Review of Bink and Gollie: Two for One, by Kate Di Camillo and Alison McGhee

Beginning Chapter Books, Children's Fiction Review, Stand-outs, Starred Review 0

Bink and Gollie
Two for One

by Kate DiCamillo and Alison McGhee
illustrated by Tony Fucile

Candlewick Press, 2012. 80 pages.
Starred Review
2013 Capitol Choices List
2012 Sonderbooks Stand-out:
#6 Picture Books

This follow-up to Bink and Gollie is as irresistible as the first. Bink is short and wild. Gollie is tall and sedate. They spend a day together at the fair.

In many ways this book is about failure. Failure at Whack-a-Duck and failure at the Talent Show. But it’s not treated as failure. Not at all. After both events, the girls find happy compensation.

The pictures are the crowning glory of this delightful book. Yes, the words are wonderful, but the pictures bring it to life. Bink’s efforts to throw the ball and Whack a Duck take up an entire dramatic two-page spread. Gollie’s stage fright is communicated without a word as the scene widens to show just how many people are listening to her and the frozen look on her face.

There are not very many words on each page, but there is lots and lots of story on each page. Beginning readers will feel they’ve accomplished something, and skilled readers won’t be bored for a second.

The two girls finish up the day in a fortune teller’s tent.

“I see two friends,” said Madame Prunely.
“Is one of those friends tall?” said Gollie.
“Yes,” said Madame Prunely.

“And is the other friend short?” said Bink.
“Yes,” said Madame Prunely.

“Are they together?” said Gollie.
“Without question,” said Madame Prunely.

“That’s all the future I need to know,” said Bink.
“Come on, Gollie!”

An absolute delight for beginning readers.

binkandgollie.com
candlewick.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of A Jane Austen Education, by William Deresiewicz

Austenalia, Musings, Nonfiction Review, Stand-outs, Starred Review, True Stories 0

A Jane Austen Education

How Six Novels Taught Me About Love, Friendship, and the Things That Really Matter

by William Deresiewicz

The Penguin Press, New York, 2011. 255 pages.
Starred Review
2012 Sonderbooks Stand-out: #3 Nonfiction: Personal Stories

I’m a huge Jane Austen fan. I wrote a paper on her my Sophomore year of college. I had lots of time in which to write the paper — so I read ALL her novels, and then wrote the paper staying up all night the night before it was due.

A Jane Austen Education is perhaps my favorite so far of nonfiction Jane Austen take-offs. William Deresiewicz was a graduate student of literature, and he writes about how things he learned from Jane Austen mirrored and informed his life as he became an adult. He’s not afraid to pull out lessons that he needed to learn, and there’s a lovely combination of personal observations and stories with ideas and examples from the novels.

Here’s how he begins:

I was twenty-six, and about as dumb, in all human things, as any twenty-six-year-old has a right to be, when I met the woman who would change my life. That she’d been dead for a couple of hundred years made not the slightest difference whatsoever. Her name was Jane Austen, and she would teach me everything I know about everything that matters.

He goes through all the novels, matching them up to different periods of his life. There’s lots and lots of good stuff here. He has studied all the novels and studied Jane Austen’s life, so he has plenty of information to convey, and along the way, he comes up with some profound insights and self-deprecating humor. I’ll include at least one paragraph from the chapter on each novel, but there’s a lot more where this comes from.

From Emma:

There was one more thing about my life that had to change, now that I’d read Emma: my relationships with the people around me. Once I started to see myself for the first time, I started seeing them for the first time, too. I began to notice and care about what they might be experiencing, and they began to develop the depth and richness of literary characters. I could almost feel along with their feelings now, as we talked, feel the contours of them as they tried to express them to me. Instead of a boring blur, the life around me now was sharp and important. Everything was interesting, everything was meaningful, every conversation held potential revelations. It was like having my ears turned on for the first time. Suddenly the world seemed fuller and more spacious than I had ever imagined it could be, a house with a thousand rooms that now lay open to explore.

