Review of The Ionia Sanction, by Gary Corby

The Ionia Sanction

by Gary Corby

Minotaur Books, New York, 2011. 335 pages.
Starred Review

Here’s a second mystery set during the dawn of democracy in Athens. In this one, our hero Nicolaos is sent to Ephesus in Ionia to retrieve a letter stolen from a murdered man.

This book also begins with a dead body. The first line is still pretty striking:

“I ran my finger along one foot of the corpse, then the other, making the body swing with a lazy, uncaring rhythm.”

The proxenos for Ephesus in Athens (kind of the opposite of an ambassador; an Athenian with an interest in Ephesus who handles Ephesian business) has been murdered. A letter he received from Ephesus has been stolen. Nico has to go to Ephesus with a mission to find out what was in the letter. The murdered man’s son would like his father cleared of treason while Nico’s at it. And the woman he loves, Diotima, is now a priestess at the Artemsion in Ephesus.

This is no cozy armchair mystery. There are some gritty details and some sexual misadventures, but they do seem to reflect life in that time period. I had known, for example, that impalement was used to kill people, but I’d never before understood what a truly horrible form of death it was. The author explains in his note at the end that crucifixion was introduced later as a more humane alternative to impalement.

Nicolaos travels to Ephesus and Magnesia, where he meets the famed hero of Athens, Themistocles, who was later exiled as a traitor and now enjoys the favor of the Great King of Persia. There’s another death, and Nico has to figure out how they all tie together, as well as fulfill his commission from Pericles in Athens.

The mystery is the sort where you don’t necessarily have the clues to solve the case yourself, but you do enjoy the adventure of watching Nicolaos come to the solution, with lots of help from Diotima.

All in all, despite some moments that made me wince, this book gives a fun story, an adventure with lots of historical details and a strong dose of humor. Nicolaos is something of a bumbler. The more pleased he is with himself, the more confident he is, the more you can be sure he’s going to fail.

Since Nico’s visiting Persia, he naturally looks at their lives with the eyes of an Athenian. This makes an entertaining way of telling the reader the things that were normal in Athens. For example, one character convinces Nico that wearing trousers is a more comfortable way to ride a horse.

Reading the extended author’s note at the end of the book made me all the more impressed with it. Based on the historical record, everything in this book could actually have happened. As in the first book, The Pericles Commission, the list of characters at the front highlights people who are actual historical figures, about half of the list. My favorite, of course, is still Nicolaos’ annoying little brother, Socrates, though he only shows up at the start of this book.

If you read these books, you’ll never think of ancient history the same way again. The Athenian proxenos for Ephesus is murdered. Nicolaos goes to Ephesus to investigate. Highjinks ensue. Now I know what really happened.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Wonderstruck, by Brian Selznick

Wonderstruck

A Novel in Words and Pictures

by Brian Selznick

Scholastic Press, New York, 2011. 637 pages.
Starred Review
2012 Battle of the Kids’ Books Contender

Brian Selznick did something amazing with The Invention of Hugo Cabret, telling half the story with pictures. The pictures were so excellent, he won the Caldecott Medal for his work.

Now, with Wonderstruck, Brian Selznick has created another work that will fill readers with wonder. The form is very similar to Hugo Cabret, but the book has a logic and beauty of its own. In both books, the writing didn’t draw me in, didn’t make me feel for the characters as much as I wanted to. However, Wonderstruck pulled me in anyway with the characters. Where, to me personally, Hugo Cabret felt like a clever puzzle, Wonderstruck is a brilliant puzzle wrapped up in a heart-warming story and fascinating historical details.

In Hugo Cabret, the detailed pictures evoked the silent films the story was about. In Wonderstruck, we’ve got two separate stories going on. The written narrative is set in 1977, beginning in Gunflint Lake, Minnesota, and the story told through the pictures is set in 1927, beginning in Hoboken, New Jersey. The story in 1927 is about a deaf girl, so silent pictures, like the silent movies she loves, are appropriate for her story. The two stories converge in New York City at the end of the book.

The author’s Acknowledgements at the end reveal the vast amount of research he did and his incredible attention to historical detail. This book is an amazing work of art in the way he wove together words and pictures, but also two separate stories into one. He even makes the pacing the same as he tells the stories. When one child is running away, so does the other. When one child is discovering things, so does the other.

I do love having Brian Selznick’s books there to offer to children. They look like a big, daunting book — but with all the pictures, can be read quite quickly. So even reluctant readers can read an “Award Winner” and thoroughly enjoy it.

