Tag: ALAAC25

Monday, June 30 was the final day of the American Library Association Annual Conference in Philadelphia, which my own library generously paid for me to attend. And the first session I attended that day, my own library director, Eric Carzon, was also attending.

It was about the program Work It Out @ Your Library, based on the PBS show Work It Out Wombats. The program is designed for families and supports early Computational Thinking. I saw that and thought Math, but they meant step-by-step thinking which builds into learning to code.

The program sounds fantastic, and PBS has library facilitator guides and presentation decks, which you can find at pbslearningmedia.org. It’s designed as four 3-week units, and there’s a separate section for parent resources.

Libraries are uniquely designed to bring this to families, and they used a Library Working Group to develop it. There’s a free family app that families who enroll in the program can use. Once you download the app, it doesn’t access the internet. If you take pictures of your kids solving a challenge, the app makes a video out of the pictures.

And then, of course, we tried out one of the activities on the app – building a castle from cups.

Eric was the “parent” at our table who took pictures.

Our finished castle:

After that program, I spent some concentrated time in the exhibits – for the first time, I finally walked all the aisles, one by one.

This meant I spent some money! I was charmed with a “Read More Books” t-shirt and matching earrings from Lyanna’s Closet. Looks like the website is more geared for teachers – but she had plenty of library gear for ALA!

I also loved the MoMath (Museum of Mathematics) booth and purchased some Hypercube earrings (I went to a seminar about hypercubes in grad school) and had fun talking with the woman at the booth.

I learned that MoMath is sponsoring 2026 as the Year of Math and is curating program ideas for libraries! I am no longer a programming librarian, but you can be sure that I signed up for the Year of Math Librarians’ Notification List.

There was a very sad booth, where IMLS had purchased a booth – but then with cuts to their budget, was not allowed to travel to attend.

I also attended a program in the Exhibits presented by Ingram about their diversity audit tools, InClusive and InCremental. InCremental is a follow-up tool to see how you’re doing in your goals of having a more inclusive collection. All their diversity audit tools compare against public libraries in general so that it takes into account what is available. With the follow-up tool, you can see if you’re making progress.

I got a book signed by Kwame Mbalia and Erin Entrada Kelly!

Another very helpful booth was one by The FIRE – The Foundation for Individual Rights and Expression. They started out defending students’ rights to free speech, and now they want to be there for librarians who get challenged for the books they put on library shelves. I hope I will never need their help, but it’s super good to know they’re out there!

After the exhibits, I went to a Main Stage event where Grace Lin was being interviewed by John Schu.

They did fun getting-to-know you questions and talked about her new book, The Gate, the Girl, and the Dragon. Some notes:

“Libraries are the places where book lovers are made.”

Grace showed her Idea notebook, where she scribbled down ideas. She showed pictures of her Japanese derumi dolls – they come without eyeballs drawn in. You make an eyeball when you make a wish, then the other when it comes true. She uses these for her books.

Grace said there are so many beautiful books, she’ll ask herself if the world needs another book from her. She doesn’t know, but she needs to give the world another book.

She’s been friends with her editor Alvina Ling since she was 10 years old. They do a podcast together called Book Friends Forever.

She based The Year of the Dog on herself: Her Chinese name is Pacy. It’s about the year she met Alvina, who is Melody in the book.

She talked about all her past books. I liked it when she said she always wanted Caldecott Honor but didn’t have the confidence to admit it.

The Gate, the Girl, and the Dragon is an Asian-American The Lion, the Witch, and the Wardrobe. The Chinatown gate is a portal to another world. One of the spirits comes to our world. Gongshi are good spirits who live in statues – their job is to help people.

She talked about loving books of fairy tales as a child. Her mom sneaked a Chinese fairy tales book onto their living room shelves. She indeed read it, but they weren’t very well done, and the pictures were lousy. So she makes her own books as beautiful as possible, so children will not think that Chinese stories are inferior. A book is something to treasure.

John said, “When we read together, we get a biological jolt of empathy.”

