Review of Freddie Ramos Springs into Action, by Jacqueline Jules

Zapato Power, Book Two

Freddie Ramos Springs into Action

by Jacqueline Jules
art by Miguel Benitez

Albert Whitman & Company, Chicago, 2010. 77 pages.

Here’s a second book about Freddie Ramos, a kid who lives with his single mom in an apartment complex — but a kid who has super-powered shoes.

It turns out to be a problem in school, because Freddie can’t help but be super fast any time he runs. Mr. Vaslov, who invented the purple sneakers, needs to invent a way to turn the super speed on and off. Freddie finds the wristband Mr. Vaslov is working on, but where is Mr. Vaslov? Should he try the invention out, or is it ready?

This book is a perfect first chapter book. The story is short and simple, with eight short chapters and lots of pictures, but has the wonderful fantasy of super shoes, and a problem to solve. It begs the question: What would you do if you had super powered sneakers?

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Tuesdays at the Castle, by Jessica Day George

Tuesdays at the Castle

by Jessica Day George

Bloomsbury, New York, 2011. 232 pages.
Starred Review

I always wish for fantasy books to get some Newbery glory. It’s my favorite genre, and although some win, some years outstanding books get passed over. This year, the fantasy book I’m rooting for is Tuesdays at the Castle, by Jessica Day George.

Okay, it’s got some tough competition in the form of Okay For Now, by Gary Schmidt. Tuesdays at the Castle is much lighter fare, not covering big, heavy issues that come up in Okay for Now. However, what Tuesdays at the Castle does, providing a light, intriguing fantasy tale for middle grade readers, it does exceptionally well.

It’s a story of a medieval-type world with a princess at the center of the tale, yes. But the magical setting is highly unusual and delightfully different:

“Whenever Castle Glower became bored, it would grow a new room or two. It usually happened on Tuesdays, when King Glower was hearing petitions, so it was the duty of the guards at the front gates to tell petitioners the only two rules the Castle seemed to follow.

“Rule One: the Throne Room was always to the east. No matter where you were in the castle, if you kept heading east you would find the Throne Room eventually. The only trick to this was figuring out which way east was, especially if you found yourself in a windowless corridor. Or the dungeon.

“This was the reason that most guests stuck with Rule Two: if you turned left three times and climbed through the next window, you’d end up in the kitchens, and one of the staff could lead you to the Throne Room, or wherever you needed to go.

“Celie only used Rule Two when she wanted to steal a treat from the kitchens, and Rule One when she wanted to watch her father at work. Her father was King Glower the Seventy-Ninth, and like him, Celie always knew which way was east….

“The Castle didn’t seem to care if you were descended from a royal line, or if you were brave or intelligent. No, Castle Glower picked kings based on some other criteria all its own. Celie’s father, Glower the Seventy-Ninth, was the tenth in their family to bear that name, a matter of great pride throughout the land. His great-great-great-great-great-great-great-great-grandfather had become king when Glower the Sixty-Ninth’s only heir had turned out to be a nincompoop. Legend had it that the Castle had repeatedly steered the old king’s hairdresser to the throne room via a changing series of corridors for days before the Royal Council had declared him the next king, and the young man who should have been Glower the Seventieth found himself head down in a haystack after having been forcibly ejected from the castle through the water closet.

“King Glower the Seventy-Ninth, Lord of the Castle, Master of the Brine Sea, and Sovereign of the Land of Sleyne, knew when to leave well enough alone. He married the beautiful daughter of the Royal Wizard when the Castle guided them into the same room and then sealed the doors for a day. He paid attention when the Castle gave people larger rooms or softer chairs. When his oldest son, Bran, kept finding his room full of books and astrolabes, while his second son, Rolf’s, bedroom was moved next to the Throne Room, King Glower sent Bran to the College of Wizardry and declared Rolf his heir.

“And when little Celie was sick, and the Castle filled her room with flowers, King Glower agreed with it. Everybody loved Celie, the fourth and most delightful of the royal children.”

But Celie ends up facing some big problems. Her parents go to Bran’s graduation from the College of Wizardry, and on the way home, they are attacked by bandits in the pass. Bran’s horse is found dead, but they don’t find the bodies of the royal family. However, the king’s Griffin Ring, which rumor says can only be removed at the king’s death, was found at the site of the attack.

