Review of Every Day, by David Levithan

Every Day

by David Levithan

Alfred A. Knopf, New York, 2013. 324 pages.
Starred Review

Here’s an innovative and creative idea, executed well, the perfect vehicle for commenting on the human condition as it is expressed in teenagers.

David Levithan sets up the situation beautifully in the first few paragraphs:

I wake up.

Immediately I have to figure out who I am. It’s not just the body — opening my eyes and discovering whether the skin on my arm is light or dark, whether my hair is long or short, whether I’m fat or thin, boy or girl, scarred or smooth. The body is the easiest thing to adjust to, if you’re used to waking up in a new one each morning. It’s the life, the context of the body, that can be hard to grasp.

Every day I am someone else. I am myself — I know I am myself — but I am also someone else.

It has always been like this.

“A” borrows other people’s lives for one day at a time. He’s never been the same person twice. He can access certain memories from the person whose body he’s in, though he doesn’t like to overdo that, but needs to do enough to get by. He stays in pretty much the same area as where he went to sleep, and always someone the same age as him, which is sixteen during this book.

I’m using “he” for convenience. That’s the way I think of him since he wakes up as a boy at the start of this book. But he wakes up as a girl as often as a boy.

From living lots of people’s lives, A has all kinds of insights into what it means to be a teenager. That’s the brilliant part of this book that truly shines.

On only page four, A meets Rhiannon:

As I take Justin’s books out of his locker, I can feel someone hovering on the periphery. I turn, and the girl standing there is transparent in her emotions — tentative and expectant, nervous and adoring. I don’t have to access Justin to know that this is his girlfriend. No one else would have this reaction to him, so unsteady in his presence. She’s pretty, but she doesn’t see it. She’s hiding behind her hair, happy to see me and unhappy to see me at the same time.

Her name is Rhiannon. And for a moment — just the slightest beat — I think that, yes, this is the right name for her. I don’t know why. I don’t know her. But it feels right.

This is not Justin’s thought. It’s mine. I try to ignore it. I’m not the person she wants to talk to.

It throws off A’s carefully planned strategies when he keeps thinking about Rhiannon. He can at least e-mail her in every body. And then does he dare to hope that she is someone who might understand?

This book is full of great insights thrown in along the way. He talks about having siblings or not, being in a family that goes to church or not, relationships with family members, being able to tell his body is a mean girl by her friends’ surprise when he doesn’t make the cutting comment.

Here’s where he wakes up in the body of a drug addict:

There comes a time when the body takes over the life. There comes a time when the body’s urges, the body’s needs, dictate the life. You have no idea you are giving the body the key. But you hand it over. And then it’s in control. You mess with the wiring and the wiring takes charge.

That day it is all he can do to keep the body he’s in from going to get the drugs it so desperately wants.

Another day he wakes up in the body of a girl who’s written a suicide plan in her notebook, with a target date later that week. Here are his insights about that:

Some people think mental illness is a matter of mood, a matter of personality. They think depression is simply a form of being sad, that OCD is a form of being uptight. They think the soul is sick, not the body. It is, they believe, something that you have some choice over.

I know how wrong this is.

When I was a child, I didn’t understand. I would wake up in a new body and wouldn’t comprehend why things felt muted, dimmer. Or the opposite — I’d be supercharged, unfocused, like a radio at top volume flipping quickly from station to station. Since I didn’t have access to the body’s emotions, I assumed the ones I was feeling were my own. Eventually, though, I realized these inclinations, these compulsions, were as much a part of the body as its eye color or its voice. Yes, the feelings themselves were intangible, amorphous, but the cause of the feelings was a matter of chemistry, biology.

It is a hard cycle to conquer. The body is working against you. And because of this, you feel even more despair. Which only amplifies the imbalance. It takes uncommon strength to live with these things. But I have seen that strength over and over again. When I fall into the life of someone grappling, I have to mirror their strength, and sometimes surpass it, because I am less prepared.

I know the signs now. I know when to look for the pill bottles, when to let the body take its course. I have to keep reminding myself — this is not me. It is chemistry. It is biology. It is not who I am. It is not who any of them are.

But all those insights and observations are the frosting on the cake. A’s love story with Rhiannon is the heart of this story. And the question: Can he have a love story when he never knows which body he will be in the next day? How can he even make plans? Is this someone who can get to know him for who he truly is? But then, who is he, really?

