Review of Wearing God, by Lauren F. Winner

wearing_god_largeWearing God

Clothing, Laughter, Fire, and Other Overlooked Ways of Meeting God

by Lauren F. Winner

HarperOne, 2015. 284 pages.
Starred Review

This is a lovely book that challenged my thinking and opened my mind. I read it a little bit at a time, then finished the last few chapters during the 2015 48-Hour Book Challenge. In a way it was a shame to finish off the end quickly, since I liked the daily dose of thinking about God in new ways.

In this book, Lauren Winner looks at metaphors found in the Bible about God — but which the church doesn’t talk a lot about. Or at least the modern church. She did find writings from years past about each of the figures of speech.

She looks at God as clothing, God as scent, God as bread and vine, God as a laboring woman, God as one who laughs, and God as flame. All of these metaphors are found in Scripture, and all have something to offer us today.

I’ve been a church-goer all my life, and I enjoyed hearing things I hadn’t heard before. I enjoyed having a different light cast on my thinking about God.

Here are some of the author’s words in the introductory chapter:

The Bible has a great deal to say about this. Your church might primarily describe God as king, or light of the world, or ruler of all. In my church, we tend to call God Father, or speak of God as shepherd or great physician. When we are really going out on a limb, we pick up Matthew and Luke’s avian image and pray to God the mother hen tending her brood. Most churches do this — hew closely to two or three favored images of God, turning to them in prayer and song and sermons. Through repetition and association, these few images can become ever richer: there was once a time when I didn’t have many thoughts or feelings about God as great physician, but now I have prayed to that God with Carolanne, whose husband is pinned down by Parkinson’s, and Belle, who so much wants to keep this pregnancy, and Albert, who is dogged by depression, and because of those prayers, and the fears and hopes and miracles and disappointments they carry, God-as-physician seems a richer image than I first understood.

Yet the repetition of familiar images can have the opposite effect. The words become placeholders, and I can speak them so inattentively that I let them obscure the reality whose place they hold. I repeat them, I restrict my prayer to that small cupful of images, and I wind up insensible to them.

Unlike my church, with its four favored metaphors, the Bible offers hundreds of images of God — images the church has paid a great deal of attention to in earlier centuries, although many are largely overlooked now. Drunkard. Beekeeper. Homeless man. Tree. “Shepherd” and “light” are perfectly wonderful images, but in fixing on them — in fixing on any three or four primary metaphors for God — we have truncated our relationship with the divine, and we have cut ourselves off from the more voluble and variable witness of scriptures, which depict God as clothing. As fire. As comedian. Sleeper. Water. Dog.

Here is her invitation to the reader:

In this book, we will explore several overlooked biblical idioms for God. We will look at what the Bible itself suggests about these idioms, and what our daily lives have to say about them, and what various preachers and pray-ers and writers from earlier eras made of them. Your guide in this exploration is a bookworm who can happily get lost for a few days on a research trail, and I sometimes bring the words of anthropologists or historians or literary critics to bear on our ruminations. (Since the library of insights from those who have gone before us, and from contemporary scholars and preachers, is so rich, I have set additional gems at the bottoms of many pages. These quotations are there for stimulation and contemplation. Feel free to stop and linger over them, or skip them, or add your own musings.) Because I hope the book will help you sit down with God in a place the two of you have never visited before, each chapter concludes with a prayer. The final aim of this book is not to persuade you to stop thinking about God as your shepherd and start thinking about God as a cardigan sweater or One who weeps. The aim, rather, is to provoke your curiosity, and to inspire your imagination, and to invite you farther into your friendship with God.

If that invitation sounds even a tiny bit enticing, I highly recommend that you spend some time with this book.

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Review of I, Fly, by Bridget Heos, illustrated by Jennifer Plecas

i_fly_largeI, Fly

The Buzz About Flies and How Awesome They Are

by Bridget Heos
illustrated by Jennifer Plecas

Henry Holt and Company, New York, 2015. 44 pages.
Starred Review

This nonfiction for early elementary age kids hits just the right note.

