Review of Code Name Verity, by Elizabeth Wein

Code Name Verity

by Elizabeth Wein

Hyperion, New York, 2012. 343 pages.
Starred Review

Wow. Wow. Wow. Wow. For me, this is the Year of Escalating Greatness. For the Newbery: First I read Wonder, by R. J. Palacio, and hoped it would win. Then I read The One and Only Ivan, by Katherine Applegate, and hoped it would win. Then I read Summer of the Gypsy Moths, by Sara Pennypacker, and hoped it would win. Recently, I read Palace of Stone, by Shannon Hale, and now I’m hoping it will win.

For the Printz Award, it hasn’t been so drawn out. I read The Fault in Our Stars, by John Green, and was sure I’d found the book I want to win next year’s award. But now I’ve read Code Name Verity. I simply can’t imagine another book surpassing this one this year.

(Mind you, I want all my past favorites to win Honor, and won’t even be too upset if they end up taking the prize. But wow, this book is good!)

I already was a big fan of Elizabeth Wein. I’ve read all of her Aksum books, set in old Africa, and knew that her writing is something special. But I wondered about a book set during World War II. That seemed something altogether different.

And this book is different. There’s still the flavor of her wonderful storytelling ability, but the story, set in France and England during World War II, is nothing like ancient Africa. But every single bit as compelling.

Here’s how the book begins:

I AM A COWARD.

I wanted to be heroic and I pretended I was. I have always been good at pretending. I spent the first twelve years of my life playing at the Battle of Stirling Bridge with my five big brothers — and even though I am a girl, they let me be William Wallace, who is supposed to be one of our ancestors, because I did the most rousing battle speeches. God, I tried hard last week. My God, I tried. But now I know I am a coward. After the ridiculous deal I made with SS-Hauptsturmführer von Linden, I know I am a coward. And I’m going to give you anything you ask, everything I can remember. Absolutely Every Last Detail.

Here is the deal we made. I’m putting it down to keep it straight in my own mind. “Let’s try this,” the Hauptsturmführer said to me. “How could you be bribed?” And I said I wanted my clothes back.

It seems petty, now. I am sure he was expecting my answer to be something defiant — “Give me Freedom” or “Victory” — or something generous, like “Stop toying with that wretched French Resistance laddie and give him a dignified and merciful death.” Or at leaszt something more directly connected to my present circumstance, like “Please let me go to sleep” or “Feed me” or “Get rid of this sodding iron rail you have kept tied against my spine for the past three days.” But I was prepared to go sleepless and starving and upright for a good while yet if only I didn’t have to do it in my underwear — rather foul and damp at times, and SO EMBARRASSING. The warmth and dignity of my flannel skirt and woolly sweater are worth far more to me now than patriotism or integrity.

Queenie, which is what she calls herself in the narrative, draws things out. She tells the story of how she entered the war effort, but she tells it from the perspective of her best friend, Maddie Brodatt. Maddie is the pilot who crash landed the plane that brought Queenie into France after Queenie parachuted out of it. They have shown Queenie pictures of the burned plane and ruined cockpit.

Now, the reader has to wonder how much truth Queenie is giving the Nazis in this narrative, being read immediately by them. But the reader never doubts her firm and unquenching affection for Maddie, the girl who loved to fly. Maddie gets more and more opportunities in a men’s world, culminating in the chance to fly Queenie into France. Too bad it ended in a crash and a capture.

I don’t want to say one bit more about the book’s plot except that I am reminded of something Megan Whalen Turner said when she was speaking at the Horn Book-Simmons Colloquium. She said that she feels she has failed if her readers read her books only once.

With Code Name Verity I honestly caught something in the section I just quoted to you that had gone right by me the first time around. I am absolutely going to be rereading this book very soon to see the many, many things that I will look at differently the second time around.

Wow! All right, already! Just read it!

elizabethwein.com
un-requiredreading.com

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Source: This review is based on my own book, ordered from Amazon.com

Review of 1222, by Anne Holt

1222

by Anne Holt
read by Kate Reading

Blackstone Audio, 2011. Originally published in Norway in 2007. 9 CDs.
Starred Review

I’ve always loved a locked-room mystery. This one is a snowed-in mystery. And we’ve got even more classic feel with a train wreck starting it all and a paralyzed detective who thinks she is done with police work. But then one of the train passengers is murdered.

