Review of The Hero’s Guide to Storming the Castle, by Christopher Healy

The Hero’s Guide to Storming the Castle

by Christopher Healy
with drawings by Todd Harris

Walden Pond Press, April 30, 2013. 479 pages.
Starred Review

I’m so happy to get my hands on the sequel to The Hero’s Guide to Saving Your Kingdom. Here’s more of the same: Silly, adventurous fun.

Yes, you should read these books in order. The first book tells you all about the Princes Charming, who aren’t named in their respective fairy tales. The author makes it very clear this is a second book right on the first page:

Now, you may be asking yourself, Who is this Prince Duncan, and what makes him such an expert on heroes? To which I will respond by saying that perhaps you may have skipped a book on your way to this one. You should probably check on that.

In this book, the selfish, cruel, and calculating Briar Rose blackmails her Prince Charming, Liam, into finally marrying her and getting the league of heroes to recover his family’s sword from the castle of the Bandit King. Hence the name, as the main action involves storming the castle to get that sword.

The plot, as before, is convoluted and full of setbacks, adventure, and silliness. The characters are colorful and cartoon-like. Although adults of marrying age (except the Bandit King), they are quite childlike in their motivation.

But it’s all in good fun. Here’s a random chapter beginning to give you the flavor:

The four princes, along with Ella and Briar, sat at the round table in Avondell’s War Room, waiting for a report from Smimf. Only one day had passed since the League of Princes sent the young messenger to Rauberia armed with a fake advertisement that would serve as his excuse for getting inside the castle gate (“SPECIAL DEAL FOR NEW MONARCHS! HALF-PRICE CROWNS! FREE ESTIMATES ON RESIZING!”), and already he had returned. He stood at attention before the group, loosened his scarf, and hiked up his shorts.

“What did you find out?” Liam asked.

“Well, I found out that the king is not interested in purchasing a new crown unless he can get at least seventy-five percent off,” said Smimf.

“What did you learn about the castle?” Liam more specifically inquired.

As with the first book, the story went on a bit long for my personal taste, but again I don’t think that will be an obstacle for kids who are once hooked. It reminds me of a Disney cartoon, with simplistic emotions, a convoluted plot and lots of gags. But in a good way! The illustrations perfectly fit that feel. I think that, like the first book, this one would make a good classroom read-aloud. It’s light-hearted and fun, even if as an adult reader, I get a little tired of the juvenile humor after awhile.

And there’s a larger plotline slowly building. We do have the sense that most of the princes weren’t necessarily paired with the right princess in their respective fairy tales. And the ending gives an ominous note of danger ahead. We know our bumbling heroes will be required to save the day.

The Hero’s Guide to Saving Your Kingdom is a Summer Reading Program selection for our library system. I’m looking forward to booktalking it in the schools at the end of the year, and especially telling the kids that if they like the first book, there’s more fun in store for them.

Yes, it’s silly. Yes, the characters are somewhat cartoon-like. Yes, it goes on a bit long for me. But the fact is, these books are well-written. The plot is coherent, the characters are truly charming, and they’re up against high stakes, which they plausibly overcome, even with all their shortcomings. You can’t help but root for these guys. And I can’t help but want to find out what happens next.

christopherhealy.com
harpercollinschildrens.com

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Source: This review is based on an Advance Review Copy sent to me by the publisher.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Princess of the Silver Woods, by Jessica Day George

Princess of the Silver Woods

by Jessica Day George

Bloomsbury, 2012. 322 pages.
Starred Review

I finally got a chance to read Princess of the Silver Woods! It first came out when I was busy reading books for the 2012 Cybils, but too late in the year to be eligible for one. Princess of the Silver Woods wraps up the trilogy begun in Princess of the Midnight Ball and continued in Princess of Glass. Yes, you should read the earlier books to fully appreciate this one.

