Review of Zorro Gets an Outfit, by Carter Goodrich

Zorro Gets an Outfit

by Carter Goodrich

Simon & Schuster Books for Young Readers, 2012. 42 pages.
Starred Review

Here’s a picture book about feelings that tells a fabulous story at the same time. The pictures make the book. We’ve got Zorro, a dog with a pattern on his face that looks like a mask, and the other dog who lives in that house, his friend Mister Bud. Humans in the household are expressed as body parts and disembodied voices.

Bud and Zorro are ready and eager for their daily walk, but something delays them. Their owner has an outfit for Zorro. It’s a hood and cape.

A whole double-page spread is given to the words: “Zorro was embarrassed.” Zorro is sitting in the hallway, definitely not looking happy.

As he reluctantly goes on a walk, other dogs and even the neighboring cat all laugh at him.

Zorro is moping when everything changes. A new dog comes to the park.

He was fast!

He did amazing tricks!

And he had an outfit . . .

. . . Just like Zorro.

The three dogs play together, and we can easily see that Zorro’s entire outlook has changed.

On the way home Zorro tried to cheer up Mister Bud about coming in third.

“Maybe it’s because you don’t have an outfit!”

Actually, Mister Bud didn’t really mind about coming in third.

He could tell Zorro was happy now.

It’s a simple story, but the pictures are completely delightful. It’s about feelings every child can relate to, and gives them a way to talk about them.

A story that will leave you smiling.

KIDS.SimonandSchuster.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Olivia and the Fairy Princess

Olivia and the Fairy Princesses

by Ian Falconer

Atheneum Books for Young Readers, New York, 2012. 36 pages.
Starred Review

Dare I say it? I hadn’t yet been won over into an Olivia fan. But when I read Olivia and the Fairy Princesses, something hit me, and I like this pig. This is no Eloise knock-off celebrating being naughty. This is a little girl pig with style and originality.

Olivia is depressed. She explains to her parents:

“That’s the problem,” said Olivia. “All the girls want to be princesses.”

“At Pippa’s birthday party, they were all dressed in big, pink ruffly skirts with sparkles and little crowns and sparkly wands. Including some of the boys.

“I chose a simple French sailor shirt, matador pants, black flats, a strand of pearls, sunglasses, a red bag, and my gardening hat.”

She has some perfectly legitimate questions:

“Why is it always a pink princess? Why not an Indian princess or a princess from Thailand or an African princess or a princess from China?

“There are alternatives.”

I love Olivia’s solution on Halloween. Everyone else dressed as a princess. She dressed as a warthog. “It was very effective.”

Olivia’s eventual decision of what she’d like to be is the perfect capstone.

Part of what makes this book so much fun are some throwaway lines and images. For example, there’s an extra pig in the mirror who’s not in the classroom. I like the busy family page, with the dog bringing a ball to Olivia. Then there’s Olivia struggling with her outfit, mirroring the modern art hanging in her room. But my favorite is, superimposed on an image of Versailles, Olivia saying, “Or I could be a reporter and expose corporate malfeasance.”

This book simply made me laugh. While at the same time making a valid point. And Olivia’s most interesting logic is the perfect touchstone for some interesting conversations with little girls, and some boys, all across the world.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of One Two That’s My Shoe! by Alison Murray

One Two That’s My Shoe!

by Alison Murray

Disney Hyperion Books, New York, 2012. First published in Great Britain in 2011. 28 pages.

Simplicity. This book has it, in a beautiful form.

I recently had the joy of being promoted to Youth Services Manager at my library branch, so I get to do children’s programs again! Tomorrow, I’m doing a Mother Goose Time for babies from birth to eighteen months. In Mother Goose Time, we mainly do rhymes and songs in the parent’s lap. But I like to work in three books that are short and simple and that the parents can read along with me.

One Two That’s My Shoe! is perfect. The text is reminiscent of the old rhyme “One Two Buckle My Shoe,” going from one to ten with a rhyme after every second number. However, this book puts a story to the rhymes. With One Two, a dog has taken a little girl’s shoe, and is running away with it.

With each number, the pictures show that many objects that the dog is running past — toys, butterflies, flowers, trees, chicks and hens. The ten hens add a little inside joke. You’d expect Nine, Ten to rhyme with “Big Fat Hen” as in “One, Two, Buckle My Shoe,” but instead the girl shoos them away, recovers her shoe, and hugs the dog with the words “Friends again!”

This book is simple. The illustrations are done with printmaking, and look old-fashioned and classic. With at most three words on a page, you can read it quickly for the little one with a short attention span, but there’s plenty to talk about. Will the dog get away with the shoe? What will stop him?

