Review of Princess of the Silver Woods, by Jessica Day George

Princess of the Silver Woods

by Jessica Day George

Bloomsbury, 2012. 322 pages.
Starred Review

I finally got a chance to read Princess of the Silver Woods! It first came out when I was busy reading books for the 2012 Cybils, but too late in the year to be eligible for one. Princess of the Silver Woods wraps up the trilogy begun in Princess of the Midnight Ball and continued in Princess of Glass. Yes, you should read the earlier books to fully appreciate this one.

All the books play off specific fairy tales. The first one, which laid the groundwork, played off “The Twelve Dancing Princesses.” The second one played off “Cinderella.” This one plays off “Little Red Riding Hood.”

And now we interrupt this review for a mini-rant.

What IS it with the “Red Riding Hood” take-offs? People, “Little Red Riding Hood” is not a romantic story! What are you all doing basing romantic novels on that plot? Enough already! It probably didn’t help that the first one I read was Cloaked in Red, by Vivian Vande Velde. Unlike the others, Cloaked in Red is not a romantic novel, but a collection of stories from different perspectives, all based on “Little Red Riding Hood.” Pretty much all variations are covered. It’s fun and it’s silly, and there’s a story where each different character shines.

The three recent romantic novels that played off the story were Beauty and the Werewolf, by Mercedes Lackey; Scarlet, by Marissa Meyer; and Princess of the Silver Woods, by Jessica Day George. What’s more, I’ve had Cloaked, by Alex Flinn, sitting on my shelf at home for months. I think I understand now why I haven’t gotten around to reading it.

Of these, my favorite was probably Beauty and the Werewolf — and that’s particularly because it got off the story of “Little Red Riding Hood” and made far more parallels with “Beauty and the Beast,” a fairy tale that is romantic and that I do love (however twisted it may be).

But you know what? By the third time someone’s making the “wolf” the romantic hero and the huntsman the sinister villain, I no longer find that the least bit innovative. And the “grandmother”? (Though Beauty and the Werewolf didn’t have one.) Whatever weird situation you’re getting her into, I really don’t care.

Okay, mini-rant is over. Now let’s talk about why I loved Princess of the Silver Woods in spite of that.

And, yes, I loved Princess of the Silver Woods. Fortunately, the “Little Red Riding Hood” parallels were not a big part of the story. Sure, she wore a striking red cloak, but I don’t mind that. And yeah, he’s part of a gang of bandits that call themselves “The Wolves of Westfalin,” but really he’s good at heart, and an earl who’s lost his land. He only steals because he has to feed his people.

[I’ll try to spare you another mini-rant. What is it with the romantic thief? No, I don’t find thieves attractive. Gen wins me over in spite of that, and The False Prince eventually, too. But being a good thief is not an admirable quality, okay? It doesn’t belong to you. Leave it alone, for crying out loud! Find some field work to do! You don’t have to steal! Okay, I’ll stop. That also wasn’t a big part of this book.]

Okay, I’m starting to wonder why I did like this book!

But the situation Petunia, the youngest of the twelve princesses, finds herself in is compelling. She’s visiting a grand duchess with a handsome grandson. (He’s a huntsman, so that can’t be good.) She’s having horrible nightmares, in which she’s back in the Kingdom Under Stone (from the first book, based on “The Twelve Dancing Princesses.” Such a sinister place). In her dreams, Kestilan, the prince of the Under Stone kingdom, says she will have to marry him. And then Oliver, the landless earl who’s turned to banditry, sees something chilling:

It was very late, and all the windows were dark. Oliver found himself praying silently that someone would light a lamp or a candle, even if the light exposed him. What were those things crawling across the lawn? With a mounting sense of horror, he saw the dark shapes reach the house.

With a terrible laugh, the shadow creatures pulled themselves up the wall to a window on the second floor that was open despite the cold. Oliver hid behind a fountain. The room they had just entered had been his childhood bedroom. Whose was it now? He prayed again, this time that the room had not been given to Petunia.