A fly buzzes into a classroom and finds the kids studying — as usual — butterflies.

Well, guess who else metamorphoses, can fly, and is beautiful (at least according to my mother).

The fly goes on to explain:

Here’s how the story goes: My 500 brothers and sisters and I started out as eggs. Our mom tucked us into a warm, smelly bed of dog doo. When we hatched, we looked like short, greasy white worms. In other words, much cuter than caterpillars. Scientists called us larvae. Humans called us maggots. Our parents called us adorable.

He tells the kids all about the lifecycle of a fly and cool (or disgusting, depending on your viewpoint) facts about them as well.

My favorite bit is where a kid asks, “I heard that flies throw up on everything before they eat it. Is that true?”

No. We don’t throw up on everything. Only solid foods.

See, we don’t have any teeth, so we can’t chew. I had to throw up on this apple core to turn it into a liquid. That way I could sop it up with my spongy mouth.

But if something’s already a liquid, like the soup you’re having for lunch, I don’t throw up on it. I’ll slurp that right out of the bowl.

Of course, when the kids decide the fly is right and he should be studied, he finds he doesn’t actually want to be kept in a cage in the classroom. Then he tells them the facts about diseases flies carry so they’ll let him go.

Fortunately, readers of this book can learn all the facts the friendly fly has to tell them without making contact with its germs.

This one’s a natural for booktalking in the schools. Children will learn fly facts without even trying.

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Review of Uprooted, by Naomi Novik

uprooted_largeUprooted

by Naomi Novik

Del Rey, New York, 2015. 438 pages.
Starred Review

Naomi Novik is the author of the brilliant books about Temeraire, a dragon who fought in the Napoleonic Wars in alternate-history England. This new book begins with a very different sort of dragon.

Our Dragon doesn’t eat the girls he takes, no matter what stories they tell outside our valley. We hear them sometimes, from travelers passing through. They talk as though we were doing human sacrifice, and he were a real dragon. Of course that’s not true: he may be a wizard and immortal, but he’s still a man, and our fathers would band together and kill him if he wanted to eat one of us every ten years. He protects us against the Wood, and we’re grateful, but not that grateful.

Agnieszka is born in the year of the girls who will be 17 the next time a girl is chosen to go serve the Dragon for ten years. But she’s not worried for herself. Everyone is sure that her best friend, beautiful Kasia, is going to be the one chosen.

But the Dragon looks at Agnieszka and makes a quick decision that no one expects. He suddenly takes her back to his tower without even a chance to say good-by. It turns out that Agnieszka has magic.

But not long after she’s been serving the Dragon, and having learned just a little bit — messengers come to the tower when the wizard is gone, saying that the Wood has taken Kasia.

The great Wood is sinister and evil. No one has ever escaped it. But Agnieszka will not and cannot stand by. And she sets in motion a series of confrontation with dark forces inhabiting the Wood and stretching all the way to the king’s court.

This is a wonderfully absorbing story and I read it all avidly with only a few breaks for air. I should mention that with Agnieszka being seventeen years old, the only reason I can see for this not to be a young adult novel is that there is one quite explicit sex scene as well as many gruesome deaths. (I mentioned that the Wood is evil?)

I enjoyed the way the magic is described and how Agnieszka’s magic is different from that of the Dragon, more in the tradition of Baba Jaga.

This is a wonderful story of a peasant girl discovering power and using it to defend the helpless and make things right.

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Review of Hope and Other Luxuries, by Clare B. Dunkle

hope_and_other_luxuries_largeHope and Other Luxuries

A Mother’s Life with a Daughter’s Anorexia

by Clare B. Dunkle

Chronicle Books, San Francisco, 2015. 557 pages.
Starred Review

I met Clare Dunkle after I gave her first book a glowing review and then discovered she also lived in Germany. She’s one of those people I can talk with for hours, and I think of her as a friend.

When I saw she had another book out, I preordered it. When it came, I meant to read a little bit each night, but ended up reading a lot each night for quite awhile.

