Caddy Ever After, by Hilary McKay

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Caddy Ever After

by Hilary McKay


Reviewed August 12, 2007.
Margaret K. McElderry Books (Simon & Schuster), New York, 2006. 218 pages.
Starred Review. I love the Casson family! Their delightful chaos and artistic creativity are authentic and warm-hearted.

Each of the books features one of the children of the family. In this one, Caddy gets to be in the title and has the most dramatic story, but each kid gets a long section to tell. In many ways, the story is truly about obsessive, creative Rose, who gets to begin and end.

The book begins with Rose telling us about why the Ghost Club has been banned from her school, and her daring rescue attempt.

Then Indigo takes up the story. He begins, “I can only think of two things that Rose is good at. One is art and the other is loving.” Indigo goes on to tell how Rose inspired him to invite Sarah to the Valentine Dance, and how he figured out a way to get her to go, despite her wheelchair.

Saffron then tells about how she lets down her friend Sarah and is haunted by a balloon. Then she ends up lost and stranded with Rose, and they are saved by someone whom Caddy thinks is probably the “Real Thing.”

So Caddy plans a wedding, but Rose is terribly upset. Because Caddy is planning to marry someone who isn’t darling Michael.

Once again, Hilary McKay weaves an absolutely delightful tale.

Forgive for Good, by Fred Luskin

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Forgive for Good
A PROVEN Prescription for Health and Happiness
by Dr. Fred Luskin

Reviewed August 11, 2007.
HarperSanFrancisco, San Francisco, 2002. 240 pages.
Starred Review.

I’ve checked out or bought several books on forgiveness since my husband left. This one, so far, has seemed the most practical and do-able.

I don’t care who you are or what your spouse did.—In any divorce, you will both have major things to forgive. For that matter, in any marriage, you will both have major things to forgive. Didn’t Harold Kushner say that forgiveness is the main quality of a mature marriage?

It seems fairly obvious that if we hold onto resentment over what our spouse did, we will never be able to be happy. Even our health is in jeopardy. There’s one little problem: How can you forgive someone who’s hurt you so deeply?

This book doesn’t only cover forgiveness between partners, but also forgiving for people whose family are victims of war or terrorism, forgiving for victims of child abuse, forgiving great evil as well as small inconsiderate acts.

He uses a practical approach. Why should you let the offender harm you further by taking up so much space in your mind? Why should the offender have the power to destroy your health and happiness?

Right at the beginning, he talks about some myths about forgiveness. Forgiveness is for you, and not for the offender. Forgiving does not mean condoning evil or turning into a doormat. Forgiveness is not about denying or minimizing your hurt. It doesn’t even necessarily mean reconciling with the offender.

Forgiveness is a choice, and a skill that people can learn to do, as this author has shown with the studies he has done (even with Irish mothers whose children were killed). Forgiveness is taking back your power, and taking responsibility for how you feel. Forgiveness is about your healing and not about the people who hurt you.

Dr. Luskin says, “I define forgiveness as the experience of peace and understanding that can be felt in the present moment. You forgive by challenging the rigid rules you have for other people’s behavior and by focusing your attention on the good things in your life as opposed to the bad. Forgiveness does not mean forgetting or denying that painful things occurred. Forgiveness is the powerful assertion that bad things will not ruin your today even though they may have spoiled your past.”

First, he talks about how a long-standing grievance is formed. He says there are only three components:

–The exaggerated taking of personal offense.
–The blaming of the offender for how you feel.
–The creation of a grievance story.

The author never promises that people will stop hurting you. He says,

Learning to handle hurts, wounds, and disappointments more skillfully will not stop things from going wrong in life. People may still be unkind, and random events can still hurt you. The world is filled with suffering and difficulty, and just because you have learned to adapt better does not mean these problems go away. What will change, however, is the space you rent them in your mind and the amount of anger, hopelessness, and despair you feel. I cannot emphasize this point too strongly. Life may not be perfect, but you can learn to suffer less. You can learn to forgive, and you can learn to heal.

The first component, taking things too personally, can be solved by learning to look at the impersonal aspects of a hurt. This sounds callous or as if you are excusing the offender, but that’s not it. You are, in effect, acknowledging that being hurt is common, and reminding yourself that you will be able to deal with it, just as so many others have done.

