Review of Banned Book Club, by Kim Hyun Sook and Ryan Estrada, art by Ko Hyung-Ju

Banned Book Club

written by Kim Hyun Sook and Ryan Estrada
art by Ko Hyung-Ju

Iron Circus Comics, 2020. 198 pages.
Review written September 22, 2020, from a library book

I didn’t realize until I’d finished the book that this is a graphic memoir, not a graphic novel. Even thinking it was a novel, I realized I had no idea that free speech had been suppressed in South Korea in 1983. This book points out that I need to separate out nonfiction for teens from my children’s nonfiction page – this has gritty and difficult material, more suitable for teens and adults than children. [Note: I’m posting this much later, and did, in fact, make a page for Teen Nonfiction.]

The setting is South Korea, 1983. Yes, that’s South Korea, not North Korea. I had to go back and check. Hyun Sook was a teen wanting to start college. Her mother didn’t want her to go because there had been student protests, which were being stopped by the government. Her father was supportive, so she does head off to school, trying to separate herself from the protesters.

Sure enough, when Hyun Sook gets to college, she tries to stay out of trouble. She even joins a Masked Folk Dance Team to do something that’s not political. But she learns that they do folk dances with stories that have political ramifications and are a cover for protests. Then the friends she makes on the team pull her into a Banned Book Club with a contact at a bookstore who gets them banned books.

I was amazed at the range of books that they were not permitted to read. Both western literature and Communist literature from North Korea were on the list. There is a spy in the group, and some of her friends get arrested and beaten and she herself gets interrogated by police and I won’t say more about the plot to not give spoilers. I will say that I was shocked by basic freedoms that were violently repressed.

The book ends with a reunion of the Banned Book Club in 2016. We learn about the history of fascism in South Korea when one of her friends outlines the protests he’s been part of since 1983. In 2016, they were protesting for the removal of a president who was the daughter of the dictator they protested against in 1983.

A note on the final page tells us what happened after the close of this book:

In March 2017, President Park Geun-Hye was impeached, removed from office, and imprisoned for corruption. The final vote was struck by her own judges, many of whom she had personally placed in office. A special election was held, and the new president was Moon Jae-in.

This book is frightfully timely and tells a true story of fascism that is not from 1930s Germany. It makes the reader value their freedom to read and freedom to speak up. May we never let those go. Please don’t tolerate book banning, whatever the excuse.

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Source: This review is based on a book from Fairfax County Public Library.

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Review of Make Way, written by Angela Burke Kunkel, illustrated by Claire Keane

Make Way

The Story of Robert McCloskey, Nancy Schön, and Some Very Famous Ducklings

written by Angela Burke Kunkel
illustrated by Claire Keane

Random House Studio, 2023. 44 pages.
Review written June 13, 2023, from a library book.
Starred Review

This is a story of the duckling statues in Boston Public Garden. But deeper than that, it’s the story of two artists — Bob McCloskey, who created the classic book Make Way for Ducklings, and Nancy Schön, who made sculptures of Mrs. Mallard and her eight ducklings Jack, Kack, Lack, Mack, Nack, Ouack, Pack, and Quack, for the Boston Public Garden.

I love those sculptures and visit them every time I go to Boston. In the front of my family’s copy of Make Way for Ducklings, I taped a photo of my firstborn at two years old, happily posing on the back of Mrs. Mallard.

So you need to read your child Make Way for Ducklings first. But after that, after your kid knows about the story, here’s a child-friendly story of how it was created.

It talks about both artists going through hard times before their art was acknowledged in any way. It tells how Bob brought ducks home in order to draw them from life. Later, Nancy purchased a duck foot from a butcher to learn how it was put together. (Wait a second. That’s not as charming a story. But it works in this picture book.)

After the book was created, a friend’s family visited Nancy in Boston. When they visited the Public Garden, the kids asked, “Mommy, where are the ducks?” Nancy decided that would be her next sculpture project.

The pictures of her working on the ducks are wonderful. I always did think she chose the most delightful poses. And they mirror the ducks in the books so well — in three dimensions.

But she didn’t have any permission for this project before she worked on it. So we’ve got a spread showing Bob and his wife looking over her small-scale models.

My favorite page, though, is after she made a full-scale Mrs. Mallard and three ducklings. Bob thought they might be too large. So she brought them outside.

And as Bob stands, quietly observing, three children run — quack, quack, quacking — to come and pat the ducks.
Bob looks at Nancy.
And she knows she has her yes.

