Review of When the Sea Turned to Silver, by Grace Lin

When the Sea Turned to Silver

by Grace Lin

read by Kim Mai Guest

Hachette Audio, 2016. 7.5 hours on 6 CDs. Unabridged.
Starred Review
2016 National Book Award Finalist
2016 Sonderbooks Stand-out: #7 Children’s Fiction

Like Where the Mountain Meets the Moon and Starry River of the Sky, Grace Lin weaves Chinese fairy tales throughout this story, bringing elements from the various tales into the conclusion at the end. It’s okay if you haven’t read or don’t remember the other two, as this story stands well on its own.

The audiobook includes a pdf file of the illustrations, but I chose to check out a copy of the print book so I could enjoy them as I went. Each day after my commute, I’d look at the pictures as far as I’d gotten in the audiobook. Grace Lin is an illustrator as well as a writer, and this book includes color plates at intervals, and small one-color illustrations at the start of each chapter. This book is a treat to hold in your hands, and would make a wonderful read-aloud.

At the start of the book, the evil emperor comes with his soldiers up the mountain, during a winter that has lasted far too long, and takes away Pinmei’s grandmother, the Storyteller. When the neighbor boy Yishan protests, the emperor tells him that they can have the Storyteller back if they bring the emperor the Luminous Stone that Lights Up the Night.

The soldiers set fire to the hut and leave, but Yishan rescues Pinmei from her hiding place, and the two travel together to try to find a Luminous Stone and save Pinmei’s Amah. Their adventures take them to the City of Bright Moonlight and the kingdom of Sea Bottom. Along the way, Pinmei tells stories she’s learned from her Amah – and those stories provide clues to what the emperor is looking for and how to thwart him and get Amah back.

This book has a theme of immortality, the importance of stories, and finding your voice. At the start, Pinmei is too shy to even speak in the presence of others, but by the end, she can speak truth even in front of the emperor.

This book would make a wonderful family or classroom read-aloud. The fairy tales woven throughout give it a timeless appeal for a wide age range.

gracelin.com
HachetteAudio.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Goldenhand, by Garth Nix

Goldenhand

by Garth Nix

Harper, 2016. 344 pages.
Starred Review
2016 Sonderbooks Stand-out: #4 Teen Fiction

This is now the fifth novel set in the Old Kingdom, not counting a novella and short story. The events of this book happen just as the title story of Across the Wall finishes.

You don’t necessarily need to read the prequel, Clariel, before you read this one. But reading the other books would be helpful, so you have a feel for how Charter Magic works. And Clariel gives you background about the Witch With No Face, who is behind the scenes in this book. It had been years since I read the earlier books, so I didn’t remember details, but I didn’t have any trouble following this story.

The title refers to Lirael herself. Right at the beginning, we learn how she got the name:

Lirael hurried up the steps to the mews. She flexed her replacement hand as she did so, marveling at how well it worked. When her own hand had been bitten off by the Disreputable Dog almost seven months before in order to save her life from the ravening power of Orannis, Sameth had promised to make her a replacement. He had lived up to that promise, and shown he was indeed a true inheritor of the Wallmakers’ engineering ingenuity and magical craft, though it had taken him a long time to get it right, with much tinkering and adjustment. It was only in the last few days that it felt entirely normal to Lirael, really just like her own flesh-and-blood hand.

It was mostly made from meteoric steel, but Sam had gilded the metal, and unasked had added an extra layer of Charter spells atop the ones that made the hand work and even feel like flesh, so it also glowed faintly with a golden light.

Already, many people were calling her Lirael Goldenhand.

Sabriel and Touchstone are taking a vacation while things are apparently quiet. This leaves Lirael in charge when a dangerous free magic creature emerges across the wall. The message comes from Nicholas Sayre.

Lirael deals with the creature and tries to heal Nick, but he’s got a strange combination of free magic and charter magic inside him (from what happened in Abhorsen). She decides she needs to take him to the Clayr. Perhaps they have a book in the Great Library that will help figure out his case.

Meanwhile, north of the kingdom, a girl of the Athask tribe named Ferin is trying to bring a message to Lirael. A message left from Lirael’s mother before she died. But all the other tribes are sending their sorcerers to stop her. When Ferin is turned away at the bridge, she takes a boat, but after some fisher folk save her, they are all in danger.

