Review of In the Garden of Beasts, by Erik Larson

In the Garden of Beasts

Love, Terror, and an American Family in Hitler’s Berlin

by Erik Larson
read by Stephen Hoye

Random House Audio, 2011. 12 hours, 53 minutes.
Review written January 8, 2025, from a library eaudiobook.
Starred Review

I’m not sure where I noticed the suggestion, but I do know that somewhere I saw the suggestion that I read this book about the rise of Hitler in order to gain insights about the rise of Donald Trump. Even though the book is 14 years old, there was still a wait for the audio. Now that I’ve read the book in that context, let’s just say that I was not reassured.

This is the story of William Dodd, the American ambassador to Nazi Germany in 1933 through 1937, just after Hitler became chancellor to Germany. Dodd was an academic, not the usual wealthy donor to get an ambassadorship, but newly-elected FDR was having trouble finding someone willing to go. Dodd brought along both his adult children, and the book gives extra attention to his daughter Martha, who had affairs with a wide assortment of men, including the first head of the Gestapo and a Russian Communist.

The chilling part of this book is how so many people simply didn’t take Hitler seriously. They believed him when he’d earnestly lie to their faces and claim he would put a stop to any harassment the people might do to American citizens or Jews. When I think about World War II, I think about the years after America entered the war, and had no idea how early Dachau was built, and that international visitors toured it, saw the prisoners in “protective custody” and said they were well-treated.

Of course, it was mostly unsettling. At first Dodd and his family didn’t believe the Jews were actually being mistreated, except for isolated incidents. And nobody really thought Hitler’s regime would last long. And Hitler improved unemployment! And inflation! And he found people to blame. Roused up national pride. While the main concern from America’s president was that Germany would repay its debts to American banks. (I always forget how soon after World War I Hitler rose to power. Not even fifteen years later.)

The author doesn’t take a grand overarching view of history. He shows us what it was like for one family, transplanted from America to Berlin. He heavily uses descriptions from their writings and keeps their viewpoint – which is all the more poignant, knowing what we know now.

I hated the way they shut their eyes to the threat from Hitler – as I continue to shut my eyes to the parallels I saw. Humans don’t want to believe that bad things are coming. I am still very much hoping this book is simply a fascinating in-depth look at the history of the lead-up to a madman taking power in one country and causing the upheaval of the world. May any parallels simply be products of wild imagination.

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Review of Kingdom of Without, by Andrea Tang

Kingdom of Without

by Andrea Tang

Simon & Schuster Books for Young Readers, 2024. 275 pages.
Review written December 19, 2024, from a library book.

I loved the setting of this novel in a future Beijing where society has become literally stratified – the poorest live in the Sixth Ring and have to pass checkpoints to even be allowed to enter the lower rings. The Sixth Ring has a strict curfew, patrolled by androids, and life is difficult. As the book opens, Ning’er has just sold her artificial arm and leg on the black market, because she has a friend who can get her a new one, and she needed cash to make rent on her small place. Her father is addicted to the drug Complacency, and takes any of her money he can access to get more. He is the one who sold her natural limbs long ago to get some cash.

So when Ning’er gets the offer of a job pulling off a heist, she can’t afford to let it go. It turns out the job is from the Red Yaksha, a powerful force of resistance against the current corrupt regime. But when she learns that the person behind the Red Yaksha’s mask is the Young Marshal – the son of a chief minister and an up-and-coming member of the gendarmes – Ning’er has some rethinking to do. If she takes the job, she’ll have to work with a team and break into the biolabs of the corporation that produces Complacency.

So it’s a heist novel with many political ramifications and bad guys who control the lives of the powerless and make those lives worse and worse. I wanted to love the book, but as the heist went down, I’ll just say that some details got murky for me. I very much hope there will be a sequel, and that will make it more clear what actually happened at the end.

All the same, I am a fan of Ning’er, a scrappy girl with a prosthetic arm and leg, scratching out a living – but beginning to hope maybe that changes can be made and that the powers that be aren’t invulnerable.

AndreaTangWrites.com

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Review of Whalesong, by Zachariah OHora

Whalesong

The True Story of the Musician Who Talked to Orcas

by Zachariah OHora

Tundra, 2024. 44 pages.
Review written December 30, 2024, from a library book.
Starred Review

This is a picture book version of the true story of how a scientist and a musician discovered that orcas would respond to music played to them.

