Review of Stolen Magic, by Stephanie Burgis

Stolen Magic

by Stephanie Burgis

Atheneum Books for Young Readers, New York, 2013. 383 pages.
Starred Review

Hooray! A third book about the Kat, Incorrigible! These books are a delightful combination of Regency England, with its proper manners and society dos and don’ts, combined with Magic! I recommended it just this week to someone whose daughter loved Sorcery and Cecilia, by Patricia C. Wrede and Caroline Stevermer. The main difference is that Kat is younger, though her siblings get into romantic adventures in each book, so there is still a touch of romance, but Kat keeps it light-hearted.

Kat is the youngest of four siblings. Her mother died when she was ten days old, but left a legacy of two kinds of magic, in conflict. It turns out that her mother was one of the ever-so-proper Guardians of England, with strong magic for protecting the country. But her mother was kicked out of the Guardians for practicing witchcraft. Kat has inherited her abilities in both, but needs to keep from practicing witchcraft if she wants to be initiated into the Guardians.

In this third book, Kat is getting ready for her initiation. But the whole family is also getting ready for her sister Angeline’s wedding. They are staying at Angeline’s husband-to-be’s home, and his family is not at all welcoming. They are high in society and very wealthy and don’t approve of Angeline, and even less of Kat. And if Angeline lets slip that she is a witch? Well, that could very well be the last straw.

Meanwhile, it seems that someone is stalking Kat and trying to hurt the people she loves. And all the “extra” portals have been stolen, so Kat may not be able to join the Guardians after all.

All this takes place in a proper setting seen through the eyes of Kat — who isn’t exactly known for following conventions.

Here’s how the book begins:

Despite what either of my sisters may say, I actually possess a great deal of common sense. That was why I waited until nearly midnight on the last night of our journey into Devon before I climbed out of my bedroom window.

Luckily, my family was staying on the first floor of the inn, so the rope I’d brought along in case of emergencies was more than long enough. Luckier yet, I knew a useful secret: it’s much easier to sneak out in the middle of the night when you can make yourself invisible.

Though you could enjoy this book on its own, I really think you’ll appreciate it more if you read Kat, Incorrigible and Renegade Magic first. And I was very happy to see that this book ends with hints of trouble to come: England is at war with Napoleon, and French magic-users are proving to be very powerful. The story comes to a satisfying conclusion, but I was happy that there is clearly more to come, and I will be waiting eagerly.

This series just makes me smile! Think light-hearted Jane Austen for kids — with magic!

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a copy sent to me by the publisher.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Midwinterblood, by Marcus Sedgwick

Midwinterblood

by Marcus Sedgwick

Roaring Brook Press, New York, 2013. 262 pages.
Starred Review

Wow. This is one of those books that after reading, I just sit there in amazement at the level of craft that went into it (well, actually lie there — I read in bed). It’s one you want to read over again to fully appreciate all the details. Though next time, just for the fun of it, I might read it backwards.

How to describe it without giving too much away? The book is a series of interconnected stories. The first story takes place in 2073. The next section takes place in 2011. And the sections go progressively further back in time, all the way to prehistoric times, with a section going back to 2073 at the very end, tying everything together. So well done.

I won’t give away exactly what the connection is. You’ll get the idea quickly. Certain common elements occur in all the stories, and finally at the end, you understand why.

All of the book is set on an island in the far north, an island called Blessed. The island is home to a rare “Dragon” orchid. And strange things happen there.

Every story is creepy, disturbing in some way or other, atmospheric. But I don’t usually like creepy stories, and I loved this. He manages never to cross the line into awful. There’s a lot of variety in the stories, including a vampire story and a ghost story, but even though I usually don’t like vampire stories or ghost stories, every one of these stories was exceptionally good. There’s a lot of untimely death in the stories, but they never sink into despair.

