Review of King for a Day, by Rukhsana Khan and Christiane Krömer

king_for_a_day_largeKing for a Day

by Rukhsana Khan
illustrations by Christiane Krömer

Lee & Low Books, New York, 2013. 32 pages.
Starred Review

Recently, Betsy Bird of School Library Journal’s Fuse 8 blog did a post about “casual diversity” – books that include characters from diverse backgrounds, but where that isn’t the point of the story. Race or disability isn’t seen as a problem, it’s just the way the world is.

Shortly after reading that post, I read King for a Day and was delighted to find such a wonderful example.

The story is about Basant, a kite festival that happens every year in Lahore, Pakistan, to celebrate the arrival of Spring. We focus on a boy, Malik, who has been planning for a long time to win the kite battles, to be king of Basant. He has one kite which he has crafted himself.

He flies his kite from the roof of his building. Right away, he comes up against a bully who lives nearby, who has a big, expensive kite. But Malik is triumphant. And the day continues, battling all kinds of colorful kites. The illustrator has beautifully created many different cloth kites for these pages.

Big kites, little kites, fancy and plain. Even kites made of old newspapers. Sometimes I catch them in groups. Making wide circles around clusters of kites, Falcon slashes through their strings.

For a while the kites fly where the wind carries them. When they land, they’ll belong to whoever finds them. But at least they will have tasted freedom.

Insha Allah, I really am king of Basant today!

So we have a wonderful story about a kid living in another culture tasting victory. But what takes this a step further is that Malik is in a wheelchair.

It’s never mentioned in the text, that is just the way Malik is. His sister helps him with the kite’s taking off and helps him gather the kites that come to their rooftop. His brother, down below, gathers kites that drift downward. They help Malik with things that need feet, but he is the mastermind and the chief kite battler.

The illustrations are beautifully done in collage, with a wonderful variety of kites, in particular. Simply a marvelous book.

rukhsanakhan.com
christianekromer.com
leeandlow.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of A Dance Like Starlight, by Kristy Dempsey and Floyd Cooper

dance_like_starlight_largeA Dance Like Starlight

One Ballerina’s Dream

by Kristy Dempsey
illustrated by Floyd Cooper

Philomel Books, 2014. 32 pages.
Starred Review

Here’s a beautifully illustrated picture book about a little girl who wants to be a ballerina. Sounds trite? What gives this book extra power is that the little girl is black and lives in Harlem in the 1950s. Her mother works for the ballet school, cleaning and stitching costumes.

One day, the Ballet Master sees the little girl do an entire dance in the wings, from beginning to final bow. After that, he makes an arrangement for her to join lessons each day from the back of the room, even though she can’t perform onstage with white girls.

And every once in a while,
When Mrs. Adams is especially surprised or perhaps even pleased with my form,
She asks me to demonstrate a movement for the whole class.
With every bend, I hope.
With every plié,
every turn,
every grand jete, I hope.
The harder I work, the bigger my hope grows,
and the more I wonder:
Could a colored girl like me
ever become
a prima ballerina?

And then something life-changing happens. She sees an announcement that Janet Collins is going to perform at the Metropolitan Opera House, the first colored prima ballerina. Her Mama makes sure she gets to go.

My favorite picture in the book goes with these words:

In my heart I’m the one leaping across that stage,
raising myself high on those shoulders,
then falling
slowly
slowly
slowly
to the arms below.

It’s like Miss Collins is dancing for me,
only for me,
showing me who I can be.
All my hoping
wells up and spills over,
dripping all my dreams onto my Sunday dress.

The picture shows a close up of Janet Collins in the middle of a leap in front of a packed opera house, with the girl in a graceful leap right beside her.

The Author’s Note at the back explains the historical background:

On November 13, 1951, four years before singer Marian Anderson’s Metropolitan Opera debut, dancer Janet Collins became the first African American hired to perform under contract with the Metropolitan Opera. Though she had been denied the opportunity to dance with other ballet troupes because of the color of her skin, Met Ballet Master Zachary Solov was so taken with her skill and beauty as a dancer, his choreography of the opening night opera was inspired by her movement. Rudolf Bing, general manager of the Met from 1950 to 1972, considered his greatest achievement to be having hired Miss Collins, breaking the barrier that existed for African American performers of the era.

