Review of The Name of the Wind, by Patrick Rothfuss

The Name of the Wind

The Kingkiller Chronicle: Day One

by Patrick Rothfuss

DAW Books, 2007. 722 pages.
Starred Review
2011 Sonderbooks Stand-out: #2 Fantasy Fiction

This book wasn’t even on my radar until the second book came out and several of my siblings bragged on Facebook about who got their hands on it first. Then my sister Marcy posted a short quotation from the sequel, and by the language alone, I knew this writer was something special. When I went to the bookstore to purchase it, I picked it up and then wandered into the music and movies section of the store. One of the employees saw me holding The Name of the Wind and talked with me for ten minutes about how it’s her favorite book! So I was already quite sure I’d made a good choice.

Then I started reading, and right away the language pulled me in. The book has the feel of a true epic, of something sweeping and important.

The book begins in an inn with a bunch of locals sitting around and Old Cob telling stories. Looking it over after reading the book, I see lots of clues about what’s to follow. On the second page of Chapter One, you understand the significance of the title in the story that’s told of Taborlin escaping from a tower and the Chandrian.

“‘But Taborlin knew the names of all things, and so all things were his to command. He said to the stone: “Break!” and the stone broke. The wall tore like a piece of paper, and through that hole Taborlin could see the sky and breathe the sweet spring air. He stepped to the edge, looked down, and without a second thought he stepped out into the open air. . . .’

“The boy’s eyes were wide. ‘He didn’t!’

“Cob nodded seriously. ‘So Taborlin fell, but he did not despair. For he knew the name of the wind, and so the wind obeyed him. He spoke to the wind and it cradled and caressed him. It bore him to the ground as gently as a puff of thistledown and set him on his feet softly as a mother’s kiss.”

We also quickly learn that there’s something mysterious about the young, red-haired innkeeper.

“He called himself Kote. He had chosen the name carefully when he came to this place. He had taken a new name for most of the usual reasons, and for a few unusual ones as well, not the least of which was the fact that names were important to him.”

I wondered about the subtitle of the book: Day One of the Kingkiller Chronicles. Was the whole thing supposed to happen in a day? Some sort of demon appears and attacks a man, and Kote deals with it without making it obvious that he knows what he’s doing. Several days pass very quickly.

Then a traveler called the Chronicler comes on the path to the inn. In the night, he encounters Kote, who saves him from an attack of more spider-shaped demons with razor-sharp feet. When Kote takes the Chronicler to his inn, the Chronicler recognizes him as Kvothe. He came there to find him, to hear the real story behind all the tales.

Kote takes some convincing. Finally, he tells the Chronicler that the only way he will tell his story is if he has three days. Three days to prepare and tell it properly. So the first book is what he tells the Chronicler on the first day, the start of his story.

Kvothe begins his tale:

“‘In some ways, it began when I heard her singing. Her voice twinning, mixing with my own. Her voice was like a portrait of her soul: wild as fire, sharp as shattered glass, sweet and clean as clover.’

“Kvothe shook his head. ‘No. It began at the University. I went to learn magic of the sort they talk about in stories. Magic like Taborlin the Great. I wanted to learn the name of the wind. I wanted fire and lightning. I wanted answers to ten thousand questions and access to their archives. But what I found at the University was much different than a story, and I was much dismayed.

“‘But I expect the true beginning lies in what led me to the University. Unexpected fires at twilight. A man with eyes like ice at the bottom of a well. The smell of blood and burning hair. The Chandrian.’ He nodded to himself. ‘Yes, I suppose that is where it all begins. This is, in many ways, a story of the Chandrian.'”

His introduction is masterful:

“My name is Kvothe, pronounced nearly the same as ‘Quothe.’ Names are important as they tell you a great deal about a person. I’ve had more names than anyone has a right to.

“The Adem call me Maedre. Which, depending on how it’s spoken, can mean ‘The Flame,’ ‘The Thunder,’ or ‘The Broken Tree.’

“‘The Flame’ is obvious if you’ve ever seen me. I have red hair, bright. If I had been born a couple hundred years ago I would probably have been burned as a demon. I keep it short but it’s unruly. When left to its own devices, it sticks up and makes me look as if I have been set afire.

“‘The Thunder’ I attribute to a strong baritone and a great deal of stage training at an early age.

“I’ve never thought of ‘The Broken Tree’ as very significant. Although in retrospect I suppose it could be considered at least partially prophetic.