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Source: This review is based on an Advance Reader Copy I got at ALA Annual Conference.

Review of A Monster Calls, by Patrick Ness

A Monster Calls

by Patrick Ness
Inspired by an idea from Siobhan Dowd

Candlewick Press, 2011. 105 pages.
Starred Review
2012 Battle of the Kids’ Books Contender

This is a novel about a thirteen-year-old boy named Conor whose mother is dealing with cancer. His father recently left them, so they live alone. At least for as long as his grandma stays away. At school, Conor has to deal with bullying. He acts out at times, and everyone, teachers and kids, tiptoes around him because of what is happening with his mother.

“The monster showed up just after midnight. As they do.”

The monster comes over and over again. No one else can see the monster. But it leaves yew leaves in Conor’s room. It damages Conor’s house.

The monster tells him three tales. Three tales that Conor doesn’t like. Three tales that pack a punch. When those are done, what is the truth that Conor needs to tell, and will he have the strength to tell it?

The illustrations in this book are atmospheric and creepy, pulling the reader into the dark, sinister setting. Everything about this book works.

However, let me just say that if you’re a recently divorced mother living with your teenage son and you’re experiencing strange medical symptoms, this book is not a good choice. This fact makes me think the book might not be a great choice for someone whose mother actually has cancer. It’s great for building empathy in kids who are not going through something similar right now, but it might be too discouraging if the situation feels at all like it’s matching life. Let’s just say the outcome for the mother is not good.

For me, I had a stroke last July, and thought I’d come off very lucky, with no permanent disability and the stroke never touching my higher thinking. Then in October, I had a weird setback, feeling like I did right after the stroke again. After another setback, I saw the neurologist. He wasn’t very impressed by my low-grade dizziness and feeling “funny,” but then he did a neurological exam. When he saw I was seeing double if I looked up and to the right (my left eye not tracking with my right eye), he told me I’d probably had another stroke! This was December 23rd. He told me to get an MRI done the next week and see him the week after that. I tried to make an appointment to see him, and they gave me January 25th.

Now, I’d been laboring under the belief that the fact I was on Coumadin would keep me from having a second stroke. After this appointment, I had some days off because of Christmas. After Christmas, at work I noticed that now I was seeing double if I looked up and to the left. I called the neurologist’s office and they told me to go to the ER, but the ER didn’t find anything new wrong. I had more days off for New Year’s and felt awful but just wasn’t sure what the symptoms meant.

Then I read A Monster Calls for Heavy Medal blog’s shortlist. Can I just say this was really bad timing? When I originally had the stroke, I wasn’t very scared because I had no idea what was going on and I hadn’t read about all the bad things that can happen as the result of a stroke. It was a holiday weekend, I felt awful, and my neurologist’s office was closed. And I’m reading a book about the recently divorced mother of a teenage son dying. Is it so surprising that I freaked out? (Actually, after I thought about that connection, I decided to blame my freaking out directly on A Monster Calls, and then I felt much better.)

So, all this is to say: This book is outstanding. It’s atmospheric, powerful, well-written and hard-hitting. But be careful when you read it.

www.candlewick.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Heart and Soul, by Kadir Nelson

Heart and Soul

The Story of America and African Americans

by Kadir Nelson

Balzer & Bray, 2011. 108 pages.
2012 Coretta Scott King Author Award Winner
2012 Coretta Scott King Illustrator Honor Book
2012 Battle of the Kids’ Books Contender
Starred Review

Kadir Nelson’s paintings, as usual, are stunningly beautiful in this book. His use of light makes the people seem warm and alive.

In this book, he takes the voice of an old woman whose family has been in America from the start. She talks about the slaves who fought in the Revolutionary War. Then she talks about her grandfather, Pap, who was born in Africa, captured in 1850 when he was only six years old, and brought to America. She traces all the changes Pap saw — The Civil War, Reconstruction, moving West, the Great Migration, and through the Depression and the Second World War. She talks about the Civil Rights Movement as she saw it herself, and finishes up with an Epilogue that includes these paragraphs:

“Forty-five years after Dr. King spoke on the steps of the Lincoln Memorial, I marched my old legs to the polls along with millions of other Americans to vote in an historic election. It was the first time that an African American — Barack Obama — had won the Democratic nomination and appeared on the national ballot for president of the United States. As I cast my vote, I thought about my grandfather Pap, who didn’t live to see this moment, and my three children and two brothers, who did; I thought about my mother and father, and my aunts and uncles; I thought about Abe Lincoln, Frederick Douglass, and Harriet Tubman; I thought about presidents Kennedy and Johnson, Dr. King, Thurgood Marshall, the Freedom Riders, the marchers, and all the people who lived and died so that I might walk into this booth and cast my vote. I thought about them all and smiled; and as I walked away, I closed my eyes and said, ‘Thank you.’