The author says,

The easiest way is to realize how common each painful experience is. It is a fact of life that nothing that has happened to you is unique. If you remind yourself that you are just one of two hundred people burglarized in your community, it is hard to take it as personally. By looking carefully, we can always find at least ten people hurt in the same way…. Remembering how common our suffering is can make it seem like the hurt is being trivialized, but it is worth taking that risk to suffer so much less pain.

The second way to uncover the impersonal dimension of hurt is to understand that most offenses are committed without the intention of hurting anyone personally…. Many of the offenses we ache over were not intended to hurt us personally…. To suggest there is an impersonal dimension to many of our offenses is not to deny the pain of loss and neglect.

Please note that Dr. Luskin is not advocating denying all your hurt feelings and sucking it up because you’re human like everyone else. He is talking about avoiding forming a long-term grievance. There’s a personal aspect as well as the impersonal one.

People deal best with offenses when they can find both perspectives. When you see the impersonal dimension after focusing only on your personal pain, you discover that your specific hurt does not have to cripple you…. When we react to things that happened to us or to others we want to be able to acknowledge the pain but not remain stuck in it…. I believe we heal best from our offenses when we are able to acknowledge the damage done. At the same time, I want each of us to be able to say that what happened is not a unique catastrophe but the beginning of a new story of forgiveness and healing.

The second component in forming a grievance is blaming the offender for how you feel.

When we become upset and ask ourselves “Whose fault is this?” and then insist that the reason for our suffering lies with someone else, we have entered the second step in the grievance process. We are playing the blame game, blaming someone else for our troubles. This is a problem because when the cause of the hurt lies outside us, we will look outside ourselves as well for the solution.

When we are in pain in the present, we often blame our bad feelings on the hurts done in the past. One of the ways we do this is to assume that people meant to hurt us. Another way is to link the cruelty in the past with our current feelings. Both of these hypotheses make it harder for us to heal….. When we blame someone for our troubles, we remain stuck in the past and extend the pain. Unfortunately, we are unaware of how much we limit our chances of healing when we blame someone else…. Blame hypotheses are usually guaranteed to make us hurt and hurt and hurt until we change them.

The beguiling thing about the blame game is that at first you may feel better. You may feel short-term relief because the hurt you feel is someone else’s responsibility. Over the long run, however, the good feelings fade and you are left feeling helpless and vulnerable. Only you can take the steps that will allow you to ultimately feel better.

I like the author’s practical tone. When someone has clearly (to our way of thinking, anyway) wronged us, we feel we have a right to be angry. But he doesn’t make right or wrong the issue. He points out that blaming isn’t good for us.

When we blame another person for how we feel, we grant them the power to regulate our emotions. In all likelihood, this power will not be used wisely, and we will continue to suffer. The number of people who give power over to those who did not care about them is shockingly high.

Feeling bad every time we think of the person who has hurt us becomes a habit and leads us to feel like the victim of someone more powerful. We feel helpless because we are constantly reminded both in mind and body of how bad we feel. When we blame this normal protective response on the offender, we make a mistake. This mistake takes the keys to our release out of our hands and puts them in someone else’s hands.

Holding people accountable for their actions is not the same as blaming them for how you feel. It is justified to hold wayward spouses to their commitment to pay child support. It is justified to expect a hit-and-run driver to spend time in jail. What leads to unnecessary suffering is making your spouse responsible for your continued suffering or your inability to enter into another relationship. What does not help you is holding that hit-and-run driver responsible for your ongoing depression or the unwillingness you might feel to take risks ever again.

The third step that crystallizes a grievance is creating a grievance story.

Mistreatment often ends up as a story of victimization, a story told over and over. Whether we tell it to ourselves or to others, the constant retelling offers scant relief or hope.

Grievance stories describe the painful things you have endured but not healed from. You will know these stories because telling them makes you mad or hurt all over again. You know it’s a grievance story when you feel a flutter in your stomach, a tightening in your chest, or sweat forming in your palms. Grievance stories are the stories you tell when you explain to a friend why your life has not worked out the way you hoped. They are the ones you tell to make sense of why you are unhappy or angry.

Unfortunately, a grievance story is counterproductive.

