Review of Roller Girl, by Victoria Jamieson

roller_girl_largeRoller Girl

by Victoria Jamieson

Dial Books for Young Readers, 2015. 240 pages.
Starred Review
2016 Newbery Honor
2015 Cybils Award Winner, Elementary/Middle Grade Graphic Novels

I don’t get around to reading a lot of graphic novels, so I only got to this one after it got Newbery and Cybils attention, and I’m so glad I did.

This graphic novel reminds me of the wildly popular Smile by Raina Telgemeier — It’s got a similar artistic style and is also about a girl in middle school navigating friendships.

Roller Girl, unlike Smile, is fiction, but it’s got the feel of memoir, with a picture of the author on the back flap in her roller derby gear. It certainly could happen.

Besides being in so-accessible graphic novel form, Roller Girl tells how Astrid gets involved in roller derby, a sport I certainly didn’t know anything about.

Astrid’s best friend Nicole, though, isn’t interested. She wants to go to dance camp this summer, when Astrid signs up for roller camp. And Nicole has a new friend, who is as excited about ballet as she is, but who has no use for Astrid.

At roller camp, Astrid is a total beginner and feels like the only one who doesn’t know this stuff. She works hard, but keeps falling. And working hard at roller derby is painful!

Then Astrid feels like she blows it even with the new friend she’s made at roller camp. Is she just no good at being a friend?

This graphic novel is delightful. Astrid’s spirit — lots of falling, and yes, some grumbling, but she gets right back up — will win the reader over quickly. Mind you, she doesn’t make me want to be a roller girl, but she has me totally on her side, cheering for her.

Roller derby — and putting on a “warface” — is also an interesting way to work out anger with a friend. I’m not sure if it’s a healthy way, but it’s definitely entertaining! Though, mind you, Astrid does a good job in the book of facing interpersonal problems (with some stumbles along the way).

I have a feeling once a few kids find this book, word is going to spread like wildfire.

victoriajamieson.com
penguin.com/youngreaders

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Sonderling Sunday – Valentine’s Day at Hogwarts

It’s time for Sonderling Sunday! That time of the week when I play with language by looking at the German translation of children’s books. Today is also Valentine’s Day, so I’m going to look at Gilderoy Lockhart’s celebration of Valentine’s Day in Harry Potter and the Chamber of Secrets, otherwise known as Harry Potter und die Kammer des Schreckens.

Chamber_of_Secrets

The Valentine’s Day section is in Chapter 13, “The Very Secret Diary,” (Der sehr geheime Taschenkalender) and begins on page 235 in the English edition, Seite 245 in the German edition.

Here’s Gilderoy Lockhart getting his idea…

“You know, what the school needs now is a morale-booster.”
= Wissen Sie, was die Schule jetzt braucht, ist einen Stimmungsheber.
(“humor-lifter”)

“I know just the thing” = ich weiß genau das Richtige

“large, lurid pink flowers” = großen, blassrosa Blumen
(Hmmm. Google says that means “pale pink,” which doesn’t sound very lurid to me.)

“heart-shaped confetti” = herzförmiges Konfetti

“overcome with giggles” = in recht kichriger Stimmung

“was waving for silence” = gebot armfuchtelnd Schweigend

“stony-faced” = versteinerten Gesichtern

“Happy Valentine’s Day!” = Einen glücklichen Valentinstag!

“surly-looking dwarves” = griesgrämig dreinschauender Zwerge

“cupids” = Liebesboten

“And the fun doesn’t stop here!”
= Und damit ist der Spaß noch nicht zu Ende!

“Love Potion” = Liebestrank

“the sly old dog!” = der durchtriebene alte Hund!

“Charms [class]” = Zauberkunststunde

“Oy, you!” = Ei, du!

“a particularly grim-looking dwarf” = ein besonders grimmig aussehender Zwerg

“elbowing people out of the way to get to Harry”
= räumte sich mit dem Ellbogen den Weg zu Harry frei

“Hot all over” = die Vorstellung ein Gräuel
(“the idea an abomination”)

“in front of a line of first years”
= vor den Augen einer Schar von Erstklässlern

“valentine” = Valentinsgruß

“kicking people’s shins” = schlug sich schienbeintretend

“twanging his harp in a threatening sort of way”
= zupfte Unheil verkündend an seiner Harfe herum

This has more oomph to it than the English:
“Stay still!” = Stillgestanden!

