Review of Love Among the Chickens, by P. G. Wodehouse

love_among_the_chickens_largeLove Among the Chickens

by P. G. Wodehouse
read by Jonathan Cecil

BBC Audiobooks, Limited, 2005.
Starred Review

Listening to Jonathan Cecil read P. G. Wodehouse is getting to be my standard entertainment when driving. I will be devastated when I run out of library audiobooks. As it is, this was my first book, not about Jeeves and Wooster, but about Stanley Featherstonehaugh Ukridge and his friend, the narrator, Jeremy Garnet.

The book starts when newly married Ukridge talks Jeremy, a novelist, into joining him in the countryside as he starts a chicken farm. Ukridge is sure chicken farming is the road to riches, so he feels free to buy all their supplies on credit. As Jeremy travels to the farm, he sees a young lady on the train whom he will never forget.

Well, the road to true love does not run smoothly. The young lady, Phyllis, and her father do end up being neighbors, but when they come to dinner at the farm, Ukridge manages to alienate the father, which he holds against Garnet as well. When Garnet hatches a plan to restore himself to good favor, it works for awhile, all the more disastrously to fail in the end.

And meanwhile, Ukridge’s adventures in chicken farming are nothing if not entertaining. Even without Jeeves and Wooster, this is a typical Wodehousian farce, with larger-than-life characters and tangled schemes, which generally work out in precisely the worst way, but also the funniest way.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of A Damsel in Distress, by P. G. Wodehouse

damsel_in_distress_largeA Damsel in Distress

by P. G. Wodehouse
read by Jonathan Cecil

AudioGO, 2013. Originally published in 1919.
Starred Review

I love listening to P. G. Wodehouse books. There’s no better way to stay awake while driving than to laugh, and his books guarantee a laugh every time. Normally, I listen to his Jeeves and Wooster books, but A Damsel in Distress is standalone about an American composer for musical theater, George Bevan.

George is feeling bored with his successful life, when a beautiful woman dashes into his cab in the middle of Piccadilly in London and asks him to hide her. He does, despite a fat gentleman coming after her. It turns out that the young lady is the daughter of Lord Marshmorton and lives in a castle in the country. Her family is trying to keep her at home because she has fallen in love with an unsuitable man.

Well, George finds out who she is and where she lives and rents a cottage near the castle, hoping he can be of service to her. What follows is a grand mess of plotting and mistaken identities and cross-purposes, described with P. G. Wodehouse’s quirky and apt similes and distinctive characters.

Jonathan Cecil, as always, does a wonderful job giving all the characters distinctive voices and even manages a decent American accent for George Bevan. There are numerous marriages and minimal broken hearts, and the whole thing is tremendously fun.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Cat at the Wall, by Deborah Ellis

cat_at_the_wall_largeThe Cat at the Wall

by Deborah Ellis

Groundwood Books, Berkeley, 2014. 152 pages.
Starred Review

The Cat at the Wall is narrated by a cat. A cat who used to be a thirteen-year-old girl. Here’s how she introduces herself:

My name is still Clare.

That much is the same, although no one calls me Clare anymore.

No one calls me anything anymore.

I died when I was thirteen and came back as a cat.

A stray cat in a strange place, very far from home.

One moment I was walking out of my middle school in Bethlehem, Pennsylvania. Then there was a period of darkness, like being asleep. When I woke up, I was in Bethlehem – the real one. And I was a cat.

Clare the cat is running from some mean neighborhood cats when she sees the chance to run into a house being opened by two soldiers. The soldiers are commandeering the house to conduct surveillance on the neighborhood, looking for terrorists. However, what they don’t know, and what Clare soon sniffs out, is that a boy is hiding in the house.

In alternating chapters with what’s going on in Bethlehem, we also hear about what happened in Bethlehem, Pennsylvania. It turns out that Clare wasn’t a very nice girl. And she had particular conflict with one teacher in particular. That teacher made her write out a poem for detention – the same poem the Arab boy recites when he is worried or scared.

The soldiers in the house are with the Israeli army, but one is an American who’s come over to help. Clare the cat can understand all languages since her death, so she’s in a good position to see what’s going on. There’s a crisis eventually between the soldiers and the boy and the people of Bethlehem. But what can a cat do to help? And why should she bother?