Grace responded that middle schoolers suddenly get jaded. Suddenly “Earnest” is a bad word. She wants to show that being earnest is a beautiful trait. She wants to share earnest books.

Of course I got books signed at the end!

The final session I attended was called “Manga, Manhwa, and More” – I got a good rundown on different kinds of Asian comics and some of the tropes and titles to watch for. This will be valuable reference! (I’m going to check the notes and see which ones my library has and which we still need.)

And it all added up to an excellent year at ALA Annual!

The highlight of ALA Annual Conference for me is the Newbery/Caldecott/Legacy Banquet. It’s a great big, grand celebration of children’s books in a giant ballroom full of happy people. What could be better?

It is disappointing that the Honor winners don’t give speeches, but it’s still a treat to get to applaud them. First up were Caldecott Honorees:

Cherry Mo, for Home in a Lunchbox.

C. G. Esperanza, for My Daddy Is a Cowboy.

Gracey Zhang, for Noodles on a Bicycle.

And Yuko Shimizu for Up, Up, Ever Up! Junko Tabei: A Life in the Mountains.

And then we got to hear from Caldecott Winner Rebecca Lee Kunz, who won for her beautiful work in Chooch Helped. My notes from her remarks:

[I want to note that I happened to see her in the restroom and learned that she designed the beautiful skirt she was wearing herself. It was gorgeous.]

When did she become an artist? Family and stories gave her the belief that what she did mattered. Her creative spark turned into a burning flame.

She went to photography school – but the camera began to feel limiting. She could have given up a thousand times.

When she had new children, she gave herself time in her Tree of Life studio one day a week. “Old scars became my swords.”

Cherokee Sky Vault – She began to weave in Cherokee symbols.

Maybe she just said Yes when the path came before her.

Books give children a chance to slow down.

Children’s Books and Art are a wonderful reason to be gathering.

Next the Newbery Honorees were recognized. Ruth Behar was first for Across So Many Seas.

Then came Chanel Miller for Magnolia Wu Unfolds It All.

Lesa Cline-Ransome received Honor for One Big Open Sky.

And the fourth Honor went to Kate O’Shaughnessy for The Wrong Way Home.

Then it was time for Erin Entrada Kelly to give her second speech as Newbery winner, this time for The First State of Being.

Most of the speech, I was too enthralled to take notes, but here’s what I got:

Her book is about living in the present moment. It’s a tribute to When You Reach Me. [Which is in turn a tribute to Newbery winner A Wrinkle in Time.]

She struggled with What-Ifs since childhood. So she started telling us about her journey with meditation… which shifted into her journey with very aggressive breast cancer and a lot of severe pain with chemotherapy.

She got mountains of care packages from readers…. People who knew her because of librarians.

The world is full of loving, compassionate, empathetic people.

She recognizes the way each one of us influences the present moment.

She urged all of us: When people offer you love and care and support, accept it, embrace it with open arms.

And the final speaker of the night was Carole Boston Weatherford, winner of the Children’s Literature Legacy Award.

She noted that the award can be given posthumously – so she’s grateful to be alive to accept it.

After her first book, she was told, “Carole, you just need more books.”

Her earliest aspiration was to be a librarian. As a child, she pasted pockets into her books.

Her books are hard to place – Thank you for your service!

Picture books her children read changed her trajectory. She aims to lift the ceiling off young people’s dreams, as her parents did for her.

A slight from a teacher kept her writing.

Children aren’t too tender for tough topics. Her books enlighten children – and adults.

For her, Black History is: “Let it shine!”

“Poetry is not what I do, it’s who I am.”

I started out the third day of the American Library Association at the YA Author Coffee Klatch – a sort of speed dating with authors. There were 13 authors there, and 13 tables. Each author spent 5 minutes at each table talking with us about their books. In honor of the 25th anniversary of the Printz Award, all the authors invited this year had some time received the Printz Award or Printz Honor.

First, there was a short keynote from A. S. King (above).

She won last year for editing the short story collection, The Collectors, and she won in 2020 for her novel Dig..

The Printz Award keeps changing her life. It keeps passing on love and truth to young people. It expands her voice. It respects young people and their lives and truth.