Search parties are sent out, but the king and queen and Bran are not found. But things don’t look hopeful for them, and the ministers don’t want to be without a king. Princes from their neighboring countries come with armed guards, plus servants and advisors and ministers of state. Ostensibly they are coming for the funeral. But Celie and her brother and sister don’t want to have a funeral. Though there seems to be no reasonable hope of finding their father alive, the Castle has not yet turned Rolf’s bedroom into the Royal Bedchamber, where the Crown of Sleyne remains. So the current King Glower must still be alive.

But with the king missing, the neighboring kingdoms see Sleyne as weak. The ministers want to go ahead with Rolf’s coronation, but at fourteen they think he’s too young to rule, and will need a regent. The Castle is filled with foreign soldiers and now the foreign princes say they’re staying for Rolf’s coronation. How can Celie and her sister and brother salvage the situation and save the kingdom? And how can Celie use her knowledge of the castle to defend the country and her family?

The story that follows is inventive and suspenseful and wonderfully creative. One lovely thing about it is that, though there’s a little romance with Celie’s big sister, the main focus all the while is on Celie, who is firmly a child, about ten years old. I love it that this child saves the day, doing realistic things for a child and little sister to do. For example, Celie is interested in the Castle and has been mapping it out. She knows it better than anyone. Which enables her to go places no one else can go….

A huge strength of this book is its wonderfully imaginative setting, though perhaps I should say the strength is really
in the characterization, because the Castle is like a character itself. The three royal siblings left at the Castle are all distinct personalities and contribute to the solution in ways that are true to their character. And the plot is wonderful, too — with plenty of twists and turns showing up like castle corridors changing direction, but all arising naturally out of the inventive situation the author has created. This book is tremendous fun, and my favorite children’s fantasy book of the year so far.

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Source: This review is based on an Advance Review Copy I got at ALA Annual Conference.

Review of The Scorpio Races, by Maggie Stiefvater

The Scorpio Races

by Maggie Stiefvater

Scholastic Press, New York, 2011. 409 pages.
Starred Review

I wasn’t sure I would like this book when I read the cover flap, but ended up completely entranced. All my childhood love of The Black Stallion books was aroused. I started it on the way to KidLitCon, and was awfully annoyed when the plane landed and I had to stop. The second night (when I didn’t have a roommate), I kept reading until I finished, because sleep could wait!

Now, I haven’t read any of Maggie Stiefvater’s other books. I’ve pretty much had my fill of werewolf or vampire books, so I didn’t even try them. But this one is about horses — bloodthirsty water horses.

I thought the author had invented a completely new creature, but I learned in the afterword that there is a strong tradition of Manx and Irish and Scottish dangerous water horses. Of course, Maggie Stiefvater took the idea and made it her own. This is no fairy tale retelling, but an intriguing story with mythic elements.

The book begins with a Prologue set nine years earlier. The heading says we’re hearing from Sean, who we soon learn is 9 years old. Here’s how it begins:

“It is the first day of November and so, today, someone will die.

“Even under the brightest sun, the frigid autumn sea is all the colors of the night: dark blue and black and brown. I watch the ever-changing patterns in the sand as it’s pummeled by countless hooves.

“They run the horses on the beach, a pale road between the black water and the chalk cliffs. It is never safe, but it’s never so dangerous as today, race day.”

As Sean watches his father mount the red stallion, he hopes the capall will remember what Sean whispered in his ear: Do not eat my father.

“I am watching the race from the cliffs when a gray uisce horse seizes my father by his arm and then his chest.

“For one moment, the waves do not attack the shore and the gulls above us do not flap and the gritty air in my lungs doesn’t escape.

“Then the gray water horse tears my father from his uneasy place on the back of the red stallion.

“The gray cannot keep its ragged grip on my father’s chest, and so my father falls to the sand, already ruined before the hooves get to him. He was in second place, so it takes a long minute before the rest of the horses have passed over the top of his body and I can see it again. By then, he is a long, black and scarlet smear half-submerged in the frothy tide. The red stallion circles, halfway to a hungry creature of the sea, but he does as I asked: He does not eat the thing that was my father. Instead, the stallion climbs back into the water. Nothing is as red as the sea that day.”