Another thing that perplexed me was that recently, I made some comments in School Library Journal’s Battle of the Books regarding Jepp, Who Defied the Stars as to how strongly prejudiced I am against books that are written in present tense. But this book was written in present tense (all the different time periods), and it didn’t bother me in the slightest. So I am going to have to modify my analysis. Clearly present tense isn’t the problem. It must be something about the way it is often used. Maybe it bothers me when there’s too much telling in present tense and not enough showing? I’m not sure how he did it, but Marcus Sedgwick made the present tense storytelling seem absolutely right. Maybe it just takes a truly outstanding writer. Now I’m going to look harder at which present tense books I hate, which I can tolerate, and which blow me away with their craft. (So far, this is the only one I can think of in that category.)

Anyway, since I don’t want to give away what’s going on in this book, I’ll finish my review with the beginning of the book, set in June 2073, and so full of promise:

The sun does not go down.

This is the first thing that Eric Seven notices about Blessed Island. There will be many other strange things that he will notice, before the forgetting takes hold of him, but that will come later.

For now, he checks his watch as he stands at the top of the island’s solitary hill, gazing to where the sun should set. It is midnight, but the sun still shines, barely dipping its heavy rim into the sea on the far horizon.

The island is so far north.

He shakes his head.

He’s thinking about Merle. How something seems to wait in her eyes. How he felt calm, just standing next to her.

“Well, so it is,” he says, smiling with wonder.

There! Just writing that out, I noticed the significance of one little detail that I hadn’t noticed before. I must read this book again to appreciate the craft even further!

This book is amazing. It’s got sinister undertones, but the even those who don’t like creepy books (like me) may be won over by the sheer brilliance, as the author uses the unsettling elements in a way that adds to the story’s power. This is one that will stick with you.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Helen’s Big World, by Doreen Rappaport and Matt Tavares

Helen’s Big World

The Life of Helen Keller

written by Doreen Rappaport
illustrated by Matt Tavares

Disney Hyperion Books, New York, 2012. 44 pages.
Starred Review

I expected to skim through this book and then turn it back in to the library. I already reviewed an excellent children’s biography of Helen Keller back when I was first starting Sonderbooks. But as soon as I opened the book, I knew this was something special.

Helen’s Big World is for a younger audience than Helen Keller: A Determined Life. It’s a picture book biography, and the pictures are oversize and magnificent.

The format is large and almost square, and each double-page spread features a painting. There is text on each page, but not a daunting amount, and with reasonably large print. Each page features a quotation from Helen Keller herself, talking about her life.

The story is familiar to adults. How Helen was struck blind at a young age, and Annie Sullivan came into her life and taught her and brought metaphorical light into her world. It goes on to show Helen, with Annie, learning about many different things.

I like the page with Annie at the bow of a boat with a wave breaking over it. The text on that page reads:

Annie took Helen
walking in the forest,
jumping in the salty ocean,
tobogganing down snowy hills,
bicycling in tandem,
and sailing in a boat.
And she spelled out each new experience.

The book goes on to tell about Helen’s work as an adult, writing and speaking across the country. The text stays simple, and the pictures show some of the different settings where she spoke and traveled. The book also includes a Manual Language Chart on the back cover.

A lovely first biography.

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matttavares.com
disneyhyperionbooks.com

I’m posting this review today in honor of Nonfiction Monday, hosted today at A Wrung Sponge. Thanks, Andromeda!

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Exclamation Mark, by Amy Krouse Rosenthal & Tom Lichtenfeld

Exclamation Mark

!

by Amy Krouse Rosenthal & Tom Lichtenheld

Scholastic Press, New York, 2013. 52 pages.
Starred Review

It’s impossible for me not to love this book. It’s not even for my main audience — the preschool story time crowd. It is for kids in early elementary school who are learning about punctuation. And it’s simply perfect. Those kids are not the only ones who will love this book.

The expression of this story is completely visual. It plays out on the background of school writing paper. We’ve got a row of periods with little faces — and one exclamation mark.