I love that page because I’ve seen for myself that children can’t resist those wonderful ducks.

This book owes its brilliance to the original amazing children’s book Make Way for Ducklings, but it is still brilliant. Fans of the original will love learning the story behind the story, and any family traveling to Boston should give it a read.

angelakunkel.com
claireonacloud.com
rhcbooks.com

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Review of Seen and Unseen, by Elizabeth Partridge and Lauren Tamaki

Seen and Unseen

What Dorothea Lange, Toyo Miyatake, and Ansel Adams’s Photographs Reveal About the Japanese American Incarceration

by Elizabeth Partridge
illustrated by Lauren Tamaki

Chronicle Books, 2022. 124 pages.
Review written February 26, 2023, from a library book
Starred Review
2023 Sibert Award Winner

Seen and Unseen won the Sibert Award for the best informational book for children published in 2022. The book tells the story of the imprisonment of Japanese Americans during World War II, especially looking at the testimony of three photographers.

Here’s the beginning of Dorothea Lange’s section:

In the San Francisco Bay area, Dorothea Lange was asked to photograph the roundup and forced relocation of all Japanese and Japanese Americans on the West Coast. Officials wanted documentary photos to show it was being carried out in a humane, orderly way.

Dorothea was horrified by the government’s plan. The prisoners would be held without charges filed against them and without the right to a trial. That was illegal in the United States. But there was a war on, and Japanese Americans’ rights were suspended.

Dorothea could have refused, but she ws eager to take the job. She wanted her photographs to show what the government was doing was unfair and undemocratic.

We see many of the pictures she took in the pages that follow, along with descriptions of what was going on. But most of the ones we see are labeled “Impounded” — they were withheld from the public during the war, to try to hide the brutal conditions of the imprisonment of American citizens.

Meanwhile, photographer Toyo Miyatake was imprisoned in the camps. He smuggled in his camera lens and took photos, giving a starker and more realistic picture of life in the camp.

Later in the war, he was asked to open an official photography studio to document special events like weddings and funerals. But in a silly and humiliating bit of red tape, they wouldn’t let him press the button on the camera and they hired a white American to do that.

The final photographer featured is Ansel Adams. He came in 1943, paid by the government, to support “loyal” Japanese Americans being resettled in other parts of America. They showed him happy faces — not necessarily the true story.

This book as a whole shows how a terrible national tragedy was presented to the public in general at the time. The book is full of illustrations as well as photographs and vividly presents what happened.

I thought this page was particularly striking, with a picture of a father talking to a little boy:

“I don’t know what’s going to happen to your mother and me,” future US Congressman Norman Mineta’s Issei father told him and his four siblings. “But just remember: All of you are US citizens and this is your home. There is nothing anyone can do to take this away from you.”

He was wrong.

elizabethpartridge.com
laurentamaki.com
chroniclekids.com

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Review of Everybody Wins, by James Wallis

Everybody Wins

Four Decades of the Greatest Board Games Ever Made

by James Wallis

Aconyte Books, 2022. 221 pages.
Review written May 4, 2023, from a library book.
Starred Review

I enjoyed this book so much! It looks at the recent history of the rise in popularity of tabletop games through the lens of the German award Spiel des Jahres (Game of the Year), through its first 44 years of selecting winners.

The reason I loved this so much was that I lived in Germany from 1996 to 2006. At the time, before I’d even heard the term “Eurogames,” I discovered awesome games at the local stores (not even specialty stores, just the local Aldi), and thought a great way to practice German was to buy games and translate them. Eventually, I learned I could download translations from the internet, but I had fun puzzling out how to play the games and delighted in their cool wooden pieces. The games were fun to look at and to touch and to play. My theory at the time was that because the German games listed the designer on the box, you’re going to get better games. It’s just like books — series books that don’t list the actual author on the cover aren’t as good as books that do list the author. Same with games. Now I also argue that awards help things improve. As the Newbery Medal made American children’s books better, so the Spiel des Jahres has helped German games improve. I also loved reading this book and discovering games with interesting new mechanics and nicely calibrated combinations of strategy and luck.