“My first mentor called me E’lir because I was clever and I knew it. My first real lover called me Dulator because she liked the sound of it. I have been called Shadicar, Lightfinger, and Six-String. I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them.

“But I was brought up as Kvothe. My father once told me it meant ‘to know.’

“I have, of course, been called many other things. Most of them uncouth, although very few were unearned.

“I have stolen princesses back from sleeping barrow kings. I have burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during the day. I have talked to gods, loved women, and written songs that make the minstrels weep.

“You may have heard of me.”

This is what you’re getting in this book. It’s only the start of an epic tale, basically the story of Kvothe’s childhood. We learn how he was brought up in a band of traveling players, incredibly quick to learn. We hear how his parents were killed and he spent years on the streets of a city, but then made it to the University. Along the way, a few of the things he mentioned above happen.

And in the frame, in the present time, grave things are afoot. There’s no telling how that will play out.

The worst thing about this series: It is not complete. Of course, I will have the joy of rereading the first two books when the third comes out. Patrick Rothfuss has a lot of loose ends to tie up, but I have no doubts that he will be able to pull it off.

This was the sort of book that I told everybody about while I was reading it. Now I’ll urge my website readers. This book is unforgettable. Read it!

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Source: This review is based on my own book, purchased in a Barnes & Noble bookstore.

Review of Child of the Prophecy, by Juliet Marillier

Child of the Prophecy

by Juliet Marillier

TOR Fantasy, 2002. 596 pages.
Starred Review

Child of the Prophecy is the third book in Juliet Marillier’s Sevenwaters Trilogy. She has managed to make each book completely different from the others, each romance totally distinct, and yet all of them equally brilliant.

I expected this third book to be all about the obvious child of the prophecy, Johnny, who was born in the second book and foretold in the first book. Instead, the book is about Fianne, who is the granddaughter of the evil sorceress Oonagh, who enchanted the brothers into swans in the first book. Lady Oonagh still lives, and now she is sending her granddaughter to Sevenwaters to finally get vengeance and destroy the people of Sevenwaters.

However, Fianne is a daughter of Sevenwaters herself. She finds herself loving the family that she meets for the first time. But if she reveals anyone she loves to her grandmother, her grandmother will use that love against her by attacking them.

It was strange to read this book and find yourself rooting for Fianne — even knowing that she was a tool in the hands of the sorceress.

Juliet Marillier brings the book and the trilogy to a wonderful and satisfying conclusion, weaving another magnificent tale in this third book.

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Source: This review is based on my own copy of the book, purchased via Amazon.

Review of The Mislaid Magician, by Patricia C. Wrede and Caroline Stevermer

The Mislaid Magician
or
Ten Years After

Being the Private Correspondence Between Two Prominent Families Regarding a Scandal Touching the Highest Levels of Government and the Security of the Realm

by Patricia C. Wrede and Caroline Stevermer

Harcourt, 2006. 328 pages.
Starred Review

I loved these authors’ earlier books, Sorcery and Cecilia and The Grand Tour, so much, it was a no-brainer to buy this third book about cousins Kate and Cecy in a magical regency England just as soon as it came out. However, I was still at the stage where I only got library books read, because library books have a due date. So the book sat in one of my many to-be-read piles and peeked out at me tantalizingly.

Well, after I loaded up on Advance Review Copies at ALA Annual Conference this summer, I decided to make myself a rule, or I’d never get any of those books read. Now I alternate. After every library book, I read a book I own. It’s working great, and this was one of the first books I own that I selected. I was so happy to finally get around to reading it!

The books are set in an alternate England, where people mix their attention to manners with magic. The authors have written the books by writing letters between the characters, Kate and Cecy, who are cousins. It’s been a long time since I’ve read the earlier books, but that wasn’t a problem with understanding what was going on. And, after all, the book is set ten years into the young ladies’ marriages, so it’s probably appropriate to read it later.

At the start of the book, Cecy and her husband James are asked by the Duke of Wellington to investigate the disappearance of a distinguished magician who was investigating a problem with the ley lines — lines of magic that run throughout England. They leave their children with Kate and Thomas, and the precocious children of both couples figure into the correspondence.

What follows is a mystery and an absorbing adventure. This is clever, light reading. There are some very fun and surprising bits of magic thrown into the mix. I don’t need to say a lot more. These books take regency England mixed in with magic. If that sounds delightful to you, you should definitely read them. This one isn’t really a romance like the first, but it is a fun mystery and reminds me more of Amelia Peabody books from when Ramses was young.