We suffer if we tell the grievance story repeatedly to others or ourselves. Even though it is the third and final step of the grievance process, the grievance story often signals the onset of future difficulties. The grievance story is our tale of helplessness and frustration based on taking something too personally and blaming someone else for how we feel. The grievance story seems true every time we tell it because familiar stress chemicals course through our body. However, telling a grievance story too often is dangerous to both confidence and mood. It is also a health risk since high blood pressure can become a factor when thinking about a grievance story too often.

I love his solution—create a new story where you are the hero, rather than the victim.

We begin the process of creating a new story by taking care every time we talk about the unresolved painful things that have happened to us. When you hear yourself talking about a past hurt, stop for a moment to see if you are telling a grievance story. If so, pause and take a deep breath. Your grievance story, which seems so comforting and familiar, is your enemy. That grievance story, more than what hurt you, has imprisoned you. It keeps you in the past. It alienates your friends and family and reminds you and others that you are a victim. Once we change our grievance story, we are on the road to healing.

What a refreshing outlook this book provides. Dr. Luskin promises,

I will teach you how to forgive. I will teach through the experience of forgiveness to tell a different story. You will see that you have the choice to amend your story so you no longer highlight the wrong done or the hurt you have suffered. You will learn to tell your story so your problems become challenges to overcome, not simply grievances on which to dwell. By the end of this book, your story will show you as the conquering hero capable of overcoming difficult obstacles. Your story will be that of a hero who succeeded on a journey of forgiveness.

Before getting to the process of forgiveness, Dr. Luskin talks about why we create grievances in some situations, but not in others. He states that the underpinning of the grievance process is found in “unenforceable rules.” Unenforceable rules are rules we have for other people’s behavior that we can’t possibly enforce. He uses the metaphor of a police officer whose car doesn’t work sitting and fuming in his car, writing tickets.

Often when trying to enforce unenforceable rules we write mental tickets to “punish” the one who has acted wrongly. Unfortunately, if our rule is unenforceable, the only person we end up hurting with our ticket is ourselves. We clog up our minds with these tickets. We become frustrated because things do not go the way we want. We become angry because something wrong is happening. We feel helpless because we cannot make things right.

I am convinced that when you try to enforce something over which you have no control, you create a problem for yourself. That problem gets in your way as you try to figure out what is the best thing to do. It is much harder to know what to do when you are angry, frustrated, and helpless. Making a good decision is tough when you are constantly writing tickets and there is no one to give them to.

We know we are trying to enforce an unenforceable rule if anything, except a very recent grievous loss or illness, causes us a good deal of emotional distress. When facing the recent death of someone we love or the loss of one’s home or the news of a major illness, it is natural to feel overwhelmed and not be able to think clearly. However, after a short period of time we must confront the problem of enforcing a rule we cannot enforce.

An unenforceable rule is one where you do not have control over whether your rule is enforced or not. An unenforceable rule is one where you do not have the power to make things come out the way you want. When you try to enforce one of your unenforceable rules, you become angry, bitter, despondent, and helpless. Trying to force something you cannot control is an exercise in frustration. Trying to force a spouse to love you or a business partner to be fair or a parent to treat each sibling fairly is unenforceable.

The second half of the book shows how we can transform a grievance and learn to forgive. Dr. Luskin says,

Forgiveness is the feeling of peace that emerges as you take your hurt less personally, take responsibility for how you feel, and become a hero instead of a victim in the story you tell. Forgiveness is the experience of peacefulness in the present moment. Forgiveness does not change the past, but it changes the present. Forgiveness means that even though you are wounded you choose to hurt and suffer less. Forgiveness is for you and no one else. You can forgive and rejoin a relationship or forgive and never speak to the person again.

He has some practical steps to help you:
–take a hurt less personally
–take responsibility for how you feel
–become a hero instead of a victim in thee story you tell.

His techniques about taking a hurt less personally resonate well with the things I learned in Steven Stosny’s You Don’t Have To Take It Anymore.

Many of us are renting more space to rehashing our grievances than focusing on gratitude, love, or appreciation of nature. My central message here is when you bring more positive experiences into your life, your hurts will diminish in importance. In fact, this is the first step to taking responsibility for how you feel and beginning to forgive. If I rent out more and more space in my mind to appreciating my children or the loveliness of a rainy day, there is as a result less space and time for dwelling on the hurts.

Doesn’t this sound beautiful?

