Review of The Adventures of Nanny Piggins, by R. A. Spratt

The Adventures of Nanny Piggins

by R. A. Spratt
illustrated by Dan Santat

Little, Brown and Company, New York, 2010. First published in Australia in 2009. 239 pages.
Starred Review

Move over Mary Poppins! Nanny Piggins is not a nanny who teaches her charges valuable lessons. In fact, the Disclaimer at the front warns you of things to come:

You are about to read a wonderful book. Nanny Piggins is the most amazing pig ever. It has been a privilege to write about her. But before you begin I must (because the publisher has forced me) give you one small warning. . .

Unless you are a pig, do not copy Nanny Piggins’s diet IN ANY WAY.

You see, pigs and humans have very different bodies. Pigs are a different shape (mainly because they eat so much). Plus, Nanny Piggins is an elite athlete so she has a freakishly fast metabolism that can burn a lot of calories.

So please, for the good of your own health, do not try to eat like Nanny Piggins. There is no doubt that chocolate, cake, cookies, tarts, chocolate milk, sticky cream buns, candy, ice cream, lollipops, sherbet lemons, and chocolate chip pancakes are all delicious, but that does not mean you should eat them seven or eight times a day.

Also, you really must eat vegetables, no matter what Nanny Piggins might say to the contrary, or you will get sick.

Yours sincerely,
R. A. Spratt, the author

P.S. The publisher also wants me to mention that you really should not try a lot of the things Nanny Piggins does either. For example, throwing heavy things off roofs. Firstly, because you might give yourself a hernia lugging it up there. But mainly, because if it landed on someone that would be terrible. So please do not copy Nanny Piggins’s behavior (unless you are under the close supervision of a responsible adult pig with advanced circus training).

Yes, Nanny Piggins is a pig. A pig who has left the circus, where she was a flying pig shot out of a cannon. Mr. Green hires her to watch his children because she only charges ten cents an hour. Yes, Nanny Piggins’s behavior is completely outrageous — and therefore tremendous fun to read about. Sensitive parents who aren’t sure their children would fully understand why they do not apply Nanny Piggins’s methods might find this book would make an excellent family read-aloud. (Then the parents can include wise instruction as to why such behavior is not advisable. They can also enjoy the fun along with their kids.)

Here’s an example that made me laugh, from when Mr. Green gives Nanny Piggins money to buy uniforms:

Happily, as it turned out, Nanny Piggins’s idea of a good investment was to buy four tickets to an amusement park. The children had the most wonderful day. They went on all sorts of terrifying rides. On some they were flung high into the air until they were convinced they were going to die. And on others they were spun around and around until they were utterly sick.

In fact, Michael was sick. Fortunately the ride was going at full speed at the time, and the vomit flew cleanly out of his mouth and into the face of the person behind him. So Nanny Piggins did not have to trouble herself with cleaning up his clothes.

“Well done, Michael,” Nanny Piggins complimented him. “With aim like that you could get a job at the circus.”

Here’s the way Chapter Four opens:

It was seven o’clock at night, and Nanny Piggins and the children were happily crouched on the floor of the cellar, holding a cockroach race, when they heard the distinctive harrumph sound of a throat being cleared behind them.

Now, one of the first things Nanny Piggins had taught the children was what to do if someone walks in on you when you are doing something bad. So the children did exactly as they had been trained — they stayed absolutely still and did not say a word, completely ignoring the four cockroaches as they scattered across the floor in front of them. Nanny Piggins made a mental note to recatch hers later because it was a big one with long legs and it would be a shame to let it run wild. Apart from making excellent racers, cockroaches can be tremendously handy for shocking hygenic people and clearing long lines at the deli.

As the author warns us repeatedly, Do not try this at home! But you can certainly enjoy reading about it at home. And if you won’t feed your kids junk food at every meal, where’s the harm in letting them fantasize about a nanny who does? This book is full of silly, over-the-top, good-hearted fun.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Jinx, by Sage Blackwood

Jinx

by Sage Blackwood

Harper, 2013. 360 pages.
Starred Review

Jinx is the first book I’ve read in 2013 that’s also published in 2013. (I was catching up reading 2012 books for Capitol Choices the first few weeks of January.) And I like it! I recently read lots and lots of middle grade fantasy for the 2012 Cybils shortlist, and this one stands out from the pack.