From Pride and Prejudice:

But Austen, it turned out, did not see things that way. For her, growing up has nothing to do with knowledge or skills, because it has everything to do with character and conduct. And you don’t strengthen your character or improve your conduct by memorizing the names of Roman emperors (or American presidents) or learning how to do needlework (or calculus). You don’t do so, she believed, by developing self-confidence and self-esteem, either. If anything, self-confidence and self-esteem are the great enemies, because they make you forget that you’re still just a bundle of impulse and ignorance. For Austen, growing up means making mistakes.

From Northanger Abbey:

Catherine thought she saw things at Northanger Abbey that weren’t really there, but the novel, my professor explained, was not against imagination. Quite the opposite. It was against delusion, against projection, against thinking the same old thing again and again, whether it’s the idea that all balls are “very agreeable indeed” or that all old houses conceal dark secrets. True imagination, he went on, means the ability to envision new possibilites, for life as well as art. Mrs. Allen and the rest of Austen’s dull adults were not ignorant or stupid so much as they were unimaginative. Nothing was ever going to change for them, because they couldn’t imagine that anything ever would.

From Mansfield Park:

How different this was, I realized, from the kinds of stories I had trained myself to tell my friend and his wife, those polished little anecdotes that had to have a laugh at every turn. “You shall tell me all about your brothers and sisters.” All about: no impatience, no competitiveness, no interruptions, no need to worry about being entertaining, no having to watch your listeners’ eyes glaze over while they thought about what they were going to say when you finally stopped talking already. Did Edmund really care about her brothers and sisters? Probably not. But he cared about her, and she cared about them, and that was enough for him. To listen to a person’s stories, he understood, is to learn their feelings and experiences and values and habits of mind, and to learn them all at once and all together. Austen was not a novelist for nothing: she knew that our stories are what make us human, and that listening to someone else’s stories — entering into their feelings, validating their experiences — is the highest way of acknowledging their humanity, the sweetest form of usefulness.

From Persuasion:

Putting your friend’s welfare before your own: that was Austen’s idea of true friendship. That means admitting when you’re wrong, but even more importantly, it means being willing to tell your friend when they are. It took me a long time to wrap my head around that notion, because it flew so strongly in the face of what we believe about friendship today. True friendship, we think, means unconditional acceptance and support. The true friend validates your feelings, takes your side in every argument, helps you feel good about yourself at all times, and never, ever judges you. But Austen didn’t believe that. For her, being happy means becoming a better person, and becoming a better person means having your mistakes pointed out to you in a way that you can’t ignore. Yes, the true friend wants you to be happy, but being happy and feeling good about yourself are not the same things. In fact, they can sometimes be diametrically opposed. True friends do not shield you from your mistakes, they tell you about them: even at the risk of losing your friendship — which means, even at the risk of being unhappy themselves.

From Sense and Sensibility:

If love begins in friendship, I was now able to see, it has to adhere to the principles of friendship as Austen understood them. The lover’s highest role, like the friend’s, is to help you to become a better person: push you, if necessary, even at the risk of wounded feelings. Austen’s lovers challenged each other: to be less selfish, more aware, kinder, more considerate — not only toward each other but to everyone around them. Love, I saw, for Austen — and what a change this was from the days of my rebellious youth — is an agent not of subversion, but of socialization. Lovers aren’t supposed to goad each other toward extremes of transgression, the way that Marianne and Willoughby did; they’re supposed to teach each other the value of behaving with propriety and decorum, show each other that society’s expectations are worthy, after all, of respect. Love, for Austen, is not about remaining forever young. It’s about becoming an adult.

Now, undoubtedly, my knowledge of all the Austen novels contributed to my enjoyment of this book, but I have little doubt that it would also encourage people to read the novels who haven’t before. All in all, it’s a wonderful contribution to Austenalia, a delightful, thoughtful, even scholarly contribution, and from a male perspective, as a nice contrast to so many others. I highly recommend that Jane Austen fans read this book.

