on trial for its life’: changing an adjective, cutting a phrase, removing a comma, and putting the comma back in.

“I read closely, word by word, sentence by sentence, pondering each deceptively minor decision that the writer had made. And though it’s impossible to recall every source of inspiration and instruction, I can remember the novels and stories that seemed to me revelations: wells of beauty and pleasure that were also textbooks, private lessons in the art of fiction.”

This book opened my eyes to things about the writing process that had gone right past me before. She talks about and gives examples of writers who chose just the right word, then goes on to talk about beautiful sentence-level writing, and then the way writers construct paragraphs. She talks about narration and dialogue, and creating characters. She talks about telling details and gestures.

I must admit this book reads a bit like a college textbook. I took it very slowly, only tackling a chapter at a time, if that. But it would be a textbook for a fascinating, enlightening college class, and I couldn’t help but be jealous of her students.

With this book, Francine Prose equips the reader to better appreciate — and therefore emulate — the fine art of writing beautiful and powerful fiction.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Kitchen Table Wisdom, by Rachel Naomi Remen

Kitchen Table Wisdom

Stories That Heal

by Rachel Naomi Remen, M.D.

Riverhead Books, New York, 10th Anniversary Edition, 2006. 337 pages.
Starred Review.

In her Preface to the 10th Anniversary Edition, Rachel Naomi Remen writes,

“Because I am not a writer, when I sat down to write, all I had were my memories. The stories I had lived through and the stories I had shared. The stories people had told me in the supermarket, on airplanes and in the ladies room. So I told my computer a story. And then another. And another. When the manuscript deadline arrived, I had four hundred pages of little stories.

“I was mortified that this was all that I had to show after a year of work. In the world of medicine, where things that can be expressed in numbers are considered truer than things that can only be expressed in words, stories are considered poor form and storytellers are highly suspect. My tendency to tell stories had always been frowned upon by my medical colleagues and rejected as ‘anecdotal evidence.’ They preferred to measure truth in terms of hard data. So I had learned to keep my stories to myself….

“Now, ten years later, I too am less afraid, less apologetic. When I wrote Kitchen Table Wisdom, I had no idea what it would come to mean to people, about the way it would reach people and strengthen them, the way it would touch people and make them feel less alone. I have discovered the power of story to change people. I have seen a story heal shame and free people from fear, ease suffering and restore a lost sense of worth. I have learned that the ways we can befriend and strengthen the life in one another are very simple and very old. Stories have not lost their power to heal over generations. Stories need no footnotes.”

In the original Introduction, she talks about how she found these stories, when male doctors asked her to talk with patients, expecting a woman to be more comfortable with that.

“At first, I was surprised that people with the same disease had such very different stories. Later I became deeply moved by these stories, by the people and the meaning they found in their problems, by the unsuspected strengths, the depths of love and devotion, the rich and human tapestry initiated by the pathology I was studying and treating. Eventually, these stories would become far more compelling to me than the disease process. I would come to feel more personally enriched by them than by making the correct diagnosis. They would make me proud to be a human being.

“These stories engaged me at another, more hidden point. I too suffer from an illness, Crohn’s disease, a chronic, progressive intestinal disease which I had developed at the age of fifteen. So for me, these conversations eased a certain loneliness. This was a different sort of connection than the easy banter and camaraderie I enjoyed with the other medical residents. This was the conversation of people in bomb shelters, people under siege, people in times of common crisis everywhere. I listened to human beings who were suffering, and responding to their suffering in ways as unique as their fingerprints. Their stories were inspiring, moving, important. In time, the truth in them began to heal me.

“Everybody is a story. When I was a child, people sat around kitchen tables and told their stories. We don’t do that so much anymore. Sitting around the table telling stories is not just a way of passing time. It is the way the wisdom gets passed along. The stuff that helps us to live a life worth remembering. Despite the awesome powers of technology many of us still do not live very well. We may need to listen to each other’s stories once again.”