As a counting book, it’s also excellent. All the objects passed are easily counted, with none tricky to find, but covering a wide scope of objects, and variety within the objects. The objects are not identical, but it’s easy to see that they belong together. Each number is both written out in the text and represented by a numeral in a corner. Next to the numeral, there are silhouettes of the object counted in the picture, so it’s nice and clear.

This is simply a lovely first counting book, and one that parents and children won’t get tired of any time soon. I’m happy to show it off at Mother Goose Time tomorrow.

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12thatsmyshoe.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Exclamation Mark, by Amy Krouse Rosenthal & Tom Lichtenfeld

Exclamation Mark

!

by Amy Krouse Rosenthal & Tom Lichtenheld

Scholastic Press, New York, 2013. 52 pages.
Starred Review

It’s impossible for me not to love this book. It’s not even for my main audience — the preschool story time crowd. It is for kids in early elementary school who are learning about punctuation. And it’s simply perfect. Those kids are not the only ones who will love this book.

The expression of this story is completely visual. It plays out on the background of school writing paper. We’ve got a row of periods with little faces — and one exclamation mark.

He stood out from the very beginning.

It’s easy for the reader to see that the exclamation mark doesn’t fit in. He is different. He tries to be like his friends. But he becomes confused, flummoxed, and deflated, with appropriate illustrations of his top part in a twist.

Then one day, he meets a question mark.

The question mark asks one question after another. (Hilarious questions, I might add.)

When the exclamation mark shouts for him to stop, it is indeed an exclamation.

He didn’t know he had it in him.

He then explores his newly discovered power. I love the way the question mark eggs him on, always with questions (“How’d you do that? Can you do it again?”)

His exclamations get more and more excited, colorful, and all over the page. “It was like he broke free from a life sentence.”

Question mark: “Isn’t he something?”
Periods: “There was never any question in our minds.”

Okay, as I write this, it occurs to me that maybe I love this book so much because I love puns. In a sense, this whole book is a pun, done perfectly. And it’s a happy story about being an individual and making your mark. And it teaches about punctuation in a way no kid will ever forget. Hmm. Is that why they call it pun-ctuation? (Sorry.)

Way too much fun!

whoisamy.com
tomlichtenheld.com
scholastic.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Penny and Her Marble, by Kevin Henkes

Penny and Her Marble

by Kevin Henkes

Greenwillow Books, 2013. 48 pages.

Hooray! Another Penny book for beginning readers! In fact, this book, with four chapters, assumes a progression in reading skills. We have Penny pushing her doll in a stroller — the same doll she received and named in Penny and Her Doll.

Penny finds a marble in Mrs. Goodwin’s yard. She picks it up and keeps it. It’s a beautiful marble, as blue as a piece of the sky.

But Penny is eaten up with guilt. Will Mrs. Goodwin be angry with her for taking the marble?

All ends happily. Spoiler alert: Mrs. Goodwin put the marble on her lawn, hoping Penny would find it and take it.

I didn’t like this story nearly as well as the others. In fact, it made me mad at Mrs. Goodwin. Why didn’t she give the marble to Penny in the first place, for heaven’s sake? All that agony of guilt was completely unnecessary and what kind of adult would give a marble to a child by placing it in her lawn anyway?

But aside from that annoyance with the storyline, this book has the same charmingly realistic child behavior. Kevin Henkes never says Penny feels guilty. Instead he tells that she looks around before she puts the marble in her pocket, races home, goes in her room and shuts the door, and hides behind the curtain when she sees Mrs. Goodwin in her yard. Penny isn’t hungry and even dreams about Mrs. Goodwin and the marble that night.

Fortunately, Penny decides to make things right before Mrs. Goodwin makes the speech she should have made in the first place. But it’s all told in a simple story that gives new readers plenty of repeated words and visual clues.

KevinHenkes.com
harpercollinschildrens.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Jack and the Baked Beanstalk, by Colin Stimpson

Jack and the Baked Beanstalk

by Colin Stimpson

Templar Books (Candlewick Press), 2012. 36 pages.

Here’s a cinematic retelling of Jack and the Beanstalk set in what looks like 1930s America. Jack and his mom run a diner, but when a huge overpass is built, all their business goes away, and they’re down to their last few pennies. Jack’s mother sends him to buy some coffee beans, but then Jack meets a guy who looks like a bum under a city bridge who offers to sell him a can of magic baked beans.

Now Jack had read enough fairy tales to know that you don’t turn down an offer like that. Also, baked beans were his favorite food in the whole world, so he couldn’t resist tasting some magic ones. Thanking the man, Jack exchanged his last pennies for the beans and ran home.