Forgiveness is the practice of extending your moments of peacefulness. Forgiveness is deciding what plays on your TV screen. Forgiveness is the power that comes from knowing a past injustice does not have to hurt today. When we have good experiences, such as moments of beauty or love, then for those moments we have forgiven those who have hurt us. Forgiveness is the choice to extend those moments to the rest of our life. Forgiveness is available anytime. It is completely under your control. It does not rely on the actions of others; it is a choice you alone can make.

He gives us some valuable techniques for refocusing our attention. He also explains some ways to challenge our own unenforceable rules. After all, “It is easier to change your thinking than to get unenforceable rules to be obeyed.”

When you find an unenforceable rule, the goal is to return to the desire and get rid of the demand. I urge each of you to fervently hope things go the way you want. At the same time, remind yourself that it is foolish to demand things go a certain way when you do not have the power to make it happen.

To heal, forgiveness is important. I am convinced that the frustration you feel enforcing unenforceable rules is the biggest threat to your motivation to succeed. Most of us give up more readily when we demand something we cannot have than when we make plans to optimize our chances to get what we want. When we hope for a caring parent, we leave room for having to make other plans. When we demand a caring parent, there is little room to maneuver.

I love his idea of changing your story from the story of a victim to the story of a hero. Maybe it’s because I’m a writer. What story would be at all interesting without the hero facing some difficulties? So now the hurts are actually obstacles that make you shine!

A victim is one who often feels helpless to respond to painful circumstances or to control thoughts and feelings. A hero has worked hard to overcome adversity and refuses to be beaten by difficult life events. Forgiveness is the journey of moving from telling the story as a victim to telling the story as a hero. Forgiveness means that your story changes so that you and not the grievance are in control.

The biggest drawback to telling grievance stories is they keep us connected in a powerless way with people who have hurt us. When we mull over our past wounds and hurts, we remind ourselves of a part of our life that did not work. Reconnecting with our positive intention reminds us of our goals and enables us to move forward.

In any grievance story, someone does not get what he or she wants. Unacknowledged is that behind each painful situation is a positive intention. Once found and reclaimed, the positive intention alters the grievance story. The story is no longer just about the person and or situation that caused pain but about the goal that was not quite reached. Suddenly, instead of just recycling pain, the grievance story becomes a vehicle for learning how to change to attain that goal. The grievance story becomes a part of the positive intention story.

You will discover as you tell your positive intention story that you feel better. One reason is that you are closer to telling a balanced story. This is because each of us has many experiences. Negative ones are not more important than positive ones. A grievance freezes a hurtful experience into an unchangeable solid. Then it rents too much space in our mind and leads to feelings of helplessness. The truth is that wounds hurt, but they do not have to be crippling.

Each of us can forgive those who have hurt us. When we put our grievances into the perspective of challenges to our goals, we are giving an accurate account. Everything that hurts us is a challenge to our happiness. It is a challenge to be happy in this world. Wounds can cripple the happiness only of those who do not know how to cope and forgive. Finding our positive intention helps us connect with the big picture. Telling a positive intention story reminds everyone who hears us that we are a hero and not a victim. We deserve the best, and forgiveness helps us find it.

The author says, “From the first to the last page, my goal is to make forgiveness practical.” He achieves that goal beautifully. This book has brought me much farther along in my journey to recovering peace and joy. Thank you so much, Dr. Luskin.

Journey Between Worlds, by Sylvia Engdahl

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Journey Between Worlds

by Sylvia Engdahl


Reviewed August 8, 2007.
G. P. Putnam’s Sons (Penguin Young Readers Group), New York, 2006. Originally published in 1970. 240 pages.
Starred Review.

I would call Journey Between Worlds science fiction for girls. Although I’m sure boys who like science fiction would enjoy it as well, the other-worldly setting isn’t the main point of the story. Instead, Melinda Ashley’s life is complicated by her father’s gift of a trip to Mars, and it provides the background for difficult decisions.

First, Melinda must decide how to react to a gift she didn’t want, but that her father went to great lengths to get for her and is sure she’ll be delighted about. On the way to Mars, she travels with someone else who is not excited about going there—someone to reinforce her complaints. But then she meets a young man born on Mars, and all of her ideas are challenged.

In the end, she has to consider which is more important: her world, her plans, the dreams she grew up with, or the unchanging, real things in people’s hearts.