Jinx has world-building with faultless, albeit complex, internal logic. (Messed up internal logic is always my pet peeve with fantasy books. This one has no such problems.) Jinx has grown up in the Urwald. (That’s German for “primeval forest.”) Here’s how the book begins:

In the Urwald you grow up fast or not at all. By the time Jinx was six he had learned to live quietly and carefully, squeezed into the spaces left by other people even though the hut he lived in with his stepparents actually belonged to him. He had inherited it after his father died of werewolves and his mother was carried off by elves.

But then a spark from a passing firebird ignited the hut, and within a few minutes it had gone. The people in the clearing built another to replace it, and this new hut was not his. His stepparents, Bergthold and Cottawilda, felt this keenly. Besides, the harvest had been bad that autumn, and the winter would be a hungry one.

This was the sort of situation that made people in the clearing cast a calculating eye upon their surplus children.

With that beginning, you might get the impression the book is darker than it is. Yes, there’s danger pretty much throughout the book, but Jinx is so good-hearted, the overall feeling is much more positive. Jinx’s stepfather does try to abandon him in the Urwald, but he gets picked up and taken in by a wizard named Simon.

I like the complexity of the characters in this book. You’re not quite sure all along who is good and who is bad. And when you figure it out, the good characters still have plenty of flaws, and the bad characters have some good qualities.

I love Jinx’s magic. He can see the shape and color of people’s thoughts. He thinks everyone can do that. He’s also exceptionally good at listening, even to the trees of the Urwald. But he’s good at listening to other people and things, too, and quickly picks up a variety of languages. Simon and his wife are clueless about Jinx’s abilities, because they aren’t nearly so good at listening. I liked that little detail. And Jinx’s seeing Simon’s thoughts gives him good reason to wonder whether Simon is good or bad.

The biggest catch to this book is that it’s the start of a series. Yes, it ends at a good place, but Jinx and his friends are about to start off on an adventure, and that’s likely to be significant. There are some unfinished details we’ll want to find out about. But that’s also a good thing about the book — I’m happy there will be more to come.

This book lays the groundwork. It tells about Jinx growing up in Simon’s house and figuring out how things work. About halfway through the book, when Jinx is 12 years old, he sets off to seek his fortune. He gains two companions and sets off on an ill-conceived adventure. The adventure is ill-conceived, but I can believe the author’s explanation of how Jinx got pulled into it. The rest of the book deals with the consequences.

The big strengths of this book are the fascinating world Sage Blackwood has built (Hmm. Could that be a pseudonym? It’s almost too perfect for writing about the Urwald.) and the complex characters. Besides not knowing who is good or bad, I love the way Sage’s abilities affect his character. His two companions each have a curse on them, and that makes them all the more interesting, as well.

All in all, my 2013 reading year is off to a marvelous start!

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Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Girl Who Fell Beneath Fairyland and Led the Revels There, by Catherynne M. Valente

The Girl Who Fell Beneath Fairyland and Led the Revels There

by Catherynne M. Valente

Feiwel and Friends, New York, 2012. 258 pages.
Starred Review
2012 Sonderbooks Stand-out: #9 Children’s Fiction: Fantasy and Science Fiction

The Girl Who Fell Beneath Fairyland and Led the Revels There is a sequel to The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making. A friend of mine calls both of them The Girl With the Very Long Title. I think you can get away without having read the first book to read this one, because September’s adventures continue to be quite episodic, but she does meet many characters she met in her first set of adventures, or their shadows, so you may appreciate it more having read the first book.

It’s been a year since September saved Fairyland. She does miss it terribly, and the experience has made her all the more different from other girls at her school. And what no one seems to notice is that September left her shadow behind in Fairyland.

When September does get to go back, it turns out that her own shadow has gone to Fairyland-Below and become the Hollow Queen, Halloween. What’s more, she’s gradually draining more shadows from Fairyland-Above, and so people there are losing their magic along with their shadows. She meets A-Through-L, her dear wyverary, and her friend Saturday the marid, but they are actually the shadows of her friends and behave quite differently.