His question was answered a few moments later when a young woman’s voice cried out, the sound carrying clearly through the open window. She screamed out denials, she screamed out insults, and over and over again she reviled someone called “Kestilan.”

“Oh, ye gods, Petunia,” Oliver whispered from his concealment. “What is all this?”

After the shadows leave the house, they come across the lawn toward Oliver:

“Stay away from her,” Oliver said, trying to sound dangerous and not terrified.

Another cackling laugh. The shadow reached out and put its hand into Oliver’s chest. A sheath of ice instantly covered his heart, and then the shadow squeezed. Oliver gasped as intense pain flared in his chest, streaking through his entire body. He tried to step back but found that he couldn’t move so much as an eyelid.

“She is not for you,” the shadow said in a low, harsh voice. “She is for us. All of them are for us.”

That was enough to hook me. I had to find out if Petunia and her eleven sisters could rid themselves of the foe they thought they’d already defeated, the King Under Stone, once and for all.

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Source: This review is based on a library book from the Fairfax County Public Library.

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Review of Beautiful Outlaw, by John Eldredge

Beautiful Outlaw

Experiencing the Playful, Disruptive, Extravagant Personality of Jesus

by John Eldredge

Faith Words, New York, 2011. 219 pages.
Starred Review

In Beautiful Outlaw, John Eldredge looks at the personality of Jesus. He points out that Jesus was not the sort of person who didn’t make waves. He does an amazing job of causing the reader to take a fresh look.

What is missing in our Gospel reading — and in our attempts to “read” what Jesus is saying and doing in our own lives right now, this week — is his personality, undraped by religion. Let’s see if we can find it.

Now, I’m well-versed in the Gospel story. I’ve read about Jesus over and over again. But John Eldredge was able to make even me see Jesus in a fresh light. I felt like he was saying, Remember? This is what Jesus is like. Here’s his take on the Gospel story:

Any way you look at it, it is a beautiful story. Playful, funny, so human, so hopeful, so unreligious. And it is that particular quality that gives the passage its true character and gives us an essential for knowing Jesus as he really is. The man is not religious. If he were, the story would have taken place in a religious setting — the temple, perhaps, or at least a synagogue — and Jesus would have gathered them for a Bible study or prayer meeting. Jesus doesn’t even show up at the temple after his resurrection. He’s at the beach, catching his boys fishing, filling their empty nets and then having them to breakfast.

The subtitle talks about the aspects of Jesus’ personality the author focuses on: He’s playful, disruptive, and extravagant. But all of this talk about Jesus’ personality is to tell us it’s worth it to let Jesus’ life fill our lives. He’s talking about Christ living in us.

As we love him, experience him, allow his life to fill ours, the personality of Jesus transforms our personalities. The timid become bold and the bold become patient and the patient become fierce and the uptight become free and the religious become scandalously good. “They looked to Him and were radiant” (Psalm 34:5 NASB). They looked to Jesus and became like him. Loving Jesus helps us to become what human beings were meant to be. As Athanasius said, “He became what we are that we might become what he is.”

In short, this book is about looking hard at who Jesus really is, and then letting Him change who we really are.

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of When Stravinsky Met Nijinsky, by Lauren Stringer

When Stravinsky Met Nijinsky

Two Artists, Their Ballet, and One Extraordinary Riot

by Lauren Stringer

Harcourt Children’s Books, 2013. 32 pages.
Starred Review

This picture book nonfiction book is extraordinary. It’s a picture book; the language is simple enough for young elementary school students to fully understand. The pictures exquisitely evoke the music and dance of the ballet The Rite of Spring.

I’ve seen a performance of The Rite of Spring years ago in Los Angeles, but I wasn’t prepared for how completely this book brought that performance — which I hadn’t thought about in years — to the forefront of my mind.