You know how the story goes. This vine, instead of growing regular beans, grows cans of baked beans as it stretches high into the sky.

But this story has all the unkind and unethical bits taken out.

“We have visitors,” boomed the giant.

“So I see,” squawked the chicken.

“And we know just what to do with visitors, don’t we?” said the giant. “Now you STAY THERE. I’ll be back in a jiffy.” And with that the giant grabbed a handful of the chicken’s eggs and marched off to his kitchen. Soon the sound of clattering pots and pans was making the table tremble.

“Is he going to eat us, Chicken?” squeaked Jack.

“Don’t be silly!” cackled the chicken. “He just wants to make you some lunch. He hasn’t cooked for someone new in a long, long time.”

You see, it’s all good-hearted and ever so friendly. No nasty running off with the harp or stealing the goose that lays the golden eggs. (And instead of a harp, it’s a magic radio. Instead of eggs of gold, the chicken lays eggs that taste good.)

I wasn’t surprised to read at the back that Colin Stimpson has been an art director and production designer for Steven Spielberg and Walt Disney Feature Animation, because these paintings look like stills from an excellent animated feature film. He uses light to highlight the action. He has incredibly detailed three-dimensional-looking backgrounds. This would work well as a cartoon short.

But mostly, it’s just plain fun. The nice giant helps good-hearted Jack and his mother (and his ever-present dog) feed plain working folk. And everybody ends up happy. Did I mention the book is beautiful to look at? This book will leave you smiling.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of When Stravinsky Met Nijinsky, by Lauren Stringer

When Stravinsky Met Nijinsky

Two Artists, Their Ballet, and One Extraordinary Riot

by Lauren Stringer

Harcourt Children’s Books, 2013. 32 pages.
Starred Review

This picture book nonfiction book is extraordinary. It’s a picture book; the language is simple enough for young elementary school students to fully understand. The pictures exquisitely evoke the music and dance of the ballet The Rite of Spring.

I’ve seen a performance of The Rite of Spring years ago in Los Angeles, but I wasn’t prepared for how completely this book brought that performance — which I hadn’t thought about in years — to the forefront of my mind.

I hadn’t remembered that the first time the ballet was performed, it ignited a riot in Paris. That event is the climax of the book, but it gets there in such a delightful way.

First, the book talks about the music and dance that Stravinsky and Nijinsky created by themselves.

Then Stravinsky met Nijinsky
and his music began to change.

His piano pirouetted a puppet,
his tuba leaped a loping bear,
and his trumpet tah-tahed
a twirling ballerina.

And when Nijinsky met Stravinsky,
his dance began to change.

His torso trumpeted a melody,
his arms and legs sang from strings,
and his feet began
to pom-di-di-pom like timpani.

Stravinsky inspired Nijinsky.
Nijinsky inspired Stravinsky.

Together they decided to dream of something different and new.

The book goes on to talk about the creation of The Rite of Spring and the reactions of the musicians and dancers, and, eventually, the crowd in Paris.

I can’t stress enough how wonderful the illustrations are. They aren’t a literal, photographic description of the times. They use styles of the art of the times to symbolically represent what’s going on, while still showing concrete things like dancers in Paris. I love the faces of the people in the music hall and in the streets of Paris. Some are smiling beatifically. Others have their hands over their ears with their faces puckered in disgust.

I also love the picture of Stravinsky and Nijinsky in tuxedo with tails dancing together surrounded by a ring of music with costumed dancers and instruments and music with unusual time signatures. That goes to show I can’t describe it nearly as effectively as one glance at the picture will give you. Across the page, there’s an exuberantly dancing cat and dog.

This is a colorful and exuberant book that tells a good story about art and a true moment in history and the way two friends working together helped both attain greatness.

This review is posted today in honor of Nonfiction Monday, hosted today at Anastasia Suen’s Booktalking.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Chloe and the Lion, by Mac Barnett and Adam Rex

Chloe and the Lion
by Mac Barnett
Pictures by Adam Rex

Disney Hyperion Books, New York, 2012. 48 pages.
Starred Review

Meta-fiction does not always work, but Chloe and the Lion is joining the ranks of great meta-fiction picture books, along with David Wiesner’s The Three Pigs, Mo Willems’ We Are in a Book!, and even The Monster at the End of This Book, by Jon Stone.

The art is ever-so-interesting, mostly a three-dimensional scene made from paper cut-outs, but it includes plasticine figures of the author and illustrator. They introduce themselves and tell us about Chloe, who saves nickels and dimes to ride on the merry-go-round on the weekend.

The story is on the bizarre side…

But one week, Chloe found a lot of change.
So she was able to buy a lot of tickets.
And she rode around and around and around.
Which was why she got very dizzy.
And that’s how Chloe ended up lost in the forest.