I must admit that though the book is absolutely brilliant and beautifully executed, I thought the ending was a bit anticlimactic. In a way, I think David Levithan painted his character into too tight a corner. I would have liked a happy solution, but I can’t think of one myself. Now, I imagine a lot of teen readers will like this ending, and, actually, it’s a better ending than I probably could have come up with. So I’m not saying the ending is flawed — just warning readers it won’t necessarily leave you feeling happy.

Every Day does what great science fiction does best — lets you look at everyday life from a completely new perspective. Highly recommended.

davidlevithan.com
randomhouse.com/teens

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Dark Triumph, by Robin LaFevers

Dark Triumph

His Fair Assassin, Book II

by Robin LaFevers

Houghton Mifflin, 2013. 387 pages.
Starred Review

When this book came in, it gave me the obvious excuse to reread Grave Mercy, which I loved as much the second time, appreciating some of the intricacies of the plot even more this time around. The second book, Dark Triumph, contained more detailed history you never knew and sinister political intrigue of medieval Brittany, with the same light touch of mystical gifts from the god of Death himself.

I do recommend reading these books in order. Technically, you could follow this book without reading the first, but you understand the political situation much better having read the first book, and it’s much easier to keep the characters straight. Once you’ve read the first one, it’s hard for me to imagine not wanting to read the second.

In Dark Triumph we find out what Sybella, the second novice from the convent devoted to Saint Mortain has been doing. Like Ismae, she’s been trained as an assassin, but her assignment is even more difficult than Ismae’s, as Sybella has to infiltrate a place where evil reigns. We learn more about Sybella’s background, which drove her to the edge of madness.

I don’t want to say a lot about the plot. It’s set in 15th Century medieval Brittany, with a young duchess who needs to form an alliance to hold back the French prowling on her borders. The main events are based on actual historical events I knew nothing about — with the insertion of the Daughters of Death going out to do political assassinations. The second book wasn’t quite as heavy on the political intrigue, but there was plenty of action and psychological intrigue to keep the reader anxious.

I love how Robin LaFevers puts it on her website, talking about Anne of Brittany, an actual historical figure:

Her substantial inheritance was complicated by two things. One, she was a woman at a time when traditionally women did not inherit kingdoms. Since the time of Charlemagne, Salic Law had been invoked to prevent women from becoming rulers. When Anne became Duchess of Brittany, it defied all the conventions of that time. Secondly, and perhaps more importantly, not only was she unmarried, but her father had promised her hand in marriage to at least half a dozen European nobles, if not more. As he plotted and strategized, trying to keep his lands and title safe from the French Crown, he dangled his daughter (and her substantial dowry) as bait for the aid he needed from other princes and dukes. Consequently, when he died, she had been promised to more than one suitor.

To say that this created problems for her in keeping her duchy independent is an understatement. Which is why she needed the help of assassin nuns. What? Doesn’t everybody call for assassin nuns when they’re having political difficulty? If not, they should….

There’s romance in this book, just as in the first one. But the romance is a wholly different story, fitting with Sybella’s wholly different character. The two girls’ gifts from Death are different as well. The author builds character beautifully, as they act and think and love consistently with who she’s shown us they are inside.

The romance in this book is beautiful. Sybella’s deeply damaged, so we’re not surprised when she doesn’t easily trust love. But she’s still a strong character, able to easily kill a man. The man she falls in love with has his own amazing strengths, and they fit to help Sybella exactly where she’s damaged. We can believe in their love, and I found myself fully happy for Sybella. Yes.

I also loved the scene in both books where each girl meets Saint Mortain, their father, Death himself. I love his portrayal, not as a god who demands their dutiful, exacting service, but as a father who loves them no matter what. I didn’t expect to find such a beautiful portrayal of God in a description of the god of Death. I love the way each girl comes to understand and serve a different aspect of Death, even realizing he’s the same god.

It’s also well done in each book how the girls come to understand the gifts they have as Death’s daughters and how that doesn’t necessarily fit what they were taught at the convent.

There’s some ugliness in this book. Sybella’s past isn’t pretty, and she’s been sent to an evil place. But the story is rich and deep and I’m so glad at least one more book is promised, telling about the third fair assassin from the convent of Saint Mortain.