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Source: This review is based on my own copy, purchased via Amazon.

Review of Across the Great Barrier, by Patricia C. Wrede

Across the Great Barrier

by Patricia C. Wrede

Scholastic Press, New York, 2011. 339 pages.
Starred Review

I like Patricia C. Wrede’s writing so much, I pre-ordered a copy of this book, and was delighted when it showed up on my doorstep. This book is the second book in the Frontier Magic series, continuing in the fascinating world the author created in Thirteenth Child.

These books are set in an alternate reality Old West, where the world has magic. The West of “Columbia” was never settled by humans, because ferocious magical creatures live there, including saber cats and dragons and mammoths and other dangerous creatures.

I like the alternate reality Patricia C. Wrede has built, because she has lots of things that are different. So many alternate reality books assume just a few differences, and that history would go the same as it did. But why would that happen? I like the way she has lots of little differences, like different names for things. Children are called childings. Europe is Avrupa. America is Columbia. Of course, there are also huge differences, like the existence of magical creatures.

Another thing I like about this series is that it’s one series that has a family like the one I came from — thirteen kids! There aren’t very many out there. Now, to be honest, by this time Eff’s brothers and sisters are all grown (which is realistic), so it doesn’t feel like a big family story, but I still have a soft spot for a book with a family like mine, even if the main character is a lot more analogous to my youngest sister, and has an experience nothing like those of us at the top of the birth order.

This book is not very dramatic, but it’s simply a good story. I hope the series continues a long time. As in Thirteenth Child, the narrator does a lot of telling about events, rather than dramatizing scenes, so a lot of time passes. But it’s all very interesting, since it’s about this fascinating world. Eff is figuring out how her own magic works, while also solving some mysteries across the Great Barrier.

The Great Barrier is a magical barrier set up in the Mississippi River that protects the country from the fearsome magical creatures that live out West. However, there are settlements that have been allowed beyond the Great Barrier, and in this book, Eff gets to go with a research party to catalog the plant and animal life. They find some startlingly realistic statue fragments, and there is no mark of any tool. Is something turning creatures into stone?

This book still gives the feeling that there’s lots more to be told. Eff’s twin, Lan, and their friend William go off to college in the East and don’t show up a lot in this book. Eff’s still finding her niche and ways to use her talents and interest in magical animals. By the end of the book, she feels like a friend, and I very much want to hear more about her.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Fly By Night, by Frances Hardinge

Fly By Night

by Frances Hardinge
performed by Jill Turner

Recorded Books, 2006. 14 hours, 12 compact discs.
Starred Review

I’d been meaning to read Fly By Night for quite some time, and listening to the recorded book ended up being a delightful way to do it. I always enjoy British narrators, and Jill Turner’s exquisite voice was the perfect way to highlight the extraordinary language contained in this book.

Frances Hardinge has an imagination not quite like anyone else’s. In the world she’s created for Fly By Night there are many different “Beloved” the people worship, and your name is given depending on the time when you are born, and the Beloved who is honored on that day. In the Prelude to this book, Mosca Mye has just been born after dusk, at the time sacred to Goodman Palpitattle, He Who Keeps Flies out of Jams and Butter Churns.

To give you just a taste of Frances Hardinge’s imagination, these are a few of the other Beloved:

Goodlady Cramflick, She Who Keeps the Vegetables of the Garden Crisp;
Goodlady Prill, Protector of Pigs;
Goodman Grayglory, He Who Guides the Sword in Battle;
Goodlady Agragap, She Who Frightens the Harelip Fairy from the Childbed;
and Goodman Blackwhistle of the Favorable Wind.

Her language is completely delightful to listen to. This book is full of similes that are both unique and wonderfully apt. A few examples of those:

As the story opens, she talks about the sleeping villagers:

“On this particular night their dreams were a little ruffled by the unusual excitement of the day, but already the water that seeped into every soul was smoothing their minds back into placidity, like a duck’s bill glossing its plumage.”

Describing the village:
“There was no escaping the sound of water. It had many voices. The clearest sounded like someone shaking glass beads in a sieve. The waterfall spray beat the leaves with a noise like paper children applauding. From the ravines rose a sound like the chuckle of granite-throated goblins.”