All the books play off specific fairy tales. The first one, which laid the groundwork, played off “The Twelve Dancing Princesses.” The second one played off “Cinderella.” This one plays off “Little Red Riding Hood.”

And now we interrupt this review for a mini-rant.

What IS it with the “Red Riding Hood” take-offs? People, “Little Red Riding Hood” is not a romantic story! What are you all doing basing romantic novels on that plot? Enough already! It probably didn’t help that the first one I read was Cloaked in Red, by Vivian Vande Velde. Unlike the others, Cloaked in Red is not a romantic novel, but a collection of stories from different perspectives, all based on “Little Red Riding Hood.” Pretty much all variations are covered. It’s fun and it’s silly, and there’s a story where each different character shines.

The three recent romantic novels that played off the story were Beauty and the Werewolf, by Mercedes Lackey; Scarlet, by Marissa Meyer; and Princess of the Silver Woods, by Jessica Day George. What’s more, I’ve had Cloaked, by Alex Flinn, sitting on my shelf at home for months. I think I understand now why I haven’t gotten around to reading it.

Of these, my favorite was probably Beauty and the Werewolf — and that’s particularly because it got off the story of “Little Red Riding Hood” and made far more parallels with “Beauty and the Beast,” a fairy tale that is romantic and that I do love (however twisted it may be).

But you know what? By the third time someone’s making the “wolf” the romantic hero and the huntsman the sinister villain, I no longer find that the least bit innovative. And the “grandmother”? (Though Beauty and the Werewolf didn’t have one.) Whatever weird situation you’re getting her into, I really don’t care.

Okay, mini-rant is over. Now let’s talk about why I loved Princess of the Silver Woods in spite of that.

And, yes, I loved Princess of the Silver Woods. Fortunately, the “Little Red Riding Hood” parallels were not a big part of the story. Sure, she wore a striking red cloak, but I don’t mind that. And yeah, he’s part of a gang of bandits that call themselves “The Wolves of Westfalin,” but really he’s good at heart, and an earl who’s lost his land. He only steals because he has to feed his people.

[I’ll try to spare you another mini-rant. What is it with the romantic thief? No, I don’t find thieves attractive. Gen wins me over in spite of that, and The False Prince eventually, too. But being a good thief is not an admirable quality, okay? It doesn’t belong to you. Leave it alone, for crying out loud! Find some field work to do! You don’t have to steal! Okay, I’ll stop. That also wasn’t a big part of this book.]

Okay, I’m starting to wonder why I did like this book!

But the situation Petunia, the youngest of the twelve princesses, finds herself in is compelling. She’s visiting a grand duchess with a handsome grandson. (He’s a huntsman, so that can’t be good.) She’s having horrible nightmares, in which she’s back in the Kingdom Under Stone (from the first book, based on “The Twelve Dancing Princesses.” Such a sinister place). In her dreams, Kestilan, the prince of the Under Stone kingdom, says she will have to marry him. And then Oliver, the landless earl who’s turned to banditry, sees something chilling:

It was very late, and all the windows were dark. Oliver found himself praying silently that someone would light a lamp or a candle, even if the light exposed him. What were those things crawling across the lawn? With a mounting sense of horror, he saw the dark shapes reach the house.

With a terrible laugh, the shadow creatures pulled themselves up the wall to a window on the second floor that was open despite the cold. Oliver hid behind a fountain. The room they had just entered had been his childhood bedroom. Whose was it now? He prayed again, this time that the room had not been given to Petunia.

His question was answered a few moments later when a young woman’s voice cried out, the sound carrying clearly through the open window. She screamed out denials, she screamed out insults, and over and over again she reviled someone called “Kestilan.”

“Oh, ye gods, Petunia,” Oliver whispered from his concealment. “What is all this?”

After the shadows leave the house, they come across the lawn toward Oliver:

“Stay away from her,” Oliver said, trying to sound dangerous and not terrified.