Now, I don’t know how much children will enjoy The Girl With the Very Long Title books. It would be a fun one to try out in a family read-aloud at bedtime. They would have to have high tolerance for big words. And the many things in the book that an adult finds funny and clever might not appeal as much to a child, because it is so funny precisely because it mirror’s a child’s logic.

There were many, many clever bits, and with my son away at college, I just have to share them in the review. I don’t think it gives away the plot at all, but shows the fun the author has with the situations.

A Wyvern’s body is different from the body of a young girl’s in several major respects. First, it has wings, which most young girls do not (there are exceptions). Second, it has a very long, thick tail, which some young girls may have, but those who find themselves so lucky keep them well hidden. Let us just say, there is a reason some ladies wore bustles in times gone by! Third, it weighs about as much as a tugboat carrying several horses and at least one boulder. There are girls who weigh that much, but as a rule, they are likely to be frost giants. Do not trouble such folk with asking after the time or why their shoes do not fit so well.

I loved the Physickists September met, students of Quiet Physicks, Queer Physicks, and Questing Physicks:

We seek out Quest-Dense Zones and hop in with both feet. We Experiment. We prove. Mersenne has gone off into the Jargoon Mountains to work on his thesis, investigating the spiritual connection between dragons and maidens. Candella last reported from the bottom of Blackdamp Lake, conducting experiments on free-range treasure. Red Newton wholly devoted himself to the study of magic apples, immortality causing and otherwise, and that means setting up a year-round camp in the Garden of Ascalaphus. . . . It is my dearest hope that one day I shall be the one to discover the GUT — the Grand Unified Tale, the one which will bind together all our Theorems and Laws, leaving out not one Orphan Girl or Youngest Son or Cup of Life and Death. Not one Descent or Ascent, not one Riddle or Puzzle or Trick. One perfect golden map that can guide any soul to its desire and back again.

Avogadra grinned. “Whilst on an expedition to prove the Rule of Three, my honored colleague Black Fermat hypothesized that certain Quest Objects cast a field around them, like a magnet or a planet — an Everyone Knows That Field. This is how they draw in unsuspecting Heroes. When an E.K.T. Field is in effect, everyone within its power will know a good deal about the Object, even if they can’t say where they heard about it or why it’s so deathly important to remember all that dusty old nonsense. They’ll chat about it with any passing stranger like it’s sizzling local gossip. ‘Oh, the Troll-Goblet of Clinkstone Hall? A Forgetful Whale swallowed it, and took it to her pod so they could bring the Whale-Maiden Omoom back to life. Everyone knows that! — the sword Excalibur? Nice lady down by the lake will let you see it for a dime, swing it for a dollar — Everyone knows that!’ Trust me, if you want to know the score, just find out What Everyone Knows, and you’ll be on the scent.

Later, September talks with a Mad Scientist:

A wyrmhole just goes from one place to another place. Dull as a street. A squidhole starts in one place — like my shop here — and goes five or ten other places, depending on how many field mice you happened to get.

And there are bits of wisdom:

For there are two kinds of forgiveness in the world: the one you practice because everything really is all right, and what went before is mended. The other kind of forgiveness you practice because someone needs desperately to be forgiven, or because you need just as badly to forgive them, for a heart can grab hold of old wounds and go sour as milk over them. You, being sharp and clever, will have noticed that I said “practice.” Forgiveness always takes practice to get right, and September was very new at it.

The story is episodic, with wild, random events happening to September one after the other, like a maze with unexpected turns. The author is incredibly imaginative, and I have to admit I enjoyed her little asides. I recommend trying the first book, and if you’re up for more of the same, you’ll definitely want to read on.