“his bag split in two” = ging seine Tasche entzwei

“wand” = Zauberstab (“magic-rod”)

“quill” = Federkiel

“causing something of a holdup in the corridor”
= Im Korridor entstand ein kleiner Menschenauflauf
(“in the corridor stood a small people-casserole.”)

“drawling” = schleppende

“losing his head” = verlor der Kopf

“singing Valentine” = Valentinslied

I have to do the song completely:
“His eyes are as green as a fresh pickled toad,”
= Siene Augen, so grün wie Frisch gepökelte Kröte

“His hair is as dark as a blackboard.”
= Sein Haar, so Schwarz wie Ebenholz

“I wish he was mine, he’s really divine,”
= Ich wünscht’, er war mein, den göttlich muss sein

“The hero who conquered the Dark Lord.
= Der die Macht des Dunklen Lords schmolz.

Well, I didn’t actually finish before Valentine’s Day was done, but I’ll still wish you a belated glücklichen Valentinstag!

Review of Rising Strong, by Brené Brown

rising_strong_largeRising Strong

The Reckoning. The Rumble. The Revolution

by Brené Brown

Spiegel & Grau, New York, 2015. 301 pages.
Starred Review

I have perfectionistic tendencies, so the first book of Brené Brown’s that I read, The Gifts of Imperfection, hit the spot for me. It was a 2011 Sonderbooks Stand-out. Then came Daring Greatly, a 2014 Sonderbooks Stand-out. Daring Greatly talks about vulnerability and wholeheartedness.

Now she’s written Rising Strong, about getting up when you fall down — which is going to happen if you are Daring Greatly.

In the Introduction, she says:

While vulnerability is the birthplace of many of the fulfilling experiences we long for — love, belonging, joy, creativity, and trust, to name a few — the process of regaining our emotional footing in the midst of struggle is where our courage is tested and our values are forged. Rising strong after a fall is how we cultivate wholeheartedness in our lives; it’s the process that teaches us the most about who we are.

She says that if we’re carrying out the call of her other books, we’re going to need this one.

If we’re going to put ourselves out there and love with our whole hearts, we’re going to experience heartbreak. If we’re going to try new, innovative things, we’re going to fail. If we’re going to risk caring and engaging, we’re going to experience disappointment. It doesn’t matter if our hurt is caused by a painful breakup or we’re struggling with something smaller, like an offhand comment by a colleague or an argument with an in-law. If we can learn how to feel our way through these experiences and own our stories of struggle, we can write our own brave endings. When we own our stories, we avoid being trapped as characters in stories someone else is telling.

Basically, this book gives us a procedure for getting back on our feet when we fall on our face in the arena. That’s where the subtitle comes in.

Here’s a summary of the Rising Strong process:

The goal of the process is to rise from our falls, overcome our mistakes, and face hurt in a way that brings more wisdom and wholeheartedness into our lives.

The Reckoning: Walking into Our Story
Recognize emotion, and get curious about our feelings and how they connect with the way we think and behave.

The Rumble: Owning Our Story
Get honest about the stories we’re making up about our struggle, then challenge these confabulations and assumptions to determine what’s truth, what’s self-protection, and what needs to change if we want to live more wholehearted lives.

The Revolution
Write a new ending to our story based on the key learnings from our rumble and use this new, braver story to change how we engage with the world and to ultimately transform the way we live, love, parent, and lead.

The book fleshes out these ideas with lots of examples, explaining what this looks like.

It was interesting to me that while I was in the middle of reading this book, something came up that reminded me of a hurt at the end of my marriage. It popped up seemingly out of nowhere. But armed by this book, I looked at the stories I was telling myself about that incident, and was able to examine what was true and what wasn’t true. I was able to do some forgiveness work and tell myself a better story.

The whole idea of saying, “The story I’m telling myself is…” can be eye-opening, and gives us more power over our feelings and the ability to revolutionize our lives and relationships.

You can tell I love Brené Brown’s writings, because once again, lots of quotes from this book show up in Sonderquotes. I bought myself a copy so I can look through it again.

I highly recommend all of her books. If you ever face difficulty? Grab this one. It will help you rise strongly, ready to dare greatly again.