Another cackling laugh. The shadow reached out and put its hand into Oliver’s chest. A sheath of ice instantly covered his heart, and then the shadow squeezed. Oliver gasped as intense pain flared in his chest, streaking through his entire body. He tried to step back but found that he couldn’t move so much as an eyelid.

“She is not for you,” the shadow said in a low, harsh voice. “She is for us. All of them are for us.”

That was enough to hook me. I had to find out if Petunia and her eleven sisters could rid themselves of the foe they thought they’d already defeated, the King Under Stone, once and for all.

JessicaDayGeorge.com
bloomsburyteens.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Jack and the Baked Beanstalk, by Colin Stimpson

Jack and the Baked Beanstalk

by Colin Stimpson

Templar Books (Candlewick Press), 2012. 36 pages.

Here’s a cinematic retelling of Jack and the Beanstalk set in what looks like 1930s America. Jack and his mom run a diner, but when a huge overpass is built, all their business goes away, and they’re down to their last few pennies. Jack’s mother sends him to buy some coffee beans, but then Jack meets a guy who looks like a bum under a city bridge who offers to sell him a can of magic baked beans.

Now Jack had read enough fairy tales to know that you don’t turn down an offer like that. Also, baked beans were his favorite food in the whole world, so he couldn’t resist tasting some magic ones. Thanking the man, Jack exchanged his last pennies for the beans and ran home.

You know how the story goes. This vine, instead of growing regular beans, grows cans of baked beans as it stretches high into the sky.

But this story has all the unkind and unethical bits taken out.

“We have visitors,” boomed the giant.

“So I see,” squawked the chicken.

“And we know just what to do with visitors, don’t we?” said the giant. “Now you STAY THERE. I’ll be back in a jiffy.” And with that the giant grabbed a handful of the chicken’s eggs and marched off to his kitchen. Soon the sound of clattering pots and pans was making the table tremble.

“Is he going to eat us, Chicken?” squeaked Jack.

“Don’t be silly!” cackled the chicken. “He just wants to make you some lunch. He hasn’t cooked for someone new in a long, long time.”

You see, it’s all good-hearted and ever so friendly. No nasty running off with the harp or stealing the goose that lays the golden eggs. (And instead of a harp, it’s a magic radio. Instead of eggs of gold, the chicken lays eggs that taste good.)

I wasn’t surprised to read at the back that Colin Stimpson has been an art director and production designer for Steven Spielberg and Walt Disney Feature Animation, because these paintings look like stills from an excellent animated feature film. He uses light to highlight the action. He has incredibly detailed three-dimensional-looking backgrounds. This would work well as a cartoon short.

But mostly, it’s just plain fun. The nice giant helps good-hearted Jack and his mother (and his ever-present dog) feed plain working folk. And everybody ends up happy. Did I mention the book is beautiful to look at? This book will leave you smiling.

candlewick.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Sleeping Beauty, by Mercedes Lackey

Sleeping Beauty

by Mercedes Lackey

Luna, 2010. 345 pages.
Starred Review
2012 Sonderbooks Standout: #3 Fantasy Fiction

I do so love Mercedes Lackey’s Tales of the Five Hundred Kingdoms! They are fairy tale variants, but for once they are written for grown-ups. They appeal to the reader’s intelligence, and a vast storehouse of Tradition powers the magic in the tales. It’s so much fun the way she looks at the way the Tradition would affect real people’s lives.

Take the princesses that get awakened from sleep by a prince’s kiss, for example. There’s Snow White. There’s Sleeping Beauty. And who knew, the Siegfried saga involves him waking a sleeping shieldmaiden who’s actually his aunt surrounded by a ring of flaming roses.

Chapter One of The Sleeping Beauty opens with Princess Rosamund fleeing from a Huntsman and mourning her situation.

It wasn’t fair. It just wasn’t fair. Why did her mother die? She had been so good; she’d never done anything to deserve to die!