I enjoyed this book. I admit, there were no explanations given why Clare would turn into a cat on the other side of the world, and no explanation why her teacher’s favorite poem would also be the favorite poem of a Palestinian boy. However, I like the way Clare’s story as a mean girl – which American kids will understand and recognize – is interwoven with the story of the Palestinian conflict, which is more removed from their experience.

And I admit, I was so intrigued by the poem, I looked it up on google. It is Max Ehrmann’s “Desiderata,” written in 1952.

Go placidly amid the noise and haste,
and remember what peace there may be in silence.
As far as possible without surrender
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even the dull and the ignorant;
they too have their story….

Therefore be at peace with God,
whatever you conceive Him to be,
and whatever your labors and aspirations,
in the noisy confusion of life keep peace with your soul.
With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful.
Strive to be happy.

groundwoodbooks.com
deborahellis.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book sent to me by the publisher.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Boys of Blur, by N. D. Wilson

boys_of_blur_largeBoys of Blur

by N. D. Wilson

Random House, New York, 2014. 195 pages.
Starred Review
2014 Cybils Finalist

The first page of Boys of Blur pulls you in:

When the sugarcane’s burning and the rabbits are running, look for the boys who are quicker than flame.

Crouch.

Stare through the smoke and let your eyes burn.

Don’t blink.

While cane leaves crackle and harvesters whir, while blades shatter armies of sugar-sweet sticks, watch for ghosts in the smoke, for boys made of blur, fast as rabbits and faster.

Shall we run with them, you and I? Shall we dodge tractors and fire for small handfuls of fur? Will we grin behind shirt masks while caught rabbits kick in our hands?

Shoes are for the slow. Pull ‘em off. Tug up your socks. Shift side to side. Chase. But be quick. Very quick. Out here in the flats, when the sugarcane’s burning and the rabbits are running, there can be only quick. There’s quick, and there’s dead.

Boys of Blur can be thought of as Beowulf in the Florida swamp. With zombies.

Charlie Reynolds has come to Taper, Florida with his mother, stepfather, and little sister, to attend a funeral. The funeral is happening at a white church on a mound outside of town on the edge of the swamps, in the middle of muck, and ringed by a sea of sugarcane. The funeral is for Charlie’s stepfather’s old football coach, and his stepfather has been asked to coach the high school team in his place.

Charlie was in the cane where his stepfather had been raised and played his first football. Over the dike and across the water, he knew he would find more cane and the town of Belle Glade, where his real dad had been raised and played his football.

Soon, Charlie meets Cotton, his stepdad’s second cousin, and Cotton says that makes them cousins, too. He takes Charlie into the cane and shows him a mound topped by a stone. The stone has a dead snake on top, and a small dead rabbit beside it. But that’s only the first strange thing. They see a man wearing a helmet and carrying a sword.

There’s drama and danger here. There’s tension, because Charlie’s mother knows his father lives near, and Charlie sees the old familiar fear in her eyes.

And there are secrets in the cane, in the swamp, in the muck. Why do dead animals keep appearing at certain places? And what is the foul stench that comes up in the swamp at night, while Cotton and Charlie watch the helmeted man digging in Coach Wiz’s grave? And is that sound the scream of a panther?

This book is a bit more mystical than I tend to like my fantasy. But it’s excellently carried out, so it didn’t bother me while I was reading that by the end I wasn’t sure exactly what had happened. Think Beowulf in the Florida swamp — with zombies — and you’ll have the idea — Friends fighting monsters together.

ndwilson.com
randomhouse.com/kids

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Shh! We Have a Plan! by Chris Haughton

shh_largeShh!

We Have a Plan!

by Chris Haughton

Candlewick Press, 2014. 40 pages.
Starred Review

Chris Haughton’s books are tailor-made for storytime. His style is distinctive and unusual – but the bold and bright colors will show well in the front of the room. And the repetition will have kids quickly chanting along.

The situation is four friends going through a forest. The littlest one sees a lovely red bird. He says, “Hello, Birdie.” The others shush him with the words from the title.

Their plan?

tiptoe slowly
tiptoe slowly
now stop. SHH!

ready one
ready two
ready three . . .

GO!

The pictures show the three sneaking up on the bird with a net, and then landing in a confused heap while the bird flies serenely away.

The same pattern continues a total of three times, with results that will set kids laughing. Finally, the littlest one uses another approach, with very different results.