I hadn’t remembered that the first time the ballet was performed, it ignited a riot in Paris. That event is the climax of the book, but it gets there in such a delightful way.

First, the book talks about the music and dance that Stravinsky and Nijinsky created by themselves.

Then Stravinsky met Nijinsky
and his music began to change.

His piano pirouetted a puppet,
his tuba leaped a loping bear,
and his trumpet tah-tahed
a twirling ballerina.

And when Nijinsky met Stravinsky,
his dance began to change.

His torso trumpeted a melody,
his arms and legs sang from strings,
and his feet began
to pom-di-di-pom like timpani.

Stravinsky inspired Nijinsky.
Nijinsky inspired Stravinsky.

Together they decided to dream of something different and new.

The book goes on to talk about the creation of The Rite of Spring and the reactions of the musicians and dancers, and, eventually, the crowd in Paris.

I can’t stress enough how wonderful the illustrations are. They aren’t a literal, photographic description of the times. They use styles of the art of the times to symbolically represent what’s going on, while still showing concrete things like dancers in Paris. I love the faces of the people in the music hall and in the streets of Paris. Some are smiling beatifically. Others have their hands over their ears with their faces puckered in disgust.

I also love the picture of Stravinsky and Nijinsky in tuxedo with tails dancing together surrounded by a ring of music with costumed dancers and instruments and music with unusual time signatures. That goes to show I can’t describe it nearly as effectively as one glance at the picture will give you. Across the page, there’s an exuberantly dancing cat and dog.

This is a colorful and exuberant book that tells a good story about art and a true moment in history and the way two friends working together helped both attain greatness.

This review is posted today in honor of Nonfiction Monday, hosted today at Anastasia Suen’s Booktalking.

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Tolstoy and the Purple Chair, by Nina Sankovitch

Tolstoy and the Purple Chair

My Year of Magical Reading

by Nina Sankovitch

Harper, 2011. 240 pages.
Starred Review

Three years after Nina Sankovitch’s beloved older sister died, Nina decided to embark on a year of reading. One book each day.

Here’s where she explains setting out on her project:

I needed comfort now. I needed hope. Hope that when life turns on you for the worst, it will turn back again, for the good. We girls had been protected for so long from misfortune. But then everything changed. My sister, the one with the reaching hand, was dead. Life had unleashed its unfairness, its random dispersal of pain, its uncaring lynching of certainty. I had tried running, but now I would try reading. I would trust in Connolly’s promise that “words are alive, and literature becomes an escape, not from, but into living.”

My book reading would be a discipline. I knew there would be pleasure in my reading, but I needed to hold myself to a schedule as well. Without a commitment, the rest of life could creep in and steal time away, and I wouldn’t read as much as I wanted or needed to. I couldn’t have my escape if I didn’t make books my priority. There is always dust to sweep and laundry to fold; there is always milk to buy and dinner to cook and dishes to wash. But none of that could get in my way for one year. I was allowing myself one year to not run, not plan, not provide. A year of nots: not worry, not control, not make money. Sure, our family could use another income, but we’d gotten by for so long on just one salary, we could do it for one more year. We would lay off the extras and find enough in what we had already.

I planned to begin my book-a-day project on my forty-sixth birthday. I would read my first book that day, and the next day I would write my first review. The rules for my year were simple: no author could be read more than once; I couldn’t reread any books I’d already read; and I had to write about every book I read. I would read new books and new authors, and read old books from favorite writers. I wouldn’t read War and Peace, but I could read Tolstoy’s last novel, The Forged Coupon. All the books would be ones I would have shared with Anne-Marie if I could have, ones we would have talked about, argued over, and some we would have agreed upon….

I was ready — ready to sit down in my purple chair and read. For years, books had offered to me a window into how other people deal with life, its sorrows and joys and monotonies and frustrations. I would look there again for empathy, guidance, fellowship, and experience. Books would give me all that, and more. After three years of carrying the truth of my sister’s death around with me, I knew I would never be relieved of my sorrow. I was not hoping for relief. I was hoping for answers. I was trusting in books to answer the relentless question of why I deserved to live. And of how I should live. My year of reading would be my escape back into life.