As it opens, Mosca wants to get out of the village where she lives with her uncle. She decides to free Eponymous Clent, who won over the town, but was then exposed as a fraud. She finds him hanging upside-down on the Chiding Stone, and tells him she’ll let him out if he gives her a job.

“‘I want to travel,’ Mosca declared. ‘The sooner the better,’ she added, with an apprehensive look over her shoulder.

“‘Do you even have the first idea of what my profession entails?’

“‘Yes,’ said Mosca. ‘You tell lies for money.’

“‘Ah. Aha. My child, you have a flawed grasp of the nature of myth-making. I am a poet and storyteller, a creator of ballads and sagas. Pray do not confuse the exercise of the imagination with mere mendacity. I am a master of the mysteries of words, their meanings and music and mellifluous magic.'”

And so the tale begins. Mosca goes off with Eponymous Clent and her pet goose Saracen, who attacks (and defeats) anyone but Mosca. They head for the city of Mandelion, and on the way, in one of my favorite scenes, they come across a coach being attacked by a bedraggled band of highwaymen. Clent recognizes the duchess inside the carriage and asks her for a job if he can keep the highwayman from robbing her.

Clent tells the highwayman, named Blythe, that a young lady inside is very ill and needs her money to get to a doctor. Blythe plans to steal from her anyway, but then asks what he stands to lose.

“After a moment’s dramatic pause, Clent let his arms drop.

“‘I am a writer of ballads — I value gestures. I understand them. I know what I can do with them. Let us suppose, for example, that you allowed this young woman to stay in her carriage, handed her back her money, and wished her and her people godspeed back to Mandelion so that she could find a physician who might save her life — ah, what I could do with that!’

“Blythe’s eyes asked silently what Clent could do with that.

“‘I could write a ballad that would make proverbial the chivalry of Clamoring Captain Blythe. When you rode the cold cobbles of a midnight street, you would hear it sung in the taverns you passed, to give you more warmth than that thin coat of yours. When you were hunted across the moors by the constables, hundreds would lie sleepless, hoping that brave Captain Blythe still ran free.

“‘And when at night you lay on your bed of earth under your dripping roof of bracken, with no company but the wind and your horse champing moss near your head, you would know that in a glittering banquet hall somewhere, some young lady of birth would be thinking of you.

“‘That is what you stand to lose.'”

The wild adventure that follows is not a simple case of good versus evil, because it’s hard to tell who is good and who is bad, though we know all along that we’re rooting for Mosca. Yes, we see Captain Blythe again, and yes, the ballad has consequences. In fact, all kinds of things from early in the book are woven together later in the book. The plot is imaginative, intricate, and most enjoyable.

I didn’t find this book particularly heart-warming. But I did find it delightful intellectual fun. The language is rich and melodious, the world-building is imaginative and funny, and the plotting is clever and well-woven.

In the words of Mosca’s father, Quillam Mye:

“There is only one thing that is more dangerous than Truth. Those who would try to silence Truth’s voice are more destructive by far.”

I like the Disclaimer at the end:

“This is not a historical novel. It is a yarn. Although the Realm is based roughly on England at the start of the eighteenth century, I have taken appalling liberties with historical authenticity and, when I felt like it, the laws of physics.”

This is a good yarn that kids of all ages will enjoy. The audiobook would make a fantastic family listen-along for a wide span of ages.

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Son of the Shadows, by Juliet Marillier

Son of the Shadows

by Juliet Marillier

Book Two in the Sevenwaters Trilogy
TOR Fantasy, New York, 2001. 590 pages.
Starred Review

I very greatly enjoyed Juliet Marillier’s young adult books, Wildwood Dancing and Cybele’s Secret, but these books about the ancient Irish tuath of Sevenwaters have me completely enthralled.

Son of the Shadows takes up the tale with Fiadan, the daughter of Sorcha, the heroine of Daughter of the Forest. Fiadan and her twin brother Sean are sixteen, and the people of Sevenwaters are feeling uneasy. It seems an old evil is awakening, and they aren’t sure how it will break out.

Sean is training to be the next chief of Sevenwaters, after their uncle Liam. The family still wants to win back their sacred islands from the British family of Northwoods. Sean thinks there is no point in waiting for the prophecy to come true.