At first, I didn’t like the narration. She was reading the lines like a computer. But then I realized that former police detective Hanne Wilhelmson would talk like that. She’s withdrawn almost completely from people since the day when she got shot, the day that ended her career. And once I realized that was intentional, I enjoyed the narrator very much. I definitely wouldn’t have pronounced the Norwegian names correctly if left to my own devices, for a start.

The story is very atmospheric and brilliantly written. Hanne was traveling through the mountains to see a specialist about some additional difficulties. Due to ice, the train went off the tracks. Only the engineer was killed, and she describes the crowd’s reaction to the accident and how they are all brought to a hotel in the mountains and hunker down after the storm builds to hurricane force and they are surrounded by snow. That first night, one of them is murdered. Hanne is recognized as a former police officer, so against her wishes, she is asked to help solve the crime.

One thing I particularly liked: Hanne comments on how the hotel owner grows during the disaster, and the reader can’t help but realize how dramatically Hanne has grown, going from not wanting to speak to anyone to taking charge and solving the crime.

This book is gripping and fascinating and gives modern twists to classic mystery themes. I was listening to the last CD on the way to work and absolutely hated having to shut it off in order to be on time. That evening, I took the audiobook inside so I could finish without any further waiting.

This would have been fun to read during a winter storm — though perhaps that would have made me paranoid, since the book made you almost feel you were experiencing the blizzard yourself. If you want to cool off, this would be good summer reading! Chilling in more than one sense of the word. But with characters you enjoy watching rise to the occasion.

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Ship Breaker, by Paolo Bacigalupi

Ship Breaker

by Paolo Bacigalupi

Little, Brown, and Company, New York, 2010. 326 pages.
Starred Review
2011 Printz Award Winner
2010 National Book Award Finalist
2011 Sonderbooks Stand-out: #2 Other Teen Fiction

Ship Breaker tells the story of a boy caught on the wrong side of progress in a future world after the Age of Acceleration has ended. The story is gripping, with Nailer in life-or-death danger on every page. Yet Paolo Bacigalupi builds a world that shows the consequences of society’s actions now, without ever letting the story slow down to tell us what’s going on. We learn through the eyes of the characters.

The book begins with Nailer crawling through the ducts of an old oil tanker, lit only by LED glowpaint on his forehead. He’s after the light stuff – copper wiring, steel clips, things that can be dragged out to his crew waiting outside.

The author doesn’t have to tell us they’re poor. He describes the wire being pulled out of the duct, “She sucked the wire out like a rice noodle from a bowl of Chen’s soup ration.” We begin to understand that he’s scavenging parts when we read about the new clipper ships: “Replacements for the massive coal- and oil-burning wrecks that he and his crew worked to destroy all day long: gull-white sails, carbon-fiber hulls, and faster than anything except a maglev train.”

Nailer was too slow in there, and he needs to go back in to get more scavenge before a big storm hits. He forgets to renew his LED paint, and gets caught in the dark. That’s okay, he’s finding plenty of copper wire that leads him out – until a duct collapses under him and he falls into a tank of oil.

“How could he die in such a stupid way? This wasn’t even a storage tank. Just some room full of pooled waste oil. It was a joke, really. Lucky Strike had found an oil pocket on a ship and bought his way free. Nailer had found one and it was going to kill him.

I’m going to drown in goddamn money.

“Nailer almost laughed at the thought. No one knew exactly how much oil Lucky Strike had found and smuggled out. The man had done it slow, over time. Sneaking it out bucket by bucket until he had enough to buy out his indenture and burn off his work tattoos. But he’d had enough left over to set himself up as a labor broker selling slots into the very heavy crews that he’d escaped. Just a little oil had done so much for Lucky Strike, and Nailer was up to his neck in the damn stuff.”