She doesn’t write in this book about all 365 books — though she does provide a list at the back. Instead, she looks at certain books and the insights from those books or memories they provoked that touched her life and advanced her healing. I’ll provide a few examples:

Man in the Dark is a novel that imagines another world mirroring our own. Two worlds coexisting: Auster uses the device to dig deeply into what keeps us going, what keeps us participating in the motions and the emotions of life. A man, his daughter, and his granddaughter are all facing their own private heartbreaks. They are unsure of how to go on and wavering as to the necessity of even trying to go on. Why bother? And then, in the prose of a lesser-known poet, they find a single sentence that makes perfect sense: “The weird world rolls on.”

The world shifts, and lives change. Without warning or reason, someone who was healthy becomes sick and dies. An onslaught of sorrow, regret, anger, and fear buries those of us left behind. Hopelessness and helplessness follow. But then the world shifts again — rolling on as it does — and with it, lives change again. A new day comes, offering all kinds of possibilities. Even with the experience of pain and sorrow set deep within me and never to be forgotten, I recognize the potent offerings of my unknown future. I live in a “weird world,” shifting and unpredictable, but also bountiful and surprising. There is joy in acknowledging that both the weirdness and the world roll on, but even more, there is resilience.

In talking about The Emigrants, by W. G. Sebald, she says:

But now, in reading my books of escape, I had found another way to respond. It was not a way to rid myself of sorrow but a way to absorb it. Through memory. While memory cannot take sorrow away or bring back the dead, remembering ensures that we always have the past with us, the bad moments but also the very, very good moments of laughter shared and meals eaten together and books discussed….

Only now am I grasping the importance of looking backward. Of remembrance. My father finally wrote out his memories for a reason. I took on a year of reading books for a reason. Because words are witness to life: they record what has happened, and they make it all real. Words create the stories that become history and become unforgettable. Even fiction portrays truth: good fiction is truth. Stories about lives remembered bring us backward while allowing us to move forward.

The only balm to sorrow is memory; the only salve for the pain of losing someone to death is acknowledging the life that existed before. Remembering someone won’t literally bring them back, and for one who died too young, memories are not enough to make up for all the possibilities of life that they lost out on. But remembrance is the bones around which a body of resilience is built. I think my father found an answer to how his mother continued on, and he found a way to go on himself. He wrote a history for me to read. Stories helped him, and stories were helping me, both the stories of my father and the stories in all the books I was reading.

Discussing the book By Chance, by Martin Corrick, with its main character James Watson Bolsover, she says:

Bolsover tries to find an explanation for the two deaths, to uncover some reason they had to happen or if they could have been avoided. He searches for answers in books. At the beginning of By Chance, he asks the question, “If fiction is not concerned to understand, what is its subject? Is its purpose merely to pass the time?” but he already knows the answer. The purpose of great literature is to reveal what is hidden and to illuminate what is in darkness.

I especially enjoyed the part where she talked about the reviewing part of her year of reading:

People share books they love. They want to spread to friends and family the goodness that they felt when reading the book or the ideas they found in the pages. In sharing a loved book, a reader is trying to share the same excitement, pleasure, chills, and thrills of reading that they themselves experienced. Why else share? Sharing a love of books and of one particular book is a good thing. But it is also a tricky maneuver, for both sides. The giver of the book is not exactly ripping open her soul for a free look, but when she hands over the book with the comment that it is one of her favorites, such an admission is very close to the baring of the soul. We are what we love to read, and when we admit to loving a book, we admit that the book represents some aspect of ourselves truly, whether it is that we are suckers for romance or pining for adventure or secretly fascinated by crime.