Fiadan, like her mother, is a healer, and she’s blessed, or cursed, with The Sight. But Fiadan doesn’t quite fit into the pattern that the Fair Folk seem to be manipulating. In Daughter of the Forest, the Fair Folk did a lot of directing in the background. In this book, Fiadan doesn’t like the requests and commands the Fair Folk give her, and she makes her own choices. But will it mean disaster for her family?

After I read this book, I decided that this series is too good — I am going to order my own copy of the next book, and a copy of this book while I am at it. I know I will want to reread them. Fiadan feels like a precious friend. I want her to succeed! I want to find out what happens to her family next.

Juliet Marillier writes an intricately plotted novel that feels like a beautiful tapestry. There are many places where the characters tell stories, and they are always pertinent to the tale. I like this paragraph where Liadan defends telling tales to the chief of a band of outlaws:

“If what you want is to achieve a victory, what better to inspire your men than a heroic tale, some tale of a battle against great odds, won by skill and courage? If your men are weary or downhearted, what more fit to cheer them than a foolish tale — say, the story of the wee man Iubdan and the plate of porridge, or the farmer who got three wishes and squandered them all? What better to give them hope than a tale of love?”

As for me, I found no better therapy when recovering from a stroke than to read this tale of love and adventure and danger and treachery and loyalty and courage.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Freddie Ramos Springs into Action, by Jacqueline Jules

Zapato Power, Book Two

Freddie Ramos Springs into Action

by Jacqueline Jules
art by Miguel Benitez

Albert Whitman & Company, Chicago, 2010. 77 pages.

Here’s a second book about Freddie Ramos, a kid who lives with his single mom in an apartment complex — but a kid who has super-powered shoes.

It turns out to be a problem in school, because Freddie can’t help but be super fast any time he runs. Mr. Vaslov, who invented the purple sneakers, needs to invent a way to turn the super speed on and off. Freddie finds the wristband Mr. Vaslov is working on, but where is Mr. Vaslov? Should he try the invention out, or is it ready?

This book is a perfect first chapter book. The story is short and simple, with eight short chapters and lots of pictures, but has the wonderful fantasy of super shoes, and a problem to solve. It begs the question: What would you do if you had super powered sneakers?

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Tuesdays at the Castle, by Jessica Day George

Tuesdays at the Castle

by Jessica Day George

Bloomsbury, New York, 2011. 232 pages.
Starred Review

I always wish for fantasy books to get some Newbery glory. It’s my favorite genre, and although some win, some years outstanding books get passed over. This year, the fantasy book I’m rooting for is Tuesdays at the Castle, by Jessica Day George.

Okay, it’s got some tough competition in the form of Okay For Now, by Gary Schmidt. Tuesdays at the Castle is much lighter fare, not covering big, heavy issues that come up in Okay for Now. However, what Tuesdays at the Castle does, providing a light, intriguing fantasy tale for middle grade readers, it does exceptionally well.

It’s a story of a medieval-type world with a princess at the center of the tale, yes. But the magical setting is highly unusual and delightfully different:

“Whenever Castle Glower became bored, it would grow a new room or two. It usually happened on Tuesdays, when King Glower was hearing petitions, so it was the duty of the guards at the front gates to tell petitioners the only two rules the Castle seemed to follow.

“Rule One: the Throne Room was always to the east. No matter where you were in the castle, if you kept heading east you would find the Throne Room eventually. The only trick to this was figuring out which way east was, especially if you found yourself in a windowless corridor. Or the dungeon.

“This was the reason that most guests stuck with Rule Two: if you turned left three times and climbed through the next window, you’d end up in the kitchens, and one of the staff could lead you to the Throne Room, or wherever you needed to go.

“Celie only used Rule Two when she wanted to steal a treat from the kitchens, and Rule One when she wanted to watch her father at work. Her father was King Glower the Seventy-Ninth, and like him, Celie always knew which way was east….

“The Castle didn’t seem to care if you were descended from a royal line, or if you were brave or intelligent. No, Castle Glower picked kings based on some other criteria all its own. Celie’s father, Glower the Seventy-Ninth, was the tenth in their family to bear that name, a matter of great pride throughout the land. His great-great-great-great-great-great-great-great-grandfather had become king when Glower the Sixty-Ninth’s only heir had turned out to be a nincompoop. Legend had it that the Castle had repeatedly steered the old king’s hairdresser to the throne room via a changing series of corridors for days before the Royal Council had declared him the next king, and the young man who should have been Glower the Seventieth found himself head down in a haystack after having been forcibly ejected from the castle through the water closet.