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Source: This review is based on an Advance Review Copy I got at an American Library Association conference.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Prairie Thief, by Melissa Wiley

The Prairie Thief

by Melissa Wiley

Margaret K. McElderry Books (Simon & Schuster), 2012. 215 pages.
Starred Review
2012 Sonderbooks Stand-out: #10 Children’s Fiction: Fantasy and Science Fiction

I read this book as one of the many nominees for the Cybils Award in Middle Grade Science Fiction and Fantasy, and I can safely say it was distinctly different from any other of the 151 books we considered. The book is a sweet story, and it’s set on the American prairie among some of the first European settlers, who live isolated and far apart from each other. Louisa’s Pa has been imprisoned for thievery, even though no one — least of all Louisa — thinks he’s the kind of person who’d do that. But many missing objects have been found in his abandoned dugout. What other explanation is there?

When the little girl from the family who’s taken Louisa in sees a little man nearby, it’s not hard for the reader to guess what’s going on (especially combined with the cover illustration). So though the plot may not be surprising, there is a good story here. There are some lovely moments, like when Louisa gets to ride on a pronghorn antelope to speed to her father’s trial.

Yes, the ending has a rather large coincidence. But the story is so nice, it was easy to forgive, especially since the coincidence was told with humor. There are nice imaginative touches along the way, too. Reminiscent of Little House on the Prairie, but with little people, maybe it should be called Little People on the Prairie. I like the imagining how little people would deal with the New World if they decided to stowaway with the Big Folk.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, by Catherynne M. Valente

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

by Catherynne M. Valente

Feiwel and Friends, New York, 2011. 247 pages.
Starred Review

I’ve been meaning to read this book for a long time. I finally did so on the excuse that the sequel has come out, and I now I want to read both.

The Girl With the Very Long Title, as my friend calls it, reminds me a bit of Alice in Wonderland, because of the style of the illustrations, combined with one strange thing after another happening to the heroine, September, in seemingly random order.

The narrator has a strong voice. In many cases, the narrator treats the reader as a child, which seems reasonable.

By the time a lady reaches the grand, golden evening of her life, she has accumulated a great number of things. You know this — when you visited your grandmother on the lake that summer you were surprised to see how many portaits of people you didn’t recognize hung on the walls and how many porcelain ducks and copper pans and books and collectible spoons and old mirrors and scrap wood and half-finished knitting and board games and fireplace pokers she had stuffed away in the corners of her house. You couldn’t think what use a person would have for all that junk, why they would keep it around for all this time, slowly fading in the sun and turning the same shade of parchmenty brown. You thought your grandmother was a bit crazy, to have such a collection of glass owls and china sugar bowls.

In several other places, the reader is addressed as a grown-up, which seems perhaps out-of-place, although it certainly applied, in my case:

You and I, being grown-up and having lost our hearts at least twice or thrice along the way, might shut our eyes and cry out, Not that way, child! But as we have said, September was Somewhat Heartless, and felt herself reasonably safe on that road. Children always do.

Still, this book gives an enjoyable trip through Fairyland, which quickly becomes for September about saving her friends. I’m not completely sure I would have liked it when I was a child, but then, I didn’t like Alice in Wonderland then either. And I am still looking forward to seeing what the sequel is like. The book is full of imaginative details and fairyland logic, which isn’t quite the same as real-world logic. There were some statements from the narrator I particularly liked:

Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.

“When you are born,” the golem said softly, “your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you’re half-grown, your courage barely moves at all, it’s so grunged up with living. So every once in a while, you have to scrub it up and get the works going or else you’ll never be brave again. Unfortunately, there are not so many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of spit and polish to make them paladins once more, bold knights and true.”

That’s the kind of fun observations and magical details you’ll find in this book.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Cabinet of Earths, by Anne Nesbet

The Cabinet of Earths

by Anne Nesbet

Harper, 2012. 260 pages.
Starred Review
2012 Sonderbooks Stand-out:
#2 Children’s Fiction: Fantasy and Science Fiction

It’s hard not to like a children’s fantasy tale set in Paris. (Okay, it’s hard for me not to like any book set in Paris.) Now, Maya, the main character, is not happy to be in Paris, and I like the way they explain it, not in a feel-sorry-for-herself way:

Her mother had a saying for bad days: Life is full of lessons, and the grades aren’t fair. By which she might as well have said, Sometimes your mother gets sick — really sick, like having to go through chemo and losing all her hair and most of her get-up-and-go — and you have to be a very good sport. Not just for a day or a summer, but for years. And here are the lessons Maya had learned about trying to be always, always a good sport:
1. it’s exhausting; and
2. nobody notices; and
3. it doesn’t really work very well, anyway.