He stood out from the very beginning.

It’s easy for the reader to see that the exclamation mark doesn’t fit in. He is different. He tries to be like his friends. But he becomes confused, flummoxed, and deflated, with appropriate illustrations of his top part in a twist.

Then one day, he meets a question mark.

The question mark asks one question after another. (Hilarious questions, I might add.)

When the exclamation mark shouts for him to stop, it is indeed an exclamation.

He didn’t know he had it in him.

He then explores his newly discovered power. I love the way the question mark eggs him on, always with questions (“How’d you do that? Can you do it again?”)

His exclamations get more and more excited, colorful, and all over the page. “It was like he broke free from a life sentence.”

Question mark: “Isn’t he something?”
Periods: “There was never any question in our minds.”

Okay, as I write this, it occurs to me that maybe I love this book so much because I love puns. In a sense, this whole book is a pun, done perfectly. And it’s a happy story about being an individual and making your mark. And it teaches about punctuation in a way no kid will ever forget. Hmm. Is that why they call it pun-ctuation? (Sorry.)

Way too much fun!

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Charlotte’s Web, by E. B. White

Charlotte’s Web

by E. B. White
read by the Author

Listening Library, 2002. Written in 1952. Recorded in 1970. 3 compact discs.
Starred Review
1953 Newbery Honor Book
1970 Laura Ingalls Wilder Award

Charlotte’s Web has twice been voted the #1 Children’s Chapter Book of all time by librarians and parents voting in Betsy Bird‘s School Library Journal Top 100 Chapter Books Poll. In fact, it was reading Betsy’s post that I learned that there is an audio with E. B. White reading the book. I immediately checked if our library had that version and happily took it home.

It’s been many years since I’ve read this practically perfect book. My third grade teacher read it to me the first time. Later, I read it to my sons. And my older son watched the Hanna-Barbara animated version over and over again. As I listened to the audiobook, I realized that the many lines I had memorized were the ones that were used in the film. And they did keep many, many of the great lines. (Like the starting and ending lines. Like Charlotte’s salutation.) But I’d forgotten a lot of the side scenes that didn’t make it to the film.

There are so many scenes simply of life in the barn. Swinging on the rope swing. Wilbur escaping his pen right at the beginning. How it felt to have slops poured on top of Wilbur or to roll in the warm manure. The book is truly a paean to life in the barn.

Now at the beginning, I didn’t feel E. B. White measured up to the actors and especially actresses I remembered reciting the lines in my head. But his voice grew on me, and it’s a good, down-to-earth voice for this story. You can hear in his voice his love for the quiet life of the barn. It’s truly a treasure to still be able to listen to him telling his masterpiece of a story.

Now, there’s no need to critique this classic. I was surprised to find little quibbles. What happens to Fern when the whole spider plot happens. Isn’t she in on it? But it’s Charlotte’s Web! The book is genius, and it works. And you can listen to it read by E. B. White himself.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Proof of Heaven, by Eben Alexander, MD

Proof of Heaven

A Neurosurgeon’s Journey into the Afterlife

by Eben Alexander, M.D.

Simon & Schuster, New York, 2012. 196 pages.
Starred Review

Let me say right up front that for skeptics, it will take more than one person’s personal experience, even a neurosurgeon’s personal experience to convince them that heaven is real. For someone who already believes it, though, Eben Alexander’s story is wonderful confirmation. And it’s clear that his experience convinced him.

As a neurosurgeon, Dr. Alexander believed that our consciousness and existence is rooted in our brain and neurochemical impulses. So when he was attacked with meningitis that completely disabled his neocortex, he shouldn’t have been conscious of anything. Instead, he experienced heaven and talked with God.

At the very least a miracle happened that he survived six days in a coma and recovered full brain function afterward. Dr. Alexander goes into the medical details of his case, and it’s clear that at the very least his experience convinced him that heaven is real and our consciousness can exist apart from our brain.