This series is another example of books written in present tense that I loved anyway. I noticed the present tense (in a negative way) occasionally, but only very rarely. The gripping story far outweighed that little annoyance, and I might grudgingly be convinced this was the best way to tell the tale. I am already certain this book, like its predecessor, will be a Sonderbooks Stand-out.

Here’s how the book begins:

I did not arrive at the convent of Saint Mortain some green stripling. By the time I was sent there, my death count numbered three, and I had had two lovers besides. Even so, there were some things they were able to teach me: Sister Serafina, the art of poison; Sister Thornine, how to wield a blade; and Sister Arnette, where best to strike with it, laying out all the vulnerable points on a man’s body like an astronomer charting the stars.

If only they had taught me how to watch innocents die as well as they taught me how to kill, I would be far better prepared for this nightmare into which I’ve been thrust.

robinlafevers.com
hmhbooks.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Stay: The True Story of Ten Dogs, by Michaela Muntean

Stay

The True Story of Ten Dogs

by Michaela Muntean
photographs by K. C. Bailey and Stephen Kazmierski

Scholastic Press, New York, 2012. 40 pages.
Starred Review

Stay is a picture book biography of a circus performer and the ten dogs that changed his life. The pictures are photographs, and the story is told with economy of language, the flair of a performer, and using bright circus colors as backgrounds, making a complete package just right for its subject.

Luciano Anastasini grew up in the circus and performed in the circus from childhood. But one day in Chicago, he fell fifty feet from a high wire and was told his days as an acrobat and trapeze artist were over.

But the circus was Luciano’s home, and he wanted to stay. He sold tickets. He put up posters. He dreamed of the day he’d once again have an act of his own. Slowly, an idea began to take shape in his mind.

In the act he imagined, he would need partners — furry, four-legged partners.

Of course, he could have found dogs through a breeder. Or at a pet store. But if his idea worked, Luciano would be getting a second chance. Perhaps he could give some dogs a second chance, too. So Luciano went looking for the ones no one wanted.

The book introduces each dog like a star, explains why their owners gave up on them, and then how Luciano saw that their apparent flaws were actually their strengths.

While Bowser’s previous owners had seen a sneak and a thief, Luciano saw a clever dog with a good sense of balance. [The accompanying photo shows Bowser balancing on top of a tube rolling another dog inside.]

Cocoa wouldn’t stop digging. As Luciano filled in the holes she made, he thought about why she did it. He suspected she had so much energy, she didn’t know what to do with herself. Digging was her way of staying busy.

Stick was quick on his feet and enjoyed strutting about on his back legs. “Shall we dance?” Luciano would ask him, and they’d waltz around the circus grounds together.

Then the author explains how he combined all these strengths into an act that kept audiences laughing and entertained, how he built the act before audiences and went on to circuses across the country.

The story’s simple. It’s told at a kid’s level, with plenty of action-filled photographs and bright colors. But ultimately, it’s an inspiring story for both kids and adults.

People frequently say to Luciano, “You saved those dogs.” To that, Luciano shrugs and says maybe that’s true, maybe it’s not. What he knows for certain is this: They saved him.

After his accident, they helped him put his life back together, and he is grateful to each and every one of them. Dogs don’t care about yesterday; they don’t worry about tomorrow. They live for now — right now, and Luciano tries to do the same.

“We are lucky, my dogs and me,” he says. “We have a job we love, a job that makes people smile. But most of all, we have each other.”

I read this book because it’s a 2013 Fairfax County Public Library summer reading selection, and now I’m looking forward to booktalking it to kids in the schools to spark their interest in reading this summer. A hard-to-resist choice.

I’m posting this review today in honor of Nonfiction Monday, hosted today at NC Teacher Stuff.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Necromancing the Stone, by Lish McBride

Necromancing the Stone

by Lish McBride

Henry Holt and Company, New York, 2012. 344 pages.
Starred Review

I liked Necromancing the Stone even better than its predecessor, Hold Me Closer, Necromancer. In the first book, Sam has to confront true Evil, and as much levity as the author combined it with, that’s not exactly pleasant. In this book, Sam deals with the aftermath, and the threat of more Evil, with true compassion and maturity, but the fact that it didn’t start with awful violence meant the humor and inspired silliness could shine through.