After Maya’s mother is recovering from chemo, she encourages Maya’s dad to accept a fellowship he’s been offered to move the whole family to Paris for one year. Maya’s mom has a cousin in Paris. Maya’s little brother is annoyingly happy with the whole thing, and makes French-speaking friends at his new school almost instantly.

But there are some strange things happening in Paris. The Society of Philosophical Chemistry that gave her dad the fellowship has some mysteries. Its director is a distant relation. He’s young and handsome, and he seems awfully eager to meet Maya and her brother James. For years, children have gone missing from that section of Paris. Then there’s Cousin Louise, who is strangely invisible and unmemorable. She has to ask Maya to get even a waiter’s attention.

She was strangely hard to see. No color to her, somehow, just an oddly muted effect, as if there were a curtain of frosted glass between Maya’s eyes and her. Or a kind of haze in the air, almost. Just an ordinary sort of woman, but too vague to be properly ordinary, because ordinary ordinary people become more vivid when you pay attention to them, and this woman — well, you couldn’t quite focus on her, somehow.

All the mysteries seem to be focused around an amazing and beautiful old cabinet filled with bottles of earth that is in the possession of another distant relation of theirs — an eccentric old man who never leaves his home.

The mysteries and the adventure and the danger are woven together skillfully. Maya has to figure out her part in all these secrets, and then try to avert disaster.

I had one teeny-tiny complaint: I didn’t think that James talked like a five-year-old. But that’s minor, and I was able to adjust my image of him when the author mentioned his age. Perhaps his annoying charisma that makes everyone love him also made him a precocious conversationalist.

And like I said, that complaint was extremely minor. Overall, this book is a highly unusual magical adventure tale. We’ve got a modern child up against sinister forces in an unfamiliar environment and a mystery to solve before it’s too late. And it’s all set in Paris! Win-win!

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Source: This review is based on a library book from the Fairfax County Public Library.

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The False Prince, by Jennifer A. Nielsen

The False Prince

by Jennifer A. Nielsen

Scholastic Press, New York, 2012. 342 pages.
Starred Review
2012 Sonderbooks Stand-out #1 Fantasy and Science Fiction for Children

So, funny thing. I read this book earlier in the year, as an Advance Reader Copy, and although I enjoyed it, I decided there were too many flaws, and I didn’t want to review it. I read it afresh at the end of 2012, as part of my reading for the Cybils, and this time I loved it.

What was the difference? I believe that both times I read it in one sitting, into the small hours of the morning, so I certainly found it a page turner both times.

I think the first time, it reminded me so much of The Thief, by Megan Whalen Turner, I couldn’t help but be disappointed. That’s an unfair comparison for almost any book, so when I figured out the big reveal fairly easily, I held it against the author and thought she should have done the revealing differently. The second time I read it, I knew what I knew (and some other reviewers thought she intended us to figure it out), so I didn’t worry about that. I firmly did not compare it to The Thief, and this time I loved it.

The book opens with an orphan named Sage stealing a roast for the orphanage and then being captured and bought by a nobleman. Conner, the nobleman, gets three other orphan boys and tells them one of them is going to replace the prince who’s been missing for four years. The rest of the royal family is dead, and the country will find out in two weeks’ time. If one of the boys can get everything right in two weeks, he will be the new king and live in luxury the rest of his life. Of course, it’s pretty clear that whichever boys are not chosen will need to be killed to keep the secret.

Sage isn’t one to capitulate to Conner’s power, and he clearly has plans of his own. How it all gets worked out is wonderful tale. If the big twists and turns don’t take you by surprise, there are still some little details that will slip through. The book is hard to put down, and the action keeps going. I do have to say that, like Megan Whalen Turner’s books, you do spot more details when you reread the book that you won’t have realized were significant the first time around.