Then the book begins, nine years later, from the perspective of our other protagonist, Kate “Puck” Connelly. Her parents were also killed by water horses, but not because they were racing. Last Fall, they were simply going for a ride in their boat offshore the island, when a water horse attacked and killed them. Now Puck’s older brother, Gabe, goes to work at the Hotel, and Puck keeps things going at home for him and their younger brother, Finn.

Puck and Finn are going into town along the beach with Puck’s beloved ordinary horse Dove when they see the first water horse of the year come onto the land.

“Finn flinches as the horse gallops down the beach toward us, and I lay a hand on his elbow, though my own heart is thumping in my ears.

“‘Don’t move,’ I whisper. ‘Don’t-move-don’t-move-don’t-move.’

“I cling to what we’ve been told over and over — that the water horses love a moving target; they love the chase. I make a list of reasons it won’t attack us: We’re motionless, we’re not near the water, we’re next to the Morris, and the water horses despise iron.

“Sure enough, the water horse gallops past us without pause. I can see Finn swallowing, his Adam’s apple bobbing in his skinny neck, and it’s so true, it’s so hard not to flinch until it’s leapt back into the ocean once more.

“They’re here again.

“This is what happens every fall. My parents didn’t follow the races, but I know the shape of the story nonetheless. The closer it gets to November, the more horses the sea spits out. Those islanders who mean to race in future Scorpio Races will often go out in great hunting parties to capture the fresh capaill uisce, which is always dangerous, since the horses are hungry and still sea-mad. And once the new horses emerge, it’s a signal to those who are racing in the current year’s races to begin training the horses they caught the years before — horses that have been comparatively docile until the smell of the fall sea begins to call to the magic inside them.

“During the month of October, until the first of November, the island becomes a map of safe areas and unsafe areas, because unless you’re one of the riders, you don’t want to be around when a capall uisce goes crazy. Our parents tried hard to shield us from the realities of the uisce horses, but it was impossible to avoid it. Friends would miss school because an uisce horse had killed their dog overnight. Dad would have to drive around a ruined carcass on the way to Skarmouth, evidence of where a water horse and a land horse had gotten into a fight. The bells at St. Columba’s would ring midday for the funeral of a fisherman caught unawares on the shore.

“Finn and I don’t need to be told how dangerous the horses are. We know. We know it every day.”

Then the narration alternates back to Sean Kendrick. He’s nineteen now, and he knows the water horses better than anyone else on the island. He has won the Scorpio Races the last four years, riding on Coll, the red stallion his father rode the day he died. But Sean isn’t racing on his own name. He works for Mr. Malvern, the richest man on the island. He wants nothing so much as to own Coll for himself, but Malvern isn’t selling.

Then Puck’s brother Gabe tells her he’s leaving the island to find work. Puck will do anything to keep him here, for any length of time, so she decides to enter the race this year.

But the island men don’t want a woman in the races. They say it’s bad luck, that she doesn’t belong. But Puck has to win. That’s the only way she can save their home, on which Malvern says he’s going to foreclose.

To add to Sean’s difficulties, Malvern’s son Mutt is jealous. Sean has always told Malvern which horse is the safest, so Mutt can ride that one. But now Mutt wants to win, even if it takes riding a horse that’s more than he can handle.

We quickly get drawn into these characters’ lives. They both love the island and the island’s traditions. They both love their horses. And they both really need to win.

Meanwhile, there’s a long tradition of how the training is done in the weeks leading up to the race, and Maggie Stiefvater has the reader mesmerized as Puck and Sean go through those weeks, Puck facing the hostility of the whole town, and Sean facing Mutt Malvern’s hatred and Malvern’s refusal to let him buy Coll. Along the way, they both are in life-or-death danger over and over again.

This book is brilliant. As I said, all my horse-book-loving little girl passions were aroused! But it had more than that. These horses were faster and far more deadly than ordinary horses, so the stakes were much higher. The author also worked in a realistic scenario of a small island totally dependent on the tourism surrounding its annual race, with young people leaving the island for the mainland. Like The Black Stallion, we’ve got a young man who is the only one who can ride a wild stallion, and maybe the horse loves him back, though wild with everyone else. And we’ve got a girl willing to risk everything to stay on the island she loves. No surprise, there’s romance between Sean and Puck, and it’s beautifully, delicately done. As the end approaches, we definitely want both of them to win the race, with so much at stake.