“Our centuries-long struggle for freedom and equal rights had helped make the American promise of life, liberty, and the pursuit of happiness a reality for all Americans. We have come a mighty long way, honey, and we still have a good ways to go, but that promise and the right to fight for it is worth every ounce of its weight in gold. It is our nation’s heart and soul.”

The words alone of this book make a grand, sweeping story of African-American contributions to American life, but combined with the paintings, this book has majesty.

Kadir Nelson’s art continues to be breathtaking. He shows you the dignity and beauty of his subjects.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Grand Plan to Fix Everything, by Uma Krishnaswami

The Grand Plan to Fix Everything

by Uma Krishnaswami
illustrated by Abigail Halpin

Atheneum Books for Young Readers, New York, 2011. 266 pages.
Starred Review

This is a completely fun book about a girl whose parents pick up and move to India for two years, leaving their home in Maryland behind — and Dini’s best friend, Maddie.

Dini hopes maybe, just maybe, it can work out for the best if she can meet the Bollywood film star, Dolly Singh.

“Dini is a Dolly fan. She has been forever, from the time she discovered that Dolly’s first movie, in which she was just a kid, came out the day — the very day! — that Dini was born. You can’t be more closely connected than that.”

Now, I should say that I am horribly prejudiced against books written in present tense. I’m not sure why, but it really bugs me. However, I read this one anyway, since it’s a contestant in School Library Journal’s Battle of the Kids’ Books. And I have to admit that it grew on me so much that most of the time I didn’t even notice the tense. Also going for it were Abigail Halpin’s illustrations. She illustrated Penny Dreadful, by Laurel Snyder, and I love the feel her illustrations give a book — telling you correctly that this is a nice, light-hearted, solid story with lots of fun.

This book did have lots of coincidences, but it felt right. The whole book is a tribute to Bollywood films, and I have a feeling (I don’t actually know) that the coincidences may have made the book more like a Bollywood film, where everything works out happily in the end. There’s even a dance number!

This is a great solid and entertaining middle grade story. I enjoyed reading it, and hope I can find some library members to recommend it to, because I think there are lots of kids who would enjoy it.

KIDS.SimonandSchuster.com

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Source: This review is based on a book I got for free on the last day of ALA Midwinter Meeting.

Review of Dead End in Norvelt, by Jack Gantos

Dead End in Norvelt

by Jack Gantos

Farrar Straus Giroux, New York, 2011. 341 pages.
Starred Review
2012 Newbery Medal

It’s refreshing to read a book set in the Sixties that is not about the Cuban Missile Crisis or Vietnam! This book is about a kid’s strange and interesting summer. It’s surprising how much fun our hero Jack Gantos has, considering that he’s grounded the whole summer. Or at least, we readers have fun reading about it.

The most interesting things happen because Jack is asked to help his neighbor, the ancient Miss Volker. Miss Volker has terrible arthritis, so she needs Jack’s help to type up obituaries for the original residents of Norvelt, who seem to all be dying quickly this summer. Miss Volker tacks on a surprisingly interesting history to each obituary, and she knows relevant details about each resident.

On top of that, we’ve got Jack driving Miss Volker’s car around town. His Dad building an airplane and a runway. His Mom monitoring his behavior. His best friend, the daughter of the funeral parlor owner, teasing him about his fear of dead bodies. And then there’s Jack’s nose:

“How could I forget? I was a nosebleeder. The moment something startled me or whenever I got overexcited or spooked about any little thing blood would spray out of my nose holes like dragon flames.”

There’s a lot of death in Dead End in Norvelt, including a Hell’s Angel who gets hit by a truck in town. But Jack Gantos the author manages to keep things funny. He gives us a great yarn about a kid just trying to stay out of trouble, and managing to learn lots along the way.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Between Shades of Gray, by Ruta Sepetys

Between Shades of Gray

by Ruta Sepetys

Philomel Books, 2011. 344 pages.
Starred Review
2012 Morris Award Finalist

Here’s a work of fiction that constantly made me forget it wasn’t nonfiction.

The book opens dramatically:

“They took me in my nightgown.

“Thinking back, the signs were there — family photos burned in the fireplace, Mother sewing her best silver and jewelry into the lining of her coat late at night, and Papa not returning from work. My younger brother, Jonas, was asking questions. I asked questions, too, but perhaps I refused to acknowledge the signs. Only later did I realize that Mother and Father intended we escape. We did not escape.