This is a book that children will quickly learn to “read” themselves. Definitely fun – and there’s also an opportunity for them to notice that bread works better than nets.

madebynode.com
candlewick.com
fsc.org

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Gettysburg Address: A Graphic Adaptation, by Jonathan Hennessy

gettysburg_address_largeThe Gettysburg Address

A Graphic Adaptation

Using Lincoln’s Words to Tell the Whole Story of America’s Civil War, 1776 to the Present

written by Jonathan Hennessey
art by Aaron McConnell

William Morrow, 2013. 222 pages.
Starred Review

History in comic book form – I still say it’s an inspired idea if you want kids to pay attention.

You might wonder how anyone could put the Gettysburg Address into comic book form. Well, the subtitle explains what the author is trying to do: Not simply talk about the Gettysburg Address, but to use the Gettysburg Address to tell the whole story of America’s Civil War, 1776 to the present.

So the story goes back to the Declaration of Independence, which is referred to in the phrase “Fourscore and seven years ago.” Each section of the story is introduced by a phrase from the Gettysburg Address, with a picture of the words carved in stone on the walls of the Lincoln Memorial.

The story ends up being a sweeping one, with plenty of occasions for illustration. Even as an adult reading it, I gained a much deeper understanding of the Civil War by reading these pages. The author uses many quotations from speakers on opposites sides of the issues – and we see pictures of the people who spoke those words – far more memorable than ordinary quotes. And of course the battles have opportunity for even more “graphic” pictures.

This book is amazing in its scope and skillfully executed. It may create some young Civil War buffs. I certainly found it far more interesting than I expected it to be.

harpercollins.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Daring Greatly, by Brené Brown

daring_greatly_largeDaring Greatly

How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead

by Brené Brown, Ph.D., LMSW

Gotham Books, 2012. 287 pages.
Starred Review
2014 Sonderbooks Stand-out, #3 Nonfiction

It was actually my 26-year-old son who gave this book to me – and did a brilliant thing in so doing. Two of my top three Sonderbooks Stand-outs in Nonfiction this year were given to me by him.

Of course, I’d already read and loved The Gifts of Imperfection, by the same author, so I was expecting this book to have helpful insights. I was not disappointed.

Brené Brown got the title phrase from a speech by Theodore Roosevelt. She opens the book by quoting from the speech and then saying:

The first time I read this quote, I thought, This is vulnerablilty. Everything I’ve learned from over a decade of research on vulnerability has taught me this exact lesson. Vulnerability is not knowing victory or defeat, it’s understanding the necessity of both; it’s engaging. It’s being all in.

Vulnerability is not weakness, and the uncertainty, risk, and emotional exposure we face every day are not optional. Our only choice is a question of engagement. Our willingness to own and engage with out vulnerability determines the depth of our courage and the clarity of our purpose; the level to which we protect ourselves from being vulnerable is a measure of our fear and disconnection.

When we spend our lives waiting until we’re perfect or bulletproof before we walk into the arena, we ultimately sacrifice relationships and opportunities that may not be recoverable, we squander our precious time, and we turn our backs on our gifts, those unique contributions that only we can make.

Perfect and bulletproof are seductive, but they don’t exist in the human experience. We must walk into the arena, whatever it may be – a new relationship, an important meeting, our creative process, or a difficult family conversation – with courage and the willingness to engage. Rather than sitting on the sidelines and hurling judgment and advice, we must dare to show up and let ourselves be seen. This is vulnerability. This is daring greatly.

Join me as we explore the answers to these questions:

What drives our fear of being vulnerable?

How are we protecting ourselves from vulnerability?

What price are we paying when we shut down and disengage?

How do we own and engage with vulnerability so we can start transforming the way we live, love, parent, and lead?

She takes us on a journey to answer these questions, and the journey takes us in some surprising directions.

First, she looks at what we’re up against in our “Never Enough” culture. She talks about how it’s hard to be vulnerable when you’re wrapped up by a culture of shame.

The opposite of scarcity is enough, or what I call Wholeheartedness. . . . There are many tenets of Wholeheartedness, but at its very core is vulnerability and worthiness: facing uncertainty, exposure, and emotional risks, and knowing that I am enough.

Next, she debunks some myths about vulnerability and reminds us we’re all in this together.

Then she tackles the topic of how shame fits in and keeps us from being vulnerable.