The one little thing I wasn’t crazy about was the character of Mutt Malvern. In general, I don’t like books to have a stereotypical bully. But Maggie Stiefvater made the situation seem quite realistic and we could pretty easily believe Mutt would act the way he did. She did keep him just the right side of stereotypical. And the interaction between Mutt and Sean definitely ratcheted up the tension.

Yes, I confess, even though I never had a horse, I was a stereotypical horse-loving little girl through books. And this book was like those childhood reads, only more so. I have a feeling I will be rereading this book many times. It is that good.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Kat, Incorrigible, by Stephanie Burgis

Kat, Incorrigible

by Stephanie Burgis

Atheneum Books for Young Readers, New York, 2011. 298 pages.
Starred Review

I love the way this book begins:

“I was twelve years of age when I chopped off my hair, dressed as a boy, and set off to save my family from impending ruin.

“I almost made it to the end of the garden.

“‘Katherine Ann Stephenson!’ My oldest sister Elissa’s outraged voice pinned me like a dagger as she threw open her bedroom window. ‘What on earth do you think you’re doing?'”

Kat had heard their Stepmama telling their Papa that she had managed to get Elissa engaged to be married to a rich old man, thus saving the whole family from financial ruin.

Kat explains to her sisters how she was going to save Elissa and the family:

“‘I was going to London,’ I said. ‘I knew if I ran away, there would be such a scandal that Stepmama wouldn’t be able to sell Elissa off. And once I was there . . .’ I half closed my eyes, to see my dream past my sister’s skeptical face. ‘There are thousands of jobs a boy can get in London. I could sign on to a merchant ship and make my fortune in the Indies, or I could be a typesetter at a newspaper and see every part of London. All I’d have to do is get work, real work, earning money, and then I could send part of it home to you two, so at least you could both have real dowries and then –‘”

Kat’s sisters, of course, won’t allow her to go through with this plan, and quickly point out its shortcomings.

Kat truly is incorrigible, though. When she finds out her sister Angeline has been working with their Mama’s magic books, Kat takes a look herself — and gets more than she bargained for.

They all know that Mama’s magic was frowned upon by society. What they didn’t know was that their Mama was part of a secret Order that had power to regulate magic throughout the realm. Only one child from each generation inherits the power of the Order, and it looks like Kat is the one in this generation. But does she want training from people who disapprove of the kind of magic Angeline is doing? And Angeline’s magic looks to be causing its own trouble.

Meanwhile, Stepmama is still working to prepare Elissa to marry Sir Neville. Never mind the rumors that he killed his first wife. And why is he so interested in Kat’s powers? Add in romantic troubles for both sisters, a mysterious highwayman, and a visit to the elegant Grantham Abbey, and you end up with a rollicking tale of magic and manners both.

This book is a lot of fun. There are some coincidences (like Elissa falling in love with Sir Neville’s brother) and solutions that maybe come a little too easy — but it’s all in good fun and makes truly entertaining reading. Kat reminds me of Flavia DeLuce in her sheer incorrigibility that won’t be cowed by older sisters, and the book itself reminded me of Sorcery and Cecilia by combining Regency England with magic, though this one is for younger readers, since it’s Kat’s sisters who have the romance, not Kat herself.

But I’m totally on board with this book. Take a Jane Austen-like situation. Add magic. Add a feisty younger sister who doesn’t know her own power. Mix well. The result is delightful reading and bound to make you smile.

www.stephanieburgis.com
KIDS.SimonandSchuster.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Bigger Than a Bread Box, by Laurel Snyder

Bigger Than a Bread Box

by Laurel Snyder

Random House, New York, 2011. 226 pages.
Starred Review

The more I read Laurel Snyder’s work, the more I like what she does! This is a wonderfully written story of a girl dealing with her parents’ divorce. She finds a magic bread box that will grant wishes — as long as the item wished for can fit in the bread box. But of course wanting her parents to get back together doesn’t fit in a bread box.

Now, honestly, this book was painful for me to read, because it’s too soon after my own divorce. It had me crying. I just hate what kids have to go through when their parents divorce, and that got me mad at my husband again for leaving, and that makes me realize I have more forgiveness work to do. It’s one thing to forgive him for what he did to me, but harder to forgive him for what that meant for our kids. But let’s face it. I’m doing great. Yes, my younger son had an especially hard time, but he is doing great now. We just had a wonderful evening together playing a game. Holding a grudge on his behalf will definitely not help things. (Okay, I’m talking to myself now… I digress…)

Anyway, this book doesn’t give generalizations about divorce. It doesn’t preach. But it shows how it feels to one kid in this situation. And you can’t help but notice that her parents aren’t paying a lot of attention to how she feels.