This is an honest — and painful — story about a mother dealing with her daughter’s anorexia. Even though my family does not have that particular issue, Clare’s writing pulled me in and made me feel like I knew what that would be like.

I especially related when she talked about how the voice that hurt the most was her own voice from the past, the voice of the extraordinary mother.

Good girls have good mothers. Extraordinary girls have extraordinary mothers. But deeply troubled girls? Oh, the old me knew all about them.

That’s how I used to be about marriages. Because I had an extraordinary and wonderful marriage. So whose fault must it have been when it all fell apart?

As I said, I had totally different circumstances from Clare, but she is open and honest about her journey, and I saw myself in her.

Clare also writes about her journey as an author. She describes her process — and honestly? Makes me feel like Not a Writer At All. I thought I had an imagination! But nothing like hers — distracted by her own imaginings. (At least when it’s going well.)

However, that didn’t surprise me. I already knew I love Clare’s books. And even in this nonfiction memoir, Clare writes words that pull me in and make me experience them. Hearing more about her process shone a light on her gift — even while the words she uses communicate so well, so pull you along and make you unable to stop reading.

Besides all that, I now feel I understand better the awful illness of anorexia. And I’m so glad that Clare and her daughter Elena have come so far with Hope intact. May this book supply Hope to many other families going through that. As someone who’s “only” been through divorce, I can say that I find this story of her journey honest, helpful, uplifting — and hope-bringing.

Thank you, Clare, for putting your heart in these pages.

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Review of Maeve’s Times, by Maeve Binchy

maeves_times_largeMaeve’s Times

In Her Own Words

Selected Writings from The Irish Times

Edited by Róisín Ingle
with an Introduction by Gordon Snell

Alfred A. Knopf, New York, 2014. 383 pages.
Starred Review

This is a book for the many people who love Maeve Binchy’s writing and are so sorry she’s gone.

The book consists of articles she wrote for The Irish Times, beginning in 1964 (the year I was born).

Some of the articles might not seem relevant today — but you can hear Maeve’s voice in all of them. She was always curious, always with a sparkle of humor, always insightful. She saw the people around her, with all their foibles and quirks.

The most dated things here are the articles about royal weddings, but those are particularly fun. Maeve was a people-watcher from the beginning. She sometimes comments on her tendency to ask questions that end up being awkward rather than leaving well enough alone. She was always curious about people and their motives.

And oh my yes, she could write. Reading these, it’s no marvel how wonderful her novels were. She was constantly sharpening her skills of observation and insight and, simply, writing.

The articles are short. I was taking my time over this book, only reading an essay or two per day. Then I finished up in a splurge during the 2015 48-Hour Book Challenge.

This is a cozy, friendly book for those who, through her writing, had come to think of Maeve Binchy as a friend we’ll miss.

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Review of Jinx’s Fire, by Sage Blackwood

jinxs_fire_largeJinx’s Fire

by Sage Blackwood

Katherine Tegen Books (HarperCollins), 2015. 388 pages.
Starred Review

Jinx’s Fire completes the story about Jinx, growing up in the Urwald, told in Jinx and Jinx’s Magic. Yes, you’ll want to read the other books first.

This book does bring things to a nice conclusion and reads like a complete story. I like the character things that happen as Jinx figures out his own magic and his connection to the Urwald.

In this book, three different kings are invading the Urwald, intending to destroy it, maybe “generously” giving them a small “preserve.” At the same time, the Bonemaster is growing in strength, causing Jinx not to be able to access the forest’s lifeforce. And Simon is still missing, and Elfwyn dangerously near the Bonemaster. Jinx also needs to get the people and creatures and wizards and witches of the Urwald to help against the invaders.

Basically, there’s much for Jinx to accomplish in this volume of the trilogy, and the author pulls it off in a satisfying way. There are many different kinds of magic in these books, but her descriptions of the magic don’t come across as vague and unclear as so many fantasy novels do. In fact, being able to describe multiple kinds of magic is one way Sage Blackwood stands out.