And often, she’d turn to how much this experience was doing for her:

The Assault is about more than war. Hannah Coulter is about more than war. Those two books — and all the great books I was reading — were about the complexity and entirety of the human experience. About the things we wish to forget and those we want more and more of. About how we react and how we wish we could react. Books are experience, the words of authors proving the solace of love, the fulfillment of family, the torment of war, and the wisdom of memory. Joy and tears, pleasure and pain: everything came to me while I read in my purple chair. I had never sat so still, and yet experienced so much.

I haven’t read a lot of the books she chose. So I especially took notice when she let her thoughts flow from a book I’d read and loved, Little Bee:

But books were showing me that everyone suffers, at different times in our lives. And that yes, in fact, there were many people who knew exactly what I was going through. Now, through reading, I found that suffering and finding joy are universal experiences, and that those experiences are the connection between me and the rest of the world. My friends could have told me the same, I know, but with friends there are always barriers, hidden corners, and covered emotions. In books, the characters are made known to me, inside and out, and in knowing them, I know myself, and the real people who populate my world.

Yes, this is a memoir for book lovers. Again, I especially loved her reflections on what she’d gotten out of writing about the books. This one was from her discussion of finishing up the year of reading:

I do need to talk about books. Because talking about books allows me to talk about anything with anyone. With family, friends, and even with strangers who contacted me through my Web site (and became friends), when we discuss what we are reading, what we are really discussing is our own lives, our take on everything from sorrow to fidelity to responsibility, from money to religion, from worrying to inebriation, from sex to laundry, and back again. No topic is taboo, as long as we can tie it in to a book we’ve read, and all responses are allowed, couched in terms of characters and their situations.

Now, one of my reactions to Tolstoy and the Purple Chair is envy. Wouldn’t it be wonderful to be able to make your “work” each day be to read a book! However, as I write this, I’m on the ballot for next year’s Newbery committee. And serving on the Newbery committee would be a way of dedicating my life to reading for a solid year, every bit as much as Nina Sankovitch did, though perhaps in a different way. I like her approach of treating books as therapy, as escape, as growth. Now my divorce is complete; I’m moving into my first purchased home on my own. What a good time it would be to celebrate the new phase in my life with books!

But even if you don’t have an opportunity to devote a year of your life to books, for anyone to whom that idea sounds delightful, I highly recommend the vicarious experience of spending some time with Nina Sankovitch as she explores her own healing through books.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Endangered, by Eliot Schrefer

Endangered

by Eliot Schrefer

Scholastic Press, New York, 2012. 264 pages.
Starred Review
2012 National Book Award Finalist
2013 School Library Journal’s Battle of the Books Contender

Endangered is the only Battle of the Books contender this year that I hadn’t already read. I’m glad I finished it before it’s out of the Battle. And, dare I say it?, now I find myself hoping it pulls an upset over The Fault in Our Stars. Though I don’t want it to beat my favorite, Code Name Verity in the next round, and The Fault in Our Stars is bound to come back from the dead anyway, so this doesn’t feel like a very fateful prediction.

But Endangered is a gripping, powerful, and suspenseful story that feels like it’s teaching you at the same time. I knew nothing about bonobos and very little about Congo or life in Congo. Eliot Schrefer writes with authenticity that sure makes the reader think he knows what he’s talking about.

I already had an idea of the story. Sophie was visiting her Mom on a bonobo sanctuary in the Democratic Republic of Congo. Without asking permission, she adopted Otto, a baby bonobo being sold on the side of the road. Later, her Mom heads out to release some adult bonobos at a safe location in the wild, but while she is gone, war erupts. UN peacekeepers try to take Sophie to safety, but Sophie won’t leave Otto to die.

What follows is an epic journey. Because war comes to the sanctuary. Sophie takes refuge in the electrified enclosure with the adult bonobos, so her first challenge is to be accepted by them. But when the electricity goes off, she knows she must escape before the soldiers come in to kill them all. Can she travel through the jungle and find her mother, miles away?