BreneBrown.com
randomhousebooks.com
spiegelandgrau.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on my own copy, purchased via Amazon.com.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Review of Ancillary Justice, by Ann Leckie

ancillary_justice_largeAncillary Justice

by Ann Leckie

Orbit Books, New York, 2013. 422 pages.
Starred Review
2014 Nebula Award Winner
2014 Arthur C. Clarke Award Winner
2014 British Science Fiction Association Award Winner
2014 Hugo Award Shortlist

My son gave me Ancillary Justice for Christmas because it was the best book he read in 2015. I read it on my trip to ALA Annual Conference in Boston, and it was amazing.

The book begins like a classic mystery:

The body lay naked and facedown, a deathly gray, spatters of blood staining the snow around it. It was minus fifteen degrees Celsius and a storm had passed just hours before. The snow stretched smooth in the wan sunrise, only a few tracks leading into a nearby ice-block building. A tavern. Or what passed for a tavern in this town.

There was something itchingly familiar about that out-thrown arm, the line from shoulder down to hip. But it was hardly possible I knew this person. I didn’t know anyone here. This was the icy back end of a cold and isolated planet, as far from Radchaai ideas of civilization as it was possible to be. I was only here, on this planet, in this town, because I had urgent business of my own. Bodies in the street were none of my concern.

Sometimes I don’t know why I do the things I do. Even after all this time it’s still a new thing for me not to know, not to have orders to follow from one moment to the next. So I can’t explain to you why I stopped and with one foot lifted the naked shoulder so I could see the person’s face.

Frozen, bruised, and bloody as she was, I knew her. Her name was Seivarden Vendaai, and a long time ago she had been one of my officers, a young lieutenant, eventually promoted to her own command, another ship. I had thought her a thousand years dead, but she was, undeniably, here. I crouched down and felt for a pulse, for the faintest stir of breath.

Still alive.

Seivarden Vendaai was no concern of mine anymore, wasn’t my responsibility. And she had never been one of my favorite officers. I had obeyed her orders, of course, and she had never abused any ancillaries, never harmed any of my segments (as the occasional officer did). I had no reason to think badly of her. On the contrary, her manners were those of an educated, well-bred person of good family. Not toward me, of course — I wasn’t a person, I was a piece of equipment, a part of the ship. But I had never particularly cared for her.

Reading the beginning over, it’s clear I need to read the whole book over, the better to appreciate certain details which were there all along. The world-building in this book is incredible, though now that I understand all of it, I think I’d appreciate the book even more.

The person talking was once a ship, or at least the AI controlling a ship. She had many bodies, ancillaries, taken from captured peoples and connected up to the AI. In her memories, she saw events from many different perspectives.

But something terrible happened, the ship was destroyed, and Breq’s current body is the only body left. She is now on a mission for vengeance — vengeance against one who also has multiple bodies.

We find out all this along the way. Meanwhile, Breq cares for and rehabilitates Seivarden, who was her officer more than a thousand years ago, and has some catching up to do.

This book is mind-blowing with the situations and ways of looking at the world.

Another thing I liked was the things the author does with gender. On this icy planet where the book opens, Breq is trying to figure out how to address someone.

She was probably male, to judge from the angular mazelike patterns quilting her shirt. I wasn’t entirely certain. It wouldn’t have mattered, if I had been in Radch space. Radchaai don’t care much about gender, and the language they speak — my own first language — doesn’t mark gender in any way. This language we were speaking now did, and I could make trouble for myself if I used the wrong forms. It didn’t help that cues meant to distinguish gender changed from place to place, sometimes radically, and rarely made much sense to me.

With the Radch language not marking gender, the author, seeing through Breq’s eyes, uses “she” as the default. For everyone. This is a refreshing change. I thought it was interesting that I didn’t necessarily adjust well to this, thinking of everyone as female. When I later found myself wondering which sex organs different people had — when it didn’t matter in the slightest — it dawned on me how much I see the world through gender lenses. It was interesting to look at the world a different way through the eyes of someone who was once a ship.

And besides doing amazing things with perception, this book tells a compelling story. We’ve got the whole history of how most of Breq was destroyed and what she is trying to do now. And how almost-dead Seivarden fits into that.

This is a fascinating and absorbing book. If you like science fiction at all, and if you like having your perceptions and assumptions stretched, give this one a try.

annleckie.com
www.orbitbooks.net

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on my own copy, given to me by my son.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Sonderling Sunday – into the Dome of Doom

It’s time for Sonderling Sunday! That time of the week when I play with language by looking at the German translation of children’s books.