The book starts with Rebecca overhearing a fight when their power went out. This is an efficient way for the author to show us something’s up and what some of the issues are. It works very well, with the viewpoint firmly from Rebecca’s perspective. I like her observation when the power came back on:

“I stood up. I made myself walk. I kept my eyes on my feet. Even so, out of the corner of my eye I could see Mom leaning against the side of the recliner, still wearing her blue scrubs from work, her arms limp and her face all wet. Dad was sitting on the couch, staring past her at the blank TV. He looked sad too, but also, weirdly, he looked a little like he wanted to smile. I guess maybe that was because now everyone knew he had paid the power bill.”

A few days later, on Halloween, her mom takes her two-year-old brother Lew trick-or-treating, and Dad stays home with Rebecca, which is a first. But she doesn’t think much else has changed, except for her dad sleeping on the couch.

Then her mom packs them up in the middle of the week and takes them from Baltimore to Atlanta, where Rebecca’s Gran lives. She doesn’t get to say good-by to her friends, and leaving her dad is awful.

“That was how we left him, through an open car door. My mom stepped on the gas. The car began to move. My dad jumped back to the sidewalk, off balance. When I turned around, I could see him standing in the street. He was calling after us. My dad was yelling in the street for everyone to hear; then he was running behind the car. He was calling, ‘Come back! Come back!'”

When they get to Atlanta, Rebecca learns that her mom has gotten a temporary job and enrolled Rebecca in school. She doesn’t whine about it, but she does get mad. Readers can easily see for themselves that her mom isn’t thinking a whole lot about what this means for Rebecca.

When she goes to the attic to sulk, she finds a collection of bread boxes, and one is bright and shiny. She takes it down to her room and feeling homesick for Baltimore, she wishes there were gulls in Atlanta. And then she hears the cry of a gull — in the bread box!

Naturally (after shooing the two seagulls out the window), she tries out what the bread box can do. It can give her money; it can give her food; it can’t give her things that don’t exist, like a real magic wand, or things that don’t fit in a bread box like wishing she were home.

So Rebecca has to adjust to a new school, where right away everyone calls her Becky. She figures she can be a different person here, someone cool. She has the bread box, after all. She can wish for little gifts for her new friends. She can wish for an ipod and listen to music. She can wish for a little TV and watch shows under the covers.

But magic always has a catch. And when Rebecca finds out what’s really going on with the bread box, it seems like she’s in a worse fix than ever.

This isn’t a problem novel. This isn’t trying to teach anyone how to deal with divorce. But it does tell Rebecca’s story in a tough situation that a lot of kids also have to face. Rebecca has magic to help, but that doesn’t solve the real problems at all.

Now, as I mentioned, I was extra sensitive to this story. I’m afraid I cheered for Rebecca when she finally had her meltdown:

“But Mom didn’t apologize. Instead, in an angry, grown-up voice, she said, ‘I am in charge of this family, young lady, and what I do, I do for you. I only want what’s best for you–‘

“Hearing those words, I didn’t feel bad anymore. I felt justified. ‘That’s a lie,’ I said. My voice was rising, and I couldn’t help it. ‘Because what’s best for me is home, and Dad. Anyone could tell you that, even Gran. But you don’t care about that, not at all. You aren’t thinking about me, or Lew. You’re thinking about yourself, and what you want and what you need.’ I spat this last part in her face. I couldn’t believe I was talking to her this way. I meant to keep my cool, stay calm, but I couldn’t. I forgot about ‘less is more,’ and the words just flew from me like fire — and exploded into loud, angry sounds.”

Now, don’t get me wrong. The author does not present this as the solution to the problem. Like real life, the blow up creates more new problems, including hurting her mom and getting her mom angry. But I wanted it to be said, and I think it does remind her mom that she needs to consider her daughter more than she has been doing. Rebecca also gets new problems when she tries to solve the problems she inadvertently created by using the bread box.

Anyway, I liked it that someone wrote a book from the perspective of a kid caught up in the middle of her parents’ divorce. The feelings ring true. The story is compelling. And it does make you wonder: If you had a magic bread box, what would you wish for?