We (authors and librarians) are doing the best and most bad-ass work on earth.

Kekla Magoon, author of Revolution In Our Time: The Black Panther Party’s Promise to the People, was the first author at our table.

The first publisher who accepted this book wanted it smaller and simpler. But it’s a complex story. The Civil Rights Movement staying committed to peace no matter what happened was a huge act. Folks got fed up after a decade. Young people rose up to take care of themselves.

Then came E. Lockhart, who won Printz Honor with The Disreputable History of Frankie Landau-Banks. She’s now most known for her book We Were Liars and its sequels. She’s got a new one coming out in November from that world. It’s not a prequel or a sequel, but is beachy gothic. It’s called We Fell Apart. [I need to read those books – they’re wildly popular at the library.]

A. S. King was at our table next. Her Printz winner Dig is about whiteness and how it trickles down.

Her new book is called Pick the Lock. The father is a symbol of white supremacy, and the daughter (the protagonist) is writing an opera called “Free Mother.” Her mother is a prisoner in pneumatic tubes in the house. [Yes, A. S. King always writes wonderfully weird fiction.]

Safia Elhillo came next, author of one of this year’s Honor Books, Bright Red Fruit.

This was her second book. Her first book, she made everything up, but this book is about her own Sudanese community.

Then came Libba Bray, who won the award for Going Bovine in 2010. She talked about her new book, Under the Same Stars. This book came about because she read about the Bridegroom Oak, a matchmaking tree in Germany – and thought murder. But it’s a historical novel set in three time periods – all about rising up and protesting.

Angeline Boulley spoke to us next. Her first book, Firekeeper’s Daughter, won the Printz Award in 2022. Very soon her third book is coming out, Sisters in the Wind. Location is another character in her books. This new one happens in the time in between the other two. If you’re doing a book club with her book, check her website angelineboulley.com for a free appearance!

Julie Berry won Printz Honor in 2017 with a book I just love, The Passion of Dolssa. I was super excited to hear about her new book, coming out in September, If Looks Could Kill. It’s deeply researched historical fiction (as so many of her books are) – about Medusa vs. Jack the Ripper in lower east side Manhattan. It asks, “What do I actually believe about mercy and justice?” At its heart, it’s a friendship story. [I was bummed they were out of Advance Reader Copies when I rushed to the Simon & Schuster booth.]

Then Laurie Halse Anderson, who won Printz Honor for Speak back in 2001, told us about her new book, Rebellion: 1776. She mentioned how the book bans have impacted her work – she did one school visit last year – she used to do many each month. She said that she can handle it, because she’s well-established, but urged us to do what we can to support new authors coming up because they need those school visits. For her new book, she looked at the Adams family correspondence during the Revolutionary War, which has been digitized. In Boston, families were divided about the Revolution.

Gene Luen Yang won the Printz Award in 2007 for American Born Chinese. He was teaching high school full-time when he got the call, and didn’t realize how life-changing it would be.

Andrew Joseph White is one of this year’s Honor Book authors for Compound Fracture. He told us he has an adult book coming out, about how true crime is bad. (Intriguing!) He will have a Stone Age fantasy in 2026.

Neal Shusterman won Printz Honor in 2017 for Scythe. First he told us about his new book, All Better Now and a pandemic that causes happiness – but all the people who have a vested interest in creating a vaccine for happiness. It’s going to be a duology [Yay!], with the conclusion to be titled All Over Now. But he won’t be writing that right away, because he’s currently writing a prequel to Scythe called Rising Thunder that will be out in Fall 2026. I can hardly wait!

Rex Ogle is the author of this year’s Honor Book, Road Home. Unlike Road Home, his new book, When We Ride, is only 70% true. He wrote it for his best friend in high school, Marshall, who took care of his family by drug dealing. You can go through hard things and do good things. He wrote it in verse, because Marshall would only read a book if it had lots of white space.