Then one of his crewmates, Sloth, finds him. He begs her to bring help, to get him out, but she can’t resist the thought of pulling her own Lucky Strike. But when Nailer does find a way out, even though the oil goes out with him, Sloth is exposed as a traitor, and Nailer’s new nickname is Lucky Boy, because everyone knows he should have died.

That dramatic incident is important, because after the storm Nailer and his crewmate Pima find a wrecked clipper ship with one lone survivor. The rings on the girl’s fingers alone would be enough to set them up for life. But Nailer doesn’t have the heart to kill the girl, because he now knows what it was like to be left for dead. That incident gets him thinking throughout the book about what it means to be family, what it means to be Crew.

The tension in this book doesn’t let up for a second, and it’s life-or-death danger on almost every page. Nailer and Pima aren’t the only ones to find the girl, and the group with Nailer’s father is not at all interested in keeping her alive, only in getting money from her.

They go from one danger to another, with Nailer trying to figure out not only what’s the right thing to do, but also how to stay alive.

This book is a thriller all the way along, with a never-flagging plot. And it presents hard-hitting commentary and questions about our way of life now.

I finally read this book when taking a class on the Printz Award. It definitely seems worthy of the award it won: Besides telling a rip-roaring story, it warns us that in our policies even now, we should look out for the little guys. We should think about the consequences of the things we do.

Here are my notes on his brilliant acceptance speech at the Printz Awards.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Chronicles of Harris Burdick, illustrated by Chris Van Allsburg

The Chronicles of Harris Burdick

14 Amazing Authors Tell the Tales

illustrated by Chris Van Allsburg

Houghton Mifflin Books for Children, 2011. 221 pages.
Starred Review
2011 Sonderbooks Standout: Children’s Fiction #5

One of the highlights of my year this year was when, on vacation, I was driving my son a couple hours in the State of Washington to visit a college, and I got him to read aloud to me from The Chronicles of Harris Burdick as I drove. He’s 17, and we both thoroughly enjoyed the stories.

But let me backtrack. Many years ago, when I was first married (so about 25 years ago, in fact), a friend of my husband and me gave us The Mysteries of Harris Burdick for Christmas. (Thanks, Len!) It maybe wasn’t a traditional gift to give a young couple, but we both loved it.

In the introduction to this new book, Lemony Snicket summarizes the premise behind the original book:

“The story of Harris Burdick is a story everybody knows, though there is hardly anything to be known about him. More than twenty-five years ago, a man named Peter Wenders was visited by a stranger who introduced himself as Harris Burdick and who left behind fourteen fascinating drawings with equally if not more fascinating captions, promising to return the next day with more illustrations and the stories to match. Mr. Wenders never saw him again, and for years readers have pored breathlessly over Mr. Burdick’s oeuvre, a phrase that here means ‘looked at the drawings, read the captions, and tried to think what the stories might be like.’ The result has been an enormous collection of stories, produced by readers all over the globe, imagining worlds of which Mr. Burdick gave us only a glimpse.”

The original pictures, especially combined with the captions and titles, all have something eerie or surreal about them. For example, there’s the picture that goes with the story “Under the Rug” that shows a lump under a rug, and a man with a bowtie holding a chair over his head about to swing it at the lump. The caption reads, “Two weeks passed and it happened again.”

I’ve always had a special place in my heart for the picture that goes with “The Seven Chairs.” You see a grand cathedral, and two priests standing and looking at a nun who is sitting calmly on a chair that is floating into the cathedral. The caption reads, “The fifth one ended up in France.”

Chris Van Allsburg implied so much between the pictures, the titles, and the captions.

Back in 1993, Stephen King wrote a story to go with “The House on Maple Street” (the picture with the caption “It was perfect lift-off.”) For this volume, they asked fourteen distinguished authors (including Chris Van Allsburg) to write stories to go with the pictures.

At first, I thought it might be a shame to actually write down a story. But I’ve been thinking about these pictures too long. I don’t feel like these are the only possibilities. In fact, looking at the pictures still gets your mind spinning — but these offerings are still tremendous fun.

Some do a better job than others, and some used approaches I wouldn’t have ever taken, but I can honestly say that I enjoyed all the stories. In fact, this would be a fine collection of stories even if it didn’t have such an intriguing history. In fact, I hope the publishers will consider making this a tradition every decade or so, and get 14 more authors to write the stories!