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Review Copy I picked up at ALA Annual Conference.

Review of Daughter of Smoke and Bone, by Laini Taylor

Daughter of Smoke and Bone

by Laini Taylor

Little, Brown and Company, 2011. 420 pages.
Starred Review

This book is incredible. However, I’ll tell you right up front that there was one thing I hated about it: The last three words, those horrible words: “…to be continued.”

Perhaps if I had realized this book was simply Part One, I wouldn’t have minded quite as much. As it was, I was frustrated. The characters are left in quite a fix.

However, if I had known, I might not have rushed to read this, and I’m so glad I did. I will definitely want to reread it when the next book comes out, and to get my hands on the next book just as soon as possible.

I maintain that Laini Taylor’s imagination is advanced beyond the realm of mere mortals. (In fact, the main character has hair of an unusual color, so perhaps this book is simply autobiographical?) This book creates a world out there, parallel with ours, and it takes the whole book to understand the ins and outs, the ramifications.

Karou is a student living in Prague who’s been brought up by demons. She still does errands for Brimstone, bringing him teeth. She doesn’t know what he uses the teeth for, but he does supply her with small wishes. And plenty of money to purchase the teeth.

Just to let you know, the book begins with frank sexuality. Karou’s ex-boyfriend, whom she caught cheating on her, is not-at-all-subtly trying to win her back. He gets a job posing nude in her life drawing class. Her use of small wishes to get rid of him is a lovely and brilliant example of fitting revenge.

But the rest of the book is much more serious, much more dangerous. Angels are coming to earth and placing black handprints on every door where Brimstone has a portal. Karou gets a rare opportunity to find out more about Brimstone — and he has a very disturbing reaction. She’s cut off from the only family she’s ever known.

And then, why is Karou so powerfully drawn to one particular angel?

But the overarching question, the one it takes the entire book to answer, is the one everyone’s asking her: “Who are you?” Karou doesn’t know the answers herself. When she finds out, it will make all the difference.

This is an incredible book. About love and loyalty and war and life and death. A tale not quite like any other I’ve ever read.

“It wasn’t like in the storybooks. No witches lurked at the crossroads disguised as crones, waiting to reward travelers who shared their bread. Genies didn’t burst from lamps, and talking fish didn’t bargain for their lives. In all the world, there was only one place humans could get wishes: Brimstone’s shop. And there was only one currency he accepted. It wasn’t gold, or riddles, or kindness, or any other fairy-tale nonsense, and no, it wasn’t souls, either. It was weirder than any of that.”

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Reader Copy that I got at ALA and had signed by the author.

Review of The False Princess, by Ellis O’Neal

The False Princess

by Ellis O’Neal

Egmont USA, New York, 2011. 319 pages.
Starred Review

Here’s a lovely romantic fairy-tale-type story that will keep you guessing. Fans of Ella Enchanted and The Goose Girl and Princess Ben (like me!) will enjoy it.

Nalia has grown up as crown princess of Thorvaldor. But after her sixteenth birthday, her parents summon her and tell her that her entire life was a lie.

Every royal child of Thorvaldor gets a prophecy from the Oracle. The prophecy Nalia learned was a bland one about peace and prosperity. But on that memorable day, her supposed parents tell Nalia what the prophecy really was:

“According to the oracle, there was a chance the princess could die, murdered, before her sixteenth birthday. It was not certain, but the chance was great enough that, when she sought the foretelling, all the oracle saw was blood, and the princess dead in this room.”

The king and queen were sure this would be their only child. They were ready for desperate measures:

“He stopped short, his eyes fixed on mine. When he spoke again, he sounded tired, like a man at the end of a long journey. ‘We hid the princess away so that she would be safe until after her sixteenth birthday. And we replaced her with another baby, a false princess. You.'”

The court magicians take off the glamour that’s been on Nalia all her life, and she loses her birthmark. She learns that her name is Sinda Azaway. She doesn’t even get to say good-by to her best friend, Kiernan, an earl’s son, and she’s sent to live with her aunt, who thought she was dead.

The king and queen send gruff Aunt Varil a gift she can’t even use. Aunt Varil is a dyer, and Sinda tries to help, but it turns out she’s no good at dyeing or any other kind of labor fitting to her new station. However, she does learn she has an innate magical talent (which no one in the royal family ever does), and is dangerous unless she learns how to control it. She tries to get into the magical academy in the capital, but can’t afford it. However, she finally gets a break when a kind lady wizard takes her in as an apprentice. And then she’s close to the castle and finds out something’s funny about the “real” princess.

