Review of I See a Pattern Here, by Bruce Goldstone

i_see_a_pattern_here_largeI See a Pattern Here

by Bruce Goldstone

Henry Holt and Company, New York, 2015. 32 pages.
Starred Review

I love Bruce Goldstone’s books about math concepts. They are bright and colorful and draw kids in – and explain the math concepts in simple language, with helpful, dramatic visuals.

This one is about patterns. He explains them using simple language and has a little box giving the mathematical vocabulary where it’s appropriate. As in his other books, he starts simply and builds.

The book covers repeating patterns, then translations (“slides”), rotations (“turns”), reflections (“flips”), symmetry (“equal sides”), scaling (“changing sizes”), and tessellations (“tile patterns”). The many, many varied pictures make the concepts so clear.

For example, he uses photos of quilt blocks, tiles in the Alhambra, kaleidoscope images, lace patterns, tire treads, animals, architecture, beads, stamped patterns, and a 2000-year-old Peruvian cloak.

This is a beautiful book that will get kids noticing the patterns around them and give them a new vocabulary for talking about those patterns.

brucegoldstone.com
mackids.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Life Loves You, by Louise Hay & Robert Holden

life_loves_you_largeLife Loves You

7 Spiritual Practices to Heal Your Life

by Louise Hay and Robert Holden

Hay House, Carlsbad, California, 2015. 236 pages.
Starred Review

Although this book lists Louise Hay as the first author, the book is written by Robert Holden, and in each chapter he talks about the discussions he had with Louise Hay. But the voice of the book is his, and the book is self-referential, talking about what Louise Hay said he should write about.

With that format, the book feels a little lightweight, but that’s rather deceptive. The spiritual practices in this book are surprisingly healing. And the format does make it easy to read. I found it uplifting to read a bit each morning, and pause when I got to each of the practices, which they want you to do for seven days to solidify them.

Here are the practices:

1. Letting life love you. This includes affirmations in the mirror. It feels a little cheesy, but I have to say that it is life-affirming.

2. Affirming your life. In this section, you put up 10 dots around your home to remind you that life loves you. I used post-it hearts, which seem completely appropriate.

3. Following your joy. Here you create an affirmation board of everything you say yes to.

You create your affirmation board by listening within. You are listening for your Sacred Yesses. These Sacred Yesses belong to you. They’re not your parents’ yesses or your partner’s, your children’s, or anybody else’s. They’re not about what you should do with your life; they are about following your joy. They affirm what you love, what you believe in, and what you cherish and value. They are about you living your truth.

4. Forgiving the past. Here they present a meditation using “The Forgiveness Scale” that helps you gradually let go and forgive.

5. Being grateful now. This practice is about noticing what you’re grateful for.

Gratitude brings you back to now. Practicing gratitude helps you to be more present in your life. The more present you are, the less you feel like something is missing. Recently somebody posted this message on my Facebook page: “You may think the grass is greener on the other side, but if you take the time to water your own grass it will be just as green.” Practicing gratitude helps you to water your own grass. Gratitude helps you to make the most of everything as it happens. Gratitude teaches you that happiness is always now.

I so believe in this practice! These authors aren’t the first who’ve pointed out that gratitude is rooted in the present.

6. Learning to receive. This practice is a step up from gratitude. It’s noticing and being open to the ways life is loving you.

Receiving is a great big Yes. “The universe says yes to you,” says Louise. “It wants you to experience your highest good. When you ask for your highest good, the Universe doesn’t say, ‘I’ll think about it’; it says yes. The universe is always saying yes to your highest good.” And you have to say yes, too. The key to receiving is willingness, or readiness. When you declare, “I am ready to receive my highest good in this situation,” it shifts your perception and your circumstances.

7. Healing the future. Here the practice involves blessing the world. This involves a meditation that starts with blessing yourself, moves to blessing your loved ones, your neighborhood, your enemies, and finally the world.

Maybe some of these practices sound corny. But I am impressed by how positive they all are, and, yes, how healing.

Yes, this book is very New Age-y. But as a Christian, I have to agree with everything behind this teaching. I believe that God, behind Life itself, loves me. I believe in following my joy, in being grateful, in forgiving my past. And yes, I want to be ready to receive God’s blessings and also ready to turn around and bless the world. This is a wonderfully positive way to live.

robertholden.org
LouiseHay.com
HealYourLife.com
hayhouse.com

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Review of Wolfskin, by Juliet Marillier

wolfskin_largeWolfskin

by Juliet Marillier

Tor, New York, 2002. 493 pages.
Starred Review

I was in the mood to read an outstanding book and wanted something that would really absorb me, so I reflected that there are still some books by Juliet Marillier which I haven’t read. I chose Wolfskin because it was a first-in-a-series title that was on our shelves at my library branch.