For most of the book, chapters alternate between Lirael and Ferin. Lirael travels with Nick to the Clayr, and Ferin is desperately traveling over water and over mountains to get into the Old Kingdom. When Ferin does finally deliver her message, an even more daunting danger faces the Old Kingdom.

This book had me enthralled from the start. Even though the story is complete in itself, it will be especially beloved by people who already know Lirael and care about her. In this book we’re rooting for her as she faces responsibility as the Abhorsen-in-Waiting, dealing with several crises as well as facing her family at the Clayr glacier and the Great Library.

Garth Nix’s world-building is flawless. The map’s been expanded and we learn about the northern tribes. His descriptions of the way free magic and charter magic work still sound plausible and consistent and true. You’re never drawn out of the story by hand-wavy descriptions.

When I started the book, Ferin’s desperate run from free magic sorcerers manipulating the Dead to chase her were so scary, I woke up one morning from a dream about it. (It was combined with drones from Railhead, which I’d finished before starting Goldenhand. Fortunately, I woke up before I got too scared.)

Yet another wonderful and captivating story of the Old Kingdom and the Abhorsens who travel in Death to fight evil, using a necromancer’s bells.

garthnix.com
epicreads.com

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Review of Den of Wolves, by Juliet Marillier

Den of Wolves

A Blackthorn & Grim Novel

by Juliet Marillier

ROC (Penguin Random House), 2016. 433 pages.
Starred Review
2016 Sonderbooks Stand-out: #1 Fiction

I was saving this book up to read after I finished judging books for the Cybils Award, and was happy about having a sick day this week — because I got to spend the day reading it. So my memory of the day is lovely.

This is the third book in Juliet Marillier’s series about Blackthorn, a wise woman and healer, and Grim, her giant-sized companion. Though you wouldn’t feel lost if you started with this book, to really enjoy the nuances and character growth in these books, you should start at the beginning with Dreamer’s Pool.

At the beginning of the series, Blackthorn and Grim were locked up in a nightmarish prison. Here she’s reflecting on how they escaped.

Ah, Conmael; my mentor, who was one of the fey. A mysterious stranger, or so I’d thought at the time, who had saved me from execution and released me and Grim from vile imprisonment, but only after I’d promised to adhere to his rules for seven years, gods help me. Those rules were three: I must live here in Dalriada and not go south to seek vengeance against my enemy, Mathuin of Laios; I must say yes to every request for help; and I must use my abilities only for good. To someone who did not know the angry, bitter creature I had become, that might not have sounded so hard. But it was hard. Making Mathuin pay for his crimes, not only against me but against a whole host of wronged innocents, had become the only thing that mattered to me; even more so after a year’s incarceration in his cesspit of a lockup. I had struggled to keep my promise. Twice, I had come within a hairsbreadth of breaking it, even in the knowledge of the punishment Conmael had threatened. As for saying yes when folk asked me for help, that was not always as simple as it sounded.

In each book, Blackthorn and Grim have a large case to solve for someone else, involving something uncanny. But at the same time, in each book, things come up regarding Mathuin. By now, he’s found out where Blackthorn lives and wants to eliminate her.

It turns out that this third book brings the larger story to a satisfying conclusion, but I hope this won’t be the last we see of Blackthorn and Grim. After all, Juliet Marillier continued the Sevenwaters series after the first trilogy.

But the more immediate issue in this book involves a wild man who returns to Wolf Glen after being in the Otherworld for 15 years. The landlord at Wolf Glen wants Bardan, the wild man, to finish the heartwood house that he began 15 years ago. He hires Grim to help build it, but sends his daughter away to Winterfalls. At Winterfalls, she comes under Blackthorn’s wing. Between the two of them, Blackthorn and Grim realize something is not as it seems at Wolf Glen.

I think what I love most about this series is the gradual growth and healing we get to watch happen in Blackthorn. Yes, they were both traumatized, and both still have nightmares and flashbacks. (I like that the author doesn’t pretend that just goes away.) But as Blackthorn helps people, we watch her innate kindness shine. And slowly, slowly, she learns to trust. Slowly, slowly, her heart opens again.

Grim, for his part, also shines as someone who’s kind and will give himself to help others, but especially Blackthorn. His growth is mainly in learning to value himself, and offer his common sense and great strength.