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Find this review on Sonderbooks at: www.sonderbooks.com/Nonfiction/jane_austen_education.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on my own copy, which I got at an ALA conference.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Journal of Best Practices, by David Finch

Biography, Nonfiction Review, Relationships, Stand-outs, Starred Review, True Stories 0

The Journal of Best Practices

A Memoir of Marriage, Asperger Syndrome, and One Man’s Quest to Be a Better Husband

by David Finch

Scribner, New York, 2012. 224 pages.
Starred Review
2012 Sonderbooks Stand-out: #5 Nonfiction: Personal Stories

This book is sweet. As an adult, David Finch was diagnosed as having Asperger’s Syndrome. It actually opened his eyes to why his marriage was falling apart. He began working on learning how to be a good husband, and kept a Journal of Best Practices.

He writes with plenty of humor. Some of the practices, wives might assume a husband would know without being told. I’m thinking of things like “Laundry: Better to fold and put away than to take only what you need from the dryer.” David Finch used his diagnosis to tackle things like that without blame and simply strive to be nicer for his wife to live with.

Here’s where he explains how the diagnosis helped:

Once I learned that I have Asperger syndrome, the fact that we’d had these serious marital problems seemed less surprising. Asperger syndrome can manifest itself in behaviors that are inherently relationship defeating. It’s tricky being married to me, though neither Kristen nor I could have predicted that. To the casual neurotypical observer (neurotypical refers to people with typically functioning brains, i.e., people without autism), I may seem relatively normal. Cognitive resources and language skills often develop normally in people with Asperger syndrome, which means that in many situations I could probably pass myself off as neurotypical, were it not for four distinguishing characteristics of my disorder: persistent, intense preoccupations; unusual rituals and behaviors; impaired social-reasoning abilities; and clinical-strength egocentricity. All of which I have to an almost comically high degree. But I also have the ability to mask these effects under the right circumstances, like when I want someone to hire me or fall in love with me.

Looking back, I suppose a diagnosis was inevitable. A casual girlfriend might have dismissed my compulsion to arrange balls of shredded napkin into symmetrical shapes as being idiosyncratic or even artistic. But Kristen had been living with me — observing me for years in my natural habitat — and had become increasingly skilled in assessing autism spectrum conditions in her job as a speech therapist….

Most people intuitively know how to function and interact with people — they don’t need to learn it by rote. I do. I was certain that with enough discipline and hard work I could learn to improve my behaviors and become more adaptable. While my brain is not wired for social intuition, I was factory-programmed to observe, analyze, and mimic the world around me. I had managed to go through school, get a good job, make friends, and marry — years of observation, processing, and trial and error had gotten me this far. And my obsessive tendencies mean that when I want to accomplish something I attack it with zeal. With my marriage in dire straits, I decided that even if I needed to make flash cards about certain behaviors and staple them to my face to make them become second nature, I was willing to do it.

Kristen didn’t know it, but that was what her life was about to become — her husband, with the best of intentions, stapling flash cards to his face. Okay, not to his face. And there were no staples involved. But flash cards? Definitely. Many people leave reminder notes for themselves: Pick up milk and shampoo, or Dinner with the Hargroves at 6:00. My notes read: Respect the needs of others, and Do not laugh during visitation tonight, and Do not EVER suggest that Kristen doesn’t seem to enjoy spending time with our kids.

I found two things particularly endearing about this book:

1) That he was willing to make so many changes to make life easier for his wife.
2) That his wife loved him despite the hugely egocentric life he was living before the diagnosis and that she never asked him to be perfect. (Some of his descriptions of what he was doing before are pretty outrageous. But she clearly loves him.)

This is a lovely and humorous story about two imperfect people, one exceedingly quirky, learning to live together with love and grace.

SimonandSchuster.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Nonfiction/journal_of_best_practices.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Austenland, by Shannon Hale

Austenalia, Chick Lit, Fiction Review, Romance, Stand-outs, Starred Review 0

Austenland

by Shannon Hale

Bloomsbury, 2007. 197 pages.
Starred Review
2007 Sonderbooks Stand-out: #2 Romance Fiction

I read Austenland when it first came out, but 2007 was a hectic year for me, what with finishing up my MLIS degree and working half-time and desperately needing a full-time job (and eventually finding one). So I didn’t get a lot of books reviewed that year, and never did post a review of this book.