The story begins in 1971, when the musician and his two kids moved to Vancouver Island in British Columbia and discovered they loved to go to the aquarium there. They noticed a scientist playing music to the orcas and got the idea of the musician, Paul Horn, playing his flute to them. When the orcas responded, everyone was amazed, and the family made a habit of going to the aquarium and playing to the orcas.

But while Paul Horn was away on a trip, one of the orcas died, and the remaining orca was listless and refusing to eat. When Paul came back and played happy music, over time, they were able to coax the bereaved orca to eat again.

It all makes a lovely picture book, with the kids’ participation making the story all the more fun. I’ve always been a fan of Zachariah Ohora’s illustrations, and I love the way they illuminate this true tale. He’s also got a gift for telling the story simply.

I also like that the scientist involved, Dr. Paul Spong, went on to found an organization that studies orcas in the wild and works to free all captive orcas. I learned that on the last page of the picture book text, with more details for adults in the back matter.

I love that kids who read this book will never question that orcas can communicate – and can even communicate with us.

fuzzy.town
penguinrandomhouse.ca

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Review of The Turn of the Key, by Ruth Ware, read by Imogen Church

The Turn of the Key

by Ruth Ware
read by Imogen Church

Review written December 30, 2024, from a library eaudiobook.
Simon & Schuster Audio, 2019. 12 hours, 13 minutes.

The Turn of the Key is Ruth Ware at her most frightening. Never mind what I said in my last review of one of her books – even though this is the fourth one of her books I’ve read in the last half of 2024, I had no idea what was going to happen in this one. Well, except what the person telling the story told us – she was in prison for murder for the death of a child. The book is her writing to a lawyer the other ladies in prison have said is good for no-chance cases.

Before I talk about the book, let me say that this book is extremely well-written and had me on the edge of my seat all the way. The plot wasn’t predictable, and so many small things combined to keep the tension high. So why am I not giving it a star? Well, a child dies. And even watching all the pieces come together to explain mysterious events isn’t enough to make me feel good about the story. I was left with a sinking feeling at the end of the book, so I feel like my review has to include a fair warning. Not only does someone die whom you’ve come to care about, it’s a child.

And the author absolutely tells you that right from the start. So if I wasn’t able to handle that, I probably shouldn’t have read the book. And I did thoroughly enjoy reading the book and couldn’t stop thinking about it – but it didn’t give me the usual happy feeling at the end when a mystery is solved.

Anyway, that said, the story is told by Rowan Caine. She discovered an opportunity to be a nanny for two architects and their four children in a remote part of Scotland. Rowan is up front that she told some lies to get the position, and her reasons are some of the mysteries in the book. But it has an enormous salary, and the family seems nice, and the teenage daughter is off to boarding school when Rowan is first due to arrive.

The initial interview – a day with the family – went great, but when Rowan shows up for duty, she’s told the parents are heading to a conference the very next day. The previous nannies have left because they thought the house was haunted, but Rowan firmly believes that’s a load of bunk. All the same, when she starts hearing pacing in the night above her room – where there shouldn’t even be a room – and when the “smart” house malfunctions in the night, and when the children get her told off after they lead her into the poison garden on the grounds – well, she doesn’t know what’s going on or where to turn. The lady who comes in to clean doesn’t seem to like her, and the handyman/driver is helpful, but she doesn’t want him to think she’s a neurotic female who needs to be rescued.

The situation builds, with one thing after another. Just when Rowan thinks she’s getting a break, something more happens. And it all ends with the death of a child. And when Rowan tried to explain to the police what had been going on, she only makes them more suspicious.

It’s another thriller with expertly done, twisty suspense. Pick it up with a fair warning.

ruthware.com

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Review of Pop! Goes the Nursery Rhyme, words by Betsy Bird, pictures by Andrea Tsurumi

Pop! Goes the Nursery Rhyme

words by Betsy Bird
pictures by Andrea Tsurumi

Union Square Kids, coming in March 2025. 56 pages.
Review written November 19, 2024, from an Advance Reader Copy.
Starred Review

This is one of those delightfully silly picture books that simply begs to be read to a child. Full disclosure: I’ve served on a committee with Betsy Bird and have read her blog for years, so I consider her a friend.