Miss Collins’s performance on opening night and the fact that she was “colored,” as African Americans were called at that time, were both highly publicized in advance. Though I have only imagined this little girl and her mother were at the Met to see Miss Collins perform, I hope many women, regardless of their age or the color of their skin, are inspired to achieve their own dreams through her historic performance.

As if the inspiring story, with its discussion of wishes versus hope, weren’t enough, the art by Floyd Cooper is simply beautiful. This is an uplifting book in every way.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of What’s Your Favorite Animal? by Eric Carle and Friends

whats_your_favorite_animal_largeWhat’s Your Favorite Animal?

by Eric Carle and Friends

Henry Holt and Company, New York, 2014. 36 pages.
Starred Review

What’s Your Favorite Animal? is simply good fun. A collection of 14 fabulous illustrators of children’s books answered that question and provided a picture to go with it.

Many, such as Eric Carle, Peter Sis, Peter McCarty, Steven Kellogg, Susan Jeffers, and Erin Stead, give us a little story explaining their choice. Steve Kellogg says, “My older sister had claimed horses as her favorite animal, so I chose cows.” Erin Stead tells us, “I like how penguins seem confidently awkward on land but then glide so swiftly and expertly underwater.” Peter Sis gives us a heart-warming story of blue carp at Christmas time in the Czech Republic.

Nick Bruel goes with cartoon panels, telling us about the charms of octopuses – until Bad Kitty interferes. Rosemary Wells also uses panels, to show us the favored positions of a dog on my bed. Tom Lichtenheld gives us a limerick about giraffes.

I think my favorite picture is Jon Klassen’s duck. Those eyes. Classic Klassen.

The rest are quite short. Chris Raschka’s lovely snail, Lane Smith’s show-off elephant, and Lucy Cousins’ beautiful leopard are simply explained. But shortest of all is the entry by Mo Willems, with a picture of a snake with a bump in the middle: “My favorite animal is an Amazonian Neotropical Lower River Tink-Tink. (It is also this snake’s favorite animal.”

This would require time for discussion in a storytime, and I think would work better shared one-on-one, or with a child to pore over in private. An elementary school art class could have a good time with it. Of course, it begs the question, “What is your favorite animal?”

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Jane, the Fox & Me, by Fanny Britt and Isabelle Arsenault

Jane, the Fox & Me

by Fanny Britt and Isabelle Arsenault

translated by Christelle Morelli and Susan Ouriou

Groundwood Books/ House of Anansi Press, Toronto, 2013. First published in Montreal in 2012. 101 pages.
Starred Review

Hélène is a girl who’s relentlessly insulted. On the stall door of the second-floor washroom, on the blue staircase, in the schoolyard, on her locker door.

So Hélène is not happy when she learns their whole class is going to be going to Nature Camp. “Four nights, forty students. Our whole class.” She is not excited. She’s scared and nervous.

She goes with her mother to buy a bathing suit and looks like a sausage. On the bus, for comfort, she’s reading Jane Eyre. Jane has a terrible childhood, but grows up clever, slender, and wise. But even Jane Eyre needs a strategy. At camp, Hélène uses the strategy of pretending to look for something in her suitcase, and ends up in a tent with the Outcasts.

But some surprises happen at camp, including a close encounter with a fox. Things start to change for Hélène.

This graphic novel is a beautiful story of a sensitive and thoughtful girl going through relentless cruelty. And it ends well! Readers won’t be able to help but cheer for Hélène as things change for her.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Writer Who Stayed, by William Zinsser

The Writer Who Stayed

by William Zinsser

Paul Dry Books, Philadelphia, 2012. 175 pages.
Starred Review

This is a book of essays by a master of the form — indeed, the man who wrote the book on writing nonfiction (On Writing Well). It’s actually a collection of “columns” which were posted online. I would have called them blog posts, but The American Scholar, the magazine that posted them, calls them essays, and coming from William Zinsser, that’s completely appropriate.