At first, I admit, I was a little dismayed. There’s some foreshadowing that goes on which didn’t sound good. Our hero, Eyvind, a Viking, wants nothing more than to be a Wolfskin, a berserker soldier who hears Thor’s voice. When he is young, he hears a tale about two men with a blood oath of brotherhood. Later, because of that blood oath, one of the men ends up killing his beloved, who is in the family of the enemies of the blood brother. The story is held up as an example of wonderful loyalty. And soon after, Eyvind is asked to swear a blood oath to a nobleman’s brother who is staying with them, Somerled. The reader knows this can’t end well.

Well, it slowed me down. It turns out Somerled isn’t a tremendously likable character. And Eyvind is not as clever as Somerled, and gets taken advantage of.

But I knew I could expect deeper things from Juliet Marillier, and I was definitely not disappointed. Many years later, Eyvind travels across the sea to the Orkney Islands under the command of Somerled’s brother. Events that happen there require Eyvind to trust his own instincts and stand for the truth.

Here’s a section from the beginning of the book, where Eyvind’s older brother Eirik comes home for a visit.

Eirik was his hero. Eirik was a Wolfskin. That was the most glorious calling in the whole world, for surely nothing could surpass the moment when you heard Thor’s call to battle ringing in your ears, pulsing in your blood, filling every corner of your being with a red rage that shut out any thought of fear. To charge forward in pure courage, inspired by the god himself – that bold vision tugged at Eyvind’s thoughts by day and filled his dreams by night. What matter if a Wolfskin’s life were short? Such a warrior, once fallen, would be carried straight to Thor’s right hand. One day he himself would pass the test, and become one of that band to which Eirik and Hakon belonged, as had many of Eyvind’s kin in times past. The men of Hammarsby had a noble tradition in the Warfather’s service. So Eyvind practiced with the bow and with the axe. He ran and climbed, he skated and swam. He shoveled snow and hunted and grew strong, awaiting that day. Eirik’s tales kept his dreams alive. Later, perhaps his brother would tell of the autumn Viking, the riches plundered, the battles won.

Once they get to the Orkneys, the story of Nessa is told alongside Eyvind’s. Nessa is the king’s daughter, training to be the priestess of her people. But then Somerled’s brother dies, and Somerled insists that the folk of the Orkneys are responsible, and there is trouble between their peoples.

This book includes the detailed creation of a world as it may have been, with adventure and bravery, romance and passion, right and wrong, justice and treachery, loyalty and betrayal, and a touch of magic.

Juliet Marillier has done it again. (Or I should say, “did” it again. I just preordered her next book to be published in America!)

julietmarillier.com
tor.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Stories of my Life, by Katherine Paterson

stories_of_my_life_largeStories of my Life

by Katherine Paterson

Dial Books for Young Readers, 2014. 299 pages.
Starred Review

Here’s a wonderful book from a beloved writer. Katherine Paterson, former National Ambassador for Young People’s Literature, has lived an amazing life. She was born in China to missionary parents, was evacuated multiple times because of war, went on to be a missionary herself to Japan, became an adoptive mother, and achieved great success as a writer. There are fascinating stories here, in the hands of someone who knows how to tell a story.

The stories are from her family and friends as well as her own life. They are remarkable and entertaining. I found one a day was a good pace for reading them, like having coffee with a friend and hearing a memorable, warm and human story.

At the front of the book, she answers some common questions like, “Where do you get your ideas?” I like this paragraph from her answer:

Some of my writer friends have so many ideas, they’ll never live long enough to turn them all into books. I look at them with a certain envy, for when I finish a book I say, “Well, that was a great career while it lasted,” because I am sure I’ll never have an idea worthy of another book. But by now I’ve written a lot of books, so I must have gotten those ideas from somewhere, and that somewhere is most often from my own life. Another lesson I’ve learned along the way is that there are no truly original ideas. There are no truly original plots. As the writer of the book of Ecclesiastes said three thousand or so years ago: “There is no new thing under the sun.” Except you. Except me. Every individual is new and unique, so we may be stuck with the same old plots, but because a new person is telling the story, bringing his or her singular life to bear on the story, it is fresh and new. So the only excuse I have for daring to write is that no one else in the world would be able to tell the stories that only I can tell. And an aside to those of you wishing to write — that is your excuse as well. The raw material for our unique stories is our unique lives and perspective on life.

This is a beautiful book from someone who’s living a beautiful life.

The book is written with simple enough language that kids can read it, but it will definitely make good reading for adults, too. In fact, I could see reading this book aloud as a family. They aren’t dramatic cliff-hanger stories, but they’re cozy, warm, and interesting stories, and a delight to read.

terabithia.com
penguin.com/teen

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Screaming Staircase, by Jonathan Stroud, read by Miranda Raison

screaming_staircase_audio_largeLockwood & Co.