This book is a survival tale, a frightening story of war, and full of authentic details about bonobos and life in Congo.

At first, I was a little annoyed with Sophie for seeming more concerned about bonobo life than human life. But as the book went on, I came to feel that someone needed to care about “the least of these.” When another opportunity came up for her to go to safety if she abandoned Otto, but she had clear evidence he would die if she did, I was by then fully on Sophie’s side in continuing on with Otto.

Sophie’s journey takes her from one danger to another. But she never feels unduly lucky. There are many setbacks. Some she deals with better than others, and she does end up finding kind strangers who help along the way, after initial help from the bonobos. It’s hard to write a series of narrow escapes and still have the reader feel like it could happen, but Eliot Schrefer pulls it off. It all feels believable and terribly scary.

During a quiet moment it struck me that Congo was an easier country to survive in than most during a time of war. In peacetime the teacher couldn’t afford to buy food at the markets, which meant he had a field, and snares for wild game, and a well for water since the government had never run pipes out here. I tried to imagine getting by if the same thing happened in Miami and couldn’t. When a country was as primed for civil war as Congo was, when it came apart, the pieces weren’t as heavy.

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Source: This review is based on a library book from the Fairfax County Public Library.

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of My First Day, by Steve Jenkins and Robin Page

My First Day

What Animals Do on Day One

by Steve Jenkins & Robin Page

Houghton Mifflin Books for Children, Boston, 2013. 32 pages.
Starred Review

It’s no secret that I’m a big fan of Steve Jenkins’ work, having named three of his books Sonderbooks Stand-outs. I love the way he combines amazingly detailed and realistic cut-paper artwork with scientific facts about the world.

My First Day gets extra bonus points for being way too cute. The book features twenty-two specific types of animals — for example, not just a tiger, but a Siberian tiger, not just a turtle, but a leatherback turtle — and tells us what they do on their very first day.

The range is wide. A capybara can swim and dive when it’s just a few hours old. A polar bear cub sleeps in a snow den with its mother until Spring. A blue wildebeest trots along with its mother, because its herd is on the move.

One thing I love about this book is the pacing and pictures and subject matter are all perfect for preschoolers or early elementary school kids. Yet it’s serious nonfiction, and fascinating information that I didn’t even know until I read the book. What a wonderful way to get a child hooked on nonfiction!

Here’s an example set of pages, to give an idea of the gentle pacing:

On my first day, my mother held me close so I wouldn’t drift out to sea.

I dozed on her belly while she floated in the waves.

sea otter

On my first day, I raced to the water.

The beach was a dangerous place, and I was on my own as soon as I hatched.

leatherback turtle

Combined with the gentle text, imagine detailed, realistic, yet adorable illustrations of the baby in question with or without its parent, as appropriate. And to cap it all off, the last baby featured is the polar bear cub, who tells us, on its first day, “I fell asleep.”

For older, inquiring minds, there are end notes that tell a little more about each creature, so you don’t have to end on that cozy, perfect-bedtime-story finish. This book will work for a wide range of ages, but will be especially perfect for getting the youngest listeners hooked on nonfiction.

I’m posting this review today in honor of Nonfiction Monday, hosted today by Pierogies & Gyoza.

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Chloe and the Lion, by Mac Barnett and Adam Rex

Chloe and the Lion
by Mac Barnett
Pictures by Adam Rex

Disney Hyperion Books, New York, 2012. 48 pages.
Starred Review

Meta-fiction does not always work, but Chloe and the Lion is joining the ranks of great meta-fiction picture books, along with David Wiesner’s The Three Pigs, Mo Willems’ We Are in a Book!, and even The Monster at the End of This Book, by Jon Stone.

The art is ever-so-interesting, mostly a three-dimensional scene made from paper cut-outs, but it includes plasticine figures of the author and illustrator. They introduce themselves and tell us about Chloe, who saves nickels and dimes to ride on the merry-go-round on the weekend.