Shame derives its power from being unspeakable. That’s why it loves perfectionists — it’s so easy to keep us quiet. If we cultivate enough awareness about shame to name it and speak to it, we’ve basically cut it off at the knees. Shame hates having words wrapped around it. If we speak shame, it begins to wither. Just the way exposure to light was deadly for the gremlins, language and story bring light to shame and destroy it.

She talks about combating shame, and the elements of shame resilience.

I mean the ability to practice authenticity when we experience shame, to move through the experience without sacrificing our values, and to come out on the other side of the shame experience with more courage, compassion, and connection than we had going into it. Shame resilience is about moving from shame to empathy — the real antidote to shame.

If we can share our story with someone who responds with empathy and understanding, shame can’t survive. Self-compassion is also critically important, but because shame is a social concept — it happens between people — it also heals best between people. A social wound needs a social balm, and empathy is that balm. Self-compassion is key because when we’re able to be gentle with ourselves in the midst of shame, we’re more likely to reach out, connect, and experience empathy.

There’s a section here on how men and women experience shame differently and how lethal it can be to relationships. But she also looks at people who have learned to have shame resilience.

As I look back on what I’ve learned about shame, gender, and worthiness, the greatest lesson is this: If we’re going to find our way out of shame and back to each other, vulnerability is the path and courage is the light. To set down those lists of what we’re supposed to be is brave. To love ourselves and support each other in the process of becoming real is perhaps the greatest single act of daring greatly.

Chapter 4 looks at The Vulnerability Armory — the ways we protect ourselves from being vulnerable. And along with that she looks at the strategies that empower people to take off the masks and armor.

The three forms of shielding that I am about to introduce are what I refer to as the “common vulnerability arsenal” because I have found that we all incorporate them into our personal armor in some way. These include foreboding joy, or the paradoxical dread that clamps down on momentary joyfulness; perfectionism, or believing that doing everything perfectly means you’ll never feel shame; and numbing, the embrace of whatever deadens the pain of discomfort and pain. Each shield is followed by “Daring Greatly” strategies, all variants on “being enough” that have proved to be effective at disarming the three common forms of shielding.

And I loved the importance she placed on joy and practicing gratitude.

Even those of us who have learned to “lean into” joy and embrace our experiences are not immune to the uncomfortable quake of vulnerability that often accompanies joyful moments. We’ve just learned how to use it as a reminder rather than a warning shot. What was the most surprising (and life changing) difference for me was the nature of that reminder: For those welcoming the experience, the shudder of vulnerability that accompanies joy is an invitation to practice gratitude, to acknowledge how truly grateful we are for the person, the beauty, the connection, or simply the moment before us.

Gratitude, therefore, emerged from the data as the antidote to foreboding joy. In fact, every participant who spoke about the ability to stay open to joy also talked about the importance of practicing gratitude. This pattern of association was so thoroughly prevalent in the data that I made a commitment as a researcher not to talk about joy without talking about gratitude.

It wasn’t just the relationship between joy and gratitude that took me by surprise. I was also startled by the fact that research participants consistently described both joyfulness and gratitude as spiritual practices that were bound to a belief in human connectedness and a power greater than us. Their stories and descriptions expanded on this, pointing to a clear distinction between happiness and joy. Participants described happiness as an emotion that’s connected to circumstances, and they described joy as a spiritual way of engaging with the world that’s connected to practicing gratitude. While I was initially taken aback by the relationship between joy and vulnerability, it now makes perfect sense to me, and I can see why gratitude would be the antidote to foreboding joy.

She looks in great depth at additional ways to combat foreboding joy, perfectionism, numbing, and many other shields we use to hide from vulnerability.

After this she looks at the big picture. How can we cultivate change and fight disengagement and disconnection? And she looks specifically at ways of humanizing education and work to be a better teacher or leader. And she wraps it up with a chapter on wholehearted parenting, “daring to be the adults we want our children to be and raising shame-resilient children.

There are some empowering and inspiring thoughts in this book. As she sums up at the end:

Daring greatly is not about winning or losing. It’s about courage. In a world where scarcity and shame dominate and feeling afraid has become second nature, vulnerability is subversive. Uncomfortable. It’s even a little dangerous at times. And, without question, putting ourselves out there means there’s a far greater risk of feeling hurt. But as I look back on my own life and what Daring Greatly has meant to me, I can honestly say that nothing is as uncomfortable, dangerous, and hurtful as believing that I’m standing on the outside of my life looking in and wondering what it would be like if I had the courage to show up and let myself be seen.