We read that a huge lion leapt out at Chloe from behind an oak tree, but in the picture we see a dragon, with smoke coming from its nostrils.

The author and illustrator have it out. Adam, the illustrator, thinks that a dragon is much cooler than a lion. In the end, Mac has no choice but to fire Adam and find someone else to illustrate the book. Once the illustrator has been changed, “The first thing the lion did was walk up to Adam and swallow him whole.”

Unfortunately, the new artist, Hank Blowfeather, just isn’t as good as Adam. And when Mac tries to draw instead? Disaster!

So, Chloe and Mac need to figure out a way to get Adam out of the belly of the lion and save the book. And a thank-you at the end would be nice, too.

This is another book where description simply doesn’t do it justice. There are visual jokes throughout, a wide variety of styles, and a lot of thought about how a story works. This is a book worth reading again and again.

Oh, and I’ll have to add it to my Pinterest board: Picture Books Where Someone Gets Eaten! (Even if it’s not permanent, getting swallowed whole counts. Maybe I should put it on the Eating Thwarted page, too.)

Meta-fiction at its finest!

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Chloe, by Peter McCarty

Chloe

by Peter McCarty

Balzer + Bray, 2012. 36 pages.
Starred Review

Hooray! Another big family picture book! Chloe is the middle child in her family of rabbits. She has ten older brothers and sisters and ten younger brothers and sisters. And, more realistically than in Another Brother, even though they are rabbits, Chloe’s siblings are pictured as different sizes and different ages.

But this isn’t a story about having too many siblings. This is a story about having fun.

Chloe loved the end of the day, when her whole family was together. She called it family fun time.

But her father brings home a new television. When the whole family except Chloe and little Bridget watch TV, Chloe thinks it’s the worst family fun time ever.

But then Bridget finds the bubble wrap. . . .

Pop! Pap! Thip! Bip! Pop!

This is a simple story, about how doing simple things together can be the most fun at all. Peter McCarty’s wonderful illustrations are what make this a stand-out. Even though there are 21 siblings and two parents, each rabbit is portrayed as an individual. I love the way little Bridget imitates Chloe’s gestures and expressions. I love the way the character on TV looks over at Chloe and her brothers and sisters having fun. I love the way Dad stays up popping bubble wrap after everyone’s in bed, and I love the way the baby in the crib is the only child not asleep.

I complain sometimes (a little tongue-in-cheek) that with all the quest for diversity in children’s literature, big families simply aren’t well-represented. Well, here’s a picture book where the big family isn’t the point, isn’t held up as strange. The big family is what it is. This is a simple story about having fun.

[I also love that it’s a book that celebrates the fun of popping bubble wrap. Did you know those bubbles are called utricles? It was featured on my 365 Words a Year calendar one day when I was in college, and my officemate and I used to gloat over any opportunity to pop utricles.]

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Martin de Porres: The Rose in the Desert, by Gary D. Schmidt and David Diaz

Martin de Porres

The Rose in the Desert

written by Gary D. Schmidt
illustrated by David Diaz

Clarion Books, 2012. 32 pages.
Starred Review
2013 Pura Belpre Illustrator Award

Picture book biographies are always in danger of going unnoticed. They aren’t really written to help kids do reports; they’re written to appreciate a remarkable life.

This book is all the more lovely in that it tells kids about the life of a saint. Who better to inspire children?

The Author’s Note at the back tells why Martin de Porres was important:

His greatest gift was his ability to ignore the boundaries his world had erected and to reach toward the poor and the ignored. . . . He was beatified in 1837 and canonized in May 1962 — the first black saint in the Americas — when Pope John XXIII named him the patron saint of universal brotherhood. He soon also became the patron saint of interracial relations, social justice, those of mixed race, public education, and animal shelters.

The main text of the book is more poetic, and appropriate for children. The author doesn’t come out and say that Martin did miracles, but he tells what people said about him:

Soon, all the people of the barrios knew who the young cirujano was. When a man was hurt, he was carried to Martin. When a child grew pale, she was brought to Martin. When a slave was whipped, he staggered to Martin. And when the infirmary of the monastery was filled with the poorest, Martin carried his patients to play with the panting dogs in the shade of the wonderful lemon tree.

The paintings that go with the story are worthy of the Belpre Award.

This is a lovely book about an inspiring life.

After thirteen years, every soul in Lima knew who Martin was: Not a mongrel. Not the son of a slave. “He is a rose in the desert,” they said.

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

I’m posting this review today in honor of Nonfiction Monday, hosted today at Wrapped in Foil.