The story is on the bizarre side…

But one week, Chloe found a lot of change.
So she was able to buy a lot of tickets.
And she rode around and around and around.
Which was why she got very dizzy.
And that’s how Chloe ended up lost in the forest.

We read that a huge lion leapt out at Chloe from behind an oak tree, but in the picture we see a dragon, with smoke coming from its nostrils.

The author and illustrator have it out. Adam, the illustrator, thinks that a dragon is much cooler than a lion. In the end, Mac has no choice but to fire Adam and find someone else to illustrate the book. Once the illustrator has been changed, “The first thing the lion did was walk up to Adam and swallow him whole.”

Unfortunately, the new artist, Hank Blowfeather, just isn’t as good as Adam. And when Mac tries to draw instead? Disaster!

So, Chloe and Mac need to figure out a way to get Adam out of the belly of the lion and save the book. And a thank-you at the end would be nice, too.

This is another book where description simply doesn’t do it justice. There are visual jokes throughout, a wide variety of styles, and a lot of thought about how a story works. This is a book worth reading again and again.

Oh, and I’ll have to add it to my Pinterest board: Picture Books Where Someone Gets Eaten! (Even if it’s not permanent, getting swallowed whole counts. Maybe I should put it on the Eating Thwarted page, too.)

Meta-fiction at its finest!

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Glad No Matter What, by SARK

Glad No Matter What

Transforming Loss and Change into Gift and Opportunity

by SARK

New World Library, 2010. 224 pages.
Starred Review

Even though this is a book about dealing with loss and change, this is a truly joyous and exuberant book. I love SARK’s use of color and art in her pages.

She puts it well right at the beginning:

This is NOT a book about feeling glad when you don’t.
How annoying.
This is a book about finding and living from the glad parts in all of your feelings.

There’s so much wisdom in these pages. Stories. Insights. Encouragement. I’ll post a few more excerpts to give you the idea, but remember that if you read the book, you have the addition of SARK’s wonderful colors and fonts and interesting emphases.

I’ve seen and experienced over and over that grief and loss are always doorways to transformation.

My experiences with both have showed me that we can more actively work with time as we process grief and loss, instead of just waiting for time to pass. We really can consciously practice integrating loss and grief and living with them more fully and beautifully.

I know now that this healing happens in spirals and layers and NOT in steps like a ladder.

We cycle back around and start over, get stuck in the middle, and sometimes get to what feels like the end quickly.

We can weave all of these experiences together into an eventually elegant tapestry. I’ve been speaking with lots of people about the subjects of loss and grief, and it’s clear that in every case, whatever has been lost — job, savings, home, health, money, life — has tremendous gifts and opportunities to offer

if

we do our transformational work.

When we are caring for ourselves, we discover that there is actually plenty of time and energy to care for others and the world too. It is not negatively “selfish” to care for yourself brilliantly and exquisitely. In fact, as you fill your own well from the inside and tend to yourself with great love, it will naturally and effortlessly “spill over” for others to appreciate and utilize.

When you see someone who radiantly glows from within, you are seeing a self-caring soul. This kind of self-care is a living example to be inspired by, so that you can live that way also.

The opposite of old is not young.
The opposite of old is new.
As long as we continue to experience
the new, we will gloriously
inhabit all of the ages that we are.”

In short, I was so happy and supported to read this book after dealing with the loss and change of divorce and then a stroke. So I am convinced this is a wonderful book for after you’ve experienced loss and change, but I believe it would also be wonderful to read during loss and change. And I’m convinced it would be beautiful preparation to read it before loss and change happen to you (and they will). So we’re left with the fact that any time is a good time to read this encouraging book. I recommend reading it slowly, like I did, dipping in to it a part at a time and savoring what you find there.

planetsark.com
newworldlibrary.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Nonfiction/glad_no_matter_what.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on my own personal copy, purchased via Amazon.com.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Runaway King, by Jennifer A. Nielsen

The Runaway King

by Jennifer A. Nielsen

Scholastic Press, New York, 2013. 331 pages.
Starred Review

The Runaway King is the sequel to Cybils-winning The False Prince, and I like it even better than the first book. Yes, you should probably read them in order, mainly because this book gives away some things from the first book. In fact, you probably shouldn’t read my review until you’ve read the first book. You do not have to vividly remember what happened in the first book to read this one, because crucial information is filled in without being tedious.