The Screaming Staircase

by Jonathan Stroud

read by Miranda Raison

Listening Library, 2013. 10 hours on 8 compact discs.
2013 Cybils Winner: Speculative Fiction, Elementary and Middle Grades
2013 Sonderbooks Stand-out: #1 Children’s Fiction
Starred Review

Normally, I won’t listen to a book I’ve already read. In the case of The Screaming Staircase, I’d already read it twice: Once when it came out, and once for the Cybils Award. (It won.) I also named it my favorite children’s book read in 2013. (I don’t allow rereads to count as Sonderbooks Stand-outs any more, so that way I won’t be tempted to give it to this book again in 2015.) So you won’t be surprised that I loved this audiobook (which our library finally purchased). Apparently, I don’t get tired of this story at all!

I’ll refer you to my original review, but point out a few things I noticed.

As a straight mystery (Who killed Annabelle Ward?), this book is wonderfully well-crafted. There are clues and red herrings as well as a life-endangering denouement accompanying some clever deductions from our heroes.

This book is scarier than I remembered it. The Red Room – with blood dripping down from the ceiling threatening to flood them (and they’ll die if it touches them) is incredibly sinister, not to mention the Screaming Staircase, where long-ago monks were led to their deaths and today you can hear their screams in your head. So that’s the only caveat when giving this book to children or suggesting it for family listening (It would be great!) – they have to be able to handle Scary.

As I suspected, though, the only thing better than reading this book is having it read to you with a British accent. The narrator is utterly wonderful! When I got to the part I used to read aloud at schools when booktalking last summer – I could recite the words along with the narrator, but they sounded so much better with a British accent! This narrator also captured the different voices with excellence.

As I mentioned in my first review, there’s so much going on with this book. We’ve got ghosts, swordplay, a deadline which must be met to keep their business, banter between colleagues, an interesting alternate world with great detail as to the different types of ghosts, kids in charge (because only they can see ghosts), and our heroes setting out to show the world that they are excellent at what they do – without the supervision of adults.

If your kids are old enough to handle Scary, this would make phenomenal family listening, because I guarantee the adults will be as mesmerized as the kids. I certainly was. And this was a book I successfully recommended to several adult coworkers. I am having fun listening to the audio version of the first two books in the series in preparation for Book Three coming out soon. I can hardly wait!

jonathanstroud.com
lockwoodandco.com
Listeninglibrary.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of At the End of the Ages……The Abolition of Hell, by Bob Evely

at_the_end_of_the_ages_largeAt the End of the Ages…

The Abolition of Hell

by Bob Evely

1stBooks, 2003. 171 pages.
Starred Review

This is another book about Universalism. And Bob Evely summarizes the case beautifully that, at the end of the ages, God will save everyone.

This book is for those who believe the Bible is the Word of God, for people who don’t believe all will be saved because they don’t believe the Bible teaches this. Never mind what’s logical — they think universalism is contrary to Scriptures.

Bob Evely looks closely at the original Greek text of the Bible. He introduced me, in fact, to the Concordant Literal Version of the Bible. (I just interrupted writing this review to order my own copy.) Here’s how the Concordant Translation was developed:

Every single Greek word was closely examined. Each word was studied in every occurrence within the New Testament to determine the best English equivalent to be used. As much as was possible the meaning for each word was determined from the way the word was used within the New Testament, and not how other human authors may have used the word.

To preserve distinctions made by God, each individual Greek word was matched with a unique English equivalent. The same English word was not used for different Greek words, and differing English words were not used when a single Greek word was used.

I’d read in other books that the Greek word aion, which is often translated “eternal,” is more accurately translated as “eon” or “age” — often very long, but not, in fact, “eternal” or endless. The author’s reference to the Concordant Literal Version makes this very clear. We can see when aion and aionian is used in many places where “eternal” wouldn’t even make sense. (Most translators pick and choose where to use “eternal” when translating it.)

Here are a few examples from the Concordant Literal New Testament, which the author quotes:

Ephesians 2:7: “that, in the oncoming eons, He should be displaying the transcendent riches…”
Colossians 1:26: “the secret which has been concealed from the eons and from the generations, yet now was made manifest to His saints…”
Matthew 13:22: “…the worry of this eon and the seduction of riches are stifling the word…”
I Timothy 6:17: “Those who are rich in the current eon…”
John 14:16: “…and He will be giving you another consoler, that it, indeed, may be with you for the eon…”
Revelation 11:15: “The kingdom of this world became our Lord’s and his Christ’s, and He shall be reigning for the eons of the eons!”
Matthew 13:39: “the conclusion of the eon”
I Corinthians 10:11: “the consummations of the eons”

Now, the author adds plenty of commentary to these quotations. To me, he clearly points out that it’s inconsistent to translate aion as “eternal.”