Let me start at the beginning. In the last book (Yes, you should read them in order.), Sam learned that he is a necromancer and has strange powers over the dead and abilities to speak with the dead. This happened when he defeated an evil necromancer, Douglas, who had tried to sacrifice Sam and take his power. Sam doesn’t like killing, but he had to kill Douglas. And as a result, he inherited Douglas’s position on the Council and his possessions. And, while he was locked in a cage, he got a werewolf girlfriend.

In this book, Sam’s trying to figure out his new powers and his new life. Early on, someone close to him is killed. His sister is threatened. What’s more, the reader knows who did these things, and that this could mean big huge trouble for Sam. But Sam doesn’t know who did it and he isn’t able to speak to the person who was killed, instead encountering a strange goddess in a place with flowers.

It all would be a trifle ludicrous if Lish McBride didn’t write it so well. Sam approaches his life with self-deprecating humor, and the reader can see that he wants to navigate it all and do the right thing. The books don’t just deal with Sam and his girlfriend, but with a wide range of characters — his best friend, Ramon, who was transformed by Douglas into a werebear; James, the pukis servant of the household, his witch mother and younger sister; a Big Foot who lives in the forest with a glamour to look human and work as a forest ranger; his dead friend who now helps organize his life; his girlfriend’s werewolf family; and even the garden gnomes who live in the house he’s inherited and don’t seem to like him much. You end up caring about all these assorted individuals as much as Sam does.

This book is a lot of fun. It’s a light-hearted, humorous book about someone who finds himself suddenly dealing with death on a regular basis. Sam’s not quite as much of a screw-up in this book, though he still is no wizard. And you can’t help loving him.

I hope there will be many more books about Sam and the supernatural creatures of the Pacific Northwest!

lishmcbride.com
macteenbooks.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Reader’s Edition I got at an ALA conference.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Hero’s Guide to Storming the Castle, by Christopher Healy

The Hero’s Guide to Storming the Castle

by Christopher Healy
with drawings by Todd Harris

Walden Pond Press, April 30, 2013. 479 pages.
Starred Review

I’m so happy to get my hands on the sequel to The Hero’s Guide to Saving Your Kingdom. Here’s more of the same: Silly, adventurous fun.

Yes, you should read these books in order. The first book tells you all about the Princes Charming, who aren’t named in their respective fairy tales. The author makes it very clear this is a second book right on the first page:

Now, you may be asking yourself, Who is this Prince Duncan, and what makes him such an expert on heroes? To which I will respond by saying that perhaps you may have skipped a book on your way to this one. You should probably check on that.

In this book, the selfish, cruel, and calculating Briar Rose blackmails her Prince Charming, Liam, into finally marrying her and getting the league of heroes to recover his family’s sword from the castle of the Bandit King. Hence the name, as the main action involves storming the castle to get that sword.

The plot, as before, is convoluted and full of setbacks, adventure, and silliness. The characters are colorful and cartoon-like. Although adults of marrying age (except the Bandit King), they are quite childlike in their motivation.

But it’s all in good fun. Here’s a random chapter beginning to give you the flavor:

The four princes, along with Ella and Briar, sat at the round table in Avondell’s War Room, waiting for a report from Smimf. Only one day had passed since the League of Princes sent the young messenger to Rauberia armed with a fake advertisement that would serve as his excuse for getting inside the castle gate (“SPECIAL DEAL FOR NEW MONARCHS! HALF-PRICE CROWNS! FREE ESTIMATES ON RESIZING!”), and already he had returned. He stood at attention before the group, loosened his scarf, and hiked up his shorts.

“What did you find out?” Liam asked.

“Well, I found out that the king is not interested in purchasing a new crown unless he can get at least seventy-five percent off,” said Smimf.

“What did you learn about the castle?” Liam more specifically inquired.

As with the first book, the story went on a bit long for my personal taste, but again I don’t think that will be an obstacle for kids who are once hooked. It reminds me of a Disney cartoon, with simplistic emotions, a convoluted plot and lots of gags. But in a good way! The illustrations perfectly fit that feel. I think that, like the first book, this one would make a good classroom read-aloud. It’s light-hearted and fun, even if as an adult reader, I get a little tired of the juvenile humor after awhile.