I’ve read a few of these books about near death experiences now. It does strike me that the details are different for each one, and for each one it suits what the person knows and expects (though all would say it’s much grander than what they expect). But at least one message is common to all of them: God loves you. So much.

Here’s how Dr. Alexander explains in the Prologue that his story is important:

During my coma my brain wasn’t working improperly — it wasn’t working at all. . . . In my case, the neocortex was out of the picture. I was encountering the reality of a world of consciousness that existed completely free of the limitations of my physical brain.

Mine was in some ways a perfect storm of near-death experiences. As a practicing neurosurgeon with decades of research and hands-on work in the operating room behind me, I was in a better-than-average position to judge not only the reality but also the implications of what happened to me.

Those implications are tremendous beyond description. My experience showed me that the death of the body and the brain are not the end of consciousness, that human experience continues beyond the grave. More important, it continues under the gaze of a God who loves and cares about each one of us and about where the universe itself and all the beings within it are ultimately going.

The place I went was real. real in a way that makes the life we’re living here and now completely dreamlike by comparison. This doesn’t mean I don’t value the life I’m living now, however. In fact, I value it more than I ever did before. I do so because I now see it in its true context.

Perhaps Proof of Heaven is an overly optimistic title for some. But if you do believe in heaven, reading this book will bolster your faith and remind you that some important things in life can’t be seen with our physical eyes. And God loves you.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Princess of the Silver Woods, by Jessica Day George

Princess of the Silver Woods

by Jessica Day George

Bloomsbury, 2012. 322 pages.
Starred Review

I finally got a chance to read Princess of the Silver Woods! It first came out when I was busy reading books for the 2012 Cybils, but too late in the year to be eligible for one. Princess of the Silver Woods wraps up the trilogy begun in Princess of the Midnight Ball and continued in Princess of Glass. Yes, you should read the earlier books to fully appreciate this one.

All the books play off specific fairy tales. The first one, which laid the groundwork, played off “The Twelve Dancing Princesses.” The second one played off “Cinderella.” This one plays off “Little Red Riding Hood.”

And now we interrupt this review for a mini-rant.

What IS it with the “Red Riding Hood” take-offs? People, “Little Red Riding Hood” is not a romantic story! What are you all doing basing romantic novels on that plot? Enough already! It probably didn’t help that the first one I read was Cloaked in Red, by Vivian Vande Velde. Unlike the others, Cloaked in Red is not a romantic novel, but a collection of stories from different perspectives, all based on “Little Red Riding Hood.” Pretty much all variations are covered. It’s fun and it’s silly, and there’s a story where each different character shines.

The three recent romantic novels that played off the story were Beauty and the Werewolf, by Mercedes Lackey; Scarlet, by Marissa Meyer; and Princess of the Silver Woods, by Jessica Day George. What’s more, I’ve had Cloaked, by Alex Flinn, sitting on my shelf at home for months. I think I understand now why I haven’t gotten around to reading it.

Of these, my favorite was probably Beauty and the Werewolf — and that’s particularly because it got off the story of “Little Red Riding Hood” and made far more parallels with “Beauty and the Beast,” a fairy tale that is romantic and that I do love (however twisted it may be).

But you know what? By the third time someone’s making the “wolf” the romantic hero and the huntsman the sinister villain, I no longer find that the least bit innovative. And the “grandmother”? (Though Beauty and the Werewolf didn’t have one.) Whatever weird situation you’re getting her into, I really don’t care.

Okay, mini-rant is over. Now let’s talk about why I loved Princess of the Silver Woods in spite of that.

And, yes, I loved Princess of the Silver Woods. Fortunately, the “Little Red Riding Hood” parallels were not a big part of the story. Sure, she wore a striking red cloak, but I don’t mind that. And yeah, he’s part of a gang of bandits that call themselves “The Wolves of Westfalin,” but really he’s good at heart, and an earl who’s lost his land. He only steals because he has to feed his people.