I love this book, as I love all of Sylvia Engdahl’s books. I like her heroines. They are people I’d like to be friends with. They are faced with difficult decisions and rise to the challenge. I’m delighted at this chance to read another of her books.

The Fourth Bear, by Jasper Fforde

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The Fourth Bear
by Jasper Fforde

Reviewed August 7, 2007.
Viking, New York, 2006. 378 pages.

Jasper Fforde’s books are impossible to satisfactorily classify. Perhaps I should start a new category for his books only. Let’s see—I could call it “humor for clever readers” or “fantasy-sci-fi-mystery-humor-with literary allusions.” I took the easy way out by calling the Thursday Next books “science fiction,” since they do involve alternate universes, and I called the first of the Nursery Crime series “mystery,” since it is a detective story. However, the fact that the detective is a character in a nursery rhyme investigating such people as the Gingerbreadman and Goldilocks and the Quangle-Wangle, does make it an extremely atypical detective story.

I could call this fantasy, but it’s very different from what people expect from that category. So I’ll stick with “mystery,” which scratches the surface of what this book is about.

In The Fourth Bear, the second book in the Nursery Crime series, Jack Spratt investigates the disappearance of Goldilocks. He’s currently in trouble for letting the wolf eat Red Riding Hood and her grandmother. Although they were saved by a woodsman, they’re traumatized and won’t speak.

Jack’s boss is after him to get a psychiatric evaluation and some time resting. What Jack’s critics don’t realize is that the wolf also ate Jack. He puts his life on the line, but doesn’t think he needs therapy. He’s used to such bizarre circumstances—They’re all in a day’s work. Besides, how can he rest when that homicidal maniac, the Gingerbreadman, has escaped from the asylum?

There’s great fun in this book, though you do have to tolerate a few groaners, like a waiter who seems familiar in the Déjà vu Hotel. In the Thursday Next books, we saw what it’s like to be in books from the characters’ perspectives, so that prepared me for passages like this one:

Jack and his partner Mary Mary had just been discussing at great length and alliteration the fact that “Pippa Piper picked Peck over Pickle or Pepper.” The text reads:

There was a pause.

“It seems a very laborious setup for a pretty lame joke, doesn’t it?” mused Jack.

“Yes,” agreed Mary, shaking her head sadly. “I really don’t know how he gets away with it.”

Well, Jasper Fforde, the man who successfully used eleven hads in a row in The Well of Lost Plots, has gotten away with it again!

Review of Raising Demons, by Shirley Jackson

Raising Demons

by Shirley Jackson


Reviewed July 16, 2007.
Academy Chicago Publishers, Chicago, 1985. Originally written in 1956. 310 pages.
Starred Review.

Few true stories are as hilarious as those told by Shirley Jackson about bringing up her four children. This book continues the fun begun in Life Among the Savages. I guarantee that any parent or anyone who knows some kids will get some good laughs and hearty chuckles out of this book.

Part of her brilliance is how she reproduces the voices of her children, each one distinct. Sally is probably the most entertaining, with her habit of repeating words and the outrageous stories she tells, like telling the milkman, “Mommy has gone away to Fornicalia. Where my grandma lives, grandma. Would you please like some breakfast?”

I love the following scene, which beautifully conveys a mother’s feelings of irritation and desperation when a neighbor girl, Amy, comes over:

If Sally’s refrain conversation is difficult to bear, Amy’s repetitive conversation is worse; where Sally repeats the vital word, Amy repeats the whole sentence; Sally is the only one in our family who can talk to Amy at all. “May I please play with Sally?” Amy was saying through the back door screen, “is Sally here so she can play with me?” 

Sally slid off her chair and made for the cookie jar. “Amy,” she shouted, “Daddy is going to take us swimming, swimming, and ask your mommy if you can come, your mommy.”

“My mommy,” said Amy solemnly, opening the screen door and joining Sally at the cookie jar, “doesn’t let me go swimming right now, because I have a cold. I have a cold, so my mommy doesn’t want me to go swimming, because I have a cold. I have a cold,” she told me, “so my mommy won’t let me go swimming.”

“Because she has a cold,” Laurie said helpfully. “See, she has a cold and so—”

“Laurie,” I said feverishly. “Sally and Amy, please take those cookies outdoors.