This is a very good yarn, another delight for people who enjoy fairy tales (like me!). The plot is complex, with plots and counterplots — almost too complex, but not quite. There’s a nice touch of romance, and plenty of action. Sinda is in a unique position to find out what’s going on, and also in a unique position to set things right. Her journey to do that is perilous but fascinating, scary but exciting.

This is a wonderful first novel! Ellis O’Neal has spun a complicated tale and done a great job of getting it all across, and making it a delight to read. This is just the sort of book that I read and wish I had written myself! I’m really looking forward to Ellis O’Neal’s future offerings!

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Silver Bowl, by Diane Stanley

The Silver Bowl

by Diane Stanley

Harper, 2011. 307 pages.
Starred Review

I read this book during the 2011 48-Hour Book Challenge, and completely loved it. It helped make the challenge a beautiful experience.

The Silver Bowl is traditional fantasy, but with a very unusual plot. You won’t know what to expect, and you will be enchanted and delighted with the story.

Molly is the seventh child of a poor man with a mad wife, so she’s sent away to work at the castle when she’s only seven. Her mother guesses why Molly is “troublesome,” because she gets visions like Molly’s. Molly’s mother is on her deathbed, but she gives Molly a necklace her father made, and some advice:

“Now listen to me and remember what I say: when these things happen in the future, try not to draw back in horror and surprise, or to cry out. It’s natural to be frightened, I know, and it may be that you haven’t the skill to hide it. If that is the case, then you must spin some tale. Say a spider bit you or that you are prone to fits. But whatever you do, don’t tell anyone the truth.”

Molly means to follow her mother’s advice. But then she’s set to polishing a beautiful silver bowl, and the bowl gives her visions — visions of a curse on the royal family, a curse about to strike. Who can Molly tell? Will anyone believe her? Can she save the king?

I love Molly’s feisty character in this book. And the people she meets and makes friends with among the castle servants are well-fleshed-out, too. I especially like the Donkey Boy, Tobias. Here’s the scene when Molly is new to the castle and meets Tobias:

“I was put under the charge of a big girl named Bertha, who’d worked there for several years. She enjoyed ordering me about as though she were a duchess and I was her lowliest servant. Yet she was just a scullion, same as me, except that she was trusted to handle the fine and delicate things, while I attended to the pots and the spoons, and whatever could not be broken.

“On my third day she happened to go to the privy, leaving some goblets on the sideboard waiting to be washed. They were made of fine crystal, etched with cunning designs and rimmed with gold — worth a fortune I’m sure. I should never have touched them. But I thought to impress Bertha by showing how helpful I could be. Perhaps she would be kinder to me then. And so I picked up one with my soapy hands.

“You’ve already guessed that I dropped it.

“The donkey boy was standing in the doorway. His hair was in his eyes, his nose ran, and his mouth hung open. Naturally, I took him for a dimwit. Never did I dream he could be quick.

“But quick he was. He saw the goblet fall; and suddenly there he was, upon his knees, hands outstretched. He caught it before it hit the ground, lost his balance, rolled over onto his side, then onto his back, all the while holding it safely aloft. At last he rose to his feet again and handed it back to me — after which, having spoken nary a word, he returned to his place by the door.”

This is a beautiful book about a little servant girl who tries to save the kingdom.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Desires of the Dead, by Kimberly Derting

Desires of the Dead

by Kimberly Derting

Harper, 2011. 355 pages.

I thoroughly enjoyed The Body Finder, by Kimberly Derting, so I was excited when I heard a sequel was coming out, and checked it out right away.

Bodies that have been killed call to Violet. They affect her senses in a strange way, with a scent or a sound or a feeling. And when she senses them, she has to put them to rest. Disturbingly, the one who killed them has the same echo. That was a problem when she was around her cat, a natural killer of small animals. But when she finds a human body, it seems like she should use her abilities to find the killer.

The plot of this follow-up seemed a little more contrived, a little more relying on coincidence than the first book. However, it’s still classic romantic suspense: The heroine finds out just enough to lead her into deadly danger. How can she get out?

It also appears that the author is setting Violet up to join an organization that uses people with paranormal abilities to solve crimes. That will make it more believable, in future books, when she continues to encounter dead bodies.