The idea for the book is simple, and a note at the back reveals that it springs out of her family’s traditions in reading nursery rhymes. The book is a series of nursery rhymes, beginning with Pop! Goes the Weasel, but when it’s time for the last line of each other rhyme – the weasel pops out there as well.

And to make it complete, we’ve got a fussy secretary bird overseeing the action and hysterically scolding the weasel at every turn.

The idea is simple, but illustrator Andrea Tsurumi’s execution brings it to brilliance. I love the exuberance of the weasel popping out and the visible frustration of the secretary bird.

This host starts relatively calm, progresses to confused, and has a lovely page with a total breakdown:

That’s it!

That’s IT!

No more weasels!
No weasels in the sky
or in cakes or rolling down hills or any of that!

NO.
MORE.
WEASELS.

Just do a rhyme without a weasel in it. Just one!
PLEASE!

The next rhyme – “One, Two, Buckle My Shoe” progresses over eleven pages before the grand Pop! – with tension building all the way (and the thought bubbles of the bird adding to that tension). [And can I just say that showing a bird getting a popsicle for “Pick up sticks” and throwing the sticks away for “Lay them straight” is absolutely brilliant?]

But it all ends happily with all the animals from earlier in the book showing up and celebrating the weasel.

As it says in Jon Scieszka’s blurb on the back, I really do need to find a kid and read this book to them.

afuse8production.slj.com
andreatsurumi.com

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Review of The Daycare Myth, by Dan Wuori

The Daycare Myth

What we Get Wrong About Early Care and Education
(and What We Should Do About It)

by Dan Wuori

Teachers College Press, 2024. 125 pages.
Review written January 2, 2025, from my own copy, ordered via Amazon.com.
Starred Review
2024 Sonderbooks Stand-out: #2 More Nonfiction

I read this book very quickly at the end of 2024, because I was quite sure it would end up being a Sonderbooks Stand-out, and I didn’t want to wait a year to highlight it.

Dan Wuori has run my favorite account on Twitter for years, and now he’s on Facebook and Bluesky as well. His daily posts (my favorite way to start my day) include an adorable video of a baby or toddler – and then Dr. Wuori explains how the video shows the brain development going on in the child.

And that’s what’s going on in this book, too. Dan Wuori is a spokesperson for babies’ brains! He explains that the years from prenatal to three years old are the most important in a human’s life because our brains are wiring to learn.

And what is the Daycare Myth? It’s the pervasive tendency to downplay this importance and treat places that tend babies and toddlers as only needing to meet their outer physical needs. When the truth is, they are learning centers and need to provide a stable environment for those tiny brains to make the neural connections that are so vital.

That the early years are for caring – and not education – is a notion long (if mostly inadvertently) perpetuated by policymakers. Even those seeking to advance investments in early childhood are prone to framing their arguments around a desire that children “come to kindergarten ready to learn” – as if this is when and where learning begins.

This book is short, and it starts by effectively making the case, using research results, that those first years are vitally important for brain development, and investing in education for those years will pay off abundantly as those children grow older.

All of the ideas in this book are based around “The Three Simple Truths of Early Development”:

(1) Learning begins in utero and never stops.

(2) The period from prenatal to age 3 is a uniquely consequential window of human development during which the fundamental architecture of the brain is “wired.”

(3) Optimal brain development is dependent on stable, nurturing relationships with highly engaged adults.

This is a book on policy, but all along, the author makes a bipartisan case. The benefits of investing in early childhood education will pay off for all of us. He’s not talking about government taking it over completely – and shows why that wouldn’t actually work. But there are things that government can do to help, and things both political parties can and should get behind.

And all of it is based on his strong case that early childhood education is a public good.

We are already paying for the repercussions of not investing in it. It will benefit everyone if we give our attention to this time that makes the most difference in people’s lives.