The best thing about this book? It’s “Book One of the Ascendance Trilogy.” The book does stand alone beautifully, and tells a complete story. But I’m definitely looking forward to finding out what happens next.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Sleeping Beauty, by Mercedes Lackey

Sleeping Beauty

by Mercedes Lackey

Luna, 2010. 345 pages.
Starred Review
2012 Sonderbooks Standout: #3 Fantasy Fiction

I do so love Mercedes Lackey’s Tales of the Five Hundred Kingdoms! They are fairy tale variants, but for once they are written for grown-ups. They appeal to the reader’s intelligence, and a vast storehouse of Tradition powers the magic in the tales. It’s so much fun the way she looks at the way the Tradition would affect real people’s lives.

Take the princesses that get awakened from sleep by a prince’s kiss, for example. There’s Snow White. There’s Sleeping Beauty. And who knew, the Siegfried saga involves him waking a sleeping shieldmaiden who’s actually his aunt surrounded by a ring of flaming roses.

Chapter One of The Sleeping Beauty opens with Princess Rosamund fleeing from a Huntsman and mourning her situation.

It wasn’t fair. It just wasn’t fair. Why did her mother die? She had been so good; she’d never done anything to deserve to die!

But of course, the part of her mind that was always calculating, always thinking, the part she could never make just stop, said and if it hadn’t been that, it would have been something else. You just turned sixteen. You know what that means in the Tradition.

Oh, she knew. Sixteen was bad enough for ordinary girls. For the noble, the wealthy, The Tradition ruthlessly decreed what sort of birthday you would have — if you were pretty, it was the celebration of a lifetime. If you were plain, everyone, literally everyone, would forget it was even your birthday, and you would spend the day miserable and alone. Traditional Paths went from there, decreeing, unless you fought it, just what the rest of your life would be like based on that birthday. For a Princess, it was worse. For the only child who was also a Princess, worse still. Curses or blessings, which might be curses in disguise, descended. Parents died or fell deathly ill. You were taken by a dragon. Evil Knights demanded your hand. Evil Sorcerers kidnapped you to marry you — or worse.

Fortunately, Rosamund’s kingdom, Eltaria, has a powerful fairy godmother who is trying to divert all the magic swirling around Eltaria into less harmful channels. But her task isn’t easy.

To add to the fun, Siegfried wanders into the kingdom. I love the summing up Mercedes Lackey gives of Siegfried’s story. When he drank dragon’s blood as a boy and learned the language of beasts, he picked up a bird as a traveling companion who warned him about The Tradition and the fate planned for him.

At ten years old, Siegfried of Drachenthal learned that he had been a game piece all of his life in the metaphorical hands of The Tradition. That he was supposed to go and wake up a sleeping woman, that they would fall in love, and that this was going to lead to an awful lot of unpleasant things. And that if he didn’t somehow find a way around it, he was Doomed.

At ten, Doom didn’t seem quite as horrid a fate to try to avoid as a Girl was. But it seemed that by avoiding that one particular Girl, in those particular circumstances, who would be the first woman he had ever seen who was not an aunt, he would also avoid the Doom. So he did. He got away from Drachenthal, had the bird scout on ahead so that the first woman he ever saw was not his aunt but someone’s lively old granny, and began searching for a way to have a Happy, rather than Tragically Heroic, ending.

At twenty, the idea of a Girl all his own seemed rather nice, but Doom was definitely to be avoided. He had begun to think about this, rather than just merely avoiding all sleeping women in fire circles wearing armor. Other Heroes ended up with Princesses, castles, happy endings, dozens of beautiful children. Why couldn’t he?

The bird had been of the opinion that he ought to be able to, if he could trick The Tradition into confusing his fate with some other sort of Hero’s. That sounded good to Siegfried. . . .

“So in order to hoodwink The Tradition, all I have to find is someone blond, asleep in a ring of fire and flowers, who is not a Shieldmaiden demigoddess, and wake her up?” he was asking the bird, as he hacked his way through the underbrush with his eversharp, unbreakable sword.

It’s an easy to get an idea where this is going, but you will only get an inkling of how much fun and humor is to be found along the way.

Another thoroughly enjoyable offering from Mercedes Lackey.