My personal favorites, in order of appearance, were Jon Scieszka’s “Under the Rug”; Jules Feiffer’s “Uninvited Guests”; Kate DiCamillo’s “The Third-Floor Bedroom”; Chris Van Allsburg’s “Oscar and Alphonse”; Stephen King’s “The House on Maple Street”; and my very favorite, M. T. Anderson’s “Just Desert.”

These stories are eerie enough, they aren’t for the usual picture book crowd. Teens, like my son, will definitely enjoy them, and so will elementary age kids who can handle and enjoy some creepiness.

Like the years when we’d read our new Harry Potter book in England or Bavaria or wherever we were traveling on vacation, this book, in a smaller way, definitely enhanced my vacation. After all those years of reading to my boys, it’s a treat to find a book that my son is willing to read to me. We only finished half the book on vacation, but when I read M. T. Anderson’s story, I insisted that my son read it as well. I can confidently say this book spans many age ranges.

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Source: This review is based on an Advance Review Copy I got at ALA Annual Conference.

Review of The Name of the Star, by Maureen Johnson

The Name of the Star

Shades of London
Book One

by Maureen Johnson

G. P. Putnam’s Sons, 2011. 372 pages.
Starred Review

On the same day that Rory Deveaux from Benouville, Louisiana, arrives in London for a year of boarding school, someone decides to imitate the murders of Jack the Ripper. The murders are gruesome and horrible, and keep arriving on schedule, with Rory’s school in the middle of Ripper territory. But the worst part about these new murders is that the victims can be seen on the closed circuit TV cameras posted all over London. But the person murdering them cannot be seen.

Then Rory begins seeing people that her friends don’t see. And on the night of one of the murders, one man in particular talks to her, but her roommate Jazza doesn’t even see him. He knows who she is and where she lives.

I don’t want to say too much more about the plot, because it’s all played out beautifully, with plenty of growing suspense as we begin to figure out, along with Rory, what is going on.

It all leads into a frightening and dangerous confrontation at the end, with a nice twist that assures us there will be more books about Rory. (Though the story in this book is complete, thank goodness! None of that awful “To Be Continued” stuff here.)

Now, call me sheltered, but I had no idea how gruesome Jack the Ripper’s murders were. I thought he just slit people’s throats or something. Using those details definitely raises the stakes in this novel. We want to see the murderer brought to justice, and we don’t want to see Rory fall into his clutches.

The non-paranormal part of the story is entertaining on its own with an American girl trying to fit in at an English boarding school. I fully sympathized with Rory’s horror at field hockey every single day.

I enjoyed the passage where she explains what she learned in the first week:

“Some other facts I picked up:

“Welsh is an actual, currently used language and our next-door neighbors Angela and Gaenor spoke it. It sounds like Wizard.

“Baked beans are very popular in England. For breakfast. On toast. On baked potatoes. They can’t get enough.

“‘American History’ is not a subject everywhere.

“England and Britain and the United Kingdom are not the same thing. England is the country. Britain is the island containing England, Scotland, and Wales. The United Kingdom is the formal designation of England, Scotland, Wales and Northern Ireland as a political entity. If you mess this up, you will be corrected. Repeatedly.

“The English will play hockey in any weather. Thunder, lightning, plague of locusts . . . nothing can stop the hockey. Do not fight the hockey, for the hockey will win.

“Jack the Ripper struck for the second time very early on September 8, 1888.”

This is a well-written novel of suspense, but with lots of fun mixed in. I’m an avid follower of Maureen Johnson on Twitter, where she’s the funniest person ever, so I wasn’t at all surprised to love Rory’s voice. I am not a person who deliberately chooses to read scary books. Yet I thought this scary book was wonderful, and a whole lot of fun. I’m looking forward to future books.

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Source: This review is based on a book I ordered from Books of Wonder, signed by the author.