And there’s a larger plotline slowly building. We do have the sense that most of the princes weren’t necessarily paired with the right princess in their respective fairy tales. And the ending gives an ominous note of danger ahead. We know our bumbling heroes will be required to save the day.

The Hero’s Guide to Saving Your Kingdom is a Summer Reading Program selection for our library system. I’m looking forward to booktalking it in the schools at the end of the year, and especially telling the kids that if they like the first book, there’s more fun in store for them.

Yes, it’s silly. Yes, the characters are somewhat cartoon-like. Yes, it goes on a bit long for me. But the fact is, these books are well-written. The plot is coherent, the characters are truly charming, and they’re up against high stakes, which they plausibly overcome, even with all their shortcomings. You can’t help but root for these guys. And I can’t help but want to find out what happens next.

christopherhealy.com
harpercollinschildrens.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Review Copy sent to me by the publisher.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of A Week in Winter, by Maeve Binchy

A Week in Winter

by Maeve Binchy

Alfred A. Knopf, New York, 2013. 326 pages.
Starred Review

Maeve Binchy died in July 2012, shortly after finishing this book. I’m so glad to read it, but so sorry to know it’s the last. Like all her books, A Week in Winter is a warm and cozy read that looks right into people’s hearts and lets us see intertwined lives touching one another.

A Week in Winter doesn’t have the punch of some of Maeve Binchy’s books, but it’s a warm and friendly way to say farewell. The book starts with Chicky who grew up in Stoneybridge, on the Irish coast, and ran off to America with a boy who came for the summer.

Chicky’s family thinks she’s a wicked fool to run away with him. So Chicky doesn’t tell them what’s really happening:

She wrote home week after week and believed in the fairy tale more and more. She started to fill a spiral notebook with details of the life she was meant to be living. She didn’t want to slip up on anything.

To console herself, she wrote to them about the wedding. She and Walter had been married in a quiet civil ceremony, she explained. They had a blessing from a Franciscan priest. It had been a wonderful occasion for them, and they knew that both families were delighted that they had made this commitment. Chicky said that Walter’s parents had been abroad at the time and not able to attend the ceremony but that everyone was happy about it.

In many ways, she managed to believe this was true. It was easier than believing that Walter was becoming restless and was going to move on.

Chicky does quite well, even after Walter leaves her. When her nieces talk about coming to visit, the kind husband of her letters suffers a tragic accident. And then, after some time, she goes back to Stoneybridge and purchases the Stone House on the water, using a “legacy” that is really her own hard-earned savings. She works with the last remaining Miss Sheedy (of the three sisters who had owned the house) to make it into a hotel.

Next, we take a look at Rigger, the son of one of Chicky’s friends. He gets into trouble, and needs to leave Dublin for awhile. He comes to work for Chicky, and meets a girl and starts settling down.

Then there’s Orla, Chicky’s niece, wanting some change after her best friend in Dublin gets married. She comes to work for Chicky, only for a year.

And then we start looking at the guests who come for opening week at Stone House. Winnie thinks she’ll book a vacation with the man she loves — and ends up taking it with the mother who has him under her thumb. There are people from all over the world — a Hollywood movie star, a Swede who’s meant to take over his father’s business but is interested in music, a husband and wife who are both doctors, and more. With each person who comes to visit, we get to look at their life leading up to this momentous week, as well as at how the week changes them.

The story is gentle and cozy. No big earth-shaking moments, but lots of rejuvenating ones and life-changing ones for the guests involved. One guest does manage to shake off the charm of the place, but most will leave the better for their vacation.

And the reader is the better for the vacation, too.

I’m so sad this is Maeve Binchy’s last book. She knew how to show her readers what’s really important.

maevebinchy.com
aaknopf.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Stolen Magic, by Stephanie Burgis

Stolen Magic

by Stephanie Burgis

Atheneum Books for Young Readers, New York, 2013. 383 pages.
Starred Review

Hooray! A third book about the Kat, Incorrigible! These books are a delightful combination of Regency England, with its proper manners and society dos and don’ts, combined with Magic! I recommended it just this week to someone whose daughter loved Sorcery and Cecilia, by Patricia C. Wrede and Caroline Stevermer. The main difference is that Kat is younger, though her siblings get into romantic adventures in each book, so there is still a touch of romance, but Kat keeps it light-hearted.