And it’s impossible not to love Jinx. He’s no saint. He gets impatient and can be overbearing. He sometimes has trouble figuring things out. But his gift of seeing the color and shape of people’s thoughts and his ability to listen to the trees makes him a distinctive character I will never forget.

A satisfying conclusion to a wonderful trilogy.

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Review of The Boys Who Challenged Hitler, by Phillip Hoose

boys_who_challenged_hitler_largeThe Boys Who Challenged Hitler

Knud Pedersen and the Churchill Club

by Phillip Hoose

Farrar Straus Giroux, New York, 2015. 198 pages.
Starred Review

This year because of schedule conflicts, I’m not attending Capitol Choices (a local group that chooses the 100 best books of the year for children and youth), and I’d promised myself this year I’ll just read books I want to read, not books I feel I ought to read. So I thought I wouldn’t read much children’s nonfiction. This book came in, and I thought I’d just check it back in, unread. But I started dipping into it, and found I couldn’t stop.

The story is of a group of Danish teens who didn’t like that their government had handed Denmark over to Hitler. They formed their own resistance band before any other organized resistance. They went to prison for it — and their case galvanized other Danes to act.

Phillip Hoose spoke at length with Knud Pedersen in 2012, working on this book with him before he died in 2014. How wonderful that this information was captured. Much of the book gives Knud’s voice and perspective.

Here’s a summary from the author in the Introduction, which explains why this important story had to be told. He was visiting the Museum of Danish Resistance in Copenhagen.

Then I came upon a special little exhibit entitled “The Churchill Club.” With photos, letters, cartoons, and weapons such as grenades and pistols, the exhibit told the story of a few Danish teens, schoolboys from a northern city, who got the resistance started. Mortified that Danish authorities had given up to the Germans without fighting back, these boys had waged a war of their own.

Most were ninth-graders at a school in Aalborg, in the northern part of Denmark called Jutland. Between their first meeting in December 1941 and their arrest in May 1942, the Churchill Club struck more than two dozen times, racing through the streets on bicycles in well-coordinated hits. Acts of vandalism quickly escalated to arson and major destruction of German property. The boys stole and cached German rifles, grenades, pistols, and ammunition — even a machine gun. Using explosives stolen from the school chemistry lab, they scorched a German railroad car filled with airplane wings. They carried out most of their actions in broad daylight, as they all had family curfews.

This book tells the details of their story, a fascinating one about teens deciding to act for what they believed to be right, at the risk of their own lives.

The book is engagingly written, with plenty of photographs and sidebars to break up the text. It’s targeted toward people the same age as these daring young men were at the time of their resistance.

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Review of Gone Crazy in Alabama, by Rita Williams-Garcia

gone_crazy_in_alabama_largeGone Crazy in Alabama

by Rita Williams-Garcia

Amistad (HarperCollins), 2015. 293 pages.
Starred Review

This is Rita Williams-Garcia’s third book about the Gaither sisters, growing up in 1960s America. The first book, One Crazy Summer, had them in Oakland, with their mother who left them when they were small. The second book, P. S. Be Eleven, saw them back home in Brooklyn, as their father was falling in love with a new woman. This book has them visiting their grandmother Big Ma in Alabama, where she lives in the home of Ma Charles, their great-grandmother, across the creek from their great-great aunt Miss Trotter.

I loved the first book, but wasn’t as enamored with the second. I think I love this book best of all, and have been completely won over again by these sisters.

Gone Crazy in Alabama is a family story, a sisters story. As Delphine and her two younger sisters squabble, so does Ma Charles squabble with her half-sister. The two haven’t spoken to each other in years, but they exchange barbs through the words of a willing Vonetta.

The girls learn about their messy heritage, getting a different slant as their great grandmother and great-great-aunt each tell it. They’ve got a handsome cousin living across the creek, a cousin who tends cows and dreams of being a pilot and has lived through his own horrible tragedy.

I still love the way Rita Williams-Garcia portrays the sisters. Delphine, the responsible one, is always trying to look out for her younger sisters, but the ways she does that are not often welcome. Each girl has her own distinctly lovable personality, though there’s plenty of realistic rivalry between the sisters.