So, this is a fun, exciting tale of romantic suspense with that one, creative paranormal twist.

At risk of being a stick-in-the-mud, I do want to give a word of warning for those who would care. Violet’s beautiful romance continues. They were best friends all their lives, and this seems like true love, and they will surely marry one day. They decide to have sex.

Now, this is handled sensitively and believably and not graphically. It’s realistic as to how a serious relationship like that would be likely to go with today’s teens. But it makes me a little sad. As in the first YA novel I ever read where the characters had sex outside of marriage, these ones wonder why they didn’t do it sooner. And I’m a little sad they have to wonder. There’s something really beautiful about saving sex for marriage. Because sex is so amazing, giving it only to someone who’s publicly committed to you for life is beautiful. Safe. Loving. Incredible. (More beautiful if they actually keep the commitment, but still….) If I had read this book when I was young and in love and trying to wait for marriage, it wouldn’t have helped. That’s all I’m saying….

But this is a good book, and an enjoyable and suspenseful read. I didn’t enjoy it quite as much as the first book, and the romance wasn’t as moving, but then committed love isn’t quite as full of thrills and drama as the beginning of a relationship. Violet gets pulled into danger, and it’s pretty natural for someone who loves her to try to keep her out of that, so it’s natural for her to start having secrets…. It will be interesting to see how things continue on, as this book had all the marks of a series beginning.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Daughter of the Forest, by Juliet Marillier

Daughter of the Forest

by Juliet Marillier

Book One of the Sevenwaters Trilogy
TOR Fantasy, New York, 2000 554 pages.
Starred Review

A huge thank-you to my sister Marcy, who gave me this book. I began reading it on the first leg of my trip to ALA Annual Conference 2011, read the first two chapters, and actually somehow left it behind between flights. So as soon as I got home, I ordered a replacement. Now I’ve read the second book as a library copy, but I’ve decided to order both the second and third books to have for my own. I am absolutely sure I will want to reread them again some day.

Daughter of the Forest is incredibly well-written. This is one of those books I love, a fairy tale retelling, but it’s done with a tremendous amount of loving detail, creating an intricate tapestry of a book. The story is told in old Ireland, in the time of the Druids, with Christianity just beginning to come. Sorcha and her six brothers are the children of Lord Colum, the powerful chieftain of Sevenwaters. Sorcha runs a little wild, the youngest of so many brothers. She has a bond with her brother Finbar, so they can speak without words.

Then her father and brothers capture and torture a Briton. Finbar, who is different, not so warlike, takes a bold step to help the Briton escape. The Briton is sheltered in the friar’s house. Can Sorcha, learning skills as a healer, help him survive? Will he be even willing to survive?

But her time helping the Briton is interrupted when her father comes home — with a new wife. This wife has a strange power over him. Sorcha and her brothers are uneasy.

And then the fairy tale I recognize begins. The evil stepmother turns all the brothers into swans. The only way Sorcha can restore them is to knit them all shirts out of nettles. But she must not utter even one sound until the work is done.

I never thought about it before, but there is definitely a novel in that tale! Juliet Marillier brings it to us with rich detail. There are some horrible moments, but you will be completely captivated by Sorcha’s tale. She goes from Ireland to Britain. The Fair Folk get involved. And the romantic hero is one of the most wonderful men I have ever encountered in fiction. He’s so loving, so careful to protect Sorcha.

Here’s a taste of Juliet Marillier’s rich prose, in the first chapter, when Finbar has declared he will not join his father’s military campaigns:

“Why do I remember this so well? Perhaps his displeasure with what we were becoming made Father take the choice he did, and so bring about a series of events more terrible than any of us could have imagined. Certainly, he used our well-being as one of his excuses for bringing her to Sevenwaters. That there was no logic in this was beside the point — he must have known in his heart that Finbar and I were made of strong stuff, already shaped in mind and spirit, if not quite grown, and that expecting us to bend to another will was like trying to alter the course of the tide, or to stop the forest from growing. But he was influenced by forces he was unable to understand. My mother would have recognized them. I often wondered, later, how much she knew of our future. The Sight does not always show what a person wants to see, but maybe she had an idea as she bade her children farewell, what a strange and crooked path their feet would follow.”

A truly magnificent tale.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book given to me by my sister Marcy.