In this big and beautiful oversize book, the author dedicates two spreads to each Spiel des Jahres winner from 1979 to 2022. He also lists other nominated games and eventually the Kennerspiel and Kinderspiel winners. He tells if the game was a worthy winner and if it’s still available today. And talks about trends and new innovations and all kinds of fascinating stuff. There are also chapters grouping different eras. It turns out that the author called 1996 to 2004 the “Golden Age” — which is exactly when I lived in Germany. I own most of the winners from that time period and lots of runners up.

Here’s what the author says this book is about, not actually a history of the Spiel des Jahres:

Instead, the book’s focus is about the games themselves — the winners and, in some cases, the runners-up and also-rans — and uses them as a lens thrugh which to look at the ways in which games, games culture and the games industry have changed over the last five decades. It looks at how tastes have evolved, how German game design (not unlike superb German engineering) became a worldwide trend, and how our understanding of the way games work has led to a renaissance in new designs and new ways of making and playing games.

I have only one complaint about this wonderful book — the sidebars are written in tiny white letters on colored backgrounds, and some of those colors made it impossible for me to read the words, even with a magnifying class. The printing may have been a little fuzzy, too. I could read the ones with lots of contrast, but not so much for the gold background (which was in the Golden Age chapter). This annoyed me, because I was so fascinated with the book, I wanted to read every single word. So it took a high level of frustration before I gave up and stopped reading the golden-colored sidebars.

But apart from that, I love Eurogames. I’ve been fascinated with the Spiel des Jahres since 1996. So this book was a complete delight to read. If you enjoy board games, I highly recommend it. And, yes, I’m ordering some new games based on this book. And pulled out some old games to show my gaming group.

aconytebooks.com

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Review of The Penguin of Ilha Grande, by Shannon Earle, illustrated by Renato Alarcão

The Penguin of Ilha Grande

From Animal Rescue to Extraordinary Friendship

by Shannon Earle
illustrated by Renato Alarcão

Charlesbridge, 2023. 32 pages.
Review written March 14, 2023, from a library book
Starred Review

This picture book tells a sweet story that is also true about a man in Brazil who rescued a penguin covered with oil — and then that penguin became his devoted friend.

His grandson named the penguin Dindim, and after Dindim was strong and recovered enough Seu João tried to set him free, back in the ocean. But Dindim kept coming back.

In February, Dindim finally did leave, and we see Seu João missing all the daily activities where the penguin used to accompany him. But four months later, he was back.

Dindim lived with Seu João for seven years. They swam together, showered together, ate together, and walked on the beach together.

Each year, Dindim changed his feathers, honked goodbye, and headed to sea. For four months, he lived in the wild. No one knows exactly where he went. But every year, right before Seu João’s birthday in June, Dindim came home.

Part of what makes this book so sweet are the pictures of the adorable penguin and his friend in the beautiful setting by the ocean. I mean, creatures don’t get more adorable than penguins, and these pictures are a delight.

This is one of those books that it’s tricky to decide where to shelve it in the library. It tells a true story, so it’s nonfiction. But it’s also a picture book for an early elementary audience, so we hope young kids will find it when browsing. I hope those who read this will make a point of looking for it!

shannonearle.org
alarcao.com.br
charlesbridge.com

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Review of American Murderer, by Gail Jarrow

American Murderer

The Parasite That Haunted the South

by Gail Jarrow

Calkins Creek, 2022. 159 pages.
Review written January 15, 2023, from a library book
Starred Review
2023 YALSA Excellence in Nonfiction Finalist
2022 Cybils Award Finalist, High School Nonfiction

I’m squeamish, so I didn’t expect to enjoy this book from the “Medical Fiascoes Series” as much as I did. But Gail Jarrow, a past winner of the YALSA Excellence in Nonfiction Award, makes the story of this medical mystery fascinating.

It’s all about a parasite. Scientists in Europe discovered that hookworms were making people sick in the late 1800s. But in 1902, a scientist named Charles Wardell Stiles discovered a distinct type of hookworm in America. He named it Necator americanus, which means “American murderer.”

But after discovering the new parasite came the dawning realization that more than 40% of rural southern families were infected with it, up to 2 or 3 million people.

Afflicted people complained of diarrhea and a bloated abdomen. Their skin was paler than normal. Children were physically underdeveloped. Adults didn’t have enough endurance to perform even minor work, and they were usually poor because they couldn’t earn a living. Some people had experienced these symptoms for years, and family members had died with the same ailments. None of them knew why they’d been plagued for generations. They just accepted it.