Oops! Somehow I forgot to take a picture of Daniel Nayeri, 2021 Printz Winner for Everything Sad Is Untrue. He has a soft spot for libraries, because his first job, ages 12 to 18, was a library page. He started writing by ghost writing people’s memoirs, which is a strange genre. How do you tell the truth when it’s embarrassing? That directly led to Everything Sad Is Untrue.

After the YA Coffee Klatch, I went to some meetings for librarians in Collection Management. Those weren’t so much about taking notes as about meeting other librarians in the field. The first was for children’s collections, and the second for public library collections.

I also spent some time in the exhibits, leaving the meeting early to make sure I got an Advance Reader Copy of Hannah V. Sawyerr’s new book, Truth Is. I’m excited about it! When I was on the 2024 Morris Award committee, we selected her debut book, All the Fighting Parts, as one of our Fi nalists. As soon as Hannah saw me in line, she gave me a hug! One of the best parts of being on award committees is getting to touch authors’ lives in a super positive way!

Then I went to a session called: “Cultivating Inclusivity: Assessing Collections for Diversity”

Yes, libraries still want our collections to match the diversity of our populations and for folks to feel included. This turned out to be mostly an academic library viewpoint, so I didn’t stay for the whole thing, but they did have some good resources about evaluating your collections and referred to a document from ALA called “Diverse Collections: An Interpretation of the Library Bill of Rights.”

I finished up the main part of the day attending the Main Stage presentation with Brené Brown.

First, she talked about how much she loves librarians. “If they’re coming for you, they have to frickin’ go through us!”

Then she talked about studying vulnerability. She had the first qualitative dissertation at her school. She kept finding a link to shame and a deep feeling of disconnection. She was told that the decision to study shame has been the death of many academic careers.

Vulnerability is not weakness – it’s the only path to courage.

Democracy is an amazing experiment, and it depends on education and virtue. The two were separated early on because you can have one without the other.

A world without the freedom to read is a direct threat to democracy – and she’s quite sure that’s the plan.

No science, no research, no books = No democracy

Asked what it takes to be a daring leader, she said that “executive presence” is code for – do you look like someone who’s a leader in an 80s movie. Now she talks about “pocket presence” – based on a quarterback who has about 3 seconds in the “pocket” to decide the play. It requires such qualities as situational awareness, anticipatory thinking, and strategic thinking. This is what it will take to protect our democracy.

Daring leadership is more interested in getting something right than being right. And has the humility of power with, to, and within (but not over).

In order to maintain power over people, you have to demonstrate cruelty. Because fear has a short shelf life.

We need to be learners, not knowers.

You can’t give what you don’t have, so find some awe, wonder, and joy in your life.

Limit your intake – overwhelm is part of the plan. Get small and local in making a difference.

The antidote to despair is hope. Hope is a cognitive behavioral process: I can have a goal. I can make a plan (with many back-ups). I believe in my ability to effect change. Goals too big lead to despair. Recognize small achievements! Small wins matter.

Her new book is a spiritual response to Dare to Lead.

Be awkward. Be brave. Be kind. The opposite of courage is armor.

When we’re “under the line,” we act as hero, victim, or villain. “Over the line,” we can be Coach, challenger, creator.

Saturday, June 28, was the second day of the American Library Annual Conference 2025 in Philadelphia.

The hardest part of attending ALA is making choices about which sessions to attend. I started out Saturday with a session called “Dyslexic-Positive Libraries: 8 Practical Ways to Decrease Discrimination and Increase Equitable Access to Information.”

Extra interesting was a librarian I met while waiting for the program to start from Kenosha Public Library. She said their library has Dyslexia Kits in their Library of Things. That might be something our library could add. She also said they’ve started a program of twice a year having developmental screenings after story times. They’ve found many children who can use services by doing this, and the parents and caregivers appreciate the convenience.

At the program, I was hoping for information about the current buzzword, “Decodable” books – but it was more about making your library friendly for dyslexic patrons – and a reminder that if learning to read was easy and fun for you (and according to the on-the-spot survey, that was true of 45% of the librarians in the room) – then you’re coming from a place of privilege. Only 5-10% of the general population finds learning to read easy and fun.