For some time now, I’ve been reading one or two of these stories every morning. What a blessing! They are stories of healing, stories of wonder, stories of transcendence. And they do pass along wisdom, a wisdom Dr. Remen learned from people coming from all walks of life. Truly a beautiful book.

“All stories are full of bias and uniqueness; they mix fact with meaning. This is the root of their power. Stories allow us to see something familiar through new eyes. We become in that moment a guest in someone else’s life, and together with them sit at the feet of their teacher. The meaning we may draw from someone’s story may be different from the meaning they themselves have drawn. No matter. Facts bring us to knowledge, but stories lead to wisdom.”

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Review of The Little Guide to Your Well-Read Life, by Steve Leveen

The Little Guide to Your Well-Read Life

How to get more books in your life and more life from your books.

by Steve Leveen

Levenger Press, 2005. 123 pages.

This book is a celebration of reading. Steve Leveen talks about how to get more books into your life, with ideas like making a personal lifetime reading list, listening to audiobooks, and sharing books with others in book clubs. As an avid reader myself, most of his ideas were not new to me, but I did enjoy reading the ideas of another book lover for savoring books.

Some of his writing is a celebration of the reading life:

“Book love is something like romantic love. When we are reading a really great book, burdens feel lighter, cares seem smaller, and commonplaces are suddenly delightful. You become your best optimistic self. Like romantic love, book love fills you with a certain warmth and completeness. The world holds promise. The atmosphere is clearer and brighter; a beckoning wind blows your hair.

“But while romantic love can be fleeting, book love can last. Readers in book love become more skilled at choosing books that thrill them, move them, transport them. Success breeds success, as these lucky people learn how to find diamonds over and over. They are always reading a good book. They are curious, interested — and usually interesting — people.”

I especially like his conclusion:

“On the first page of this little guide, I suggested that I could help you find more time to read. I hope that by employing some of the ideas in this little book and others you discover, you’ll fall deeply in book love — not once but perpetually. Then you will not have to worry about finding the time to read; that time will come to you. You will naturally do some things less as you read more. What those things will be is obviously your decision.

“Finally, I hope you read some books for no reason other than pure enjoyment. Let a fine story grab hold of you, let yourself be embraced in this uniquely human pleasure with sweet abandon. As you collect books for learning, also collect books that make you laugh and cry and shudder and forget the real world completely. It is good for us in more ways than we know.”

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Review of The Second Journey, by Joan Anderson

The Second Journey

The Road Back to Yourself

by Joan Anderson

Voice (Hyperion), New York, 2008. 205 pages.

Here’s a book written by a woman in midlife, musing about the paths we take. As a 45-year-old woman going through divorce, with a looming job loss due to budget cuts, I was very ready to listen to what she had to say, to share her journey.

I especially liked the last section, where she spends some time on Iona, an island off the coast of Scotland. I especially enjoyed it simply because I have been to Iona, only for a few hours, but it’s easy to remember the spiritual magic of the place, and easy to take vicarious pleasure in her journeys there.

In the prologue, Joan Anderson says,

“The call to a second journey usually commences when unexpected change is thrust upon you, causing a crisis of feelings so great that you are stopped in your tracks. Personal events, such as a betrayal, a diagnosis of serious illness, the death of a loved one, loss of self-esteem, a fall from power are only a few of the catalysts. A woman caught thusly has no choice but to pause, isolate, even relocate until she can reevaluate the direction in which she should head. Should she stay the course or choose another path?

“But alas, many of us inhibit our capacity for growth because the culture encourages us to live lives of uniformity. We stall, deny, ignore the ensuing crisis because of confusion, malaise, and yes, even propriety. Yet more and more, I come in contact with women, particularly in midlife — that uneasy and ill-defined period — who do not want merely to be stagnant but rather desire to be generative. Today’s woman has the urge to go against the prevailing currents, step out of line, and break with a polite society that has her following the unwritten rules of relationship, accepting the abuses of power in the workplace, and blithely living with myriad shoulds when she has her own burgeoning desires.