I highly recommend this book. It will inspire you to Dare Greatly.

brenebrown.com
penguin.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book sent to me by my son.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Hey, America, Your Roots Are Showing, by Megan Smolenyak

hey_america_largeHey, America, Your Roots Are Showing

Adventures in Discovering
News-Making Connections, Unexpected Ancestors, Long-Hidden Secrets, and Solving Historical Puzzles

by Megan Smolenyak

Citadel Press, 2012. 256 pages.
Starred Review
2014 Sonderbooks Stand-out, #8 Nonfiction

I’ve gotten the genealogy bug since I came to work at City of Fairfax Regional Library, where I get to substitute fairly frequently at the information desk in the Virginia Room. I think it’s fascinating to find out about my ancestors, about where they lived and what they did and which fought in wars and when they came to America.

Megan Smolenyak takes genealogy so much further than all that. She shows its tremendous scope. The subtitle begins to give you an idea, but even with those hints, I wasn’t prepared for the wide variety of stories she tells in this book.

I’m going to quote at length from her Introduction, because it gives you a good idea of what you’ll find in this book:

I’m one of those obnoxious people you hear about from time to time who has the privilege of making a living doing what she loves. As a real-life history detective, I wake up excited every day about what I’m going to tackle and what I might uncover.

In this book, I’d like to take you into my world and essentially perch you on my shoulder to see how it’s done. How did I figure out who would be king of America today if George Washington had been king instead of president? How did I come to work with the FBI and NCIS on cold cases and with coroners’ offices to find relatives of unclaimed people? How did I unravel the mystery of a Hebrew-inscribed tombstone found on the streets of Manhattan? How did I successfully trace Michelle Obama’s roots when others had tried but gotten roadblocked early on? How did I research Hoda Kotb’s Egyptian heritage in no time flat for a Today show appearance? How did I use DNA to learn that the Haley family of Roots fame is Scottish?

This book includes more than twenty of my favorite investigatory romps, all of which extended my understanding of our history in some way. Following the path of a Bible that traded hands during the Civil War gave me a fresh perspective from both the Confederate and Union viewpoints. My first case with the FBI was an in-your-face education about the civil rights movement. And pursuing the real Annie Moore, first to arrive at Ellis Island (whose place had been usurped by an imposter), informed my understanding of the tenement life so many of our immigrant ancestors endured.

Given my proclivity for resurrecting the historically neglected, it’s no accident that many of the chapters in this book feature women and African Americans – both harder to research, but all the more rewarding because of it. So I’ll introduce you to everyone from Mabel Cavin Sills Leish Whitworth Davis, a partially paralyzed prostitute (yes, you read that right) who taught me about the realities of life in a Western mining community, to Philip Reed, the slave behind the installment of the Freedom statue on top of the Capitol dome.

Along the way, you’ll also find a healthy dose of my opinions, so consider yourself forewarned if you still believe your name was changed at Ellis Island!

It is my hope that by the end of this book, you will find yourself looking at some aspect of our history a little differently than you did at the outset – and better yet, feel compelled to reach into the past and contribute a few pixels yourself. It’s high time for all of us to let our roots show!

Who knew that a book on genealogy would read so much like a book of detective stories? I was amazed by how entertaining Megan Smolenyak made these stories, as well as the wide scope of them. She talks about identifying remains of missing soldiers in Vietnam, finding serial centenarians in a family, showing how all of us have some famous cousins, and tracing Barack O’Bama’s Irish roots, besides all the stories she hints at in the Introduction.

I took a long time to read this book, because it is like a book of short stories. But I was entertained and enchanted with each story, and indeed all the more curious about the past of my own family.

megansmolenyak.com
kensingtonbooks.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Nonfiction/hey_america.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Call the Midwife, by Jennifer Worth

call_the_midwife_largeCall the Midwife

A Memoir of Birth, Joy, and Hard Times

by Jennifer Worth
read by Nicola Barber

HighBridge Audio, 2012. Book originally published in 2002. 12 hours on 11 CDs.
Starred Review
2014 Sonderbooks Stand-out, #9 Nonfiction

I’ve been watching the BBC series Call the Midwife on DVDs from the library. When I watched the special features after the second season, they mentioned how the producer had loved the book when she read it, and decided then and there to make it into a series. That was enough recommendation for me!