LUNA-Books.com

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Review of Shadowfell, by Juliet Marillier

Shadowfell

by Juliet Marillier

Alfred A. Knopf, New York, 2012.
Starred Review

Juliet Marillier’s writing is wonderful. She evokes ancient Celtic magic, and her heroines must face formidable odds with courage, wrestling over what’s right, and then holding onto that. This book reminded me greatly of her Sevenwaters books for adults, and that’s high praise.

At the start of the book, Neryn has been unable to keep her father from gambling away their last coins, and then he decides to use her as his stake. She’s won by a quiet stranger who gets her off the chancy-boat in time to see it destroyed by the king’s Enforcers, meaning her father’s certain death. The man doesn’t harm her. He asks her to travel with him:

“Listen,” Flint said, not meeting my eye now but stirring the fire with a stick, making sparks rise into the night. “You know, and I know, how hard it is to make a journey like that alone. Summer’s over and the Cull’s under way. You should be safe enough here for a day or so; this spot’s well off the known tracks. Tomorrow I have to attend to some other business, but I can be back before dark. It happens that I’m going north too. Travel with me until our paths part ways and you’ll have protection on the road.” He sounded diffident.

He had been kind tonight, in his brusque fashion. But everything in me rejected this suggestion. “I don’t know you,” I said. “I’d be a fool to trust you.”

“You’d be still more of a fool,” Flint said, “to go on alone. I said before, I want nothing from you. This is a simple offer of help. You need help.”

“Thank you, but I’ll do well enough on my own.”

Neryn does go on on her own, but the reader isn’t too surprised when Flint turns up again. We are surprised when we find out all the reasons Neryn has not to trust him.

Neryn has a “canny gift.” She can see and hear the Good Folk. But canny gifts are forbidden in Alban under the reign of King Keldec. Only those in the king’s close personal circle are allowed to use them. Others are killed, or their minds bent to serve the king. Neryn’s own Granny had her mind destroyed when the Enforcers attempted this on her.

But she’s heard of a place in the north, Shadowfell, where things are different, where Keldec’s arm doesn’t reach and canny gifts are welcome. However, to get there requires a long journey.

Along the way, Neryn learns that her own gift may be far more important, and far more powerful, than she realized. She also must wrestle with whom she can trust.

Now, in some ways Juliet Marillier’s romances follow a formula. There’s a very capable, strong man who’s a sinister stranger, but somehow the heroine gets in his power, and he proves to be gentle and kind, takes care of her when she’s sick, and doesn’t take advantage of the situation. Come to think of it, Sherwood Smith’s books also tend to follow this pattern, though in her books the stranger usually kidnapped or captured the heroine for some reason, but still ends up being kind and nurturing. I’m a little ashamed of myself that I inevitably find these books incredibly romantic, but what can I say? I really do. The heroine’s in a vulnerable position, at the mercy of someone who’s rough around the edges, but really good at what he does. But what he does is apparently at odds with everything the heroine holds dear. Should she trust him?

Summarized like that, I know I’m not expressing the magic of these books. Her language pulls you right into ancient Alban. Here are the first two paragraphs. See how quickly she weaves her spell and sets the stage!

As we came down to the shore of Darkwater, the wind sliced cold right to my bones. My heels stung with blisters. Dusk was falling, and my head was muzzy from the weariness of another long day’s walk. Birds cried out overhead, winging to nighttime roosts. They were as eager as I was to get out of the chill.

We’d heard there was a settlement not far along the loch shore, a place where we might perhaps buy shelter with our fast-shrinking store of coppers. I allowed myself to imagine a bed, a proper one with a straw mattress and a woolen coverlet. Oh, how my limbs ached for warmth and comfort! Foolish hope. The way things were in Alban, people didn’t open their doors to strangers. Especially not to disheveled vagrants, and that was what we had become. I was a fool to believe, even for a moment, that our money would buy us time by someone’s hearth fire and a real bed. Never mind that. A heap of old sacks in a net-mending shed or a pile of straw in a barn would do fine. Anyplace out of this wind. Anyplace out of sight.

The worst thing about the book is also the best thing. It’s the first book of a new trilogy. The story comes to a good stopping place, but it’s by no means finished at the end of this book. So I will snap up the next book as soon as it’s published, but I simply hate having to wait.