The resulting romance is exquisite.

julietmarillier.com
penguin.com

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Review of Stowaway in a Sleigh, by C. Roger Madder

stowaway_in_a_sleigh_largeStowaway in a Sleigh

by C. Roger Madder

Houghton Mifflin Harcourt, 2016. 32 pages.
Starred Review

Here’s another new Christmas picture book that passed the hurdle of my approval. This one’s appropriate for very young kids, because there aren’t many words on each page, and the story is simple. The paintings are lovely, and bring you to a cat’s viewpoint.

It was the darkest hour of night when Slipper heard strange footsteps in the house.

When she goes to investigate, she finds Mr. Furry Boots! Kids will know this is Santa Claus.

My favorite part is when Slipper does “exactly what any curious cat would do” — she climbs into Santa’s bag.

Santa unwittingly brings the cat back to the North Pole, where Mrs. Furry Boots lets the cat out of the bag.

Slipper has a good time exploring Santa’s workshop, but when she starts longing for home, Santa makes a special trip to deliver her.

The story is one kids can understand and empathize with, and much of it is told through the beautiful illustrations. I plan to remember this book for December story times next year.

hmhco.com

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Review of The Christmas Boot, by Lisa Wheeler, illustrated by Jerry Pinkney

christmas_boot_largeThe Christmas Boot

by Lisa Wheeler
illustrated by Jerry Pinkney

Dial Books for Young Readers, 2016. 32 pages.
Starred Review

Here’s a wonderful new Christmas story. As the book opens, we see an older lady out in the snow. She has a hat, coat, and scarf, but her hands are bare.

Deep in the forest on Christmas morning, Hannah Greyweather gathered bundles of kindling wood. For her, this day was no different from any other. As she went about her chores, she chatted to the forest, she talked to the mountains, but mostly she spoke to herself.

“Brrrrr,” she said to the mountain. “Will this winter ever be over? It chills my bones.”

The mountain didn’t answer.

Then Hannah sees a boot in the snow.

“Glory be!” Hannah exclaimed to the forest. “Who could’ve lost this?”

The forest remained silent.

And since her feet were fully freezing, and since it looked to be such a nice boot, she slipped her rag-wrapped left foot deep within it.

“Ahhh,” Hannah said. “That does feel nice.”

It surely must have, for when she slid her tiny foot into the very large boot, it suddenly took on the shape and size of Hannah’s own foot. The boot fit perfectly.

That night, as she goes to sleep, Hannah says, “I only wish I had your mate.”

In the morning, a second boot is standing next to the first one.

Hannah’s so happy, when she goes to gather wood, she makes snow angels.

That night, Hannah placed her boots next to her bed and marveled at her good fortune.

“Such a magnificent find,” she said to the left boot. “Who could have lost such a treasure as you?”

The boot stood silent.

“No matter,” said Hannah. “I’ve made good use of you. If I had mittens as toasty warm, I would be the happiest woman in the world.”

And in the morning, there are bright red mittens tucked inside the boots.

“If the boot is magic,” Hannah said to the mittens, “will it give me more? Will it give me a fluffy feather bed? A fabulous feast? A big fancy house?”

The mittens stayed mute.

“I suppose that is too much to ask,” said Hannah. “I best get about my chores.”

Well, after her chores are finished, Hannah finds her wishes have indeed been granted, though these new ones don’t “fit” quite as well as the first wishes.

But then a man in a red hat and red suit knocks on the door. He is wearing one black boot. Hannah knows where the boot came from now, and she gives it back. When she does, all her wished-for items disappear.

When the man apologizes as the wishes disappear, Hannah says, “It is as it should be. The boot didn’t belong to me, but I enjoyed it while it was here.”

But Santa knows how to make it right.

This is such a lovely book, with very large pages and Jerry Pinkney’s colorful paintings. I especially like about it that Hannah isn’t greedy, and she has such a joyful spirit. She delights in the lovely warm things, but isn’t sad to give them up. And they help her realize that she doesn’t need much to be happy.

So the reader leaves smiling when Santa makes her very modest wishes come true.

With lots of words on each page, it’s appropriate for preschoolers who are good listeners and elementary school kids.

Just a warm and wonderful new holiday story.