This year, when Midnight in Austenland came out, it was a lovely excuse to reread Austenland and finally remedy that fault. I did not need to reread Austenland at all to enjoy Midnight in Austenland, since they involve different characters. But it did make a lovely excuse to enjoy this one again.

I am an avid and unashamed Jane Austen fan, and this book is one of my favorite take-offs on her work. The idea is simple: A theme park in England where women can pay to spend a few weeks immersed in a Jane Austen novel, to pretend they are really there.

Jane Hayes wasn’t rich enough to go there on her own steam, but her great-aunt Carolyn spots Jane’s hidden DVD of Pride and Prejudice starring Colin Firth, and Aunt Carolyn figures out Jane’s obsession. She has some wise words about figuring out what’s real.

But then Aunt Carolyn goes a little farther. In her will, she gives Jane an all-expenses-paid trip to Austenland. The trip is nonrefundable, so Jane decides to take it. She reflects:

Jane lay back down, but this time placed the throw pillow under her head. Okay, all right, she would go. It would be her last hurrah. Like her friend Becky, who’d taken an all-you-can-eat dinner cruise the night before going in for a stomach stapling. Jane was going to have one last live-it-up and then quit men entirely. She’d play out her fantasy, have a staggering good time, and then bury it all for good. No more Darcy. No more men — period. When she got home she’d become a perfectly normal woman, content to be single, happy with her own self.

She’d even throw away the DVDs.

Well, needless to say, things don’t turn out quite as Jane expects. Along the way, we’ve got all kinds of fun and of course some mistaken first impressions.

This is a light and fluffy book, and so much fun. Clearly, Shannon Hale filled it with love and respect for Jane Austen, and she pulled off an appropriate tribute that’s a wonderful book in its own right.

Now I just wish someone would really create such a place as Austenland, and that I could go!

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Find this review on Sonderbooks at: www.sonderbooks.com/Fiction/austenland.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on my own copy, purchased from Amazon as soon as it was published.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Oh, No! by Candace Fleming and Eric Rohmann

Animal Characters, Picture Book Review, Readalouds, Stand-outs, Starred Review 0

Oh, No!

Words by Candace Fleming
Pictures by Eric Rohmann

Schwartz & Wade Books (Random House), New York, 2012. 36 pages.
Starred Review
2012 Sonderbooks Stand-out #9 Picture Books

This book charmed me from the moment I saw it. I simply had to read it aloud. The story can be sung to the tune of “Froggie Went a-Courtin’,” with a few adjustments. In place of “Uh-huh,” you’ve got a refrain of “Oh No!” in very appropriate spots at the end of each verse, and other fun sound effects earlier in the verses.

The story is simple: Several animals fall into a hole, and can’t get out, and it looks like Tiger will eat them. When each animal falls in, we have appropriate sound effects: “Ribbit-oops!” for frog; “Pippa-eek!” for mouse; “Soo-slooow!” for loris; “Grab on!” for sun bear (bending down a branch); and “Wheee-haaaa!” for monkey. When tiger comes to taunt them, anticipating his dinner, it’s “Slop-slurp!”

But someone bigger than Tiger comes along to help, the tables are turned, and no one gets eaten. Will the animals help Tiger out of the trap? “Oh, no!”

Caldecott winner Eric Rohmann has outdone himself with the beauty of these illustrations. The book has so many elements great for a storytime picture book: A catchy tune or rhythm (if you don’t want to sing it), fun sounds, repetitive and progressive story line with nice twists, animals they might not have known, and a turn-about story that will appeal to their sense of justice.