“We were taken.”

It’s 1941 in Lithuania. Stalin has annexed their country, and now he rounds up Lithuanian teachers, librarians, and university professors like Lina’s Papa, and their families. They are shipped in cattle cars to labor camps in Siberia.

The author, Ruta Sepetys, was from the family of a Lithuanian refugee who did escape and made it to America. But she researched this book well (even arranging to be locked away in a former Soviet prison!), and her words ring with terrible truth.

This is by no means a pleasant story, and though I was hoping it would end with Lina’s freedom, I’m afraid it doesn’t. An epilogue tells us that surviving deportees spent ten to fifteen years in Siberia. She does, however, manage to work in a message of hope, of the resilience of the human spirit, and of good even in apparent enemies.

This is a powerful and moving story about an episode of history I knew nothing about. The book is not only beautifully crafted, but does the good work of telling the world a story we should never forget.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Bootleg, by Karen Blumenthal

Bootleg

Murder, Moonshine, and the Lawless Years of Prohibition

by Karen Blumenthal

Roaring Brook Press, New York, 2011. 154 pages.
Starred Review
2012 YALSA Excellence in Nonfiction Finalist

Before I read this book, I thought I knew about Prohibition. This book opened my eyes to how much I didn’t know. While keeping the story moving, the author shows us all the things that led up to Prohibition, how it worked out and didn’t work out, and what led to its repeal. She also talks about after effects.

I had no idea how, when our country was founded, rum was even used to pay wages. Even the Puritans were fond of it! (Who would have thought?) The Continental Army got a daily ration of hard liquor.

“In the years between 1800 and 1830, Americans drank more hard liquor than at any other time in their history, each imbibing on average roughly nine gallons a year, or about four gallons of pure alcohol, about twice the level of the previous generation. Beer and wine still had a place at the table, but less so than before.

“With more hard drink available, the number of taverns and tippling houses multiplied, as did seedier dramshops and gin houses. Not surprising given the amounts ingested, drunkenness also increased and with it, hardships for families affected by a father’s drinking.”

So in the 1830s, the temperance movement began to grow. She writes about Carrie Nation, who attacked saloons with an ax. There is a picture of a boy carrying a beer pail home and another of several young children sitting on barrels, drinking and smoking. I understand better now why the prohibitionists got so worked up.

Karen Blumenthal also explains the political situation that made those against Prohibition think the amendment would never get ratified — so they didn’t put nearly the energy into the campaign that the Prohibitionists did.

But then, after Prohibition passed, she outlines all the ways people got around the law, even as high up as the White House. She talks about law enforcement efforts and non-efforts, and tells the story of Al Capone.

Particularly interesting is her final chapter, “Success or Failure?” She shows us that this is a complex question.

“The men who helped launch the prohibition era and the one who filled it with machine-gun fire left a complex legacy. On the surface, an amendment that was passed and then repealed must have been a colossal failure, an embarrassing splotch in America’s history.

“But prohibition, short-lived though it was, was actually successful in some significant ways. The number of arrests for drunkenness and alcohol-related diseases, like cirrhosis of the liver, fell dramatically. The total consumption of alcohol slid to the lowest level in the nation’s history, especially during World War I and the first few years under the Eighteenth Amendment. Although drinking crept back up in the later 1920s and early 1930s, the amount of alcohol consumed per person each year actually remained fairly low for decades, and didn’t return to pre-prohibition levels until the 1970s, more than fifty years after prohibition took effect.

“In the course of nearly fourteen years of actual prohibition, aided by technology and other developments, Americans became more educated, more urban, and enjoyed far more entertainment. Radios and radio programs became widely available, and almost half the nation became avid listeners. Movie theater attendance doubled after films began to talk in 1926. With one car for every five people, more families headed for national forests and parks. The number of golf courses increased sevenfold. Saloons, the dirty and dangerous blight on the urban landscape, all but disappeared. Even young people had better things to do than hang out in a bar. . . .

“Where prohibition failed most, perhaps, was on a more personal level. Alcoholism and alcohol abuse remain significant social problems, affecting more than 17 million American adults and their families. Today’s problem of persistent homelessness, often linked to substance abuse and mental illnesses, has the same roots as the problem of drunkenness in the nineteenth century. Parents still worry about protecting their children, especially when government statistics show that an estimated 5,000 young people under the age of twenty-one die each year from alcohol-related car crashes or injuries.”