But of course, the part of her mind that was always calculating, always thinking, the part she could never make just stop, said and if it hadn’t been that, it would have been something else. You just turned sixteen. You know what that means in the Tradition.

Oh, she knew. Sixteen was bad enough for ordinary girls. For the noble, the wealthy, The Tradition ruthlessly decreed what sort of birthday you would have — if you were pretty, it was the celebration of a lifetime. If you were plain, everyone, literally everyone, would forget it was even your birthday, and you would spend the day miserable and alone. Traditional Paths went from there, decreeing, unless you fought it, just what the rest of your life would be like based on that birthday. For a Princess, it was worse. For the only child who was also a Princess, worse still. Curses or blessings, which might be curses in disguise, descended. Parents died or fell deathly ill. You were taken by a dragon. Evil Knights demanded your hand. Evil Sorcerers kidnapped you to marry you — or worse.

Fortunately, Rosamund’s kingdom, Eltaria, has a powerful fairy godmother who is trying to divert all the magic swirling around Eltaria into less harmful channels. But her task isn’t easy.

To add to the fun, Siegfried wanders into the kingdom. I love the summing up Mercedes Lackey gives of Siegfried’s story. When he drank dragon’s blood as a boy and learned the language of beasts, he picked up a bird as a traveling companion who warned him about The Tradition and the fate planned for him.

At ten years old, Siegfried of Drachenthal learned that he had been a game piece all of his life in the metaphorical hands of The Tradition. That he was supposed to go and wake up a sleeping woman, that they would fall in love, and that this was going to lead to an awful lot of unpleasant things. And that if he didn’t somehow find a way around it, he was Doomed.

At ten, Doom didn’t seem quite as horrid a fate to try to avoid as a Girl was. But it seemed that by avoiding that one particular Girl, in those particular circumstances, who would be the first woman he had ever seen who was not an aunt, he would also avoid the Doom. So he did. He got away from Drachenthal, had the bird scout on ahead so that the first woman he ever saw was not his aunt but someone’s lively old granny, and began searching for a way to have a Happy, rather than Tragically Heroic, ending.

At twenty, the idea of a Girl all his own seemed rather nice, but Doom was definitely to be avoided. He had begun to think about this, rather than just merely avoiding all sleeping women in fire circles wearing armor. Other Heroes ended up with Princesses, castles, happy endings, dozens of beautiful children. Why couldn’t he?

The bird had been of the opinion that he ought to be able to, if he could trick The Tradition into confusing his fate with some other sort of Hero’s. That sounded good to Siegfried. . . .

“So in order to hoodwink The Tradition, all I have to find is someone blond, asleep in a ring of fire and flowers, who is not a Shieldmaiden demigoddess, and wake her up?” he was asking the bird, as he hacked his way through the underbrush with his eversharp, unbreakable sword.

It’s an easy to get an idea where this is going, but you will only get an inkling of how much fun and humor is to be found along the way.

Another thoroughly enjoyable offering from Mercedes Lackey.

LUNA-Books.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Sonderling Sunday – Grimms Märchen

It’s Sonderling Sunday! That time of the week when I play with language by looking at the German translation of children’s books, or, in this case, the English translation of German fairy tales. I hope that this post is fun for everyone, whether or not you speak any German.

I’m not sure what took me so long to think of Grimm’s fairy tales. I bought my German edition of this Klassiker der Weltliteratur (classic of world literature) at Sababurg, the castle where the Grimm brothers traditionally set the story of “Sleeping Beauty.” My English edition was given to me by Jeff Conner, the librarian who first hired me to work in a library. It was an excellent choice! So both books mean a lot to me.

I don’t think I’ll go straight through the fairy tales. I’ll start with something more well-known. There are 158 in my German edition, but 211 in my English one. I guess that’s why it calls itself “complete.”