Kat is the youngest of four siblings. Her mother died when she was ten days old, but left a legacy of two kinds of magic, in conflict. It turns out that her mother was one of the ever-so-proper Guardians of England, with strong magic for protecting the country. But her mother was kicked out of the Guardians for practicing witchcraft. Kat has inherited her abilities in both, but needs to keep from practicing witchcraft if she wants to be initiated into the Guardians.

In this third book, Kat is getting ready for her initiation. But the whole family is also getting ready for her sister Angeline’s wedding. They are staying at Angeline’s husband-to-be’s home, and his family is not at all welcoming. They are high in society and very wealthy and don’t approve of Angeline, and even less of Kat. And if Angeline lets slip that she is a witch? Well, that could very well be the last straw.

Meanwhile, it seems that someone is stalking Kat and trying to hurt the people she loves. And all the “extra” portals have been stolen, so Kat may not be able to join the Guardians after all.

All this takes place in a proper setting seen through the eyes of Kat — who isn’t exactly known for following conventions.

Here’s how the book begins:

Despite what either of my sisters may say, I actually possess a great deal of common sense. That was why I waited until nearly midnight on the last night of our journey into Devon before I climbed out of my bedroom window.

Luckily, my family was staying on the first floor of the inn, so the rope I’d brought along in case of emergencies was more than long enough. Luckier yet, I knew a useful secret: it’s much easier to sneak out in the middle of the night when you can make yourself invisible.

Though you could enjoy this book on its own, I really think you’ll appreciate it more if you read Kat, Incorrigible and Renegade Magic first. And I was very happy to see that this book ends with hints of trouble to come: England is at war with Napoleon, and French magic-users are proving to be very powerful. The story comes to a satisfying conclusion, but I was happy that there is clearly more to come, and I will be waiting eagerly.

This series just makes me smile! Think light-hearted Jane Austen for kids — with magic!

stephanieburgis.com
KIDS.SimonandSchuster.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/stolen_magic.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a copy sent to me by the publisher.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Midwinterblood, by Marcus Sedgwick

Midwinterblood

by Marcus Sedgwick

Roaring Brook Press, New York, 2013. 262 pages.
Starred Review

Wow. This is one of those books that after reading, I just sit there in amazement at the level of craft that went into it (well, actually lie there — I read in bed). It’s one you want to read over again to fully appreciate all the details. Though next time, just for the fun of it, I might read it backwards.

How to describe it without giving too much away? The book is a series of interconnected stories. The first story takes place in 2073. The next section takes place in 2011. And the sections go progressively further back in time, all the way to prehistoric times, with a section going back to 2073 at the very end, tying everything together. So well done.

I won’t give away exactly what the connection is. You’ll get the idea quickly. Certain common elements occur in all the stories, and finally at the end, you understand why.

All of the book is set on an island in the far north, an island called Blessed. The island is home to a rare “Dragon” orchid. And strange things happen there.

Every story is creepy, disturbing in some way or other, atmospheric. But I don’t usually like creepy stories, and I loved this. He manages never to cross the line into awful. There’s a lot of variety in the stories, including a vampire story and a ghost story, but even though I usually don’t like vampire stories or ghost stories, every one of these stories was exceptionally good. There’s a lot of untimely death in the stories, but they never sink into despair.

Another thing that perplexed me was that recently, I made some comments in School Library Journal’s Battle of the Books regarding Jepp, Who Defied the Stars as to how strongly prejudiced I am against books that are written in present tense. But this book was written in present tense (all the different time periods), and it didn’t bother me in the slightest. So I am going to have to modify my analysis. Clearly present tense isn’t the problem. It must be something about the way it is often used. Maybe it bothers me when there’s too much telling in present tense and not enough showing? I’m not sure how he did it, but Marcus Sedgwick made the present tense storytelling seem absolutely right. Maybe it just takes a truly outstanding writer. Now I’m going to look harder at which present tense books I hate, which I can tolerate, and which blow me away with their craft. (So far, this is the only one I can think of in that category.)

Anyway, since I don’t want to give away what’s going on in this book, I’ll finish my review with the beginning of the book, set in June 2073, and so full of promise:

The sun does not go down.

This is the first thing that Eric Seven notices about Blessed Island. There will be many other strange things that he will notice, before the forgetting takes hold of him, but that will come later.