Her final summing up says it well:

“Today, each of us is accountable for our own behavior, and adult drinking is a matter of choice and personal responsibility. The days of outright prohibition are gone and likely will never return. But the powerful experience of prohibition continues to color our laws, our debates, and our personal lives. And the problems that brought us the Eighteenth Amendment — the pain that substance abuse inflicts on families, the devastation of alcoholism, and the impact of drinking on young people — remain a challenge to current and future generations.”

So in this book you’ve got an even-handed look at Prohibition that also manages to be gripping and fascinating. It’s written for children and young adults, but I think most adults will also find themselves learning a lot from this book.

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Source: This review is based on a book I received at the YALSA Excellence in Nonfiction Awards Reception and had signed by the author.

Review of Okay for Now Audiobook

Okay for Now

by Gary D. Schmidt
read by Lincoln Hoppe

Random House, Listening Library, 2011. 9 hours 30 minutes on 8 compact discs.
Starred Review
2012 Odyssey Honor Winner
2011 Sonderbooks Stand-out: #3 Audio Rereads

From the time I read Okay for Now early in 2011, I was hoping it would win the 2012 Newbery Medal. However, I was in several discussions about the book, and found that many others didn’t like the ending and thought too much was thrown into the book at the end and felt it lost believability. Personally, I thought the book completely overcame any flaws, but I feared it wasn’t such a shoo-in for the award as I had hoped.

One of the discussions was at the Morris Seminar, which is a training for award committees. I decided to reread the book in audio form.

Listening to this production of Okay for Now made me fall in love with the book all over again. A key characteristic of the book is the voice of the narrator, Doug Swietek, and reader Lincoln Hoppe gets his voice just right. One of the things I like about the book are the repeated words that are used throughout the book, and Mr. Hoppe read them in a way that you notice the subtle differences in the ways the words are used. For example, when Doug says “Terrific” at the start, it’s always sarcastic. But he uses the word at the end to mean genuinely terrific. There are several other repetitions like that, and Lincoln Hoppe nails them all.

Another thing listening to the audio version pointed out to me was the structure of the book. There are eight CDs, and the fourth CD is full of dramatic turning points. I didn’t notice when I was barreling through reading it to myself, but right in the middle the plot makes some important turns.

So I was indeed disappointed that Okay for Now didn’t get any Newbery Honor, but I was delighted when the audio production won an Odyssey Honor. (The Odyssey awards are for children’s and young adult audiobooks.) The Odyssey Awards do not have to worry about believability of plot. They simply focus on the quality of the production. This one is excellent.

I’ve already talked two of my co-workers into listening to this audiobook. The one catch is that you won’t see the reproductions of the Audubon prints Doug works on. But you will pay much more attention to the descriptions of the birds.

Happy Listening.

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Lost & Found, by Shaun Tan

Lost & Found

by Shaun Tan

Arthur A. Levine Books, 2011.
Starred Review
2011 Sonderbooks Stand-outs: #5 Other Teen Fiction

Lost & Found is a collection of three short books originally published in Australia. I find myself wishing they were still separate, because each story is powerful by itself. But I am glad I got to read all three.

Like The Arrival, and Tales from Outer Suburbia, these stories all have a surreal element. The artwork is amazingly detailed, and includes many alien-looking creatures.

The first story, “The Red Tree,” published alone would make an encouraging Oh, the Places You’ll Go!-type gift book, though not as cheery. A girl is having a dark and dreary day, which is vividly expressed with surreal images. But the story ends with a red tree growing in her bedroom, a smile of hope, and these words:

“but suddenly there it is right in front of you bright and vivid quietly waiting just as you imagined it would be.”

I think I can get away with telling the words at the end of the story, because the power to this story lies in the images. You definitely still need to read it yourself to understand the way that final image turns the dreariness around and gives life and hope.

The second story is “The Lost Thing.” A kid finds a strange and large lost creature, not like anything you’ve ever seen before, and needs to find it a home. This requires quite a journey, and there’s some philosophizing about things that don’t quite fit in. Once again, the power is in the pictures and Shaun Tan’s incredible imagination.

The final story, “The Rabbits,” is a sad one, with words by John Marsden and drawings by Shaun Tan. It’s a simple story of the devastation to the native plants and animals when colonists brought rabbits. The rabbits are drawn wearing clothes and acting like the human invaders did. The devastation they brought is bleak and clear, but the ending is open-ended. Perhaps the creatures can be saved.

Shaun Tan’s work, as always, is breathtaking. With this one, you definitely should see for yourself.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.