“This book will help you navigate through change — from being merely awakened to being determined, impassioned pilgrim on her own individual path. This does not mean giving up family and friends; it simply means integrating the web of family and other relationships into your world so that they are a part of your life but not your entire life.”

Here are some good thoughts for your own second journey.

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Review of The Promise, by Robert J. Morgan

The Promise

How God Works All Things Together for Good

by Robert J. Morgan

B & H Publishing Group, Nashville, Tennessee, 2008. 211 pages.

This book is an extended meditation on Romans 8:28 — “We know that all things work together for the good of those who love God: those who are called according to his purpose.”

The author states that the theme of the book is In Christ, we have an ironclad, unfailing, all-encompassing, God-given guarantee that every single circumstance in life will sooner or later turn out well for those committed to Him.

As he says in the introduction:

“But consider this: What if you knew it would all turn out well, whatever you are facing? What if Romans 8:28 really were more than a cliche? What if it was a certainty, a Spirit-certified life preserver, an unsinkable objective truth, infinitely buoyant, able to keep your head above water even when your ship is going down?

“What if it really worked? What if it always worked? What if there were no problems beyond its reach?”

The bulk of the book is going over this verse, phrase by phrase, with life stories and thoughts about what each part of the promise means. I didn’t find it particularly surprising or especially profound. However, this is a very good verse to spend that much time exploring and thinking about!

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Review of A Three Dog Life, by Abigail Thomas

A Three Dog Life

A Memoir

by Abigail Thomas

Harcourt, Orlando, 2006. 182 pages.

Abigail Thomas’ husband was hit by a car when out walking the dog. He sustained severe brain damage, and neither of their lives were ever the same again. He has no long-term memory, and lives in an eternal now. When she visits him, she never knows what he will say.

Since then, Abigail has built a life (with three dogs) quite different than the one she had before the accident. This book contains musings and meditations on that life, thoughts about what it means to love. She lost her husband as he was and gained someone who sees the world in a unique way. She had to struggle with guilt when she found herself enjoying the life she’d built.

Abigail Thomas takes us with her on her journey. The book is sad, but thoughtful and hopeful.

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Review of Prosperity Pie, by SARK

prosperity_pieProsperity Pie

How to Relax About Money and Everything Else

by SARK

A Fireside Book (Simon & Schuster), New York, 2002. 206 pages.

As I write this review, it strikes me as ridiculously silly, utterly hilarious that I tried to save the $12.48 Amazon.com price by using the library’s copy. SARK’s books are colorful, creative, and meant to be written in! In a book about prosperity, why am I so stingy, that I will not spend $12.48 to release my own creative spirit? I guess I really needed this book!

Prosperity Pie is, as the subtitle says, all about relaxing. She talks about prosperity, about resources. It contains SARK’s “inventions and discovery systems for expanding your feelings of prosperity, with examples of old patterns transforming into new ones.”

“Mostly, it is an active companion to your own journey of prosperity. This book will serve as a sturdy walking stick, a self-love magnifier, and a kind, wise friend who tells you:

You are enough

You have enough

You do enough

And then bring you chocolate”

(Please realize that those words are written artistically and beautifully on the page.)

If you can use that sort of kind and wise friend, this is the book for you.

Now that I have finished reading it, I am going to order my very own copy with the link below:

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Review of Shelf Discovery, by Lizzie Skurnick

shelf_discoveryShelf Discovery

The Teen Classics We Never Stopped Reading

A Reading Memoir

by Lizzie Skurnick

With Meg Cabot, Laura Lippman, Cecily von Ziegesar, and Jennifer Weiner

Avon (HarperCollins), 2009. 424 pages.

This was the perfect book to read slowly while I was taking an online class given by the Association for Library Service to Children called “The Newbery Medal: Past, Present and Future.” Because this book was, also, about the books of childhood. Okay, maybe not all the childhood reading this book covered was necessarily “distinguished,” but it was truly memorable. And a whole lot of fun to stroll down memory lane with Lizzie Skurnick and some guest writers, talking about the books we loved as teens. As a matter of fact, a lot of Newbery Medal winners and Honor Books were included, so it was truly pertinent to the class.