LisaWheelerBooks.com
JerryPinkneyStudio.com
Penguin.com/youngreaders

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Princess in Black Takes a Vacation, by Shannon Hale and Dean Hale

princess_in_black_takes_a_vacation_largeThe Princess in Black Takes a Vacation

by Shannon Hale and Dean Hale
illustrated by LeUyen Pham

Candlewick Press, 2016. 88 pages.
Starred Review

Oh, how I love the Princess in Black! This is the fourth book about frilly and pink Princess Magnolia, who disguises herself as the Princess in Black to fight monsters with ninja moves.

In this book, I was happy to see the Goat Avenger finally step up to help out. We found out about him in Book One. But even if you haven’t read Book One, you’ll find out what’s up:

The Goat Avenger was the same height as her friend Duff. He even had the same smile. But it couldn’t be Duff. Duff did not wear a mask.

The Princess in Black is tired. She has fought fifteen monsters this week. So the Goat Avenger offers to protect the goats while she takes a vacation.

However, no sooner does Princess Magnolia start napping on the perfect beach, than a giant sea monster surfaces.

Maybe if I just lie here the monster will go away, thought Princess Magnolia.

“ROOOAAARRR!” said the sea monster. “EAT PEOPLE!”

The people on the beach screamed.

Fortunately, Princess Magnolia has brought her disguise along with her beach gear. And fortunately, there’s a handy bathing tent where she can change.

Can the Princess in Black save the day against a giant sea monster? And will she ever get a vacation? And can the Goat Avenger protect the goats from monsters?

This series is just so much fun. I love the cartoon-like illustrations. The monsters are monstrous, but not too scary. The language is simple, perfect for beginning readers, but full of humor. I like the way the Princess in Black does use ninja moves (again my favorite is Twinkle Twinkle Little Smash!), but she also tells the monsters to behave, and that they are not allowed to eat goats or people.

Even though there’s a princess on the cover, these books are for kids of any gender. My co-worker’s five-year-old son loves them, as will any kid who likes superheroes or ninja moves or feeling powerful.

squeetus.com
candlewick.com

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of My Lady Jane, by Cynthia Hand, Brodi Ashton, and Jodi Meadows

my_lady_jane_largeMy Lady Jane

by Cynthia Hand, Brodi Ashton, and Jodi Meadows

HarperTeen, 2016. 491 pages.
Starred Review

This is the first book I’m reading as a 2016 Cybils first-round panelist for Young Adult Speculative Fiction — and it bodes well that this whole reading experience is going to be tremendously fun.

But let me say right up front that while these are Blogger awards so I am allowed to talk about what books I like — please be aware that I am only one member of the judging panel, and I will write reviews before I’ve talked with any of the other judges. So only my opinion is expressed. On top of that, this is the first book I’ve read for the Cybils this year, so I can’t even compare it with the competition yet. I hope the competition will be tough! So I will simply express that I loved this book — but that doesn’t necessarily mean it will be a Finalist.

That said, I did love this book! The premise is exceptionally fun. It’s alternate history, during a very turbulent time in England’s history — with shapeshifting thrown in.

Here’s how the authors begin the prologue:

You may think you know the story. It goes like this: once upon a time, there was a sixteen-year-old girl named Jane Grey, who was forced to marry a complete stranger (Lord Guildford or Gilford or Gifford-something-or-other), and shortly thereafter found herself ruler of a country. She was queen for nine days. Then she quite literally lost her head.

Yes, it’s a tragedy, if you consider the disengagement of one’s head from one’s body tragic. (We are merely narrators, and would hate to make assumptions as to what the reader would find tragic.)

We have a different tale to tell.

Pay attention. We’ve tweaked minor details. We’ve completely rearranged major details. Some names have been changed to protect the innocent (or not-so-innocent, or simply because we thought a name was terrible and we liked another name better). And we’ve added a touch of magic to keep things interesting. So really anything could happen.

This is how we think Jane’s story should have gone.

Instead of Edward dying of Consumption (or The Affliction), he’s dying because he’s being poisoned by his closest advisor. The part I like best though is that instead of conflict between Protestants and Catholics, there’s conflict between Verities and E?ians (“eth-ee-uhns”).

“The E?ians were blessed (or cursed, depending on your point of view) with the ability to switch between a human form and an animal one.” That form is fixed for any individual E?ian. King Henry VIII took a lion form and had a bad habit of eating people who brought him bad news.

But my favorite thing about this book is the character of Jane Grey. More than anything, she loves to read. Because of this, she has an encyclopedic knowledge of many different subjects. And she’s not conventional.