“King Glower the Seventy-Ninth, Lord of the Castle, Master of the Brine Sea, and Sovereign of the Land of Sleyne, knew when to leave well enough alone. He married the beautiful daughter of the Royal Wizard when the Castle guided them into the same room and then sealed the doors for a day. He paid attention when the Castle gave people larger rooms or softer chairs. When his oldest son, Bran, kept finding his room full of books and astrolabes, while his second son, Rolf’s, bedroom was moved next to the Throne Room, King Glower sent Bran to the College of Wizardry and declared Rolf his heir.

“And when little Celie was sick, and the Castle filled her room with flowers, King Glower agreed with it. Everybody loved Celie, the fourth and most delightful of the royal children.”

But Celie ends up facing some big problems. Her parents go to Bran’s graduation from the College of Wizardry, and on the way home, they are attacked by bandits in the pass. Bran’s horse is found dead, but they don’t find the bodies of the royal family. However, the king’s Griffin Ring, which rumor says can only be removed at the king’s death, was found at the site of the attack.

Search parties are sent out, but the king and queen and Bran are not found. But things don’t look hopeful for them, and the ministers don’t want to be without a king. Princes from their neighboring countries come with armed guards, plus servants and advisors and ministers of state. Ostensibly they are coming for the funeral. But Celie and her brother and sister don’t want to have a funeral. Though there seems to be no reasonable hope of finding their father alive, the Castle has not yet turned Rolf’s bedroom into the Royal Bedchamber, where the Crown of Sleyne remains. So the current King Glower must still be alive.

But with the king missing, the neighboring kingdoms see Sleyne as weak. The ministers want to go ahead with Rolf’s coronation, but at fourteen they think he’s too young to rule, and will need a regent. The Castle is filled with foreign soldiers and now the foreign princes say they’re staying for Rolf’s coronation. How can Celie and her sister and brother salvage the situation and save the kingdom? And how can Celie use her knowledge of the castle to defend the country and her family?

The story that follows is inventive and suspenseful and wonderfully creative. One lovely thing about it is that, though there’s a little romance with Celie’s big sister, the main focus all the while is on Celie, who is firmly a child, about ten years old. I love it that this child saves the day, doing realistic things for a child and little sister to do. For example, Celie is interested in the Castle and has been mapping it out. She knows it better than anyone. Which enables her to go places no one else can go….

A huge strength of this book is its wonderfully imaginative setting, though perhaps I should say the strength is really
in the characterization, because the Castle is like a character itself. The three royal siblings left at the Castle are all distinct personalities and contribute to the solution in ways that are true to their character. And the plot is wonderful, too — with plenty of twists and turns showing up like castle corridors changing direction, but all arising naturally out of the inventive situation the author has created. This book is tremendous fun, and my favorite children’s fantasy book of the year so far.

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Source: This review is based on an Advance Review Copy I got at ALA Annual Conference.

Review of The Scorpio Races, by Maggie Stiefvater

The Scorpio Races

by Maggie Stiefvater

Scholastic Press, New York, 2011. 409 pages.
Starred Review

I wasn’t sure I would like this book when I read the cover flap, but ended up completely entranced. All my childhood love of The Black Stallion books was aroused. I started it on the way to KidLitCon, and was awfully annoyed when the plane landed and I had to stop. The second night (when I didn’t have a roommate), I kept reading until I finished, because sleep could wait!

Now, I haven’t read any of Maggie Stiefvater’s other books. I’ve pretty much had my fill of werewolf or vampire books, so I didn’t even try them. But this one is about horses — bloodthirsty water horses.

I thought the author had invented a completely new creature, but I learned in the afterword that there is a strong tradition of Manx and Irish and Scottish dangerous water horses. Of course, Maggie Stiefvater took the idea and made it her own. This is no fairy tale retelling, but an intriguing story with mythic elements.

The book begins with a Prologue set nine years earlier. The heading says we’re hearing from Sean, who we soon learn is 9 years old. Here’s how it begins:

“It is the first day of November and so, today, someone will die.

“Even under the brightest sun, the frigid autumn sea is all the colors of the night: dark blue and black and brown. I watch the ever-changing patterns in the sand as it’s pummeled by countless hooves.

“They run the horses on the beach, a pale road between the black water and the chalk cliffs. It is never safe, but it’s never so dangerous as today, race day.”