Their little “Beekman” is another great character. Here’s how he got his name:

Nothing is stable in this world. As soon as Barry was old enough to be regarded as a recognizable human being, with ideas and opinions, it became necessary for the other children to change him around. Since he was now too big to fit into a doll carriage, Jannie amused herself by dressing him in costume jewelry and ribbons. Sally sat on the floor next to the playpen and sang to him because, she said, it made him dance. Barry was clearly too formal a name, and we took to calling him B. B was too short, however, and he became Mr. B, then Mr. Beetle, and finally Mr. Beekman. he stayed Mr. Beekman until he was almost ready for nursery school, and then came around full circle, moving back to Mr. B, then B, and, at last, to Barry again. At one point he developed a disconcerting habit of answering no matter who was being called. Thus, dancing, and decked in ribbons, Beekman walked instead of creeping, and learned to drink from a cup.

Shirley Jackson has a beautiful ability to find the ludicrous in everyday family life. When they got a new car,

I went out and bought a new car-chair for Beekman, one that had a small steering wheel and gear-shift lever attached; when I put Beekman into his new car-chair he turned the steering wheel and said “Beep beep?” experimentally, and we all laughedd and told him he was a brave smart boy. by the end of a week I was no longer fumbling wildly for the brake pedal on the new car, and Beekman was manipulating his steering wheel and gearshift with such wild abandon and skillful maneuvering as to earn himself the title of Mad-Dog Beekman; I could not, at any time of the day or night, attempt to sneak the car out of the driveway without attracting Beekman’s attention, and he would hurl himself wildly at the doors and windows, calling out to wait a minute, he would be right there, and subsiding at last into hysterical terrors at my trying to drive without him.  

For my part, I found it extremely difficult to drive with dual controls, trying to ease around a tight corner with Beekman beside me shifting rapidly from high to reverse to second, swinging his wheel around sharply and yelling “Beep beep.” I used to try letting the car roll backward out of the driveway without starting the motor, but Beekman’s room was in the front and as soon as I got as far as the gateposts he would apparently catch some reflection of light and I would see his small infuriated face pressed against the window and hear the crash as Dikidiki hit the wall, and after a minute my husband or Laurie or Jannie or Sally would open the front door and call that I was to wait, they were just putting on Beekman’s jacket.

Usually, whenever Beekman drove, Sally wanted to come too. And whenever Sally came, Jannie thought she had better come along. And when Beekman and Sally and Jannie came, Laurie figured that we might just stop in at a movie or some such, and if we did he wanted to be along. As a result, whenever I went shopping in the new car, everyone came except my husband, who could not, for a long time, look at the new car without telling me how we were going bankrupt in style. One Saturday morning I almost got off without Beekman, who was learning from Sally how to cut out paper dolls, but before I was out of the driveway they were calling to me to wait a minute, and by the time I finally turned the car and headed off toward the big supermarkets I had all four of them with me, Sally accompanied by her dolls Susan and David and Patpuss, all dressed entirely in cleansing tissue, and carrying—although I did not know it when she got into the car—a pocketbook containing four pennies and a shilling stolen from her father’s coin collection.

I suppose I should have known that all was not going to go well when I found a parking space on main Street on Saturday at noon, with seventeen minutes paid for on the parking meter. Finding a parking space at all was so exceptional an occurrence that I wisely determined to disregard the fact that the car on my left—an out-of-state car, by the way, from some state where land is not so jealously parceled out as here in Vermont—was straddling the line. I eased my car in with only the faintest grazing sound, although it was immediately plain that if we were going to get out of the car at all, we were going to have to do it by sliding out the doors on the right-hand side.

“Jeepers,” Laurie remarked, gazing from his window at the car next to us, “cut it a little close, didn’t you?”

“It was Beekman,” I said nervously. “He kept pulling to the left.”

“Jeepers,” Laurie said to Beekman, “you want to watch where you’re going, kid.”

“Dewey, dewey,” said Beekman, this being a combination word he used for a series of connected ideas, roughly translatable as: Observe my latest achievement, far surpassing all my previous works in this line, a great and personal triumph representing perhaps the most intelligent progress ever accomplished by a child of my years. “Dewey,” said Beekman pleasurably.