Since I purchased the German edition at Sleeping Beauty’s Castle, why not begin with “Sleeping Beauty,” known in German as Dornröschen (“Briar Rose,” or, more literally, “Little Thorn Rose,” but we’d never call her that!)

Now, my English edition may not be a direct translation of this exact German edition, but it does seem pretty similar, so I have things I can work with.

I like the first sentence of the German edition, with all its alliteration:

Ein König und eine Königin kriegten gar keine Kinder, und hätten so gern eins gehabt.
This translates to: “A king and a queen had absolutely no children, and wanted one very much.”

The English edition puts it more beautifully: “In times past there lived a King and Queen, who said to each other every day of their lives, ‘Would that we had a child!’ and yet they had none.”

In the next part, the English is again wordier, and again I like all those K’s:
Einmal sa? die Königin im Bade, da kroch ein Krebs aus dem Wasser ans Land und sprach:
My translation: “Once when the queen sat in the bath, there crept a toad out of the water onto the land and spoke:”
In the book: “But it happened once that when the Queen was bathing, there came a frog out of the water, and he squatted on the ground, and said to her,”

I’ll continue with cool phrases:

Feen = “wise women” (Google translates it “fairies,” which is what I expected.)

Tugend = “virtue”

Schönheit = “beauty”

was nur auf der Welt herrlich und zu wünschen war = “whatever there is in the world to wish for”

recht zornig (direct translation is “right furious” — doesn’t that sound King James English?) = “burning to revenge herself”

an einer Spindel sich stechen = “prick herself with a spindle” (That one’s better in German…)

und tot hinfallen wird = “and shall fall down dead” (…but this one’s better in English.)

ershraken = “were terrified”

abgeschafft = “burned up” (direct translation: “abolished”)

die Tauben auf dem Dach = “the pigeons on the roof”

die Hunde im Hof = “the dogs in the yard”

die Fliegen an den Wänden = “the flies on the wall”

ja das Feuer, das auf dem Herd flackerte = “the very fire that flickered on the hearth.”

der Braten hörte auf zu brutzeln = “the meat on the spit ceased roasting”

aber sie Hecke nicht hindurchdringen = “but they couldn’t get through the hedge” (My translation)

es war als hielten sich die Dornen fest wie an Händen zusammen = “the thorns held fast together like strong hands”

und sie bleiben darin hängen und kamen jämmerlich um = “and the young men were caught by them, and not being able to get free, there died a lamentable death” (I like jämmerlich for “lamentable” — It makes me think of “Quit your yammering!”)

sie wären aber in den Dornen hängengeblieben und totgestochen worden
My translation: “But they were in the thorns still hanging and stabbed to death.”
In the book: “they had been caught and pierced by the thorns, and had died a miserable death”

Da war der Königssohn so erstaunt über ihre Schönheit, da? er sich bückte und sie kü?te
= “And when he saw her looking so lovely in her sleep, he could not turn away his eyes; and presently he stooped and kissed her”

From that, I especially like:
erstaunt über ihre Schönheit = “astonished over her beauty” (my translation)
er sich bückte und sie kü?te = “he bent and kissed her”

der Braten brutzelte fort = “the spit began to roast”

und der Koch gab dem Küchenjungen eine Ohrfeige = “and the cook gave the scullion a box on the ear”

und die Magd rupfte das Huhn fertig = “and the maid went on plucking the fowl”

And to finish off:
Da wurde die Hochzeit von dem Königssohn mit Dornröschen gefeiert, und sie lebten vergnügt bis an ihr Ende.
= “Then the wedding of the Prince and Rosamond was held with all splendor, and they lived very happily together until their lives’ end.”

How about you? How would you translate some of these phrases into other languages? Any fun ones come up?

Review of Starry River of the Sky, by Grace Lin

Starry River of the Sky

by Grace Lin

Little, Brown and Company, New York, 2012. 288 pages.
Starred Review

Grace Lin has surpassed herself! Her companion novel, Where the Mountain Meets the Moon, also wove Chinese fairy tales into the larger narrative, and it deservedly won a Newbery Honor. I think Starry River of the Sky is even better. You do not at all need to have read the earlier book to appreciate this one. A few characters appear in both, but each story is completely self-contained.