This week it’s back to the book that started it all, Der Orden der Seltsamen Sonderlinge, otherwise known as The Order of Odd-fish, by James Kennedy.

Sonderlinge 1

Last time we left off on page 254 in the English edition, Seite 321 auf Deutsch. So you see, we are now significantly past the halfway point.

As usual, I’m hoping that seeing James Kennedy’s unusual turns of phrase in bits and pieces will entice you into reading the book — tantalizing rather than spoiling, even though we’re pretty far along into the story.

(Ian is playing pool:)
“Ian returned to his shot.”
= Ian knozentrierte sich wieder auf seinen Stoß.
(“Ian concentrated himself again on his impact.”)

Here’s a useful word to know!
“prig” = Moralapostel (“moral-apostle”)

“his arms crossed” = und verschränkte die Arme
(“and folded his arms”)
I have to wonder if verschränkte meaning “folded” has anything to do with the fact that a Schrank is a large cupboard for clothes. So if you’re folding something you’re For-Schranking it. (Even if that’s not where it came from, it’s a good way to remember it.)

“dreadful electricity” = schrecklichen Spannung
(Google Translate: “terrible tension”)

“bashful” = verschüchtert

“judgmental” = abfällig

“invincible” = unbesiegbar

“you get in some mess” = steckst bis zum Hals in der Klemme
(“stick up to the neck in the terminal”)

“and I have to clean it up for you”
= und ich soll die Sache für dich ausbügeln
(“and I should the matter for you iron out”)

“Shut up!” = Haltet die Klappe!

Interesting translation variant:
“I’m sick of your arguing, both of you!”
= Eure Streitereien gehen mir auf die Nerven. Ihr beide geht mir auf die Nerven!
(“Your quarrels go on my nerves. You both go on my nerves!”)

“warehouses” = Lagerhäusern

More picturesque language is interesting in translation:
“The rain bucketed down, churning the puddles into mist”
= Es regnete wie aus Eimern, so stark, dass die Pfützen schäumen
(“It rained like out of buckets, so strong, that the puddles foamed”)

“splashed down the unlit streets” = durch die unbeleuchteten Straßen wateten
(“through the unlit streets waded”)

“heaps of scrap metal” = Schrotthaufen (“scrap heap”)

“unmarked door” = unauffälligen Tür

“squished noisily” = quietschten laut

“assembly line” = Fließband (“flow-band”)

“put on a brave face” = tapfer zu wirken (“bravely to act”)

Sadly, not as much of a ring to it in German:
“the Dome of Doom” = der Dom des Todes

We’ll leave Ian and Jo in the Dome of Doom for this week.

Bis später!

Jade’s Finished Outliers Scarf!

Today I finished the Normal Distribution Scarf I made for my transgender daughter Jade!

OutliersScarf

This scarf shows that it is the outliers that make life beautiful.

A lot of things in life have a normal distribution — height, intelligence, and many other things. Most people are somewhere near the middle of the bell-shaped curve.

All her life, Jade has had qualities that are outliers. And I do believe that has much to do with why she is such a beautiful person. She definitely adds spice to life!

Here’s how I made the scarf:

I chose four colors of yarn. Then I generated random numbers from a normal distribution. I used the website random.org/gaussian-distributions/.

OutliersYarn

The numbers told me what colors to use for each row.

OutliersScarfLengthIf the number was negative, I knitted. If it was positive, I purled. (This will be about even for each.)

For numbers from -0.5 to 0.5, I used brown, Color A.

For numbers from -1.0 to -0.5 and 0.5 to 1.0, I used a brownish burgundy, Color B.

For numbers from -1.5 to -1.0 and 1.0 to 1.5, I used bright red, Color C.

For numbers less than -1.5 and bigger than 1.5, I used a rainbow yarn, Color D.

The rainbow yarn changed only gradually. It started out orange and gradually changed to yellow, then green, then pink. But this yarn for the outliers definitely is the most noticeable yarn throughout.

The only thing I didn’t like about this scarf is that there were far too many ends to sew in, and I didn’t feel like I did a great job of covering that up with a crocheted edging. If I make a normal distribution scarf again, I will probably knit it lengthwise, even though that won’t use as many numbers.