JulietMarillier.com
randomhouse.com/teens

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Mysterious Howling, by Maryrose Wood

The Incorrigible Children of Ashton Place

The Mysterious Howling

by Maryrose Wood

Balzer + Bray (HarperCollins), 2010. 267 pages.
Starred Review

I’m so glad I finally read this book! In a way, it’s nice that I took so long, because the final three words are those dreaded ones, “To Be Continued . . .” I can go straight to rushing to read the next two volumes.

I found The Mysterious Howling completely delightful. The story is of Penelope Lumley, a Poor but Deserving young fifteen-year-old girl, penniless and sent away from her boarding school to try her luck at a grand house, Ashton Place, to be the governess.

Her interview with Lady Constance is unusual. Even Penelope, with no experience in such things, finds it surprising how quickly Lady Constance offers her the job and that she won’t speak of the children. She closes the interview like this:

And with that, they both affixed their signatures to the bottom of the letter of terms that Lord Ashton had prepared. Penelope hardly thought this necessary, but Lady Constance assured her that signed, binding contracts were the custom in these parts, a charming formality which she would not dream of omitting.

When Penelope does meet the children, she learns that they were, in fact, raised by wolves, and discovered by the mysterious Lord Ashton in Ashton Forest on one of his hunting parties. Penelope must revise her hopes and dreams of what she can teach the children, but her compassion, and her binding contract, compel her to stay.

The rest of the book concerns itself with Penelope teaching the children, trying to get them not to chase squirrels and teach them enough words to speak politely to people. In fact, when Lady Constance plans a big party on Christmas Day, Lord Ashton particularly wants the children to be there, so Penelope is under deep pressure to teach them proper things to say to the guests, and drill them on how to behave. It’s not her fault if things don’t go as she plans….

Meanwhile, there’s a mystery at Ashton Place. In a tribute to Jane Eyre, besides the mysterious howling from the children before Penelope met them, there’s a sound coming from a room in the attic.

I’m not sure who exactly the audience for this book is, except that I am firmly in it. Definitely those who have read and loved Jane Eyre will find themselves laughing over Penelope Lumley’s expectations of being a governess and the rich contrast with the children she actually teaches. There are obvious sections inserted to delight the adult reader, such as this one:

“My heavens!” Mrs. Clarke exclaimed. “I am sure I have never seen three such extraordinarily handsome and well-turned out children!”

As you may know complimentary remarks of this type are all too often made by well-meaning adults to children who are, to be frank, perfectly ordinary-looking. This practice of overstating the case is called hyperbole. Hyperbole is usually harmless, but in some cases it has been known to precipitate unneccessary wars as well as a painful gaseous condition called stock market bubbles. For safety’s sake, then, hyperbole should be used with restraint and only by those with the proper literary training.

However, the book is written at a child’s reading level, and I do think children will enjoy the story. There is silliness with the children learning how to speak and how to behave, despite a tendency toward howling, and a thread of a mysterious something bigger throughout the story.

Here’s a section shortly after Penelope has learned the nature of her charges. She goes, naturally enough, to the library:

It was chilly and dark, even on a sunny afternoon, with many more books than even the library at Swanburne had contained. The section on animal behavior was exceptionally well stocked. In short, Penelope was in library heaven, and she prepared to start taking notes. She quickly found a book on wolves, which provided many thought-provoking tidbits of information and even shed light on some of the children’s more intriguing habits — the way Alexander, for instance, would occasionally discipline his siblings by knocking them to the ground and rolling them onto their backs. Or the way Beowulf would rise from his bed during the night and gaze out the nursery window, mournfully ahwooing for hours on end. Or Cassiopeia’s tendency to scamper closely after Penelope and sit at her feet the instant she stopped moving.

Of course, I can’t help but think the most ideal audience would be a family read-aloud, or perhaps a classroom read-aloud. I am planning to listen to the second book on CD, so it will be fun to see if that reader does the story justice.

maryrosewood.com
harpercollinschildrens.com

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Source: This review is based on my own copy, which I purchased at an ALA Conference and had signed by the author.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!