Later, when Barry was a bit older and Sally had learned to read,

With three reading children in the house, competition over Barry, who could be read to, was very heavy. I still retained my post as bedtime reader—I began again with The Wizard of Oz—but Laurie and Jannie and Sally found themselves sometimes all reading aloud from different enticing works, each hoping to lure Barry who moved, basking, from one to another. For a little while, Jannie forged ahead through a brilliant imaginative stroke; she refused to read aloud, and offered, instead, to tell stories made up out of her own head. This began the Jefry stories, which were about a little boy named Jefry who had an elephant who was called Peanuts becaue he ate so many . . . “What?” said Barry. “Cabbages,” said Jannie firmly. Jefry had a bear named Dikidiki, just like Barry, and Jefry irked Sally so considerably that she brought out her boy doll Patpuss, renamed him Jefry, announced that he was her little brother, and commenced telling him stories about a little imaginary boy named Barry, who had a bear named Dikidiki just like Jefry. This became the competing Barry series. One evening Laurie came staggering in from the Story Hour in the kitchen, and announced to his father that he had just made up a story about a little boy named Dikidiki who had two imaginary bears, Barry and Jefry, and we had to make a rule that stories must be told one at a time, and last no more than two minutes by the kitchen clock.

I like to read this book when I need to lighten up and laugh. Even though it was written when you could put a penny in a parking meter, life with kids is still pretty much the same. But Shirley Jackson makes you laugh about it, which is a lot more fun than screaming in frustration.

Review of Don’t Let the Pigeon Stay Up Late! by Mo Willems

Don’t Let the Pigeon Stay Up Late!

by Mo Willems
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Reviewed July 14, 2007.
Hyperion Books for Children, New York, 2006. 36 pages.
Starred Review.

My husband used to say that a good book for a toddler is one that ends with someone asleep. In fact if we read such a book to our older son, we could watch him develop dark circles under his eyes and become much sleepier and easier to tuck into bed.

Don’t Let the Pigeon Stay Up Late! is another delightful and fun book along the lines of Don’t Let the Pigeon Drive the Bus! This one deals with an activity that toddlers would really like to do—stay up late.

I never have met a toddler who seriously wanted permission to drive a bus, but once my son threw a temper tantrum for an hour in the middle of the night because he wanted to “stay up all night and all day”!

This book gives kids a chance to tell the Pigeon that he can’t stay up late, instead of being on the other end of it. They can easily see that the Pigeon is getting sleepy, and this time he’s the one who screams, “I’M NOT TIRED!”

It’s almost formulaic, with some pages having exactly the same look as those in Don’t Let the Pigeon Drive the Bus! However, with toddlers, being formulaic makes a book all the more delightful as they know what to expect.

I was staying with a friend for a couple of months after I moved, and she has a 4-year-old son and a 2-year-old daughter. I loved trying out the Pigeon books on them. I was surprised when the 4-year-old was the one who most enjoyed telling the Pigeon, “No!” but the books were a big hit with both kids. Their favorite pages in both books were definitely the full-out temper tantrum pages. Michelle would often open the book to that page and ask me to say it. (Of course, if I kicked and screamed that made it a lot more fun!)

Every child should get a chance to tell this Pigeon what to do. I don’t think they will necessarily understand that the Pigeon is doing the same things they do, but they will enjoy the chance to be the one with the authority.

Review of Rosa, by Nikki Giovanni

rosa.jpg 
Rosa

by Nikki Giovanni
illustrated by Bryan Collier


Reviewed July 9, 2007.
Henry Holt and Company, New York, 2005. 32 pages.

I read this book as an assignment for my graduate library science class, Resources for Children. We were looking at Caldecott and Coretta Scott King winners. Rosa was the winner of the 2006 Coretta Scott King Award for Illustration. The book was also a Caldecott Honor book.

Reading this book and looking at the pictures, it was easy to see why it won the award. We see Rosa Parks, an ordinary person going about her day. At home, she was caring for her mother, getting over the flu. At work, she was the most skilled seamstress in the shop.

We see the whole process as Rosa looks for a seat on the bus and only finds one in the neutral section, where both blacks and whites can sit. When the bus driver asks her to give up her seat, we see a tired woman who’s had a long enough day and simply decides she’s not going to do it.

The pictures portray Rosa’s quiet strength, as well as the glares of people on the bus. The story explains how she decided to keep sitting, even though it meant arrest—and how the news of that arrest spread and began a bus boycott that changed an evil law.