[I’ll try to spare you another mini-rant. What is it with the romantic thief? No, I don’t find thieves attractive. Gen wins me over in spite of that, and The False Prince eventually, too. But being a good thief is not an admirable quality, okay? It doesn’t belong to you. Leave it alone, for crying out loud! Find some field work to do! You don’t have to steal! Okay, I’ll stop. That also wasn’t a big part of this book.]

Okay, I’m starting to wonder why I did like this book!

But the situation Petunia, the youngest of the twelve princesses, finds herself in is compelling. She’s visiting a grand duchess with a handsome grandson. (He’s a huntsman, so that can’t be good.) She’s having horrible nightmares, in which she’s back in the Kingdom Under Stone (from the first book, based on “The Twelve Dancing Princesses.” Such a sinister place). In her dreams, Kestilan, the prince of the Under Stone kingdom, says she will have to marry him. And then Oliver, the landless earl who’s turned to banditry, sees something chilling:

It was very late, and all the windows were dark. Oliver found himself praying silently that someone would light a lamp or a candle, even if the light exposed him. What were those things crawling across the lawn? With a mounting sense of horror, he saw the dark shapes reach the house.

With a terrible laugh, the shadow creatures pulled themselves up the wall to a window on the second floor that was open despite the cold. Oliver hid behind a fountain. The room they had just entered had been his childhood bedroom. Whose was it now? He prayed again, this time that the room had not been given to Petunia.

His question was answered a few moments later when a young woman’s voice cried out, the sound carrying clearly through the open window. She screamed out denials, she screamed out insults, and over and over again she reviled someone called “Kestilan.”

“Oh, ye gods, Petunia,” Oliver whispered from his concealment. “What is all this?”

After the shadows leave the house, they come across the lawn toward Oliver:

“Stay away from her,” Oliver said, trying to sound dangerous and not terrified.

Another cackling laugh. The shadow reached out and put its hand into Oliver’s chest. A sheath of ice instantly covered his heart, and then the shadow squeezed. Oliver gasped as intense pain flared in his chest, streaking through his entire body. He tried to step back but found that he couldn’t move so much as an eyelid.

“She is not for you,” the shadow said in a low, harsh voice. “She is for us. All of them are for us.”

That was enough to hook me. I had to find out if Petunia and her eleven sisters could rid themselves of the foe they thought they’d already defeated, the King Under Stone, once and for all.

JessicaDayGeorge.com
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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Beautiful Outlaw, by John Eldredge

Beautiful Outlaw

Experiencing the Playful, Disruptive, Extravagant Personality of Jesus

by John Eldredge

Faith Words, New York, 2011. 219 pages.
Starred Review

In Beautiful Outlaw, John Eldredge looks at the personality of Jesus. He points out that Jesus was not the sort of person who didn’t make waves. He does an amazing job of causing the reader to take a fresh look.

What is missing in our Gospel reading — and in our attempts to “read” what Jesus is saying and doing in our own lives right now, this week — is his personality, undraped by religion. Let’s see if we can find it.

Now, I’m well-versed in the Gospel story. I’ve read about Jesus over and over again. But John Eldredge was able to make even me see Jesus in a fresh light. I felt like he was saying, Remember? This is what Jesus is like. Here’s his take on the Gospel story:

Any way you look at it, it is a beautiful story. Playful, funny, so human, so hopeful, so unreligious. And it is that particular quality that gives the passage its true character and gives us an essential for knowing Jesus as he really is. The man is not religious. If he were, the story would have taken place in a religious setting — the temple, perhaps, or at least a synagogue — and Jesus would have gathered them for a Bible study or prayer meeting. Jesus doesn’t even show up at the temple after his resurrection. He’s at the beach, catching his boys fishing, filling their empty nets and then having them to breakfast.