For now, he checks his watch as he stands at the top of the island’s solitary hill, gazing to where the sun should set. It is midnight, but the sun still shines, barely dipping its heavy rim into the sea on the far horizon.

The island is so far north.

He shakes his head.

He’s thinking about Merle. How something seems to wait in her eyes. How he felt calm, just standing next to her.

“Well, so it is,” he says, smiling with wonder.

There! Just writing that out, I noticed the significance of one little detail that I hadn’t noticed before. I must read this book again to appreciate the craft even further!

This book is amazing. It’s got sinister undertones, but the even those who don’t like creepy books (like me) may be won over by the sheer brilliance, as the author uses the unsettling elements in a way that adds to the story’s power. This is one that will stick with you.

macteenbooks.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Helen’s Big World, by Doreen Rappaport and Matt Tavares

Helen’s Big World

The Life of Helen Keller

written by Doreen Rappaport
illustrated by Matt Tavares

Disney Hyperion Books, New York, 2012. 44 pages.
Starred Review

I expected to skim through this book and then turn it back in to the library. I already reviewed an excellent children’s biography of Helen Keller back when I was first starting Sonderbooks. But as soon as I opened the book, I knew this was something special.

Helen’s Big World is for a younger audience than Helen Keller: A Determined Life. It’s a picture book biography, and the pictures are oversize and magnificent.

The format is large and almost square, and each double-page spread features a painting. There is text on each page, but not a daunting amount, and with reasonably large print. Each page features a quotation from Helen Keller herself, talking about her life.

The story is familiar to adults. How Helen was struck blind at a young age, and Annie Sullivan came into her life and taught her and brought metaphorical light into her world. It goes on to show Helen, with Annie, learning about many different things.

I like the page with Annie at the bow of a boat with a wave breaking over it. The text on that page reads:

Annie took Helen
walking in the forest,
jumping in the salty ocean,
tobogganing down snowy hills,
bicycling in tandem,
and sailing in a boat.
And she spelled out each new experience.

The book goes on to tell about Helen’s work as an adult, writing and speaking across the country. The text stays simple, and the pictures show some of the different settings where she spoke and traveled. The book also includes a Manual Language Chart on the back cover.

A lovely first biography.

doreenrappaport.com
matttavares.com
disneyhyperionbooks.com

I’m posting this review today in honor of Nonfiction Monday, hosted today at A Wrung Sponge. Thanks, Andromeda!

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Nonfiction/helens_big_world.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Exclamation Mark, by Amy Krouse Rosenthal & Tom Lichtenfeld

Exclamation Mark

!

by Amy Krouse Rosenthal & Tom Lichtenheld

Scholastic Press, New York, 2013. 52 pages.
Starred Review

It’s impossible for me not to love this book. It’s not even for my main audience — the preschool story time crowd. It is for kids in early elementary school who are learning about punctuation. And it’s simply perfect. Those kids are not the only ones who will love this book.

The expression of this story is completely visual. It plays out on the background of school writing paper. We’ve got a row of periods with little faces — and one exclamation mark.

He stood out from the very beginning.

It’s easy for the reader to see that the exclamation mark doesn’t fit in. He is different. He tries to be like his friends. But he becomes confused, flummoxed, and deflated, with appropriate illustrations of his top part in a twist.

Then one day, he meets a question mark.

The question mark asks one question after another. (Hilarious questions, I might add.)

When the exclamation mark shouts for him to stop, it is indeed an exclamation.

He didn’t know he had it in him.

He then explores his newly discovered power. I love the way the question mark eggs him on, always with questions (“How’d you do that? Can you do it again?”)

His exclamations get more and more excited, colorful, and all over the page. “It was like he broke free from a life sentence.”

Question mark: “Isn’t he something?”
Periods: “There was never any question in our minds.”

Okay, as I write this, it occurs to me that maybe I love this book so much because I love puns. In a sense, this whole book is a pun, done perfectly. And it’s a happy story about being an individual and making your mark. And it teaches about punctuation in a way no kid will ever forget. Hmm. Is that why they call it pun-ctuation? (Sorry.)

Way too much fun!

whoisamy.com
tomlichtenheld.com
scholastic.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Picture_Books/exclamation_mark.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.