So they talked about making your library welcoming and friendly for people with dyslexia. They talked about the progression of learning to read and reminded us that sometimes a child’s negativity about reading is a sign they need your allyship.

Some ideas included making a Celebrate Dyslexia display and mixing Hi-Lo books with others in displays to avoid book shame. Mainly it was about working with patrons coming into the library and not making assumptions about people’s reading abilities.

Next I went to the main auditorium to hear George Takei speak. He has a new graphic novel coming out, It Rhymes with Takei – about coming out as gay in his late sixties.

As a child, his family was imprisoned, and his parents were subjected to outrage. The government took their money and froze their bank account. He learned that being different incurred consequences – and his earliest acting job was acting straight.

He didn’t want to be a sissy, and he hid this difference. As a teen, his heartthrob was the actor Cap Hunter. When the world found out that Cap Hunter was gay, he lost his career. George internalized that lesson.

George attributes many conversations with his father to his thoughts about democracy. Democracy is dependent on people who understand that there’s a responsibility that citizens have. Democracy’s weakness is also in the people. Citizens have to be actively engaged to keep government working. Being engaged means being part of the community to make it better.

He served 11 years on the Metrorail board in Los Angeles, in the group that got the money for it.

Talking about his career as an actor, Asian Americans had been presented as unattractive stereotypes. But he got cast in positive roles. Gene Roddenberry wanted to make a statement about the world, presenting IDIC – Infinite Diversity in Infinite Combinations.

George talked with Gene about the Gay Liberation Movement. Gene had thought about taking Star Trek that direction, but after the backlash for the first inter-racial kiss on TV, he was afraid promoting Gay Liberation would make them go off the air.

Democracy is dependent on an informed public.

This line got a roar of response: “We have a Klingon in the White House.”

We’re all in a vitally important but dangerous position. Timing and urgency are important in dealing with issues. We the people will ultimately prevail.

Now we’re in a turbulence that democracies go through before becoming better.

After lunch, I made a tough choice and instead of going back to the main auditorium to hear Carla Hayden and Kwame Alexander, I attended a session called “The State of RA Today.” (RA is librarian-speak for Readers’ Advisory, recommending titles.)

I did download the notes from that, and it was mainly a reminder to diversify your suggestions and check up on yourself how well you’re doing that. Our job is to promote books they won’t find on their own. (They don’t need to know about James Patterson books.)

Oh! I remember why I don’t have notes from that session – my pen ran out of ink, and I didn’t have a spare. Annoying – but I have since downloaded the handouts from the ALA website.

Some things I like from those notes: RA is an autonomy-enabling service – empowering people to choose books they will enjoy and that will challenge them. If readers don’t know about the choices out there, they don’t have the power to choose them.

After this session, I got to the exhibits to catch Meg Medina signing her new book! (Meg Medina was the winner we chose when I was on the 2019 Newbery committee. As soon as Meg saw me, she gave me a big hug, and that for sure made my day.

Next up, and more sobering, I went to a session about current censorship cases, “Censorship in the Courts: Current Litigation throughout the United States.”

Mostly, librarians and libraries have been winning in the courts. But states are still trying to pass laws to curtail free speech. Those states and jurisdictions end up spending lots of money trying to defend their book bans in court. Book banning is expensive!

The session was sponsored by the ALA Office for Intellectual Freedom and the Freedom to Read Foundation, as well as a group called Lawyers for Libraries & Law for Librarians. It’s good to know there are resources for defending libraries and librarians if our jurisdiction’s freedom to read freely is challenged.

I finished my full day back at the main stage, listening to Angeline Boulley talk about her new book, Sisters in the Wind. (And I got an Advance Reader Copy signed afterward!)

She promised that we will learn more about Jamie! It’s about a character who doesn’t know she’s Native making her way back home.

The chaos of fire relates to teens whose lives are in upheaval.

This speaks to adoption and the foster care system so many Native children and teens have to go through. The Indian and Child Welfare Act works when it’s properly followed – but so often it isn’t.