At the start of the book, as part of a plot to take over the throne of England, King Edward’s advisor, Lord Dudley, tells Edward he’s dying. They need to marry off Edward’s cousin Jane quickly so that she can produce an heir before he does.

So, in a few days, Jane is to be married to Lord Dudley’s son Gifford — and nobody bothers to tell Jane ahead of time that during the day, every day, Gifford is a horse.

We’ve got plots and counterplots and people changing into animals at inopportune moments. But there’s also romance and a whole lot of humor. If the sensibilities of the people involved seem a bit modern — well, the narrators make that fun.

I’ll go ahead and tell you that Jane does become Queen of England for nine days. But that’s about all that matches the history we know. What does happen is an entertaining adventure and tremendous fun.

The story is told from three perspectives — Jane, Gifford, and Edward. So I’m not sure if the three authors each took one perspective — they do sound pretty much alike. Though that’s fair because the voice is always that of the narrators. The narrators give things a modern twist throughout, with plenty of humor and perspective dashed across it all.

ladyjanies.com
epicreads.com

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Review of The King and the Sea, by Heinz Janisch and Wolf Erlbruch

king_and_the_sea_largeThe King and the Sea

21 Extremely Short Stories

by Heinz Janisch
illustrated by Wolf Erlbruch
translated by Sally-Ann Spencer

Originally published in Germany in 2008 as Der König und das Meer.
Gecko Press, 2015. 48 pages.

There’s something Zen about this book. The stories remind me of the child-like logic found in Winnie-the-Pooh.

As the title indicates, this book consists of 21 extremely short stories. All of them feature the king. A few feature the sea as well. Each story takes up one double-page spread with a very simple cut-paper illustration.

I think you’ll get the idea of the book if I quote a couple of the stories:

The King and the Sea

“I am the king!” said the king.
The sea answered with a whoosh.
“Hmm.” The king cocked his head thoughtfully.
“I see,” he murmured.
And he stood there quietly, listening to the waves.

The King and the Shadow

“Why do you have to follow me around?” asked the king.
“To stop you from coming up with stupid ideas,” said the shadow.
“And to remind you there are two sides to every story.”
“So there are,” murmured the king, staring at the long dark shadow cast by his small gold crown.

The King and the Ghost

“I don’t believe in ghosts,” said the king.
“I don’t believe in kings,” said the ghost.
“Then one of us must be mistaken,” said the king.
“So it seems,” said the ghost, spiriting himself away.

The King and the Bee

“Buzz off,” said the king, shooing the bee from his flower.
“Don’t you know I’m the king?”
“And I’m the queen,” said the bee, stinging the king’s nose.

That gives you the idea. There’s something peaceful about reading these stories, which are silly, yet wise.

I don’t envision using these with a big group – they don’t provoke a big bang. However, these are perfect for one child – or one adult reading to one child – for a cozy, meditative reading experience. I can’t help but love the king.

geckopress.com

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Review of The Creeping Shadow, by Jonathan Stroud

creeping_shadow_largeThe Creeping Shadow

Lockwood & Co. Book Four

Disney/Hyperion, 2016. 445 pages.
Starred Review

I finished rereading Lockwood & Co. Book Three, The Hollow Boy a week before this one was scheduled to come out, so I waited for it anxiously. I had a copy preordered via Amazon, but I also put a library copy on hold just in case that would be faster. (The library was only a day behind Amazon, as it happened.)

First, I’ll say right up front that this is not the end of the series. This book, like the rest, ends with some new information that makes you anxious to read the next book. It’s not too annoying – you still have a complete story in these pages – but it does make you impatient for the next installment.

The good side of that is that there will be a next installment! This is a series I don’t want to end.

Yes, you should definitely read these books in order. There is a progression. But each book does feel complete with some adventures that tie together and culminate in a victory for our heroes. Though the new information at the end of each book always promises complications.

The basic scenario of all the books is alternate reality London, where for fifty years there has been a “Problem” with ghosts showing up and terrorizing the populace. Once people reach a certain age, they can’t see ghosts any more, so children in agencies fight the ghosts and find the Sources that keep them coming back to our world.

Most agencies have adult supervisors, but Lockwood & Co. is run by children themselves. (They don’t give Lockwood’s age directly, but I’m thinking he’s about fourteen.) They fight ghosts with weapons like silver-tipped rapiers, salt bombs, and iron chains. Agents are children with psychic talents to sense the ghosts – not everyone has them. And no one seems to be as gifted with Listening as our narrator Lucy Carlyle. She even has a skull in a jar that she talks with and keeps close.