As Sean watches his father mount the red stallion, he hopes the capall will remember what Sean whispered in his ear: Do not eat my father.

“I am watching the race from the cliffs when a gray uisce horse seizes my father by his arm and then his chest.

“For one moment, the waves do not attack the shore and the gulls above us do not flap and the gritty air in my lungs doesn’t escape.

“Then the gray water horse tears my father from his uneasy place on the back of the red stallion.

“The gray cannot keep its ragged grip on my father’s chest, and so my father falls to the sand, already ruined before the hooves get to him. He was in second place, so it takes a long minute before the rest of the horses have passed over the top of his body and I can see it again. By then, he is a long, black and scarlet smear half-submerged in the frothy tide. The red stallion circles, halfway to a hungry creature of the sea, but he does as I asked: He does not eat the thing that was my father. Instead, the stallion climbs back into the water. Nothing is as red as the sea that day.”

Then the book begins, nine years later, from the perspective of our other protagonist, Kate “Puck” Connelly. Her parents were also killed by water horses, but not because they were racing. Last Fall, they were simply going for a ride in their boat offshore the island, when a water horse attacked and killed them. Now Puck’s older brother, Gabe, goes to work at the Hotel, and Puck keeps things going at home for him and their younger brother, Finn.

Puck and Finn are going into town along the beach with Puck’s beloved ordinary horse Dove when they see the first water horse of the year come onto the land.

“Finn flinches as the horse gallops down the beach toward us, and I lay a hand on his elbow, though my own heart is thumping in my ears.

“‘Don’t move,’ I whisper. ‘Don’t-move-don’t-move-don’t-move.’

“I cling to what we’ve been told over and over — that the water horses love a moving target; they love the chase. I make a list of reasons it won’t attack us: We’re motionless, we’re not near the water, we’re next to the Morris, and the water horses despise iron.

“Sure enough, the water horse gallops past us without pause. I can see Finn swallowing, his Adam’s apple bobbing in his skinny neck, and it’s so true, it’s so hard not to flinch until it’s leapt back into the ocean once more.

“They’re here again.

“This is what happens every fall. My parents didn’t follow the races, but I know the shape of the story nonetheless. The closer it gets to November, the more horses the sea spits out. Those islanders who mean to race in future Scorpio Races will often go out in great hunting parties to capture the fresh capaill uisce, which is always dangerous, since the horses are hungry and still sea-mad. And once the new horses emerge, it’s a signal to those who are racing in the current year’s races to begin training the horses they caught the years before — horses that have been comparatively docile until the smell of the fall sea begins to call to the magic inside them.

“During the month of October, until the first of November, the island becomes a map of safe areas and unsafe areas, because unless you’re one of the riders, you don’t want to be around when a capall uisce goes crazy. Our parents tried hard to shield us from the realities of the uisce horses, but it was impossible to avoid it. Friends would miss school because an uisce horse had killed their dog overnight. Dad would have to drive around a ruined carcass on the way to Skarmouth, evidence of where a water horse and a land horse had gotten into a fight. The bells at St. Columba’s would ring midday for the funeral of a fisherman caught unawares on the shore.

“Finn and I don’t need to be told how dangerous the horses are. We know. We know it every day.”

Then the narration alternates back to Sean Kendrick. He’s nineteen now, and he knows the water horses better than anyone else on the island. He has won the Scorpio Races the last four years, riding on Coll, the red stallion his father rode the day he died. But Sean isn’t racing on his own name. He works for Mr. Malvern, the richest man on the island. He wants nothing so much as to own Coll for himself, but Malvern isn’t selling.

Then Puck’s brother Gabe tells her he’s leaving the island to find work. Puck will do anything to keep him here, for any length of time, so she decides to enter the race this year.

But the island men don’t want a woman in the races. They say it’s bad luck, that she doesn’t belong. But Puck has to win. That’s the only way she can save their home, on which Malvern says he’s going to foreclose.

To add to Sean’s difficulties, Malvern’s son Mutt is jealous. Sean has always told Malvern which horse is the safest, so Mutt can ride that one. But now Mutt wants to win, even if it takes riding a horse that’s more than he can handle.

We quickly get drawn into these characters’ lives. They both love the island and the island’s traditions. They both love their horses. And they both really need to win.