I was won over immediately by Laura Lippman’s Foreword to this book, because I have always been a rereader. My father is not a rereader. My sister is not a rereader. They are proud not to be. My sister does not buy books, because she is not going to read it again, so why spend the money? My father is embarrassed when he forgets he’s read a book before and accidentally starts on it again. I, however, have always taken great delight in rereading old friends, and love C. S. Lewis’s essay, “On Rereading.” I knew I would enjoy this book when I read Laura Lippman’s words:

“Some people are baffled by re-reading in general, the re-reading of children’s books in particular. What’s the point? Why waste time revisiting the books of childhood when there’s so much else to read? With these essays, Lizzie Skurnick has answered those questions far more eloquently than I ever could. It’s as if a kindly psychiatrist suddenly appeared with a sheaf of missing brain scans…. By the time we realize the profound influences of our youthful reading lists, it’s too late to undo them. Yes, if I knew then what I know now, I would have read more seriously and critically during those crucial years that my brain was a big, porous sponge. But I didn’t and my hunch is that you, dear reader, didn’t either. So stretch out on Dr. Lizzie’s couch… Contemplate the fact that Ramona Quimby may be a fictional creation on a par with Emma Bovary. We should not be ashamed of re-reading our favorite books, only of re-reading them thoughtlessly.”

But I especially liked what Lizzie Skurnick said about how the books themselves brought her right back to her own experience of reading them:

“When I first started doing reviews of classic young adult literature for Jezebel’s Fine Lines column, I was amused and surprised by the odd, visceral details that returned to me with every work: Pa bringing the girls real white sugar wrapped in brown paper in Little House in the Big Woods, Sally J. Freeman having a man-o’-war wrapped around her foot (who even knew what a man-o’-war was?), Claudia choosing macaroni at the Automat in From the Mixed-Up Files of Mrs. Basil E. Frankweiler. These strong, charged images that have never left me — they’re often even stronger than memories I have of my own life. I simply see the cover, and they come back — like fragments of a dream I can’t quite remember, Proust’s madeleine, but even stranger, since I’ve never even tasted one.

“Some of the lives I read about were very similar to mine (I could see a lot of my own camp life in There’s a Bat in Bunk Five, minus the cute boyfriend, natch), and some couldn’t be more different (despite my best efforts, I have yet to achieve psychic synergy with a dolphin). But it wasn’t about finding myself — or not finding myself — in the circumstances of a girl’s life, as much as I might be fascinated by it. It was about seeing myself — and my friends and enemies — in the actual girl.

Ah, here is writing a kindred soul, who, like me, was pulled from childhood into the lives of girls in books.

And now the fun comes in to hear her telling about those lives. Some are the same books I loved and cherished myself. Some are quite different. Judging by the copyright dates, Lizzie Skurnick is several years younger than me. She also got hold of some raunchier material than came my way, for whatever reason. (You mean to tell me that’s what’s in Flowers in the Attic? Lauri Ann, you read that? Okay, well.)

But most of it is simple good clean fun. I laughed at some of the themes she found. For example, all the books that describe living off the land. She says:

“I am convinced more than ever that once the great global climactic catastrophe has destroyed the earth, when the stragglers dig themselves out from their damp bomb-shelter hovels and go hard-core low-tech, readers of young adult fiction will make up the core of the new society . . . because we are the only ones who will find living off the land fun.”

Some other chapters’ themes are tear-jerkers, coming of age, danger, runaways, romance, paranormal, and old-fashioned girls, though Lizzie Skurnick has much classier ways of wording them. She really covers a wide variety of titles. Just a smattering of some favorites of mine that she covers are: A Wrinkle in Time, A Ring of Endless Light, Jacob Have I Loved, Bridge to Terabithia, The Witch of Blackbird Pond, Understood Betsy, In Summer Light, The Moon By Night, An Old-Fashioned Girl, The Secret Garden, and A Little Princess.

She covers 73 titles, so, obviously, there are many more. I had not read most of them, but somehow half the fun is the fondness and the spirit with which she tells about them. And I will definitely have to look some of these up.