The subtitle talks about the aspects of Jesus’ personality the author focuses on: He’s playful, disruptive, and extravagant. But all of this talk about Jesus’ personality is to tell us it’s worth it to let Jesus’ life fill our lives. He’s talking about Christ living in us.

As we love him, experience him, allow his life to fill ours, the personality of Jesus transforms our personalities. The timid become bold and the bold become patient and the patient become fierce and the uptight become free and the religious become scandalously good. “They looked to Him and were radiant” (Psalm 34:5 NASB). They looked to Jesus and became like him. Loving Jesus helps us to become what human beings were meant to be. As Athanasius said, “He became what we are that we might become what he is.”

In short, this book is about looking hard at who Jesus really is, and then letting Him change who we really are.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of When Stravinsky Met Nijinsky, by Lauren Stringer

When Stravinsky Met Nijinsky

Two Artists, Their Ballet, and One Extraordinary Riot

by Lauren Stringer

Harcourt Children’s Books, 2013. 32 pages.
Starred Review

This picture book nonfiction book is extraordinary. It’s a picture book; the language is simple enough for young elementary school students to fully understand. The pictures exquisitely evoke the music and dance of the ballet The Rite of Spring.

I’ve seen a performance of The Rite of Spring years ago in Los Angeles, but I wasn’t prepared for how completely this book brought that performance — which I hadn’t thought about in years — to the forefront of my mind.

I hadn’t remembered that the first time the ballet was performed, it ignited a riot in Paris. That event is the climax of the book, but it gets there in such a delightful way.

First, the book talks about the music and dance that Stravinsky and Nijinsky created by themselves.

Then Stravinsky met Nijinsky
and his music began to change.

His piano pirouetted a puppet,
his tuba leaped a loping bear,
and his trumpet tah-tahed
a twirling ballerina.

And when Nijinsky met Stravinsky,
his dance began to change.

His torso trumpeted a melody,
his arms and legs sang from strings,
and his feet began
to pom-di-di-pom like timpani.

Stravinsky inspired Nijinsky.
Nijinsky inspired Stravinsky.

Together they decided to dream of something different and new.

The book goes on to talk about the creation of The Rite of Spring and the reactions of the musicians and dancers, and, eventually, the crowd in Paris.

I can’t stress enough how wonderful the illustrations are. They aren’t a literal, photographic description of the times. They use styles of the art of the times to symbolically represent what’s going on, while still showing concrete things like dancers in Paris. I love the faces of the people in the music hall and in the streets of Paris. Some are smiling beatifically. Others have their hands over their ears with their faces puckered in disgust.

I also love the picture of Stravinsky and Nijinsky in tuxedo with tails dancing together surrounded by a ring of music with costumed dancers and instruments and music with unusual time signatures. That goes to show I can’t describe it nearly as effectively as one glance at the picture will give you. Across the page, there’s an exuberantly dancing cat and dog.

This is a colorful and exuberant book that tells a good story about art and a true moment in history and the way two friends working together helped both attain greatness.

This review is posted today in honor of Nonfiction Monday, hosted today at Anastasia Suen’s Booktalking.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Tolstoy and the Purple Chair, by Nina Sankovitch

Tolstoy and the Purple Chair

My Year of Magical Reading

by Nina Sankovitch

Harper, 2011. 240 pages.
Starred Review

Three years after Nina Sankovitch’s beloved older sister died, Nina decided to embark on a year of reading. One book each day.

Here’s where she explains setting out on her project:

I needed comfort now. I needed hope. Hope that when life turns on you for the worst, it will turn back again, for the good. We girls had been protected for so long from misfortune. But then everything changed. My sister, the one with the reaching hand, was dead. Life had unleashed its unfairness, its random dispersal of pain, its uncaring lynching of certainty. I had tried running, but now I would try reading. I would trust in Connolly’s promise that “words are alive, and literature becomes an escape, not from, but into living.”