The first paragraph sets the stage, with the Moon missing, and Rendi stowing away in a cart.

Rendi was not sure how long the moon had been missing. He knew only that for weeks, the wind seemed to be whimpering as if the sky were suffering. At first, he had thought the moans were his own because his whole body ached from hiding in the merchant’s moving cart. However, it was when the cart had stopped for the evening, when the bumping and knocking had ended, that the groans began.

Rendi is caught stowing away, but the innkeeper at the Inn of Clear Sky lets him stay on as an errand boy. He doesn’t feel grateful, but he sees no way to move on. Then a beautiful woman comes to the inn. She talks to old, slow-witted Mr. Shan and she begins to tell stories to Rendi and Peiyi, the innkeeper’s daughter. But she won’t continue to share stories unless Rendi will tell a story himself.

Through the stories, and through events, we see Rendi begin to change. And problems are solved. But what is a boy to such overwhelming problems as a missing moon, parched and drying land, Peiyi’s missing brother, and Rendi’s own identity. Many people in this book are angry, and Grace Lin weaves a tale where we want them to find peace, and we come to believe they can do what it takes to put their anger aside.

Grace Lin is also an artist, so each chapter has a drawing at the start of each chapter, and there are gorgeous full color pictures every few chapters. The stories told within the chapters get their own font as well as small colored pictures on each side of the story’s name. The book is a delight to hold and look at.

Although this isn’t exactly a beginning chapter book, the language is simple and the concepts are all well within the grasp of an elementary age child. This would be a wonderful choice for reading to a classroom or reading to children at bedtime.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book I purchased at KidLitCon and had signed by the author.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Once Upon a Toad, by Heather Vogel Frederick

Once Upon a Toad

by Heather Vogel Frederick

Simon & Schuster Books for Young Readers, 2012. 263 pages.

I always like fairy tale take-offs, and this book takes elements from the classic fairy tale “Toads and Diamonds” and puts them in a modern context, with two stepsisters living in Portland.

What would you do if you suddenly started spouting toads any time you made a vocal noise? And what if your mean stepsister, at the same time, started spouting flowers and diamonds?

This isn’t intended to be an exact copy of the fairy tale, set in modern times. No, the idea for the spell in this story was taken from the classic fairy tale. Only it got a bit muddled, and the stepsister we would have called the good one (since she is, after all, the narrator) is the one who got the toads.

Cat Starr has to live with her father’s new family while her mother is in outer space (really!) on the International Space Station. That wouldn’t be so bad — Cat loves her Dad and her little brother and gets along great with her stepmother — if it weren’t that she had to share a room with her stepsister and go to middle school classes with her. They have nothing in common, it seems, and Olivia can be just plain mean.

But when Cat talks it over with Great-Aunt Abyssinia, she’s not at all prepared for what happens next.

This is a fun take-off on the fairy tale. There are plenty of implausibilities. There are bumbling crooks, sinister government figures, and some mysterious magic happening a bit randomly. But, hey, when were fairy tales ever plausible?

heathervogelfrederick.com
KIDS.SimonandSchuster.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/once_upon_a_toad.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Beauty and the Werewolf, by Mercedes Lackey

Beauty and the Werewolf

by Mercedes Lackey

Luna, 2011. 329 pages.
Starred Review

I’ve read all of Mercedes Lackey’s Tales of the Five Hundred Kingdoms, and I’ve thoroughly enjoyed each one. They aren’t fairy tale retellings. In some ways they’re fairy tale improvements. They tell us stories of people in fairy tale situations and show us those people figuring out how to come up with a happy ending, despite what the Tradition might want to push them toward.