I recommend doing like I did and reading a chapter or so a day. I am going to start following her blog, Old Hag.

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Review of French by Heart, by Rebecca S. Ramsey

french_by_heartFrench by Heart

An American Family’s Adventures in La Belle France

by Rebecca S. Ramsey

Broadway Books, New York, 2007. 308 pages.
Starred Review
Sonderbooks Stand-out 2010: #4 Nonfiction: True Stories

Having lived in Germany for ten years, French by Heart is exactly the sort of book I love — someone else’s tale of making a home in another country. There’s much that I relate to from my own experiences, much that I enjoy vicariously, and a wistful feeling of “Wouldn’t I love to move to France for four years!”

Rebecca Ramsey’s husband works for Michelin, and for four years they moved their family to Clermont-Ferrand, four hours south of Paris. Her three children attended the local French school, and her family’s way of doing things quickly came under the scrutiny of their neighbor, a grandmotherly type with definite opinions.

Rebecca has a wonderful way of pulling you into the confusions and delights of living in a foreign country, of beginning to feel like you belong, while always knowing you are different. She expresses the joys and frustrations of building a friendship with her nosy and opinionated neighbor. We cringe with her as she describes the daunting adventure of getting stitches for her bleeding son, and feel pride with her at her success.

One of the things I love about living in a foreign country is how it adds a certain sense of wonder even to the events of daily life — shopping, going out to eat, going to school, talking with friends. Everything is new and different, memorable and exciting.

Rebecca Ramsey catches some of that as she describes their arrival in France:

“What was it about this place that was so enchanting? Even with my queasiness, I couldn’t help feeling charmed by it, from the old brass door knockers shaped like a lady’s hand to the women, young and old, with their sultry eyes and obvious confidence. As we walked by the cafes I tried not to stare at the people sitting there, their beautiful French words twirling out of their mouths, mingling with the swirls of coffee perfuming the crisp morning air. I wanted to understand it all, the Frenchiness of this place. I wanted to be part of it and for it to be a part of me — a part of us, our family. We hoped to have four years or so in France. Could that happen in four years? We were nervous, yes, but our American hearts were open. Could we be French too, just for a little while? French, not by citizenship, but by heart?”

Reading this book, France will win a place in your own heart, too.

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Review of Four Seasons in Rome, by Anthony Doerr

four_seasons_in_romeFour Seasons in Rome

On Twins, Insomnia, and the Biggest Funeral in the History of the World

by Anthony Doerr

Scribner, New York, 2007. 210 pages.

Anthony Doerr won an award to come to Rome for a year to write. What a fabulous opportunity! The timing, however, was interesting — the fellowship began when his twin sons were six months old.

Four Seasons in Rome tells the story of that chaotic and amazing year when Anthony Doerr and his wife and infant sons got to live in the Eternal City. This wonderful book combines aspects of many types of memoir: the bemused blunderings and awe of a new parent, cross-cultural adventures and misadventures, musings about the writing process and the ways we avoid it, and the wonders of Rome.

I had an extra interest in the book, because the time our family visited Rome (our last family vacation as an intact family) was during the very year that Anthony Doerr was there — We were there after the Pope’s funeral, but before the next Pope was elected. So we saw a teeny tiny bit of what he mentions.

Here’s a little taste:

“Every few days there are moments of excruciating beauty. We are simultaneously more happy and more worn out than we have ever been in our lives. We communicate by grinning and pointing and waving food in the air. We don’t sleep as well as we used to. Our expectations (today I might take a shower; the #75 bus might actually show up) are routinely dashed. Just when we think we have a system (two naps a day; Shauna finds a rosticceria with chickens on spits that is open on Sundays), the system collapses. Just when we think we know our way around, we get lost. Just when we think we know what’s coming next, everything changes.”

It’s fun to vicariously share in Anthony Doerr’s experiences, not quite sure whether to envy him or to feel sorry for him — mostly glad I can enjoy it in nice comfortable book form.

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