And lots of laughter — this novel is infused with humor throughout, mainly by the crazy and realistic quirks of human nature.

When a great crisis occurs at the end of the book, it pulls everyone in Delphine’s big crazy family together.

I love the overall theme of walking through the storm.

Such a wonderful book! You can get away with reading this book without reading its predecessors, but a history with Delphine, Vonetta, and Fern will make it all the better.

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Review of The Thrilling Adventures of Lovelace and Babbage, by Sydney Padua

lovelace_and_babbage_largeThe Thrilling Adventures of Lovelace and Babbage*

*The (Mostly) True Story of the First Computer

by Sidney Padua

Pantheon Books, New York, 2015. 319 pages.
Starred Review

I don’t think I’ve ever seen a book quite like this. It’s based on a web comic. The comic is based on two actual historical geniuses, Charles Babbage and Ada Lovelace. But Sidney Padua invents the existence of pocket universes, where Charles Babbage actually builds his Analytical Engine (In real life, he never built it, always coming up with a better idea before bringing an earlier idea to completion.), and Ada Lovelace actually lived long enough to help him program it.

This book describes their adventures in the pocket universes. Now, in our universe, computers actually got built in the age of electricity, using vacuum tubes and electric current. Babbage designed his Difference Engine and Analytical Engine to run on steam, so that’s what’s drawn here – a grand Difference Engine with cogs and gears and powered by steam.

Other historical figures of the period run through these pages, and some of the most fun to be found here are in the extensive footnotes, endnotes, and appendices. While reading about what never happened, you’ll learn all sorts of facts about what did actually happen. You’ll come to know Lovelace and Babbage, seeing them in action, using words they actually wrote in their real-life lifetimes.

Here’s how Sidney Padua describes beginning to write this comic:

It was in a pub somewhere in London in the spring of 2009 that I undertook to draw a very short comic for the web, to illustrate the very brief life of Ada Lovelace. This was suggested to me by my friend Suw, also in the pub, who was (and still is) the impresario of an annual women-in-technology virtual festival she had named after Lovelace, a historical figure of whom I think I was hazily aware.

As anybody else would do, I looked up “Ada Lovelace” on Wikipedia. There I found the strange tale of how, in the 1830s, an eccentric genius called Charles Babbage only just failed to invent the computer, and how the daughter of Lord Byron wrote imaginary programs for his imaginary computer. It was such an extraordinary story, so full of weird personalities and poetic flourishes that it hardly seemed true; but at the end of it the facts thudded back to dull reality. Lovelace died young. Babbage died a miserable old man. There never was a gigantic steam-powered computer. This seemed an awfully grim ending for my little comic. And so I threw in a couple of drawings at the end, imagining for them another, better, more thrilling comic-book universe to live on in.

She goes on to say, “Almost everybody had failed to realize that my alternate-universe ending was a joke.” And so she began writing these comics.

The result is quirky, full of facts, and a whole lot of fun. I also love the Victorian, over-the-top style used, especially for title pages and diagrams.

And, yes, I will be watching the webpage for more adventures.

And, okay, I’ll admit it. I brought this book to a Book Dating event. It’s like Speed Dating — only everyone brings a book, and you have something to talk about. I thought this book was a nice blend of fiction and nonfiction — and that anyone who thinks it’s cool will be someone I will be able to easily talk with. This turned out to be true.

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Review of The Book of Forgiving, by Desmond Tutu and Mpho Tutu

book_of_forgiving_largeThe Book of Forgiving

The Fourfold Path for Healing Ourselves and Our World

by Desmond Tutu and Mpho Tutu

HarperOne, 2014. 229 pages.
Starred Review

I don’t think you can have too many books on forgiveness. Even though it’s now been a long time since my divorce, I’ve been reading this book slowly, trying to absorb it. It articulates things I’d already learned about forgiveness as well as showing me new things to consider and new ways to look at it.