Now, there are some places where the exact tune has to be adjusted a bit. Personally, I found I was not capable of reading it straight, without putting it to the tune. Others may have better luck! But either way, this book begs to be read or sung aloud, and you will definitely want to share it with a child.

candacefleming.com
ericrohmann.com
randomhouse.com/kids

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Find this review on Sonderbooks at: www.sonderbooks.com/Picture_Books/oh_no.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Balloons Over Broadway, by Melissa Sweet

Biography, Children's Nonfiction Review, Picture Book Review, Starred Review 0

Balloons Over Broadway

The True Story of the Puppeteer of Macy’s Parade

by Melissa Sweet

Houghton Mifflin Books for Children, 2011. 36 pages.
Starred Review
2012 Sibert Medal Winner
2012 Sonderbooks Stand-out #4 Children’s Nonfiction

Balloons Over Broadway is the true story of an artist written by an artist, and it shows. To create the art for the book, Melissa Sweet began by making toys and puppets — just like Tony Sarg did.

The story tells about how Tony Sarg liked to figure out how things worked even as a child, and how he conceived of the Macy’s Parade balloons as a kind of marionette with controls underneath instead of above.

Throughout the book, there is variety and fascinating detail in the illustrations. And she captures some of Tony Sarg’s thought processes in making the parade balloons.

Ultimately, this is a true story of creativity and overcoming challenges. And like all great picture books, you really must see it yourself to appreciate it fully. This one’s worth reading for adults, but is simple enough and interesting enough for young elementary age readers. I hope kids find it in the Biography section, because what we have is a great story.

melissasweet.net
hmhbooks.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Nonfiction/balloons_over_broadway.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

I’m posting this tonight in honor of Nonfiction Monday, hosted today at 100 Scope Notes.

Review of So Good They Can’t Ignore You, by Cal Newport

Nonfiction Review, Personal Growth, Starred Review 0

So Good They Can’t Ignore You

Why Skills Trump Passion in the Quest for Work You Love

by Cal Newport

Business Plus, New York, 2012. 273 pages.
Starred Review
2012 Sonderbooks Stand-out #2 Other Nonfiction

It only took a few chapters of this book to convince me it would make a good Christmas present for both of my young adult sons (and by that I mean adults who are young, not high school students). So I will wait to post this review until after Christmas. Having just finished the book myself, I keep thinking about the ideas and about how they apply to my own career.

All my life, I believed the key to a happy work like was Finding Your Passion. I read books like Do What You Love, the Money Will Follow, and thought I’d found directions for a happy life. Now, in my second career — or really my first career, since teaching college math was just a job — I think I’m happy because I found a job that fits my passion. So why do Cal Newport’s words ring so true?

His subtitle explains what he’s talking about: Why Skills Trump Passion in the Quest for Work You Love. He begins by saying that advice I’d believed in so long — “Follow your passion.” — is dangerous advice.

So, I thought I was following my passion, but why did I feel a certain criticism for others I saw not working, looking for the perfect job? I do think a certain amount of affinity is needed, but maybe that’s just another word for skills? As an example, after I got my Master’s degree in Math, I taught college Mathematics for ten years.

I love math. I even enjoy grading papers. Getting up in front of a class and teaching it? Not so much. I’m an introvert, and when I eventually began working in a library, I found the one-on-one interaction infinitely more to my liking. Even running library children’s programs feels much more individualized and personal than getting up in front of a college classroom and having to test people on what they get from my teaching.

However, to be fair, Cal Newport doesn’t just go with a simple “Don’t follow your passion.” He looks deeper at what things do go into a fulfilling career. The research shows that three key components of fulfilling work are:

Autonomy: the feeling that you have control over your day, and that your actions are important.

Competence: the feeling that you are good at what you do

Relatedness: the feeling of connection to other people

If “Follow your passion” is dangerous advice, what should you do? He contrasts “the passion mindset” with “the craftsman mindset.” The craftsman mindset is summed up in the Steve Martin quote he used for the title of the book: “Be so good they can’t ignore you.” And that means working hard toward mastery.

The contrast is summed up this way:

Whereas the craftsman mindset focuses on what you can offer the world, the passion mindset focuses instead on what the world can offer you. This mindset is how most people approach their working lives.

There are two reasons why I dislike the passion mindset (that is, two reasons beyond the fact that, as I argued in Rule #1, it’s based on a false premise). First, when you focus only on what your work offers you, it makes you hyperaware of what you don’t like about it, leading to chronic unhappiness. This is especially true for entry-level positions, which, by definition, are not going to be filled with challenging projects and autonomy — these come later. When you enter the working world with the passion mindset, the annoying tasks you’re assigned or the frustrations of corporate bureaucracy can become too much to handle.