The chapter titles give you an idea of the flow of Dr. Wuori’s argument:

(1) Daycare Doesn’t Exist

(2) Something for Everyone: The Bipartisan Case for Early Childhood Investment

(3) America’s Failing Child Care Market

(4) How Not to Solve the Child Care Crisis: Imperfect Solutions and Policy Pitfalls

(5) A Wholesale Transformation of America’s Early Childhood Landscape

And that chapter about solutions has some great ideas and even some case studies of states with “promising practices” as they tackle the problem.

Now, you might think I have no skin in the game – my kids are grown adults. But I do remember what it was like, and it feels like I only recently got out of the debt we got into when we tried to get by with me working only part-time so I could be with our kids. (Technically, I suppose it was more recent things, but let’s just say that this set us back.)

And he does talk about all the scenarios. It’s a public good to support babies’ brain development in stable, nurturing relationships, whether that’s at home with their own parent or in an early education setting. In an appendix at the back, he gives ideas for reaching out to elected leaders, especially for parents and professionals.

Bottom line: Read this book!

More than any partisan book I’ve recommended on my website, I hope that people of all political persuasions will give thought to the ideas Dr. Wuori presents and implement as many as they can. Let’s use public policy to promote this public good.

As Dr. Wuori puts it:

As we wrap up our conversation, I want to take just a moment to reiterate why I wrote this book and what I hope it might help to accomplish. If you take nothing else away from our time together, let it be this: The early years are uniquely consequential – and infinitely more impportant than our nation’s public policy might lead you to believe.

tcpress.com

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Sonderling Sunday – Lockwood & Co – Hunting Wicked Spirits

It’s time for Sonderling Sunday! That time of the week when I play with language by looking at the German translation of children’s books.

I learned that tomorrow I’ve got a Snow Day, so never mind things I want to get done on Sunday night! I have time to have some fun! Let’s look at some silly German phrases that I dare you to find a way to use!

Tonight I’m going with the German book I bought last summer on my first trip back to Germany in 18 years, Lockwood & Co.: Die Seufzende Wendeltreppe, which is the translation of Lockwood & Co.: The Screaming Staircase. Last time we covered this book, we finished up Chapter One.

So we begin tonight with Chapter Two, which is page 13 in the English edition, Seite 22 auf Deutsch. It’s always fun to start with the first sentence:

“When you go out hunting wicked spirits, it’s the simple things that matter most.”
= Bei der Jagd nach Geistern kommt es oft auf die einfachen Dinge an:

“the silvered point of your rapier flashing in the dark”
= die versilberte Degenspitze, die im Dunkeln aufblitzt

“the iron filings scattered on the floor”
=die Eisenspäne auf dem Fußboden

“the sealed canisters of best Greek Fire, ready as a last resort”
= die versiegelten Büchsen mit Griechischem Feuer für den äußersten Notfall

“iron circle” = Schutzkreis (“protection-circle”)

“They help to keep you sane” = dass man bei Verstand bleibt (“that one sane stays”)

“in a haunted house” = in einem Heimgesuchten Haus

“the silence beats against your ears” = die Stille rauscht in den Ohren (“the silence rushes in the ears”)

“In short, you need distractions.” = Soll heißen: Man braucht eine Ablenkung.

“Lockwood reads the gossip magazines.”
= Lockwood schmökert in Glamourzeitschriften.
(“Lockwood browses through glamour-magazines.”)

“bumping on the stairs” = Poltern auf der Treppe

[Ha! That must be where “Poltergeist” comes from! “Bumping-ghost”!]

“Our belts have seven separate clips and pouches”
= Unsere Gürtel haben sieben verschiedene Täschchen und Karabinerhaken

“We went through these in silence” = wir überprüften wortlos

Okay, long word alert!
“systematically checking the contents”
= systematisch sämtliche Ausrüstungsgegenstände, die daran befestigt waren
(Something like: “systematically all the equipment-objects, that to it attached were”)

“the kettle wheezed and huffed away”
= Der Wasserkessel schnaufte und zischte leise vor sich hin.”

“hedges” = Lorbeerhecke (“laurel hedges”)

“aural” = akustischen

Interesting switch of language:
“She might as well have written it in Greek for all the good it does us.”
= Sie hätte den Bogen genauso gut auf Lateinisch ausfüllen können.
(“She could just as well have filled out the form in Latin.”)