The book includes a striking fold-out section as the protesters finally, without violence, achieved their goal. The pictures give you a sense of having been there, among ordinary people, trying to put an end to injustice.

Find this review on the main site at:

www.sonderbooks.com/Childrens_Nonfiction/rosa.html

Review of Fairest, by Gail Carson Levine

Fairest

by Gail Carson Levine


Reviewed July 9, 2007.
HarperCollinsPublishers, New York, 2006. 326 pages.
Starred Review.

Fans of Ella Enchanted, of which I am one, will love Gail Carson Levine’s latest book, loosely based on the fairy tale of Snow White. In fact, the story involves the king who married Ella’s stepsister, Ivi. It turns out he was king of neighboring Ayortha, the home country of Ella’s roommate, where everyone loves to sing and those with beautiful voices are honored.

Aza has one of the most beautiful voices of all, and she finds she can do amazing things with her voice. Unfortunately, she’s terribly ugly.

When Aza gets a chance to go to the king’s castle, the new queen takes special notice of her. Then the king gets injured, and the queen is in charge. She seems only concerned that people think her beautiful. The queen has a mirror. When Aza sees her own reflection in the mirror, she is changed, astonishingly beautiful.

This book doesn’t follow the fairy tale it’s based on as closely as Ella Enchanted does. But the elements of Snow White are there, woven into a story of beauty and power and love and deception. Gail Carson Levine has done it again!

Review of River Secrets, by Shannon Hale

by Shannon Hale


Reviewed 7/7/07.
Bloomsbury, New York, 2006. 369 pages.
Starred Review. I never missed working at the library more than the day my writing buddies told me that Shannon Hale had a new book out. That meant it was already published, and I hadn’t bought it yet! I was appalled.

River Secrets is Shannon Hale’s third book about the kingdom of Bayern. They are written so that you can read each one without reading the previous ones, but my reaction is: Why would you want to? All of the books are fabulous and pull the reader into a fantasy world—but a fantasy world that deals with real issues like war and peace, love and hatred.

River Secrets focuses on Razo, who seemed something of a clown figure in the other books. Now he’s been chosen as part of the King’s Own to escort a new ambassador to the enemy city of Tira.

Bayern has conquered Tira, but can the peace hold? And can Enna keep from using her power of fire to kill? But if she does keep from it, then who is burning these bodies that the soldiers keep finding? Most of all, can Razo trust the beautiful Tiran who seems to have a special relationship with the river?

Shannon Hale’s Princess Academy won a well-deserved Newbery Honor Award last year. If you liked that book, I highly recommend the three books about Bayern: The Goose Girl, Enna Burning, and River Secrets. You won’t be able to get enough of Shannon Hale’s beautiful writing.

Review of North by Northanger, by Carrie Bebris

North by Northanger

(Or, The Shades of Pemberley)

by Carrie Bebris

Reviewed July 5, 2007.
Forge, New York, 2006. 318 pages.

This is the third “Mr. and Mrs. Darcy” mystery by Carrie Bebris, extending the story begun by Jane Austen in Pride and Prejudice. This one was by far my favorite. In this book, Elizabeth is expecting a child, and she finds a letter from Mr. Darcy’s mother, who died giving birth to Mr. Darcy’s sister Georgiana.

This book is well done. We get a puzzling mystery, where Mr. Darcy himself is accused of stealing diamonds. We get a perplexing experience at Northanger Abbey and even a hidden treasure. We meet again some characters from Jane Austen’s book, Northanger Abbey.

But most fascinating of all is getting to know the earlier Mrs. Darcy through her letters, especially those exchanged with Mrs. Tilney, the mother of the hero of Northanger Abbey. It’s fun to think how Elizabeth would have been affected by the reputation of her predecessor—but then to see her come to peace with that memory as she learns the heart of her husband’s mother.

This book gives you the chance to spend more time with two delightful people. You get to experience two happy people in love, facing the birth of a child at a time when giving birth could be dangerous, with perplexing difficulties to untangle as well.

The first two books in the series went a little too far with supernatural explanations of puzzling events for my taste. But this book had only a hint of such things, and they added atmosphere with the loving spirit of the former Mrs. Darcy.

Thanks to my friend Stephanie for urging me to try the third book in the series!