I mostly read an essay per day, kind of like you’d read a blog. Each day I enjoyed having some insightful reading, and something to muse over for the day.

The essays are not long, and each word is used well. I want to give you some quotations, to show his wonderful use of language, but that doesn’t convey the completeness of each essay, the way he sets up something at the start that pays off by the end.

This is the ending of the essay “Content Management: In Praise of Long-Form Journalism”:

“As a journalist,” I tell my despairing students, “you are finally in the storytelling business.” We all are. It’s the oldest form of human communication, from the caveman to the crib, endlessly riveting. Goldilocks wakes up from her nap and sees three bears at the foot of her bed. What’s that all about? What happens next? We want to know and we always will.

Writers! Never forget to tell us what’s up with the bears. Manage that content.

Here’s another paragraph about writing, from the essay “Permission Givers: To Teach Is to Allow and to Encourage”:

Writers! You must give yourself permission, by a daily act of will, to believe in your remembered truth. Do not remain nameless to yourself. Only you can turn on the switch; nobody is going to do it for you. Nobody gave George Gershwin permission to write “Rhapsody in Blue” at the age of 25, when he had only written 32-bar popular songs. Nobody gave Frank Lloyd Wright permission to design a round museum.

The essays are by no means all about writing. Here’s the beginning of one that made me laugh:

Last week I got a letter from the man I once thought of as my broker, who now calls himself my investment counselor and would probably call himself my wealth management adviser if I had any “wealth” for him to manage. He was writing to tell me that Sandra, “the lead assistant assigned to your relationship, has decided to change careers and become a full-time mother of 10-month-old Brad.”

I didn’t even know I had a relationship with Sandra. She never mentioned it, probably because she already had a relationship — evidently quite a long one — with the father of 10-month-old Brad. But my investment counselor said he was “happy to announce” that Daniele had joined his office and would now be managing my relationship.

A few days later I went into my Citibank branch to get some cash and found a message on the ATM. It said, “Now you can have a dedicated relationship manager!” That got me wondering about Daniele. I knew she would be caring. But shouldn’t she also be dedicated?

This book contains good writing that will give you something to muse over. Definitely worth dipping into.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Constable & Toop, by Gareth P. Jones

Constable & Toop

by Gareth P. Jones

Amulet Books, New York, 2013. 391 pages.
Starred Review

I like the blurbs at the front of Constable & Toop. They’re by “The Ghost of Oscar Wilde,” “The Ghost of Dr. Johnson,” and other distinguished ghosts. The Ghost of Emily Brontë says, “I very much enjoyed the melancholy and tragedy contained within these pages. The humor was less to my taste.”

Sam Toop can talk to ghosts. The ghosts know him as a “Talker,” and often ask him to help them with their unfinished business, like give a message or uncover a hidden will. But there’s something terribly wrong at the church where one of the ghosts wants his body buried.

Meanwhile, Lapsewood has been doing his desk job faithfully, in death as in life. But when he gets transferred to another department, and expected to check on residents of haunted houses, as the past Outreach worker has gone missing, he also stumbles on something terribly wrong.

At the same time, Clara’s parents invite an exorcist to their home. As Clara had suspected, they did have a ghost haunting their home, but the exorcist banishes her. After that event, nothing feels right, but things are even worse after the body of a girl is found in their home.

Constable & Toop is set in Victorian London, at a time when people were obsessed with death and funerals and the supernatural. Gareth Jones spins an entertaining tale of plots and murderers, among the living and the dead, and good people who try to do their bit to help.