Forgiving isn’t a journey you’ll ever completely finish, but Desmond and Mpho Tutu present a Fourfold Path that will help you deal with those who have wronged you and people you have wronged as well.

This book doesn’t come from a trivial place. Here’s some of the background Desmond Tutu gives in the Introduction:

As chairman of the Truth and Reconciliation Commission, I have often been asked how the people of South Africa were able to forgive the atrocities and injustices they suffered under apartheid. Our journey in South Africa was quite long and treacherous. Today it is hard to believe that, up until our first democratic election in 1994, ours was a country that institutionalized racism, inequality, and oppression. In apartheid South Africa only white people could vote, earn a high-quality education, and expect advancement or opportunity. There were decades of protest and violence. Much blood was shed during our long march to freedom. When, at last, our leaders were released from prison, it was feared that our transition to democracy would become a bloodbath of revenge and retaliation. Miraculously we chose another future. We chose forgiveness. At the time, we knew that telling the truth and healing our history was the only way to save our country from certain destruction. We did not know where this choice would lead us. The process we embarked on through the TRC was, as all real growth proves to be, astoundingly painful and profoundly beautiful….

I would like to share with you two simple truths: there is nothing that cannot be forgiven, and there is no one undeserving of forgiveness. When you can see and understand that we are all bound to one another – whether by birth, by circumstance, or simply by our shared humanity – then you will know this to be true. I have often said that in South Africa there would have been no future without forgiveness. Our rage and our quest for revenge would have been our destruction. This is as true for us individually as it is for us globally.

There have been times when each and every one of us has needed to forgive. There have also been times when each and every one of us has needed to be forgiven. And there will be many times again. In our own ways, we are all broken. Out of that brokenness, we hurt others. Forgiveness is the journey we take toward healing the broken parts. It is how we become whole again.

The book begins by laying the groundwork. The authors explain why we need to forgive for our own sakes. It explains what forgiveness is and is not. (Forgiveness is not weakness, is not a subversion of justice, and is not forgetting. Forgiveness is also not easy.) Then it explains the Fourfold Path of Forgiveness, an alternative to the cycle of Revenge.

The first step on the Fourfold Path is Telling the Story.

Telling the story is how we get our dignity back after we have been harmed. It is how we begin to take back what was taken from us, and how we begin to understand and make meaning out of our hurting….

It is not always easy to tell your story, but it is the first critical step on the path to freedom and forgiveness. We saw this so palpably in the TRC, when the victims of apartheid were able to come forward to tell their stories. They were relieved to have a place of safety and affirmation in which to share their experiences. They were also relieved of the ongoing victimization they suffered from believing that no one would ever truly know what they had endured or believe the stories they had to tell. When you tell your story, you no longer have to carry your burden alone….

We may need to tell our stories many times over, to many different people, and in many different forms before we are ready to move forward in the forgiveness process. We also may find that just telling our stories relieves a burden we have carried. When we tell our stories, we are practicing a form of acceptance. When we tell our stories, we are saying, “This horrible thing has happened. I cannot go back and change it, but I can refuse to stay trapped in the past forever.” We have reached acceptance when we finally recognize that paying back someone in kind will never make us feel better or undo what has been done. To quote the comedian Lily Tomlin, “Forgiveness means giving up all hope for a better past.”

The second step on the Fourfold Path is Naming the Hurt.

Every one of us has a story to tell of when we were hurt. Once we are done telling our stories – the technical details of who, when, where, and what was done to us – we must name the hurt. Giving the emotion a name is the way we come to understand how what happened affected us. After we’ve told the facts of what happened, we must face our feelings. We are each hurt in our own unique ways, and when we give voice to this pain, we begin to heal it….

Often it can seem easier or safer to simply dismiss a hurt, stuff it down, push it away, pretend it didn’t happen, or rationalize it, telling ourselves we really shouldn’t feel the way we do. But a hurt is a hurt. A loss is a loss. And a harm felt but denied will always find a way to express itself. When I bury my hurt in shame or silence, it begins to fester from the inside out. I feel the pain more acutely, and I suffer even more because of it….