“Hadn’t been sleeping well.”
= Er hatte Schlafstörungen.
(“He had Sleep-disorders.”)

“twinkly-eyed” = Lachfältchen (“laugh-lines”)

“vengeance” = Rache

“a moving shape” = eine schwebende Gestalt

“I quote” = Ich zitiere

“Word for word” = wortwörtlich

“dunked” = tunkte

And the last sentence of this section (page 18, Seite 27):
“I drained my mug, set it carefully on the table. ‘I think that’s a very good idea.'”
= Ich trank meinen Tee aus und stellte den Becher behutsam auf den Tisch. »Gute Idee.«

And that’s it for tonight. Now you have handy phrases to use if you should ever encounter a Heimgesuchten Haus in Germany! And I like the word schmökert for browsing through gossip magazines.

Bis Bald!

Review of My Throat an Open Grave, by Tori Bovalino

My Throat an Open Grave

by Tori Bovalino

Page Street YA, 2024. 301 pages.
Review written December 30, 2024, from a library book.
Starred Review

Based on the cover, not being a horror fan, I honestly didn’t expect to even like this book. I expected I’d give up after about twenty pages, deciding it’s not for me. I did not at all expect to read it avidly and to be sorry I was finished at the end because I loved it. I didn’t expect to recognize shades of my own upbringing in its pages and to have my heart go out to the girl telling the story.

Now, I also don’t like books where religious people are the bad guys – except, well, when they deserve to be. This book portrays a rural village in a forest – where the church is the center of the community and it’s all about purity culture. The girls are given a “Love Waits” ring and told that if they “give themselves” before marriage, they will be broken and worthless.

But they’re also told about the Lord of the Wood. Sometimes he comes into the village and takes babies. And then the villagers send a girl to the Lord of the Wood to get the baby back. Only no babies or girls have ever returned.

And now it’s Leah’s turn. She’s convinced that because she was worn down by her baby brother’s cries and wished for respite – that must be why the Lord of the Wood took him away. And her mother is convinced it’s Leah’s fault, too. So the whole village gathers in the church. Her mother brings her forward, the pastor marks her with a bloody hand print, and together the whole village sends her across the river to the Lord of the Wood.

And then she meets the Lord of the Wood, and he’s not what she expected at all. In fact, that part is what made me love the book. There’s a whole community on the other side of the river. They’re kind, compassionate, and patient with Leah, and she begins to be able to see herself more clearly.

There’s magic in this book, and magic in the Lord of the Wood and the community living in the forest. But it’s not the sinister magic Leah was led to believe in, and the people she meets there win her heart, as well as winning over the reader.

But she also has to reckon with what she learned about her home village. And about herself.

This isn’t so much a book for horror fans as it is a book shining light on the damage that purity culture can do and celebrating self-determination and the beauty of young lives – rising above judgment.

Trust me! It’s a wonderful book!

toribovalino.com

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Review of We Mostly Come Out at Night, edited by Rob Costello

We Mostly Come Out at Night

15 Queer Tales of Monsters, Angels & Other Creatures

edited by Rob Costello

Running Press Teens (Hachette Book Group), 2024. 364 pages.
Review written December 30, 2024, from a library book.
Starred Review
2024 Cybils Finalist, YA Speculative Fiction

I don’t read a lot of short story collections, because there are too many opportunities to put down the book and move on to something else, but when my fellow Cybils Award panelists had shortlisted this book not long before our discussion was due, I read it all within a couple days, and ended up loving it.

The subtitle tells you what’s going on. We’ve got queer authors writing about magical creatures. In a fun bonus, every story has a “Monster Reflection” afterward, with that author talking about how they feel about monsters.

Something I particularly liked about this anthology was how often the teens featured had been taught to think of themselves as monstrous – and in the story, they get the chance to discover their own beauty. There were a lot of stories where the monsters are the characters you like best.

Here’s a bit from the wonderful Introduction by the editor:

But that’s what stories do. They prepare us to face the unknown. They arm us with possibility. They enable us to apply some semblance of order and meaning to a universe that is otherwise indifferent to our existence. Telling a monster story is a powerful act, not least because such a story gives a shape and limmit to an otherwise amorphous anxiety, making it seem less scary, less immense, less baffling and unconquerable. Stories change our perspective on our own strengths and vulnerabilities. They alter our perception of what threatens us most. They provide us with comfort and reassurance — even in the face of tremendous loss — and in so doing, they offer us the hope that we can conquer our worst fears and take back control of our fate.