Indeed, I found the book just as charming as the television series. Mind you, they romanticized some things in the series. I was a little disappointed not to hear about any romance with Jimmy. And if Chummy has a romance with the police officer she ran down on the bike, it hasn’t happened yet. But in some ways, it’s more interesting, because it’s all true.

Jennifer Worth was a midwife in the East End of London in the 1950s. It was the beginning of the National Health Service, and in the past, pregnant women were dealt with by amateurs and charlatans, with a lot of deaths. As it is there’s plenty of poverty and eye-opening situations, and they make riveting listening.

There’s the family with 24 children, whose mother does not speak English. There’s the young immigrant girl from Ireland who got tricked into prostitution. And especially lovely are the nuns whom Jennifer works with. (I liked being able to picture them from the TV series. The reader did a great job with their different voices.)

Mind you, this is not family listening. The part where she describes the past of the young prostitute is particularly graphic. However, it also includes more about the restoration of Jennifer’s faith than the series does. The author clearly had a deep love for the people of the East End and communicates that love to the listener. I was happy to see that my library owns two more volumes on audio CD.

highbridgeaudio.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Nonfiction/call_the_midwife.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Shadow Hero, by Gene Luen Yang and Sonny Liew

shadow_hero_largeThe Shadow Hero

story by Gene Luen Yang
art by Sonny Liew

First Second, New York, 2014. 158 pages.
Starred Review
2014 Sonderbooks Stand-out, #6 Teen Fiction

The story of why this graphic novel exists is so interesting, I’m going to copy text from the author’s note at the back of the book (minus examples from the actual Green Turtle comics):

[Chu] Hing was among the first Asian Americans working in the American comic book industry. This was decades before the Asian American movement, though, so he wouldn’t have self-identified as such. Most likely, he would have just called himself Chinese.

For Rural Home, Chu Hing created a World War II superhero called the Green Turtle. The Green Turtle wore a mask over his face and a cape over his shoulders. He defended China, America’s ally, against the invading Japanese army. He had no obvious superpowers, though he did seem to have a knack for avoiding bullets.

So those are the facts. Here are the rumors.

Supposedly, Hing wanted his character to be Chinese.

Supposedly, his publisher didn’t think a Chinese superhero would sell and told Hing to make his character white.

Supposedly, Hing rebelled right there on the page. Throughout the Green Turtle’s adventures, we almost never get to see his face. Most of the time, the hero has his back to us.

When he does turn around, his visage is almost always obscured by something – a combatant or a shadow or even his own arm….

The Green Turtle’s face isn’t all that Hing keeps from us. Over and over, the Green Turtle’s young Chinese sidekick, Burma Boy, asks him how he came to be the Green Turtle. Every time, an emergency interrupts before the Green Turtle can give his answer.

So Gene Luen Yang and Sonny Llew have stepped in and written an origin story that fits everything that appears in the short-running comic book series.

The Shadow Hero is our answer to Burma Boy’s question, our imagining of the Green Turtle’s origin story. We firmly establish him as an Asian American superhero, perhaps even the first Asian American superhero. Our Green Turtle is a shadow hero. Not only is his identity secret, so is his race….

But let me end on a fact: Studying Chu Hing’s comics, imagining what might have been going through his head, and then writing this book in response were a lot of fun – a crazy, Golden Age sort of fun. I hope reading it is, too.

And that brings me to the story found in these pages – the origin story of the Green Turtle. The story is indeed tremendous fun.

Hank is a Chinese boy living in San Incendio, America, with no ambitions other than to be a grocer like his father. However, his mother has ambitions for him.

After she is saved by a superhero from a carjacking by a bank robber, Hank’s mother decides that he needs to be a superhero.

Her methods are hilarious, including pushing him into a toxic spill and trying to get him bitten by a dog used for scientific research. Eventually, she settles for arranging for him to learn to fight.

But his first efforts toward fighting for justice end up getting his father shot. However, what Hank and his mother don’t know is that a spirit from ancient China was residing with Hank’s father. Now that he is dead, the spirit – shaped like a turtle – will stay with Hank – and grant one request.

This book has plenty of humor and plenty of adventure. It nicely captures the flavor of Golden Age comics. (I know a little bit about this because my son is a fan.) At the end of the book, the first Green Turtle comic is reproduced in its entirety. I like the way the source of all the details in the comic has been revealed (including our hero’s unnaturally pink skin).

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