Stories are how we really learn. She conveys factual information via story. Hoping for more positive stories than negative.

Humor is a survival care. We didn’t just inherit generational trauma – also laughter and love.

Hers is a community-based way of storytelling, bringing other characters forward. Never underestimate the power that one caring adult can have.

She recommends the website American Indians in Children’s Literature. And the books Lies My Teacher Told Me, Everything You Wanted to Know About Indians But Were Afraid to Ask, and An Indigenous History of the United States.

She got the idea for her first book at 18, and at 44 started writing. Got it published at 55. She decided she could live with writing a bad manuscript better than the regret of never having done it. Every book, she challenges herself.

The first day of ALA Annual Conference is also the night the Printz Awards are given. What I like about the Printz Awards is that *all* the authors give speeches, not just the winners, unlike the Newbery. They also consider the art, not just the text, unlike the Newbery. So attending the awards is a way to start off Annual Conference with inspirational speeches, happy to be a librarian. I’ll give notes from their speeches below.

This year marked the 25th anniversary of the Printz Awards, so Laurie Halse Anderson, who won an Honor that first year with Speak, delivered a keynote address.

We serve a vision of how the world ought to be. Not only do we write for teens, but we have a responsibility to them.

If you’re not pissing off haters, you need to try harder.

The Printz is part of a recognition of adolescence itself. Adults often try really hard not to remember being a teenager. Adolescence is so powerful. Teenagers might be the original woke people, the opposite of anesthetized.

Young people always lead change. 25 years ago the Printz honored books that are still freaking people out today.

The first Honor recipient to speak was Safia Elhillo for Bright Red Fruit.

Despite the best efforts of our enemies, libraries will continue to thrive.

There is nothing meager about being a poet.

Today is Day 804 of the war in Sudan, “the forgotten war.” Her family used her grandfather’s bookshelves to stop bullets after the windows were shattered.

Books give hope of stopping bullets.

The next Honoree was Andrew Joseph White for Compound Fracture.

This book reached teen readers at the right time. About people fighting for good in a place written off.

It’s about family history and queer history, based on his own family.

Queer people are here and we exist. It’s also a scary time to be queer.

Then we heard from Molly Knox Ostertag, author of the Honor book The Deep Dark.

She doesn’t write queer characters because she’s looking for representation. These are people you love.

Transition is a declaration of hope. The roles are not fixed.

Good books show you the world is bigger than yourself.

An expansion of freedom, a celebration of choice. There’s no one else I’d want to be fighting the good fight with.

Next, Rex Ogle received an Honor for The Road Home.

He began by talking about ice – frozen water. Ice is human ingenuity at its core.

When you’re homeless, you’re invisible to the people around you. 2.8 million kids are homeless right now, and 40% of them are LGBTQ.

Life is painful. We make a difference, but it comes at a cost.

He is still working so hard just to be seen, and this award shows that librarians see him.

He used to wish on dandelions that he’d be a writer. His pain got him here. Times are dark, but where there’s conflict, there’s growth.

Abuela gave him a drink with ice after he’d gone a summer without it.

Don’t focus on the hurt. Focus on the beauty of ice. You survived today.

Now it was time for the winners to speak, the author and illustrator of Brownstone. Mar Julia spoke first.

This is an important book today. Get involved in your community! Especially right now. Know your neighbors. Check on someone you haven’t seen in a while.

Community is difficult at times, but it’s deeply rewarding.

Then Samuel Teer spoke, also for Brownstone.

He began with a story – about an adorable Latino boy growing up in the Midwest. He was too much and didn’t have friends until he got into comics, then made two friends. His bus driver gave him a coverless comic preview because her husband worked for DC Comics. That was when he realized that comics could be a job and he decided to make comic books. That’s his origin story.

But things were tough after that. He worked on Brownstone for a year – figured it was his last shot. He kept asking, Is this worth it? (Comics are always worth it.)

Making comics is what he always wanted to do, and Brownstone gave him a second chance at that.

And the Printz means Brownstone is actually getting read. And he gets to work! And make comics! He gets to make little Sammy’s dreams become reality.