At the start of this book, Lucy has been working on her own for a while as a consultant. She’s developed the Lucy Carlyle Formula for dealing with ghosts. “Use their name. Ask the question. Keep it simple.” She asks ghosts what they want. Sometimes they answer her. Though the way they answer is sometimes dangerous.

As the book opens, Lockwood comes back to her and asks for help on a case, the case of the Ealing Cannibal. The morning after that case, someone breaks into her apartment and steals the skull in the jar.

So this book develops differently than the previous volumes. There’s a lot of mortal danger from living people as well as from ghosts. Someone is keeping lots of powerful Sources from being destroyed. For what purpose? And can Lucy get the skull back?

Jonathan Stroud is definitely not lacking in imagination. There’s still lots of direct fighting ghosts – and he comes up with new twists such as a ghost who can only be seen in mirrors. But there is also a sense of bigger plots going on around our heroes – and a knowledge of danger because powerful people don’t want their plots discovered.

I don’t need to say more about the plot in this book. Read the books in order, and if you’ve read the first three books, I very much doubt you’ll want to stop. Yes, Book Four is just as good. Yes, it brings new twists into the story. Yes, it will be frustrating to wait for Book Five.

There is a progression in the series. We find out a little bit more about Lockwood’s background. (I love the use they find for something from his parents’ collection.) We find out a little bit more about the Problem. We find out a little bit more about the most powerful agencies in London. And along the way we get to enjoy Lockwood’s charisma, Lucy’s talent, George’s cleverness, and Holly’s efficiency. And the relationships between the four of them just get more complex. I can’t get enough of these books!

LockwoodandCo.com
jonathanstroud.com
DisneyBooks.com

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Review of Glamour in Glass, by Mary Robinette Kowal

glamour_in_glass_largeGlamour in Glass

by Mary Robinette Kowal

TOR, Tom Doherty Associates, 2012. 334 pages.
Starred Review

A big thank-you to my sister Melanie for giving me this book, which I finally got around to reading.

I have trouble getting around to reading books I own – they don’t have a due date. I read the first book, Shades of Milk and Honey, on a plane trip, and enjoyed it, but wasn’t terribly impressed. I didn’t like the jealousy between the sisters and the tribute to Pride and Prejudice made it quite predictable.

So when I finally read this second book on a plane trip, I thought only to pass the time – and then I loved it!

Jane and her husband Vincent are newly married. They are now working together as Glamourists – people who use magic to create illusions. As the book opens, they have just finished working months on a commission for the Prince Regent.

From there, they decide to go to Belgium as a sort of honeymoon, celebrating the end of the war. Vincent is going to consult with a glamourist there who is developing a new technique that allows one to walk around a glamour and see different things from different sides. There Jane gets an idea of a way to record a glamour in glass so that you can carry it along with you. As they experiment together, they manage to record an invisibility glamour.

However, before long Jane’s activities as a glamourist are put to a halt when she becomes pregnant. The work of creating glamours is too taxing for pregnant women, and she has to sit on the sidelines for a time.

But then word comes that Napoleon has escaped his island exile and is coming back to France, via Belgium. Vincent is more embroiled in events than Jane had realized. Between spies on both sides and the military advantages of the invisibility glamour, Vincent gets into trouble, and it’s up to Jane – who can’t perform glamours – to find a way to get him out.

I thought this book was delightful. Jane’s younger sister wasn’t in it, so there was none of the jealousy or sibling rivalry I didn’t like in the first book. I liked the easy affection between the couple, with natural worries and stumbles as they figure out how to work together and merge their lives together.

This time, I didn’t expect the magic to be earth-shaking – it’s only about glamour, after all – but I think I enjoyed all the more the way it turned out to have military applications. Even before that bit, I liked the way creating glamours was presented as a skill that requires practice and study and invention – and the way Jane and Vincent both brought their talents to this work together. It was a lovely picture of a marriage – yet in a world quite different from our own. The plot wasn’t at all predictable, and I enjoyed the suspenseful elements and political intrigue – all with our heroine mixed up in the middle of it.

I’m going to have to catch up on this series!

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Source: This review is based on my own copy, a gift from my sister Melanie.

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