My book reading would be a discipline. I knew there would be pleasure in my reading, but I needed to hold myself to a schedule as well. Without a commitment, the rest of life could creep in and steal time away, and I wouldn’t read as much as I wanted or needed to. I couldn’t have my escape if I didn’t make books my priority. There is always dust to sweep and laundry to fold; there is always milk to buy and dinner to cook and dishes to wash. But none of that could get in my way for one year. I was allowing myself one year to not run, not plan, not provide. A year of nots: not worry, not control, not make money. Sure, our family could use another income, but we’d gotten by for so long on just one salary, we could do it for one more year. We would lay off the extras and find enough in what we had already.

I planned to begin my book-a-day project on my forty-sixth birthday. I would read my first book that day, and the next day I would write my first review. The rules for my year were simple: no author could be read more than once; I couldn’t reread any books I’d already read; and I had to write about every book I read. I would read new books and new authors, and read old books from favorite writers. I wouldn’t read War and Peace, but I could read Tolstoy’s last novel, The Forged Coupon. All the books would be ones I would have shared with Anne-Marie if I could have, ones we would have talked about, argued over, and some we would have agreed upon….

I was ready — ready to sit down in my purple chair and read. For years, books had offered to me a window into how other people deal with life, its sorrows and joys and monotonies and frustrations. I would look there again for empathy, guidance, fellowship, and experience. Books would give me all that, and more. After three years of carrying the truth of my sister’s death around with me, I knew I would never be relieved of my sorrow. I was not hoping for relief. I was hoping for answers. I was trusting in books to answer the relentless question of why I deserved to live. And of how I should live. My year of reading would be my escape back into life.

She doesn’t write in this book about all 365 books — though she does provide a list at the back. Instead, she looks at certain books and the insights from those books or memories they provoked that touched her life and advanced her healing. I’ll provide a few examples:

Man in the Dark is a novel that imagines another world mirroring our own. Two worlds coexisting: Auster uses the device to dig deeply into what keeps us going, what keeps us participating in the motions and the emotions of life. A man, his daughter, and his granddaughter are all facing their own private heartbreaks. They are unsure of how to go on and wavering as to the necessity of even trying to go on. Why bother? And then, in the prose of a lesser-known poet, they find a single sentence that makes perfect sense: “The weird world rolls on.”

The world shifts, and lives change. Without warning or reason, someone who was healthy becomes sick and dies. An onslaught of sorrow, regret, anger, and fear buries those of us left behind. Hopelessness and helplessness follow. But then the world shifts again — rolling on as it does — and with it, lives change again. A new day comes, offering all kinds of possibilities. Even with the experience of pain and sorrow set deep within me and never to be forgotten, I recognize the potent offerings of my unknown future. I live in a “weird world,” shifting and unpredictable, but also bountiful and surprising. There is joy in acknowledging that both the weirdness and the world roll on, but even more, there is resilience.

In talking about The Emigrants, by W. G. Sebald, she says:

But now, in reading my books of escape, I had found another way to respond. It was not a way to rid myself of sorrow but a way to absorb it. Through memory. While memory cannot take sorrow away or bring back the dead, remembering ensures that we always have the past with us, the bad moments but also the very, very good moments of laughter shared and meals eaten together and books discussed….

Only now am I grasping the importance of looking backward. Of remembrance. My father finally wrote out his memories for a reason. I took on a year of reading books for a reason. Because words are witness to life: they record what has happened, and they make it all real. Words create the stories that become history and become unforgettable. Even fiction portrays truth: good fiction is truth. Stories about lives remembered bring us backward while allowing us to move forward.

The only balm to sorrow is memory; the only salve for the pain of losing someone to death is acknowledging the life that existed before. Remembering someone won’t literally bring them back, and for one who died too young, memories are not enough to make up for all the possibilities of life that they lost out on. But remembrance is the bones around which a body of resilience is built. I think my father found an answer to how his mother continued on, and he found a way to go on himself. He wrote a history for me to read. Stories helped him, and stories were helping me, both the stories of my father and the stories in all the books I was reading.