The rest of the community considered these people sluggish and lazy. Because pica was a common symptom, the infected were often mocked as “dirt-eaters.” No one understood that the symptoms were not a sign of weak character or low mental ability. They were evidence of a tiny worm — actually hundreds of worms — slowly sucking blood from a victim’s small intestine.

Living during the Covid-19 pandemic, it’s easy to understand why most of this book is about convincing people — and doctors — that hookworm was real and convincing them to get treatment. Scientists also worked to get them to change things about their everyday lives. The worm gets into people through skin — mostly when people walk with bare feet on infected ground soiled with infected human feces.

So besides getting people to get tested and treated, there was also a campaign for sanitary privies. But those were expensive, as were shoes for growing children.

But the whole story of fighting the bug is an amazing success story with millions of lives saved and improved. I especially liked the many photos of infected people before and after treatment. The last chapter covers ways parasites still endanger people today, yes, even in America.

Overall, this is an abundance of clear information about a major public health problem from a hundred years ago that I previously knew absolutely nothing about. Almost every spread has photos or side bars, and the story is riveting as Gail Jarrow tells it. An amazing achievement.

gailjarrow.com

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Review of Victory. Stand!: Raising My Fist for Justice, by Tommie Smith, Derrick Barnes, and Dawud Anyabwile

Victory. Stand!

Raising My Fist for Justice

by Tommie Smith, Derrick Barnes, and Dawud Anyabwile

Norton Young Readers, 2022. 204 pages.
Review written January 18, 2023, from a library book
Starred Review
2023 Coretta Scott King Author Award Winner
2023 Coretta Scott King Illustrator Honor
2022 National Book Award Finalist
2023 YALSA Excellence in Nonfiction Finalist
2022 Cybils Award Finalist, High School Nonfiction
2023 Capitol Choices Selection

This graphic novel memoir tells the story of world-record-breaking track star Tommie Smith, who raised his fist on the gold medal podium of the Mexico City Olympics in 1968 to protest racial injustice in the United States.

The book weaves in scenes from that pivotal race through the whole book, while telling the story of Tommie’s life. He started out as the seventh child of a sharecropping family in Texas, and left with a busload of other Black folks to California. There, he got to go to school regularly, and his life changed.

I love the way graphic novel memoirs show you the emotions of the characters. We see Tommie grow and develop into an athlete. He won a college scholarship in three sports — football, basketball, and track. But when he began breaking records in track, that became his focus.

At the same time, the Civil Rights Movement was gaining steam and Tommie wanted to bring attention to the cause, using the platform of being a world-class athlete.

But when he raised his fist during the anthem at the Olympic games, he was sent home immediately and his athletic career ended. He also became a target of hate and couldn’t even find a job for a while.

I like the way the book describes his emotions and thoughts while standing there on the platform. “We had to be seen because we were not being heard.”

Eighty seconds.
That’s how long we stood
there as the anthem played.

Those fists in the air were
dedicated to everyone at home,
back in the projects in Chicago,
Oakland, and Detroit,
to everyone in the boroughs
of Queens and Brooklyn,
to all of the brothers
and sisters, fathers and mothers
in Birmingham, Atlanta, Dallas,
Houston, St. Louis, New Orleans,
to everyone struggling, working
their fingers to the bone
on farms across America,
to everyone holding out hope
that things will get better . . .

. . . that was for you,
from John and me.

This is a powerful story of someone who gave up so much in order to make a statement about people who were being overlooked.

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Review of The Witness Blanket, by Carey Newman and Kirstie Hudson

The Witness Blanket

Truth, Art and Reconciliation

by Carey Newman
and Kirstie Hudson

Orca Books, Canada, 2022. 92 pages.
Review written January 31, 2023, from a library book
Starred Review

The Witness Blanket is a powerful book about a stunning and beautiful, but hard-hitting work of art. The Witness Blanket itself isn’t what I think of as a blanket — but it’s a sort of solid patchwork quilt, with panels fastened together so that the exhibit can travel.

The Witness Blanket was assembled from thousands of objects, photographs and letters that all bear witness to Indigenous people’s experiences in the residential schools of Canada, which operated from the mid-1800s to the late 1990s.

Author Carey Newman tells about how he is an intergenerational survivor, with trauma passed down from his father.