Jaron’s life is threatened right at the start of the book. The pirates who were hired to kill him are upset that they failed. If they don’t get him, they’re going to attack all of Carthya. Other neighboring countries are threatening as well, but Jaron’s regents don’t want to let him prepare for war.

The title is something of a misnomer, because Jaron never runs. He decides to pretend to be pouting in safety, but instead he’s going to head to the pirates and deal with them. How will he deal with them? That’s what this book is about.

I do think I’m going to need to reread the book to decide if I think Jaron is more clever or more lucky. His plot was rather complex, and I got the impression things didn’t go as he planned them — but there was still at least one major surprise for me regarding his intentions, and I enjoyed that. (Is that obtuse enough to not give anything away?)

I love the way Jaron compulsively tells the truth. The reader can see him doing it as he goes and watch people “misunderstand” his words with his careful misdirection. And how much do we readers misunderstand? I’m going to have to reread it just to figure that out.

The story still isn’t finished; trouble looms at the end of the book. But this is one of the more satisfying second books I’ve read in awhile. The story in this book has a nice beginning, middle, and end, and isn’t simply an unfinished continuation.

This book, like its predecessor, begs comparison with Megan Whalen Turner’s Queen’s Thief series. This one actually doesn’t suffer by the comparison (which is high praise coming from me!). Jaron doesn’t seem as in control of his complicated plan as Gen would be, but he also is in a more precarious situation to start with. He’s a younger king than Gen, and he’s growing into his kingship. Watching him do so is a delight to read.

jennielsen.com
scholastic.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/runaway_king.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Chloe, by Peter McCarty

Chloe

by Peter McCarty

Balzer + Bray, 2012. 36 pages.
Starred Review

Hooray! Another big family picture book! Chloe is the middle child in her family of rabbits. She has ten older brothers and sisters and ten younger brothers and sisters. And, more realistically than in Another Brother, even though they are rabbits, Chloe’s siblings are pictured as different sizes and different ages.

But this isn’t a story about having too many siblings. This is a story about having fun.

Chloe loved the end of the day, when her whole family was together. She called it family fun time.

But her father brings home a new television. When the whole family except Chloe and little Bridget watch TV, Chloe thinks it’s the worst family fun time ever.

But then Bridget finds the bubble wrap. . . .

Pop! Pap! Thip! Bip! Pop!

This is a simple story, about how doing simple things together can be the most fun at all. Peter McCarty’s wonderful illustrations are what make this a stand-out. Even though there are 21 siblings and two parents, each rabbit is portrayed as an individual. I love the way little Bridget imitates Chloe’s gestures and expressions. I love the way the character on TV looks over at Chloe and her brothers and sisters having fun. I love the way Dad stays up popping bubble wrap after everyone’s in bed, and I love the way the baby in the crib is the only child not asleep.

I complain sometimes (a little tongue-in-cheek) that with all the quest for diversity in children’s literature, big families simply aren’t well-represented. Well, here’s a picture book where the big family isn’t the point, isn’t held up as strange. The big family is what it is. This is a simple story about having fun.

[I also love that it’s a book that celebrates the fun of popping bubble wrap. Did you know those bubbles are called utricles? It was featured on my 365 Words a Year calendar one day when I was in college, and my officemate and I used to gloat over any opportunity to pop utricles.]

petermccarty.net
harpercollinschildrens.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Picture_Books/chloe.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.