I was also thinking I’d like to use an additional color for 1.5 to 2.0. Then the outliers yarn would be more rare. I also might try using an amount of 0.75 for each section instead of 0.5, so that the sections would be 0 to 0.75, 0.75 to 1.5, and 1.5 to 2.25.

I’m going to test these two ideas on a coloring sheet before I try knitting another scarf.

You can find various more mathematical knitted objects and coloring sheets at sonderbooks.com/sonderknitting.

Review of The Inventor’s Secret, by Suzanne Slade

inventors_secret_largeThe Inventor’s Secret

What Thomas Edison Told Henry Ford

by Suzanne Slade
illustrated by Jennifer Black Reinhardt

Charlesbridge, 2015. 48 pages.

This is an introductory picture book about the work of two great inventors, Thomas Edison and Henry Ford. The overarching message of the book applies to any aspiring inventor: It’s what Thomas Edison told Henry Ford the night they first met: “Keep at it!”

The Author states in a note at the end (along with plenty of interesting backmatter):

For nonfiction authors a new story often begins with a fascinating, little-known fact that sparks a magical “goose-bump” moment. When I learned Thomas Edison, one of the greatest inventors of all time, pounded his fist on the table and shouted, “Keep at it!” to Henry Ford, that was one of those moments for me.

She weaves their stories together, with this meeting the central event. She used patent records to establish a timeline, and we get a taste, especially for Henry Ford, how much of his success was based on multiple attempts.

This is an entertaining story with cheery (but informative) and cartoon-like illustrations. But it also presents an encouraging message for future inventions. Follow your dreams. And don’t worry if your first several efforts don’t achieve success.

Keep at it!

suzanneslade.com
jbreinhardt.com
charlesbridge.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Review of Pax, by Sara Pennypacker

pax_largePax

by Sara Pennypacker
illustrated by Jon Klassen

Balzer + Bray, 2016. 280 pages.
Starred Review

At ALA Midwinter Meeting, this Advance Reader’s Edition came in a special gift box, which opens up to a diorama.

When you open the first lid of the box, you see a blurb from librarian and blogger Betsy Bird, and next, one from librarian John Schumacher, and only after that from Newbery author Katherine Applegate. It made me happy to see bloggers featured so prominently (and there are more people I know blurbing the book on the back cover).

Then I read the book itself — and what they say is true. I was pulled in to this book, and finished it by the next day. Even though I have this ARC, I’ve already pre-ordered my own published copy — this edition didn’t have very much of the art by Jon Klassen, which I know will be wonderful, and whose stark artwork is exactly suited to this material.

The book alternates viewpoints between Pax, a fox, and Peter, his boy.

Peter has been raising Pax since he found the orphaned fox kit, not long after Peter’s mother had died. But now, five years later, Peter’s father has enlisted to fight in the war, and he says it’s time for Peter to return Pax to the wild. And Peter is going to have to live with his grandfather three hundred miles away.

The book opens as Peter leaves Pax in the woods. Pax doesn’t understand.

The boy’s anxiety surprised the fox. The few times they had traveled in the car before, the boy had been calm or even excited. The fox nudged his muzzle into the glove’s webbing, although he hated the leather smell. His boy always laughed when he did this. He would close the glove around his pet’s head, play-wrestling, and in this way the fox would distract him.

But today the boy lifted his pet and buried his face in the fox’s white ruff, pressing hard.

It was then that the fox realized his boy was crying. He twisted around to study his face to be sure. Yes, crying — although without a sound, something the fox had never known him to do. The boy hadn’t shed tears for a very long time, but the fox remembered: always before he had cried out, as if to demand that attention be paid to the curious occurrence of salty water streaming from his eyes.

The fox licked at the tears and then grew more confused. There was no scent of blood. He squirmed out of the boy’s arms to inspect his human more carefully, alarmed that he could have failed to notice an injury, although his sense of smell was never wrong. No, no blood; not even the under-skin pooling of a bruise or the marrow leak of a cracked bone, which had happened once.

It doesn’t take Peter long at his grandfather’s house for him to know that he is in the wrong place. He needs to go back and find Pax and take him home. He knows that Pax will wait for him.

But it’s not simple for a boy to travel three hundred miles. The book follows Peter and Pax in alternating chapters as they try to find one another.