Meanwhile, there’s a long tradition of how the training is done in the weeks leading up to the race, and Maggie Stiefvater has the reader mesmerized as Puck and Sean go through those weeks, Puck facing the hostility of the whole town, and Sean facing Mutt Malvern’s hatred and Malvern’s refusal to let him buy Coll. Along the way, they both are in life-or-death danger over and over again.

This book is brilliant. As I said, all my horse-book-loving little girl passions were aroused! But it had more than that. These horses were faster and far more deadly than ordinary horses, so the stakes were much higher. The author also worked in a realistic scenario of a small island totally dependent on the tourism surrounding its annual race, with young people leaving the island for the mainland. Like The Black Stallion, we’ve got a young man who is the only one who can ride a wild stallion, and maybe the horse loves him back, though wild with everyone else. And we’ve got a girl willing to risk everything to stay on the island she loves. No surprise, there’s romance between Sean and Puck, and it’s beautifully, delicately done. As the end approaches, we definitely want both of them to win the race, with so much at stake.

The one little thing I wasn’t crazy about was the character of Mutt Malvern. In general, I don’t like books to have a stereotypical bully. But Maggie Stiefvater made the situation seem quite realistic and we could pretty easily believe Mutt would act the way he did. She did keep him just the right side of stereotypical. And the interaction between Mutt and Sean definitely ratcheted up the tension.

Yes, I confess, even though I never had a horse, I was a stereotypical horse-loving little girl through books. And this book was like those childhood reads, only more so. I have a feeling I will be rereading this book many times. It is that good.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Kat, Incorrigible, by Stephanie Burgis

Kat, Incorrigible

by Stephanie Burgis

Atheneum Books for Young Readers, New York, 2011. 298 pages.
Starred Review

I love the way this book begins:

“I was twelve years of age when I chopped off my hair, dressed as a boy, and set off to save my family from impending ruin.

“I almost made it to the end of the garden.

“‘Katherine Ann Stephenson!’ My oldest sister Elissa’s outraged voice pinned me like a dagger as she threw open her bedroom window. ‘What on earth do you think you’re doing?'”

Kat had heard their Stepmama telling their Papa that she had managed to get Elissa engaged to be married to a rich old man, thus saving the whole family from financial ruin.

Kat explains to her sisters how she was going to save Elissa and the family:

“‘I was going to London,’ I said. ‘I knew if I ran away, there would be such a scandal that Stepmama wouldn’t be able to sell Elissa off. And once I was there . . .’ I half closed my eyes, to see my dream past my sister’s skeptical face. ‘There are thousands of jobs a boy can get in London. I could sign on to a merchant ship and make my fortune in the Indies, or I could be a typesetter at a newspaper and see every part of London. All I’d have to do is get work, real work, earning money, and then I could send part of it home to you two, so at least you could both have real dowries and then –‘”

Kat’s sisters, of course, won’t allow her to go through with this plan, and quickly point out its shortcomings.

Kat truly is incorrigible, though. When she finds out her sister Angeline has been working with their Mama’s magic books, Kat takes a look herself — and gets more than she bargained for.

They all know that Mama’s magic was frowned upon by society. What they didn’t know was that their Mama was part of a secret Order that had power to regulate magic throughout the realm. Only one child from each generation inherits the power of the Order, and it looks like Kat is the one in this generation. But does she want training from people who disapprove of the kind of magic Angeline is doing? And Angeline’s magic looks to be causing its own trouble.

Meanwhile, Stepmama is still working to prepare Elissa to marry Sir Neville. Never mind the rumors that he killed his first wife. And why is he so interested in Kat’s powers? Add in romantic troubles for both sisters, a mysterious highwayman, and a visit to the elegant Grantham Abbey, and you end up with a rollicking tale of magic and manners both.

This book is a lot of fun. There are some coincidences (like Elissa falling in love with Sir Neville’s brother) and solutions that maybe come a little too easy — but it’s all in good fun and makes truly entertaining reading. Kat reminds me of Flavia DeLuce in her sheer incorrigibility that won’t be cowed by older sisters, and the book itself reminded me of Sorcery and Cecilia by combining Regency England with magic, though this one is for younger readers, since it’s Kat’s sisters who have the romance, not Kat herself.

But I’m totally on board with this book. Take a Jane Austen-like situation. Add magic. Add a feisty younger sister who doesn’t know her own power. Mix well. The result is delightful reading and bound to make you smile.

www.stephanieburgis.com
KIDS.SimonandSchuster.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/kat_incorrigible.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.