This story is highly imaginative, intricately plotted, and a whole lot of fun.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of To Dare Mighty Things, by Doreen Rappaport

To Dare Mighty Things

The Life of Theodore Roosevelt

by Doreen Rappaport
illustrated by C. F. Payne

Disney Hyperion Books, New York, 2013. 44 pages.
Starred Review

This book does exactly what a picture book biography should do. It gives the reader a fantastic introduction to the life of a great man. There are big, beautiful pictures, showing active scenes. The text covers the highlights of his life, beginning with his curious childhood. I especially like the quotations featured on each page, in large bold print.

Here’s text from a two-page spread about his childhood. The quotations are much larger than the rest of the text.

Teedie stuffed hedgehogs into drawers.
Sometimes they escaped.
Guests were warned to check water pitchers for snakes before pouring.

“He has to be watched all the time,” his mother told his father.

He illustrated and wrote books about ants, spiders, ladybugs, fireflies, hawks, minnows, and crayfish.
His fingers were always stained with ink.
He collected animal and bird specimens and created a museum in his room.
He smelled. The whole house smelled.

“All growing boys tend to be grubby; but the ornithological boy is the grubbiest of all.”

Of course, with the cover image simply the head of Theodore Roosevelt, I’d love to see people pose with the book in front of their face.

This is an accessible book for young children, giving them an overview of Theodore Roosevelt’s life and work in a beautiful package that will catch anyone’s interest.

doreenrappaport.com
cfpayne.com
disneyhyperionbooks.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Shadow Throne, by Jennifer A. Nielsen

The Shadow Throne

by Jennifer A. Nielsen

Scholastic Press, New York, 2014. 317 pages.
Starred Review

This is Book Three of The Ascendance Trilogy, and brings events to a satisfying conclusion. Yes, you should read The False Prince and The Runaway King first to properly enjoy this book.

War has come to Carthya. And rather than only Avenia advancing against young King Jaron, they have persuaded Mendenwal and Gelyn to fight with them. Carthya is surrounded. Worse yet to Jaron, Imogen, whom he sent away for her own safety, has been kidnapped by Avenia.

Jaron has several goals, and many of them depend on misdirection. He hopes to fight the armies separately. Amarinda needs to get to her home country to ask for their help. And above all, he wants to rescue Imogen, though Mott persuades him that her kidnapping was a trap to capture Jaron. Jaron does have plans, which have repercussions all the way up to the end of the book, but the reader gets the impression that his plans, while good, depend much upon luck as well. Still, there are some nice twists and turns to the story. I confess, at one point I peeked at the end of the book to make sure about something that had apparently happened. I’ll simply say that things look terribly grim at several points, but there is a nicely satisfying ending. And how events get to that point makes an exciting story.

The book is a little episodic. Jaron deals with one threat, then another different threat, then another different threat, and so on. This meant I took a little longer to read it than most books I like this much, because it was possible to put the book down (until the last third or so).

However, this was a grand finish to an exciting and clever series. I didn’t reread Books One and Two before I started this one, but that’s all the more reason to reread the entire series, which I am absolutely sure I will want to do some day soon.

jenninielsen.com
scholastic.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Only Necessary Thing, by Henri J. M. Nouwen

The Only Necessary Thing

Living a Prayerful Life

by Henri J. M. Nouwen
compiled and edited by Wendy Wilson Greer

Crossroad Publishing Company, New York, 1999. 224 pages.
Starred Review

Here is an excellent choice for reading small bits daily as a devotional book. They are sections taken from the body of work by Henri Nouwen, compiling his teaching on prayer.

Here’s his “Invitation” at the front of the book:

The invitation to a life of prayer is the invitation to live in the midst of this world without being caught in the net of wounds and needs. The word “prayer” stands for a radical interruption of the vicious chain of interlocking dependencies leading to violence and war and for an entering into a totally new dwelling place. It points to a new way of speaking, a new way of breathing, a new way of being together, a new way of knowing, yes, a whole new way of living.