There’s a huge amount of variety in this collection. I’m not a monster movie or a monster book fan – but I loved the creativity and insight and imagination in this set of tales. The stories were consistently good, and so many of them get you thinking. I’m proud this is on our Cybils list.

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Review of The Bletchley Riddle, by Ruta Sepetys and Steve Sheinkin

The Bletchley Riddle

by Ruta Sepetys and Steve Sheinkin

Viking, 2024. 394 pages.
Review written January 2, 2025, from my own copy, sent to me by the publisher.
Starred Review
2024 Sonderbooks Stand-out: #5 More Children’s Fiction

I quickly read this book at the end of 2024, after finishing my reading for the Cybils Awards, because I had a strong suspicion it would end up making my Sonderbooks Stand-outs list, and I didn’t want to wait a year. For one thing, it’s about code-breaking at Bletchley Park during World War II, and for another, two stellar writers collaborated on it. Ruta Sepetys specializes in detailed historical fiction, and Steve Sheinkin writes engaging historical nonfiction. Both have won numerous awards for their work.

This is the year for World War II books! I was glad I read this book after reading Candace Fleming’s nonfiction The Enigma Girls, because that gave the nonfiction side of what happened at Bletchley Park, outside of London – a top secret code-breaking operation with many, many different aspects. The Bletchley Riddle fictionalizes that story and gives us a 19-year-old brother Jakob working at Bletchley Park with his 14-year-old sister Lizzie.

The story is engaging – pulling us into real-life spy work. It begins in 1940, before Britain has been pulled into war with Germany, but when they are expecting it. And the book opens with half-American Lizzie giving her chaperone the slip. She leaves him on a ship bound for America, while she escapes her rich American grandmother’s plans and shows up at the address in London where her brother has been receiving mail. Receiving mail, but never answering it.

Their mother had worked for the American embassy, but recently traveled to Poland and was there when the Germans attacked. She did not return, so she’s been presumed dead – but Lizzie doesn’t believe it for a minute. When she’s offered a messenger job at Bletchley Park, where Jakob is working, she hopes that being on the scene she might get leads on what has become of her mother.

Now, after reading The Enigma Girls, it felt a little unrealistic that Jakob would have any idea what was going on in other parts of the estate, but it’s not like they gave away a whole lot. I also had a hard time believing 14-year-old Lizzie would be hired as a messenger, taking messages between buildings – but the authors specifically mention in a historical note that Bletchley Park in fact hired messengers as young as 14.

But the story does put in details about how the team at Bletchley made breakthroughs in decoding German messages – including using a replica enigma machine smuggled out of Poland by three mathematicians. The details of the codebreaking were really fun, and we’ve got an additional mystery of what happened to Jakob and Lizzie’s mother. Oh, and Lizzie also wants to continue to thwart her grandmother’s plans to send her to America, so she has to elude the chaperone more than once. There are actual historical characters sprinkled throughout the story, and I loved a diversion involving Alan Turing, which the Historical Note tells us is completely based in truth.

Now, I did wonder if MI6 really would have been suspicious of folks working at Bletchley Park. There’s a shadowy character surveilling Lizzie and Jakob because of their mother, which almost felt like one thread too many, but I think in a middle grade novel this simply ups the suspense.

I did have a hard time deciding how to rank this book on my Stand-outs against Max in the House of Spies by Adam Gidwitz, and on another day, this one might have come out ahead. They were both about puzzles and spy activities in London. Max has more of a feel of the children’s classic The Great Brain and also addressed anti-Semitism in Britain at the time, but it felt a touch less believable. (I think Max was 12 – would they really let him be a spy?) And this one was simply full of authentic historical details – I just thought the puzzles were a little more fun for the reader in Max. (And remember, Sonderbooks Stand-outs are not chosen based on literary merit, but simply on how much I enjoyed the reading experience.) Bottom line, this is a wonderful spy novel for middle grade readers, full of cool spy problems and firmly rooted in historical fact.

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