Discussing the book By Chance, by Martin Corrick, with its main character James Watson Bolsover, she says:

Bolsover tries to find an explanation for the two deaths, to uncover some reason they had to happen or if they could have been avoided. He searches for answers in books. At the beginning of By Chance, he asks the question, “If fiction is not concerned to understand, what is its subject? Is its purpose merely to pass the time?” but he already knows the answer. The purpose of great literature is to reveal what is hidden and to illuminate what is in darkness.

I especially enjoyed the part where she talked about the reviewing part of her year of reading:

People share books they love. They want to spread to friends and family the goodness that they felt when reading the book or the ideas they found in the pages. In sharing a loved book, a reader is trying to share the same excitement, pleasure, chills, and thrills of reading that they themselves experienced. Why else share? Sharing a love of books and of one particular book is a good thing. But it is also a tricky maneuver, for both sides. The giver of the book is not exactly ripping open her soul for a free look, but when she hands over the book with the comment that it is one of her favorites, such an admission is very close to the baring of the soul. We are what we love to read, and when we admit to loving a book, we admit that the book represents some aspect of ourselves truly, whether it is that we are suckers for romance or pining for adventure or secretly fascinated by crime.

And often, she’d turn to how much this experience was doing for her:

The Assault is about more than war. Hannah Coulter is about more than war. Those two books — and all the great books I was reading — were about the complexity and entirety of the human experience. About the things we wish to forget and those we want more and more of. About how we react and how we wish we could react. Books are experience, the words of authors proving the solace of love, the fulfillment of family, the torment of war, and the wisdom of memory. Joy and tears, pleasure and pain: everything came to me while I read in my purple chair. I had never sat so still, and yet experienced so much.

I haven’t read a lot of the books she chose. So I especially took notice when she let her thoughts flow from a book I’d read and loved, Little Bee:

But books were showing me that everyone suffers, at different times in our lives. And that yes, in fact, there were many people who knew exactly what I was going through. Now, through reading, I found that suffering and finding joy are universal experiences, and that those experiences are the connection between me and the rest of the world. My friends could have told me the same, I know, but with friends there are always barriers, hidden corners, and covered emotions. In books, the characters are made known to me, inside and out, and in knowing them, I know myself, and the real people who populate my world.

Yes, this is a memoir for book lovers. Again, I especially loved her reflections on what she’d gotten out of writing about the books. This one was from her discussion of finishing up the year of reading:

I do need to talk about books. Because talking about books allows me to talk about anything with anyone. With family, friends, and even with strangers who contacted me through my Web site (and became friends), when we discuss what we are reading, what we are really discussing is our own lives, our take on everything from sorrow to fidelity to responsibility, from money to religion, from worrying to inebriation, from sex to laundry, and back again. No topic is taboo, as long as we can tie it in to a book we’ve read, and all responses are allowed, couched in terms of characters and their situations.

Now, one of my reactions to Tolstoy and the Purple Chair is envy. Wouldn’t it be wonderful to be able to make your “work” each day be to read a book! However, as I write this, I’m on the ballot for next year’s Newbery committee. And serving on the Newbery committee would be a way of dedicating my life to reading for a solid year, every bit as much as Nina Sankovitch did, though perhaps in a different way. I like her approach of treating books as therapy, as escape, as growth. Now my divorce is complete; I’m moving into my first purchased home on my own. What a good time it would be to celebrate the new phase in my life with books!

But even if you don’t have an opportunity to devote a year of your life to books, for anyone to whom that idea sounds delightful, I highly recommend the vicarious experience of spending some time with Nina Sankovitch as she explores her own healing through books.

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Source: This review is based on a library book from the Fairfax County Public Library.

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