Second, and more serious, the deep questions driving the passion mindset — “Who am I?” and “What do I truly love?” — are essentially impossible to confirm. “Is this who I really am?” and “Do I love this?” rarely reduce to clear yes-or-no responses. In other words, the passion mindset is almost guaranteed to keep you perpetually unhappy and confused, which probably explains why Bronson admits, not long into his career-seeker epic What Should I Do With My Life? that “the one feeling everyone in this book has experienced is of missing out on life.”

It fascinated me that Cal Newport brought up Po Bronson’s book. I reviewed What Should I Do With My Life? in 2003, and discussed the ideas at length — what does it mean to find your calling? At the time, it was the review that generated by far the most discussion among those who read it.

Now, I still think there’s something in the idea of finding your calling. But I did like the way Cal Newport made the case that a meaningful mission comes after you’ve built up some career capital. It takes time. It’s not about deciding ahead of time and then pursuing that calling, but more often builds out of achieving mastery and then finding how to make it meaningful.

Cal Newport argues, “you adopt the craftsman mindset first and then the passion follows.”

He presents research and case studies and excellent arguments and then gives us “The Career Capital Theory of Great Work”:

The traits that define great work are rare and valuable.

Supply and demand says that if you want these traits you need rare and valuable skills to offer in return. Think of these rare and valuable skills you can offer as your career capital.

The craftsman mindset, with its relentless focus on becoming “so good they can’t ignore you,” is a strategy well suited for acquiring career capital. This is why it trumps the passion mindset if your goal is to create work you love.

He goes on to talk about how best to do that. He again looks at examples of people with satisfying, meaningful careers. He shows us the importance of deliberate practice in increasing your skills. He makes some interesting claims:

Even with the craftsman mindset, however, becoming “so good they can’t ignore you” is not trivial. To help these efforts I introduced the well-studied concept of deliberate practice, an approach to work where you deliberately stretch your abilities beyond where you’re comfortable and then receive ruthless feedback on your performance. Musicians, athletes, and chess players know all about deliberate practice. Knowledge workers, however, do not. This is great news for knowledge workers: If you can introduce this strategy into your working life you can vault past your peers in your acquisition of career capital.

He goes on to talk about what constitutes a great job. One aspect is control. But there are two Control Traps. The first one is that you need career capital to acquire sustainable control in your job. The second control trap is that by the time you have enough career capital, you’re going to be so valuable to your employer, they will resist your making the change.

He does offer some good tests to navigate those control traps and figure out if you really have the career capital to make a change. The “law of financial viability” is nice and practical: Are people willing to pay for your new pursuit?

And then he talks about building a Mission. Here’s where passion comes in — later in your career. He argues again that you need career capital for this step. And if you want a mission that makes a difference, you should look at the cutting edge of your career field. So when you’re new to the field and lacking in career capital, it’s not yet time to devise a mission.

Once you do get an idea of where you’d like to go, he suggests the strategy of “little bets” — small steps that generate concrete feedback. “Then use this feedback, be it good or bad, to help figure out what to try next. This systematic exploration can help you uncover an exceptional way forward that you might have never otherwise noticed.”

Another strategy he noticed in the people he studied was “the law of remarkability”:

This law says that for a project to transform a mission into a success, it should be remarkable in two ways. First, it must literally compel people to remark about it. Second, it must be launched in a venue conducive to such remarking.

Now, I have some questions about that. What if you aren’t going for “remarkable” success? What if you’re just going for happiness? Looking back at the traits of people happy with their jobs, I’m not sure remarkability is important. But I do like the idea of testing out which way to go — that’s all part of the strategy of building rare and valuable traits, being excellent at what you do.