Review of The Scorpio Races, by Maggie Stiefvater

The Scorpio Races

by Maggie Stiefvater

Scholastic Press, New York, 2011. 409 pages.
Starred Review

I wasn’t sure I would like this book when I read the cover flap, but ended up completely entranced. All my childhood love of The Black Stallion books was aroused. I started it on the way to KidLitCon, and was awfully annoyed when the plane landed and I had to stop. The second night (when I didn’t have a roommate), I kept reading until I finished, because sleep could wait!

Now, I haven’t read any of Maggie Stiefvater’s other books. I’ve pretty much had my fill of werewolf or vampire books, so I didn’t even try them. But this one is about horses — bloodthirsty water horses.

I thought the author had invented a completely new creature, but I learned in the afterword that there is a strong tradition of Manx and Irish and Scottish dangerous water horses. Of course, Maggie Stiefvater took the idea and made it her own. This is no fairy tale retelling, but an intriguing story with mythic elements.

The book begins with a Prologue set nine years earlier. The heading says we’re hearing from Sean, who we soon learn is 9 years old. Here’s how it begins:

“It is the first day of November and so, today, someone will die.

“Even under the brightest sun, the frigid autumn sea is all the colors of the night: dark blue and black and brown. I watch the ever-changing patterns in the sand as it’s pummeled by countless hooves.

“They run the horses on the beach, a pale road between the black water and the chalk cliffs. It is never safe, but it’s never so dangerous as today, race day.”

As Sean watches his father mount the red stallion, he hopes the capall will remember what Sean whispered in his ear: Do not eat my father.

“I am watching the race from the cliffs when a gray uisce horse seizes my father by his arm and then his chest.

“For one moment, the waves do not attack the shore and the gulls above us do not flap and the gritty air in my lungs doesn’t escape.

“Then the gray water horse tears my father from his uneasy place on the back of the red stallion.

“The gray cannot keep its ragged grip on my father’s chest, and so my father falls to the sand, already ruined before the hooves get to him. He was in second place, so it takes a long minute before the rest of the horses have passed over the top of his body and I can see it again. By then, he is a long, black and scarlet smear half-submerged in the frothy tide. The red stallion circles, halfway to a hungry creature of the sea, but he does as I asked: He does not eat the thing that was my father. Instead, the stallion climbs back into the water. Nothing is as red as the sea that day.”

Then the book begins, nine years later, from the perspective of our other protagonist, Kate “Puck” Connelly. Her parents were also killed by water horses, but not because they were racing. Last Fall, they were simply going for a ride in their boat offshore the island, when a water horse attacked and killed them. Now Puck’s older brother, Gabe, goes to work at the Hotel, and Puck keeps things going at home for him and their younger brother, Finn.

Puck and Finn are going into town along the beach with Puck’s beloved ordinary horse Dove when they see the first water horse of the year come onto the land.

“Finn flinches as the horse gallops down the beach toward us, and I lay a hand on his elbow, though my own heart is thumping in my ears.

“‘Don’t move,’ I whisper. ‘Don’t-move-don’t-move-don’t-move.’

“I cling to what we’ve been told over and over — that the water horses love a moving target; they love the chase. I make a list of reasons it won’t attack us: We’re motionless, we’re not near the water, we’re next to the Morris, and the water horses despise iron.

“Sure enough, the water horse gallops past us without pause. I can see Finn swallowing, his Adam’s apple bobbing in his skinny neck, and it’s so true, it’s so hard not to flinch until it’s leapt back into the ocean once more.

“They’re here again.

“This is what happens every fall. My parents didn’t follow the races, but I know the shape of the story nonetheless. The closer it gets to November, the more horses the sea spits out. Those islanders who mean to race in future Scorpio Races will often go out in great hunting parties to capture the fresh capaill uisce, which is always dangerous, since the horses are hungry and still sea-mad. And once the new horses emerge, it’s a signal to those who are racing in the current year’s races to begin training the horses they caught the years before — horses that have been comparatively docile until the smell of the fall sea begins to call to the magic inside them.

“During the month of October, until the first of November, the island becomes a map of safe areas and unsafe areas, because unless you’re one of the riders, you don’t want to be around when a capall uisce goes crazy. Our parents tried hard to shield us from the realities of the uisce horses, but it was impossible to avoid it. Friends would miss school because an uisce horse had killed their dog overnight. Dad would have to drive around a ruined carcass on the way to Skarmouth, evidence of where a water horse and a land horse had gotten into a fight. The bells at St. Columba’s would ring midday for the funeral of a fisherman caught unawares on the shore.