The war is coming to the place where Pax was left. The house where they lived is in an evacuation zone. The soldiers are wiring traps at the river, without regard for animals. So besides Pax having to learn to live in the wild, he is affected by what the humans are doing. The other foxes don’t trust him because he smells like humans.

Peter also meets someone on his journey who’s been deeply affected by war. Circumstances force him to slow down and learn some lessons while he’s waiting to travel on, even though he so urgently wants to get to Pax.

This story is an intricate, well-orchestrated look inside the characters, both human and animal. The title is appropriate, because it’s also a look at war and peace.

After I finished the book and was mulling it over (This is a book that you will mull over.), I wondered where it was set. Certain clues — Peter’s love for baseball and the woman he meets having Creole heritage — would indicate this is the United States. But the animals knew about war and had seen war in their lifetimes.

An old fox (who has seen war) explains:

There is a disease that strikes foxes sometimes. It causes them to abandon their ways, to attack strangers. War is a human sickness like this.

Anyway, I was wondering how this could be America, since this doesn’t happen here. Then I noticed the sentence on a page at the very front of the book:

Just because it isn’t happening here
doesn’t mean it isn’t happening.

I’m looking forward to reading this again with Jon Klassen’s illustrations. Publication date is today! Yes, this, the first new book I read in 2016 is already what I hope wins the Newbery in 2017. We’ll see….

sarapennypacker.com
burstofbeaden.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/pax.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Reader’s Copy I got at ALA Midwinter Meeting.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Review of Mango, Abuela, and Me, by Meg Medina and Angela Dominguez

mango_abuela_and_me_largeMango, Abuela, and Me

by Meg Medina
illustrated by Angela Dominguez

Candlewick Press, 2015. 32 pages.
Starred Review
2015 Cybils Fiction Picture Books Finalist
2016 Pura Belpré Author Honor Book
2016 Pura Belpre Illustrator Honor Book

Mia’s grandmother, her Abuela, has come to live with her family. But Abuela doesn’t speak English and Mia doesn’t speak Spanish. But little by little, they learn to communicate, and some of the help comes from a parrot named Mango, who learns both languages as well.

This is simply a lovely cross-cultural story. It does address that it’s difficult to learn a new language, and takes lots of practice, but all the motivation in this story is love.

The first night, before Abuela goes to sleep, she shows Mia a red feather from a parrot that nested in her mango trees back in her old home. This is the episode that gives Mia the idea to purchase the parrot in the pet store for Abuela and name him Mango.

Spanish words are peppered throughout the story. It’s just a nice twist on the stranger-in-a-new-country story. This time it’s not the girl herself, but her Abuela who clearly loves her and learns to tell her stories about her Abuelo, and also learns to hear all the stories Mia has to tell.

megmedina.com
angeladominguezstudio.com
candlewick.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Picture_Books/mango_abuela_and_me.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Coloring to Learn Math Concepts!

Coloring1

I’m super excited about something I’ve been working on lately — posting Mathematical Coloring Sheets on my Sonderknitting webpage.

Why Sonderknitting? Because the ideas in the coloring pages come from my mathematical knitting projects, which all began with my Prime Factorization Sweater.

PF Sweater

I wore the sweater to the library today, for our Family Math Games event. (We have lots of board games and card games that build math skills and ask only that parents play with their kids.) I also printed out some copies of the Prime Factorization Coloring Sheet — the one that matches my sweater — and brought some crayons.

A girl named Ana who is a regular at our Crazy 8s Math Club was there. She got tired of playing games with her little brother, and her Mom showed Ana the coloring sheet, and Ana became the first actual child to color one!

Ana1

I explained the idea to Ana, using my sweater as a visual aid.

There are different ways you can approach it, but what I suggested was to choose a color for 2, then color a section of every second number. Then choose a color for 3 and color a section of every third number. Then I had to explain you use the color for 2 again to color a second section in the square for 4, then give every 4th number a second section of the color for 2. Then you choose a new color for 5, and she quickly caught on that all the multiples of 5 were in columns….

Ana2

I can’t tell you how happy it made me to hear what she’d say as she was understanding how to do it (“Oh, I see!”) and seeing the patterns come out.

I think Ana’s in 2nd grade (Crazy 8s is for Kindergarten to 2nd grade.), so she can’t have studied much multiplication in school yet. So it made me all the happier to see the wheels turning and the connections forming.

But my favorite thing she said? “I like this! This is fun!”

Ana3