Now this book, like Po Bronson’s book, didn’t even come close to talking about lifestyle choices like setting aside a career to raise children. But now that my children are grown, I like thinking about and wondering how all the different skills I’ve built in my life can combine into valuable career capital. How can I use deliberate practice and little bets to become a better librarian? And what aspects of my work do I want to deliberately practice? Reviewing? Readers’ advisory? Early literacy? Self-directed learning?

Part of the excellence of this book is that it has things to think about for people at every stage of their careers — for my son who’s just started college, my son looking for a job, for me having found a job I love, and even for someone years into their career thinking about what their mission should be or if they are ready for a change. There’s plenty in this book to get you thinking for a long time to come.

calnewport.com
bizplusbooks.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Nonfiction/so_good_they_cant_ignore_you.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Cabinet of Earths, by Anne Nesbet

Adventure, Children's Fiction Review, Fantasy, Stand-outs, Starred Review 0

The Cabinet of Earths

by Anne Nesbet

Harper, 2012. 260 pages.
Starred Review
2012 Sonderbooks Stand-out:
#2 Children’s Fiction: Fantasy and Science Fiction

It’s hard not to like a children’s fantasy tale set in Paris. (Okay, it’s hard for me not to like any book set in Paris.) Now, Maya, the main character, is not happy to be in Paris, and I like the way they explain it, not in a feel-sorry-for-herself way:

Her mother had a saying for bad days: Life is full of lessons, and the grades aren’t fair. By which she might as well have said, Sometimes your mother gets sick — really sick, like having to go through chemo and losing all her hair and most of her get-up-and-go — and you have to be a very good sport. Not just for a day or a summer, but for years. And here are the lessons Maya had learned about trying to be always, always a good sport:
1. it’s exhausting; and
2. nobody notices; and
3. it doesn’t really work very well, anyway.

After Maya’s mother is recovering from chemo, she encourages Maya’s dad to accept a fellowship he’s been offered to move the whole family to Paris for one year. Maya’s mom has a cousin in Paris. Maya’s little brother is annoyingly happy with the whole thing, and makes French-speaking friends at his new school almost instantly.

But there are some strange things happening in Paris. The Society of Philosophical Chemistry that gave her dad the fellowship has some mysteries. Its director is a distant relation. He’s young and handsome, and he seems awfully eager to meet Maya and her brother James. For years, children have gone missing from that section of Paris. Then there’s Cousin Louise, who is strangely invisible and unmemorable. She has to ask Maya to get even a waiter’s attention.

She was strangely hard to see. No color to her, somehow, just an oddly muted effect, as if there were a curtain of frosted glass between Maya’s eyes and her. Or a kind of haze in the air, almost. Just an ordinary sort of woman, but too vague to be properly ordinary, because ordinary ordinary people become more vivid when you pay attention to them, and this woman — well, you couldn’t quite focus on her, somehow.

All the mysteries seem to be focused around an amazing and beautiful old cabinet filled with bottles of earth that is in the possession of another distant relation of theirs — an eccentric old man who never leaves his home.

The mysteries and the adventure and the danger are woven together skillfully. Maya has to figure out her part in all these secrets, and then try to avert disaster.

I had one teeny-tiny complaint: I didn’t think that James talked like a five-year-old. But that’s minor, and I was able to adjust my image of him when the author mentioned his age. Perhaps his annoying charisma that makes everyone love him also made him a precocious conversationalist.

And like I said, that complaint was extremely minor. Overall, this book is a highly unusual magical adventure tale. We’ve got a modern child up against sinister forces in an unfamiliar environment and a mystery to solve before it’s too late. And it’s all set in Paris! Win-win!

annenesbet.com
harpercollinschildrens.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/cabinet_of_earths.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The False Prince, by Jennifer A. Nielsen

Adventure, Children's Fiction Review, Fantasy, Starred Review 0

The False Prince

by Jennifer A. Nielsen

Scholastic Press, New York, 2012. 342 pages.
Starred Review
2012 Sonderbooks Stand-out #1 Fantasy and Science Fiction for Children

So, funny thing. I read this book earlier in the year, as an Advance Reader Copy, and although I enjoyed it, I decided there were too many flaws, and I didn’t want to review it. I read it afresh at the end of 2012, as part of my reading for the Cybils, and this time I loved it.