“Finn and I don’t need to be told how dangerous the horses are. We know. We know it every day.”

Then the narration alternates back to Sean Kendrick. He’s nineteen now, and he knows the water horses better than anyone else on the island. He has won the Scorpio Races the last four years, riding on Coll, the red stallion his father rode the day he died. But Sean isn’t racing on his own name. He works for Mr. Malvern, the richest man on the island. He wants nothing so much as to own Coll for himself, but Malvern isn’t selling.

Then Puck’s brother Gabe tells her he’s leaving the island to find work. Puck will do anything to keep him here, for any length of time, so she decides to enter the race this year.

But the island men don’t want a woman in the races. They say it’s bad luck, that she doesn’t belong. But Puck has to win. That’s the only way she can save their home, on which Malvern says he’s going to foreclose.

To add to Sean’s difficulties, Malvern’s son Mutt is jealous. Sean has always told Malvern which horse is the safest, so Mutt can ride that one. But now Mutt wants to win, even if it takes riding a horse that’s more than he can handle.

We quickly get drawn into these characters’ lives. They both love the island and the island’s traditions. They both love their horses. And they both really need to win.

Meanwhile, there’s a long tradition of how the training is done in the weeks leading up to the race, and Maggie Stiefvater has the reader mesmerized as Puck and Sean go through those weeks, Puck facing the hostility of the whole town, and Sean facing Mutt Malvern’s hatred and Malvern’s refusal to let him buy Coll. Along the way, they both are in life-or-death danger over and over again.

This book is brilliant. As I said, all my horse-book-loving little girl passions were aroused! But it had more than that. These horses were faster and far more deadly than ordinary horses, so the stakes were much higher. The author also worked in a realistic scenario of a small island totally dependent on the tourism surrounding its annual race, with young people leaving the island for the mainland. Like The Black Stallion, we’ve got a young man who is the only one who can ride a wild stallion, and maybe the horse loves him back, though wild with everyone else. And we’ve got a girl willing to risk everything to stay on the island she loves. No surprise, there’s romance between Sean and Puck, and it’s beautifully, delicately done. As the end approaches, we definitely want both of them to win the race, with so much at stake.

The one little thing I wasn’t crazy about was the character of Mutt Malvern. In general, I don’t like books to have a stereotypical bully. But Maggie Stiefvater made the situation seem quite realistic and we could pretty easily believe Mutt would act the way he did. She did keep him just the right side of stereotypical. And the interaction between Mutt and Sean definitely ratcheted up the tension.

Yes, I confess, even though I never had a horse, I was a stereotypical horse-loving little girl through books. And this book was like those childhood reads, only more so. I have a feeling I will be rereading this book many times. It is that good.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Desires of the Dead, by Kimberly Derting

Desires of the Dead

by Kimberly Derting

Harper, 2011. 355 pages.

I thoroughly enjoyed The Body Finder, by Kimberly Derting, so I was excited when I heard a sequel was coming out, and checked it out right away.

Bodies that have been killed call to Violet. They affect her senses in a strange way, with a scent or a sound or a feeling. And when she senses them, she has to put them to rest. Disturbingly, the one who killed them has the same echo. That was a problem when she was around her cat, a natural killer of small animals. But when she finds a human body, it seems like she should use her abilities to find the killer.

The plot of this follow-up seemed a little more contrived, a little more relying on coincidence than the first book. However, it’s still classic romantic suspense: The heroine finds out just enough to lead her into deadly danger. How can she get out?

It also appears that the author is setting Violet up to join an organization that uses people with paranormal abilities to solve crimes. That will make it more believable, in future books, when she continues to encounter dead bodies.

So, this is a fun, exciting tale of romantic suspense with that one, creative paranormal twist.

At risk of being a stick-in-the-mud, I do want to give a word of warning for those who would care. Violet’s beautiful romance continues. They were best friends all their lives, and this seems like true love, and they will surely marry one day. They decide to have sex.