If you cannot, or choose not to, name your hurt to the perpetrator, then you can talk to a trusted friend or family member, a spiritual advisor, a counselor, another who has experienced the same kind of harm, or anyone who will not judge you and who will be able to listen with love and empathy. Just as in telling the story, you can write your hurt down in a letter or journal. The most important thing is to share with someone who is able to receive your feelings without judging or shaming you for having them. Indeed, because it is never easy to confront the one who has harmed us directly, I strongly encourage you to name the hurt to others first.

When we give voice to our hurt, it loses its stranglehold on our lives and our identities. It stops being the central character in our stories. Ultimately, as we will discuss in the next chapter, the act of forgiving helps us create a new story. Forgiveness lets us become the author of our own future, unfettered by the past. But in order to begin to tell a new story, we must first have the courage to speak…. It is human to want to retaliate, to feel anger, and to feel a profound sense of resentment toward those who have harmed us. When we share these feelings, however, when we give voice to our desire for revenge, our rage, and the many ways we feel our dignity has been violated, the desire for revenge lessens. There is relief. Feeling this relief does not mean that there is no justice, or that it was okay for someone to hurt us. It simply means we don’t have to let our suffering make us perpetual victims. When we name the hurt, just as when we tell the story, we are in the process of reclaiming our dignity and building something new from the wreckage of what was lost.

The third step on the Fourfold Path is Granting Forgiveness.

I like this observation: “Raising children has sometimes felt like training for a forgiveness marathon.”

As our own children grew, they found new (and remarkably creative) ways of testing our patience, our resolve, and our rules and limits. We learned time and again to use the teaching moments their transgressions offered. But mostly we learned to forgive them over and over again, and fold them back into our embrace. We know our children are so much more than the sum of everything they have done wrong. Their stories are more than rehearsals of their repeated need for forgiveness. We know that even the things they did wrong were opportunities for us to teach them to be citizens of the world. We have been able to forgive them because we have known their humanity. We have seen the good in them. We have prayed for them. It was easy to pray for them. They are our children. It is easy to want the best for them.

But I also pray for other people who may irk or hurt me. When my heart holds anger or resentment toward someone, I pray for that person’s well-being. It is a powerful practice and has often opened the doorway to finding forgiveness.

It might be obvious that this step is crucial, but he reiterates why that is so.

We choose forgiveness because it is how we find freedom and keep from remaining trapped in an endless loop of telling our stories and naming our hurts. It is how we move from victim to hero. A victim is in a position of weakness and subject to the whims of others. Heroes are people who determine their own fate and their own future. A victim has nothing to give and no choices to make. A hero has the strength and ability to be generous and forgiving, and the power and freedom that come from being able to make the choice to grant forgiveness.

The final step on the Fourfold Path is Renewing or Releasing the Relationship.

Forgiveness is not the end of the Fourfold Path, because the granting of forgiveness is not the end of the process of healing. We all live in a delicate web of community, visible and invisible, and time and again the connecting threads get damaged and must be repaired. Once you have been able to forgive, the final step is to either renew or release the relationship you have with the one who has harmed you. Indeed, even if you never speak to the person again, even if you never see them again, even if they are dead, they live on in ways that affect your life profoundly. To finish the forgiveness journey and create the wholeness and peace you crave, you must choose whether to renew or release the relationship. After this final step in the Fourfold Path, you wipe the slate clean of all that caused a breach in the past. No more debts are owed. No more resentments fester. Only when you renew or release the relationship can you have a future unfettered by the past.

This scratches the surface of what’s in this book. There are examples and exercises to help you along the way. Concluding chapters talk about when you are the one who needs forgiveness and about forgiving yourself.

This is a beautiful book on a life-giving topic. I’ve got to admit, I’d like to wish readers a life where they never have to forgive anyone. But come to think of it, that would not be as rich a life. When you do find yourself needing to forgive, this book is a wonderful resource.

tutu.org.za
humanjourney.com/forgiveness
harperone.com

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