It is not easy to express the radical change that prayer represents, since for many the word “prayer” is associated with piety, talking to God, thinking about God, morning and evening exercises, Sunday services, grace before meals, sentences from the Bible, and many other things. All of these have something to do with prayer, but when I speak about prayer as the basis for peacemaking, I speak first of all about moving away from the dwelling place of those who hate peace into the house of God. . . . Prayer is the center of the Christian life. It is the only necessary thing (Luke 10:42). It is living with God here and now.

Some other sections struck me, so I’ll list a few for you here. This will give you the idea of the book. It’s got thoughtful, meditative insights on living a prayerful life.

But, as Christians, we are called to convert our loneliness into solitude. We are called to experience our aloneness not as a wound but as a gift — as God’s gift — so that in our aloneness we might discover how deeply we are loved by God.
It is precisely where we are most alone, most unique, most ourselves, that God is closest to us. That is where we experience God as the divine, loving Father, who knows us better than we know ourselves.
Solitude is the way in which we grow into the realization that where we are most alone, we are most loved by God. It is a quality of heart, an inner quality that helps us to accept our aloneness lovingly, as a gift from God.

Another:

Prayer, then, is listening to that voice — to the One who calls you the Beloved. It is to constantly go back to the truth of who we are and claim it for ourselves. I’m not what I do. I’m not what people say about me. I’m not what I have. Although there is nothing wrong with success, there is nothing wrong with popularity, there is nothing wrong with being powerful, finally my spiritual identity is not rooted in the world, the things the world gives me. My life is rooted in my spiritual identity. Whatever we do, we have to go back regularly to that place of core identity.

From the section on “Belovedness”:

God does not require a pure heart before embracing us. Even if we return only because following our desires has failed to bring happiness, God will take us back. Even if we return because being a Christian brings us more peace than being a pagan, God will receive us. Even if we return because our sins did not offer as much satisfaction as we had hoped, God will take us back. Even if we return because we could not make it on our own, God will receive us. God’s love does not require any explanations about why we are returning. God is glad to see us home and wants to give us all we desire, just for being home.

I liked this one from the section on “Forgiveness”:

The interesting thing is that when you can forgive people for not being God then you can celebrate that they are a reflection of God. You can say, “Since you are not God, I love you because you have such beautiful gifts of God’s love.” You don’t have everything of God, but what you have to offer is worth celebrating. By celebrate, I mean to lift up, affirm, confirm, to rejoice in another person’s gifts. You can say you are a reflection of that unlimited love.

And finally, I love the image in this one:

Forgiveness is the great spiritual weapon against the Evil One. As long as we remain victims of anger and resentment, the power of darkness can continue to divide us and tempt us with endless power games. But when we forgive those who threaten our lives, they lose their power over us…. Forgiveness enables us to take the first step of the dance.

Some beautiful thoughts for people interested in deepening their prayer lives.

CrossroadPublishing.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of March, Book One, by John Lewis, Andrew Aydin, and Nate Powell

March
Book One

by John Lewis, Andrew Aydin, and Nate Powell

Top Shelf Productions, 2013. 123 pages.
Starred Review
2014 Coretta Scott King Honor Book

This is not a graphic novel, it’s a graphic memoir, and all the contents are true. Congressman John Lewis tells about what it was like for him as a young man involved in the Civil Rights Movement. The comic book format combined with the personal remembrances give this book an immediacy that will stick with the reader.

There’s a frame that’s in place on the day of Barack Obama’s inauguration. The congressman is telling two kids visiting his office what it was like when he was their age. And then he tells how he first heard about people speaking up for civil rights, and how he went to nonviolence training, participated in and organized sit-ins, and began the Student Nonviolent Coordinating Committee.

This is only Book One. There’s a sort of prologue scene crossing the Edmund Pettus Bridge during the March on Washington. We don’t get that far in the story, though we do learn, right at the start, that of all the speakers that day, John Lewis is the only one who’s still around.

This graphic memoir makes history come alive in a dramatic way.

I’m reading it because it’s the last contender I hadn’t read for School Library Journal’s Battle of the Books, which starts next week. I’m not surprised to find some powerful reading here. It fits in well with the other contenders.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.