Now, this is handled sensitively and believably and not graphically. It’s realistic as to how a serious relationship like that would be likely to go with today’s teens. But it makes me a little sad. As in the first YA novel I ever read where the characters had sex outside of marriage, these ones wonder why they didn’t do it sooner. And I’m a little sad they have to wonder. There’s something really beautiful about saving sex for marriage. Because sex is so amazing, giving it only to someone who’s publicly committed to you for life is beautiful. Safe. Loving. Incredible. (More beautiful if they actually keep the commitment, but still….) If I had read this book when I was young and in love and trying to wait for marriage, it wouldn’t have helped. That’s all I’m saying….

But this is a good book, and an enjoyable and suspenseful read. I didn’t enjoy it quite as much as the first book, and the romance wasn’t as moving, but then committed love isn’t quite as full of thrills and drama as the beginning of a relationship. Violet gets pulled into danger, and it’s pretty natural for someone who loves her to try to keep her out of that, so it’s natural for her to start having secrets…. It will be interesting to see how things continue on, as this book had all the marks of a series beginning.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Chime, by Franny Billingsley

Chime

by Franny Billingsley

Dial Books, 2011. 361 pages.
Starred Review

Full disclosure: I consider the author, Franny Billingsley, a friend, because we attended the same fabulous writers’ conference in Paris in 2005, so I definitely was predisposed to like this book. However, I was predisposed to like her then because I liked her books so much, so it’s kind of a circular bias — which all started because she’s an outstanding writer.

Though a little way into Chime, I might have quit, because I’m not a fan of dark fantasy, and this book definitely gets dark. However, I was extremely glad I didn’t quit, because by the end I thought this book a masterpiece.

At the start of the book, Briony hates herself, which makes it a little harder for the reader to like her. Here’s how she begins:

“I’ve confessed to everything and I’d like to be hanged.

Now, if you please.

I don’t mean to be difficult, but I can’t bear to tell my story. I can’t relive those memories — the touch of the Dead Hand, the smell of eel, the gulp and swallow of the swamp.

How can you possibly think me innocent? Don’t let my face fool you; it tells the worst lies. A girl can have the face of an angel but have a horrid sort of heart.

I know you believe you’re giving me a chance — or, rather, it’s the Chime Child giving me the chance. She’s desperate, of course, not to hang an innocent girl again, but believe me: Nothing in my story will absolve me of guilt. It will only prove what I’ve already told you, which is that I’m wicked.

Can’t the Chime Child take my word for it?”

At the start of this story, you suspect it’s a historical novel set in a superstitious time when witches were hanged. We’re sure Briony must not be a witch and this must be a story of how she was falsely accused.

The setting fits. Briony’s father is a clergyman in the Swampsea. Her twin sister, Rose, has something wrong with her so that she still acts like a child. Early on, Rose runs into the swamp while Bryony is talking to their new lodger, the handsome Eldric. They set out looking for her, being sure to bring a Bible Ball — a piece of paper with a Scripture written on it. We assume it’s a quaint superstition.

But right away, Briony hears the Old Ones of the swamp calling to her. She has the second sight. That’s how she knows she’s a witch.

“I tried to disbelieve Stepmother when she told me I’m a witch. I knew she was right, yet I tried to make a case for myself, pecking at the proof Stepmother offered — pecking at it, turning it over, saying it didn’t exist. Then pecking at another bit, and another, until Stepmother took pity on me. If I wasn’t a witch, she asked, how else was it that I had the second sight?”

Later, when they go into the swamp again, Eldric’s tutor doesn’t bring a Bible Ball — and sure enough, he gets lured into the Quicks and swallowed by the swamp. We realize that all the “superstitions” Briony’s been talking about — Mucky Face, the Brownie, the Boggy Mun, and hearing ghosts — It’s all real, and she can see them.

There’s also a mystery. Two months and three days before the start of this story, Briony and Rose’s Stepmother died. Right away Briony tells us there’s something more to that death:

“But the villagers are wrong about Stepmother, and so is Father. She would never kill herself. I’m the one who knew her best, and I know this: Stepmother was hungry for life.”