That’s how magic works in the Five Hundred Kingdoms. The Tradition builds up around people in fairy tale situations and uses its power to point them into storybook lives. But that often doesn’t turn out nicely for the people involved. The books about these people are clever and funny and anyone who’s ever enjoyed fairy tales will find great satisfaction out of seeing how the characters foil tradition.

Beauty and the Werewolf starts out as a Red Riding Hood variant. Bella is taking some gifts to Granny, the local herb witch. In this story, the woodsman is the villain, not a man Bella likes at all. But when she’s attacked in the night by a lone wolf, the next day she is taken to his manor. It turns out that he’s a werewolf who was supposed to be secluded during the full moon. Now Bella must wait in his palace to see if she will transform into a wolf as well. And, of course, now she’s playing out Beauty and the Beast.

One thing I like about these books is how she picks and chooses elements, and sometimes leaves out the unpleasant ones. Bella’s stepsisters are sweet, if flighty. She gets to see her father through a magic mirror, and it does provide comfort. We even find out the story behind the invisible servants eventually. Bella’s the one who immediately thinks to have them wear armbands so she can tell where they are. (Well, duh! Mercedes Lackey brings practical thinking to these fairy tales!)

Bella’s smart, independent, and enterprising. We’re not surprised when she doesn’t wait quietly to find out if she’s going to turn into a beast herself. She’s not one to let the Tradition push her around. Once again, this is thoroughly enjoyable reading.

Harlequin.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Breadcrumbs, by Anne Ursu

Breadcrumbs

by Anne Ursu

Walden Pond Press, 2011. 312 pages.

Okay, everything I have to say is coming from a background that I did enjoy this book. I love that someone wrote a book rich in children’s literature and fairy tale references. I love that this book is about friendship and uses fairy tale themes to show a kid’s problems with her real-life friendships.

My biggest problem with this book was no fault of its own: It is a modern retelling of the fairy tale “The Snow Queen.” I have never really liked “The Snow Queen.” But worse than that is I had just read and loved the Mercedes Lackey book for adults called The Snow Queen. In it, Mercedes Lackey exposes the characters in the traditional fairy tale for how extremely dysfunctional they are. So that made it harder for me to be wholeheartedly with Hazel, the girl in Breadcrumbs.

In Breadcrumbs, Hazel’s best friend Jack suddenly stops talking to her and then disappears in suspicious circumstances. He’s been taken by the Snow Queen, and his heart has magical icicles in it. Hazel believes that a friend doesn’t give up on a friend. She goes into the enchanted forest on a perilous quest to save him.

I was a little annoyed by Hazel’s lack of direction in her quest. She kept thinking she had to travel on, but how did she know that would do any good? It seemed like she got lucky to find Jack at all. Though I did like the story and the characters from fairy tales that she found in the woods. The part of the story set in the real world seemed very realistic and well-rendered. I liked that Jack and Hazel were firmly children, and this was about friendship, not romance. I liked the way Hazel makes a new friend even though she’s pursuing Jack. I like Hazel’s Uncle Jack and his insight into fairy tales.

But I can’t get away from that I just don’t like the Snow Queen story. In this book, Hazel’s mother has recently been divorced. The author doesn’t come out and say it, and maybe I read into the story, but for me this really pointed out “The Snow Queen” as a metaphor for divorce. When Hazel talks about how you don’t give up on a friend, even if he’s chosen to leave you, I can’t help but feel she was reproaching her mother. For what is a husband but a best friend?

Mind you, I very much doubt other people will get this out of the book. I’m awfully sensitive, with my recent divorce. I realized as I read the book that I would have loved Hazel’s story to be my story. I would have loved to give my all, to quest through ice and through dangers for my Best Friend. Even though he was cold and lonely and miserable and no longer remembered our years of love and friendship, I would have done anything to bring him back, to make him alive and loving again. (And I really like thinking of the Other Woman as an Ice Witch.)