My father was born in 1937 in the remote town of Alert Bay, British Columbia. At age seven he was taken from his parents and sent to a residential school far away from home. Residential schools were started by the Canadian government and run by churches. The goal was to erase Indigenous cultures by making children like my father think, speak and behave less like their own people and more like European settlers. At residential school my father wasn’t allowed to speak Kwak’wala, the language of his people. He couldn’t learn about their traditional ways of living or cultural ceremonies. School authorities wouldn’t even let him talk with his siblings. Losing these experiences hurt his connection to family and culture. It also changed how he thought of himself and altered who he grew up to be.

The idea Carey Newman got for making the Witness Blanket came from the work of the Truth and Reconciliation Commission of Canada, who were looking for a way to document and commemorate the experiences of Survivors of the residential schools.

This book takes a gentle approach to documenting those experiences as well, gently showing the reader different objects that people sent in to include in the blanket and explaining their stories — thus casting light on the experiences of many people. It also tells of the thought and care that went into putting the pieces together into the finished exhibit.

All along the way, we get detailed photos and explanations of individual pieces that went into the Witness Blanket. This makes it all the more moving to see the full-spread photographs of the completed project at the back.

I was surprised by how much this book affected me. Some day I would like to see this work of art and testimony in person. But in the meantime, I highly recommend this book.

humanrights.ca
orcabook.com

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Review of Choosing Brave, by Angela Joy, illustrated by Janelle Washington

Choosing Brave

How Mamie Till-Mobley and Emmett Till Sparked the Civil Rights Movement

by Angela Joy
illustrated by Janelle Washington

Roaring Brook Press, 2022. 64 pages.
Review written October 24, 2022, from a library book.
Starred Review

This powerful picture book biography tells the story of Mamie Till-Mobley, Emmett Till’s mother, and how she made hard choices so that the world would know about the terrible injustice that happened when her son was killed.

But that wasn’t the first hard choice she made. She faced bullying at school, though she graduated at the top of her class. Emmett’s father left her when Emmett was a baby, so she was a single mother. Polio left Emmett with a stutter, but she helped him and taught him to whistle to get through the stutter. That may have been why he ended up being accused of wolf whistling at a white woman. And murdered for it.

After Emmett’s death, Mamie paid a year’s wages to bring him north and used a glass-topped coffin to show the world what had been done to him.

Her brave choices helped start the Civil Rights movement, and even after Emmett’s murderers went free, she kept going to rallies, calling for justice.

Here’s how the book ends (before eight pages of notes at the back):

Yet still today, we whisper her name.

For lessons unlearned and hatred still living,
we whisper her name.
For strength to sow love in spite of our pain,
we utter her name.
For every son and every daughter who suffers still,
we cry her name.
For justice. For peace.
We shout her name.

A powerful and moving story, told in simple language and striking images.

AngelaJoyBooks.com
WashingtonCuts.com
mackids.com

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Review of Before Music, by Annette Bay Pimentel, illustrated by Madison Safer

Before Music

Where Instruments Come From

by Annette Bay Pimentel
illustrated by Madison Safer

Abrams Books for Young Readers, 2022. 88 pages.
Review written September 7, 2022, from a library book
Starred Review

I was not at all prepared for how charmed I would be by this book. Before the title page, pictures filling up oversize pages show you a boy with a drum and a woman with a stringed instrument making music. There’s a bit of text:

Music doesn’t come out of nothing.
It always starts somewhere. . .
with something. . .
with someone.

I expected to learn about the instruments of the western orchestra. But instead, the first instrument presented is a rock gong, and the next one a pututu, made from a seashell. Yes, instruments from western orchestras are included, but they’re a relatively small part of the many, many ways that humans make music.

At the back of the book, the author explains that different cultures classify musical instruments in different ways. “In writing this book, I was inspired by the ancient Chinese system, which focused on the materials instruments are made of.” Each group of instruments is presented first with a large painting and pictures of someone making an instrument of that type. Next, the book explains how that material makes music, then we see many more instruments made with that material, subdivided using the Indian and Javanese focus on how they are played.

And there are so many kinds of instruments! Leafing through the 88 pages, I see instruments made from rock, found objects, clay, gourds, strings, metal, wood, reeds, flexible sheets, and human voices. Mixed between the descriptions of instruments and how they are made are features of musical innovators, people who figured out how to make new sounds from materials already used for instruments or how to improve what was being used.

As an example of the amazing variety found here, on the gourd instruments page, I see thirteen instruments from countries all over the world, only two of which I’d ever heard of before.

This book is fascinating and beautiful. There are suggestions at the back for kids to make their own musical instruments.

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