I’m sure this is a book that will get better with each rereading. The author feeds you the details slowly, and your curiosity builds. How did Stepmother die? Is Briony a witch? What caused the fire in their library? Can Briony get the Boggy Mun to stop the Swamp Cough that’s killing Rose?

Yes, the story starts out dark and sinister, but I love the beautiful way it all ends up, and all the different threads that come together. I’d better say no more than that! This is a book well worth reading and rereading. This is a fantasy novel, true, but it doesn’t read quite like any other.

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/chime.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Coronets and Steel, by Sherwood Smith

Coronets and Steel

by Sherwood Smith

DAW Books, 2010. 420 pages.
Starred Review
2010 Sonderbooks Stand-out: #1 Fiction

I love Sherwood Smith’s books, and this was my favorite novel for adults I read in 2010. It’s got a touch of fantasy, with grad student Aurelia seeing ghosts during her European adventure, but mostly it’s swashbuckling action, intrigue, and romance in modern-day Europe, in the style of Anthony Hope’s Prisoner of Zenda.

Aurelia is in Vienna trying to track down her grandparents’ families. Her mother was only two when she and Aurelia’s grandmother left Paris during the war, and her grandmother never talks about her life before Paris. Then she starts meeting people who act like they know her. A handsome young man, who looks like Mr. Darcy, sits next to her at the opera, and the next day runs into her again.

She thinks he’s quite charming, until he drugs her drink, abducts her, and sticks her on a train.

This book has mistaken identity, family secrets, hidden treasure, and royal plots to take over a small country. It’s tremendous fun, and I was delighted to read that Sherwood Smith has planned more books in this series.

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Find this review on Sonderbooks at: www.sonderbooks.com/Fiction/coronets_and_steel.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book I ordered from Amazon.com

Review of The Princess Plot, by Kirsten Boie

The Princess Plot

by Kirsten Boie

Narrated by Polly Lee

Recorded Books, 2009. Originally published in Germany in 2005. 9 CDs. 10.25 hours.
Starred Review

When I checked out The Princess Plot, I expected more of the fantasy tale I usually enjoy, set in a medieval kingdom. This story, however, is set in modern-day Europe, the story of a normal girl who gets embroiled in international affairs. Listening to it made it hard for me to get out of my car when I arrived at my destination!

The narrator did a great job. Since she has a British accent, I was imagining the book set in England. When I reached the end and learned it had been translated from German, that made a lot more sense — the geography of flying to the invented northern kingdom of Scandia fit better. Also, Jenna’s schedule of being out of school with the afternoon off fits with what I know about German teens.

The story is well-done. The plot is a little far-fetched, but the author has you going with it all the way. Jenna thinks of herself as very plain. She’s been brought up by a single mother who’s super-vigilant about Jenna staying safe and protected. So when her best friend wants her to go to an audition for girls their age to play a princess in a movie, she decides to do it without asking her mother’s permission. It seems strange when the producers pick Jenna instead of her friend and insist that she’d be absolutely perfect for the role. It feels strange, but also very, very good.

Then they take Jenna to the Kingdom of Scandia and tell her that she’s going to audition for the role by doing a favor for the princess of Scandia and being her replacement at the celebration of the princess’s birthday. The princess’s father recently died, and she wants to be out of the public eye. Or so they tell Jenna.

The reader knows that the princess has run away, and the regent and his people haven’t found her yet. The reader also knows that the “movie” people are sending Jenna fake text messages from her mother — so her mother does not actually know what’s going on.

We see the plot unfold, little by little. We’re given hints as to why they wanted Jenna. She’s a perfect double for the princess. We see that some North Scandian terrorists have been active lately, and get the feeling it may be connected with that.

The whole thing adds up to a captivating yarn about an ordinary girl — or at least someone who always thought she was ordinary — suddenly finding herself in a foreign country in the middle of a plot that’s way bigger than she is.

A sequel has recently come out, but my library hasn’t ordered it yet, so I will give in and order a copy for myself. I liked the people in this book, and very much would like to read about what happens next.

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Teens/princess_plot.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.