But the fact is, I’ve been spending the last few years learning to let my best friend go. I’m the very person who can’t break the spell, and I need to go out and enjoy the springtime rather than plunge through the snow trying to bring someone back who doesn’t want to come back.

So, it was hard for me to properly enjoy Hazel’s story.

But I’m very much looking forward to whatever Anne Ursu writes next. I love what she brought to this book, and I think the chances are good that her next book won’t happen to have so much baggage built in for me.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/breadcrumbs.html

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Hero’s Guide to Saving Your Kingdom, by Christopher Healy

The Hero’s Guide to Saving Your Kingdom

by Christopher Healy

Walden Pond Press, 2012. 438 pages.
Starred Review

Have you ever noticed how many fairy tales claim that the hero action was done by Prince Charming? The author of this book explains that there’s a reason for that.

Blame the lazy bards. You see, back in the day, bards and minstrels were the world’s only real source of news. It was they who bestowed fame on people. They were the ones who sculpted any hero’s (or villain’s) reputation. Whenever something big happened — a damsel was rescued, a dragon was slain, a curse was broken — the royal bards would write a song about it, and their wandering minstrels would perform that tune from land to land, spreading the story across multiple kingdoms. But the bards weren’t keen on details. They didn’t think it was important to include the names of the heroes who did all that damsel rescuing, dragon slaying, and curse breaking. They just called all those guys “Prince Charming.”

It didn’t even matter to the bards whether the person in question was a truly daring hero (like Prince Liam, who battled his way past a bone-crushing, fire-blasting magical monster in order to free a princess from an enchanted sleeping spell) or some guy who merely happened to be in the right place at the right time (like Prince Ducan, who also woke a princess from a sleeping spell, but only because some dwarfs told him to). No, those bards gave a man the same generic name whether he nearly died (like Prince Gustav, who was thrown from a ninety-foot tower when he tried to rescue Rapunzel) or simply impressed a girl with his dancing skill (like Prince Frederic, who wowed Cinderella at a royal ball).

If there was anything that Liam, Duncan, Gustav, and Frederic all had in common, it was that none of them were very happy about being a Prince Charming. Their mutual hatred of that name was a big part of what brought them together. Not that teaming up was necessarily the best idea for these guys.

That’s the narrator getting ahead of himself. The Princes Charming don’t start out teaming up. Things start when Cinderella decides Prince Frederic has too little sense of adventure. She wants to go find Rapunzel, who really seems to have adventures. She ends up getting involved with a witch, and Gustav and Frederic try to save her. Meanwhile, Prince Liam discovers that Briar Rose is not a nice person at all. He doesn’t want to marry her. But she has her little ways of getting revenge.

But all four princes encounter one another and end up having to fight the witch, who now has a big plot to massacre thousands, including the princes and destroy the kingdoms.

This book is very funny, and a great twist on all the old fairy tale themes. I think this would be excellent classroom reading that would keep an elementary class hooked day after day.

Now, I myself thought the first hundred pages or so were hilarious. After that, it started to drag for me. It wasn’t really less funny; it was just going on and on and on. I’d happily read a chapter a night, but not until the last hundred pages or so did I get absorbed enough to finish up, so the book took me more than a week to finish. I would have liked it a good bit shorter, but I doubt that kids will mind.

The author keeps his irreverent and humorous tone throughout the book. Here’s where Frederic meets Gustav:

Over the years, Frederic had met his fair share of other princes. None of them were anything like this prince of Sturmhagen. Gustav was so gruff. He had no patience, no manners, and ridiculously poor communication skills. Frederic could only presume the man’s flamenco dancing was just as awkward.

Lots of silliness; lots of surprises; lots of fun coincidences. My only complaint is that it runs long-winded, but the better to keep kids entertained, right? And judging by the “Book 1” on the side, there will be more to come in the future.

christopherhealy.com
harpercollinschildrens.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/heros_guide.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.