What was the difference? I believe that both times I read it in one sitting, into the small hours of the morning, so I certainly found it a page turner both times.

I think the first time, it reminded me so much of The Thief, by Megan Whalen Turner, I couldn’t help but be disappointed. That’s an unfair comparison for almost any book, so when I figured out the big reveal fairly easily, I held it against the author and thought she should have done the revealing differently. The second time I read it, I knew what I knew (and some other reviewers thought she intended us to figure it out), so I didn’t worry about that. I firmly did not compare it to The Thief, and this time I loved it.

The book opens with an orphan named Sage stealing a roast for the orphanage and then being captured and bought by a nobleman. Conner, the nobleman, gets three other orphan boys and tells them one of them is going to replace the prince who’s been missing for four years. The rest of the royal family is dead, and the country will find out in two weeks’ time. If one of the boys can get everything right in two weeks, he will be the new king and live in luxury the rest of his life. Of course, it’s pretty clear that whichever boys are not chosen will need to be killed to keep the secret.

Sage isn’t one to capitulate to Conner’s power, and he clearly has plans of his own. How it all gets worked out is wonderful tale. If the big twists and turns don’t take you by surprise, there are still some little details that will slip through. The book is hard to put down, and the action keeps going. I do have to say that, like Megan Whalen Turner’s books, you do spot more details when you reread the book that you won’t have realized were significant the first time around.

The best thing about this book? It’s “Book One of the Ascendance Trilogy.” The book does stand alone beautifully, and tells a complete story. But I’m definitely looking forward to finding out what happens next.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/false_prince.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of This Is Not My Hat, by Jon Klassen

Animal Characters, Picture Book Review, Starred Review 0

This Is Not My Hat

by Jon Klassen

Candlewick Press, 2012. 36 pages.
Starred Review
2012 Sonderbooks Stand-out: #4 Picture Books

What is it with Jon Klassen and stealing hats? This Is Not My Hat is remarkably similar to his last year’s book, I Want My Hat Back (which was also my #4 Picture Books Stand-out), while having completely different characters, a completely different setting, and even a very different hat! But as in the earlier book, justice is dramatic, swift and sure while at the same time off stage and mysterious, but highly satisfying. (Alas! Perhaps I’m more bloodthirsty than I realized.) And in both the occasion of said justice — stealing a hat — is a wonderful child-sized problem perfect for discussion.

Here are some ways the two books are similar:

1. A hat is stolen.
2. The victim of the hat theft is outraged and angry (as evidenced by their wide eyes).
3. The thief is much smaller than the one they stole from.
4. The thief is doing some lying, whether to others or merely to himself.
4. The illustrations are fabulous, with deadpan expressions and highly expressive eyes.
5. Both leave a delightful amount of room for children to draw their own conclusions, but I can let you in on a spoiler: The thief gets eaten. (That’s my story, and I’m sticking to it.)

In this one, the book begins with the thief fleeing the scene of the crime. He admits he stole the hat, but the big fish he stole it from was asleep and probably won’t wake up for a long time or even notice that it’s gone. As he says this, we see pictures of the big fish waking up and then noticing the hat is gone. The little fish has a plan — to go where the plants grow big and tall and close together where nobody will ever find him. Well, he does get there, with the big fish right behind. You definitely can’t see what happens inside those plants — but let’s just say it doesn’t look good for the little fish.

I love the page with the thief’s rationalization (What a way to discuss Rationalization with children!):

I know it’s wrong to steal a hat.
I know it does not belong to me.
But I am going to keep it.
It was too small for him anyway.
It fits me just right.

And you know what? He’s right! The hat does fit him just right, and is way too small with the big fish. But I still think this would make a great pairing with The Book of Bad Ideas! And what a fabulous way to discuss Right and Wrong with kids. Or, just to read a tremendously fun story, where drama and art and plot are all beautifully balanced with a delightful result. I guess there’s a little kid who enjoys justice inside all of us. Or at least a person who enjoys a good story.

candlewick.com

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Picture_Books/this_is_not_my_hat.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.