He sums up:

While I have not attempted to show how many specific eons are mentioned in Scripture, I have desired to show that there are distinct, separate eons (or ages) that are mentioned in God’s Word. These “eons” are periods of time with a beginning and an end.

There was a time before these eons began. There will be a time when all of the eons will come to an end. We have seen at least three distinct eons referred to in God’s Word.

And he goes on to look at words translated “hell.” This section is also eye-opening. The author looks closely and in great detail to the words used in Scripture. At the end of this chapter, he concludes:

If an earthly ruler condemned even the vilest criminal to be kept alive just to be tortured forever, we would shudder at his cruelty. But we have inherited the current orthodox teachings about God that calmly attribute such activities to Him, while also teaching that He is a God of love.

I have come to see that the Bible does not teach this at all. Man has intervened and has placed his philosophies and pagan ideas within the Word of God. The modern English translations now perpetuate these man-made ideas, primarily because of a few words mistranslated and misinterpreted. We see a God of love, but a God who is also very harsh. Some say this is necessary because of God’s holiness and justice, but is God not able to use His love and power to bring about justice without losing a single sheep from the fold?

On a more positive note, he then looks at the “all” passages in the New Testament, as well as looking at I Corinthians 15:21-28, which talks about the “consummation.”

This is the grand conclusion of the ages. God has taken what mankind (and Satan) have intended for evil, and He has used it to achieve good. He has operated all in accord with the counsel of His will to achieve His will… that ALL mankind be saved. Some have recognized the greatness of God, and the work of the Saviour, in this lifetime, by faith. Others have taken longer, but now find salvation also. Every knee is now bowing in subjection before Him. Every person has found salvation. Every lost sheep has been found. The purpose of the eons has been achieved, and God is now All in all.

Another section of the book looks at the testimony of church history — the ultimate reconciliation of all things is by no means a new view — in fact, history shows us that this was the dominant view of the early church until Augustine.

I like this book, because as Bob Evely describes how he came to believe God will save everyone, his process pretty much mirrors mine. I, too, thought I couldn’t believe it because the Bible didn’t teach it. I was amazed and delighted to take another look and learn that maybe I’d been misled as to what the Bible actually says. And I was also surprised to learn of the deep historical tradition behind this view.

Here is the author’s conclusion, which mirrors how I feel about it:

Having been exposed to the things I have presented in this work, at the very least you should be hoping and praying that these things are true.

Not wanting to be led astray, this is where I began. I had been taught my entire life that there was a place of eternal torment. When I first heard of the possibility that this was wrong, I was highly skeptical. I did not want to be led into falsehood.

But as I journeyed down the path, studying and thinking of these things I had never been taught by a teacher or a pastor, I came first to a place where I did not know if these things were true, but I certainly hoped and prayed that they were!

How can we not feel this way? To think that there really is hope for those of our loved ones who died outside of Christ! Can God’s grace really be that big? Can His love really go that far? Is He really that wise that He could figure out a way to save all of mankind, despite rebellion and sin and wickedness and rejection?

This is a good place to start. The things you have read in this book have been largely suppressed, at least since the 5th century. When Universalism was declared by “The Church” to be heresy, many of the writings in support of this doctrine were destroyed. “The Church” was wrong, and today we live with the results of that error.

At least begin by hoping and praying that these things are true. Read and study the Word of God with this new possibility; this new perspective. Test this theory, this theology. Don’t believe me, but study and think for yourself.

I think as you go forward you will see the wonderful grace of God at every turn. It is a grace that is greater than anything mankind could ever have hoped for!

And this book is a wonderful resource for that search.

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Review of The Boy Who Wouldn’t Go to Bed, by Helen Cooper

boy_who_wouldnt_go_to_bed_largeThe Boy Who Wouldn’t Go to Bed

by Helen Cooper

Dial Books for Young Readers, New York, 1997. First published in Great Britain in 1996.
Starred Review

I’m posting a review of this Old Favorite in response to Travis Jonker’s critique on his 100 Scope Notes blog of the current best-selling children’s book, The Rabbit who wants to fall asleep.

You see, I believe that if you want mesmerizing and hypnotic in a children’s bedtime book, you actually don’t have to sacrifice lovely pictures and beautiful, lilting language.

When my son was a toddler, my then-husband brought this book home after one of his trips to England. It was the British version, so the title was The Baby Who Wouldn’t Go to Bed, but all else was the same.

My son couldn’t keep his eyes open when we read this book to him. Before long, he wouldn’t let us read it at bedtime, because he knew full well it would make him fall asleep.

The book starts with the boys mother telling him it’s bedtime. But it’s still light, because it’s summer, and the boy doesn’t want to go to bed.

But the boy revved up his car…
vrrrooom-chugga-chug…
then drove away
as fast as he could,
and the mother couldn’t catch him.

The boy drives into a lavish dreamscape in his little red car, with a determined look on his face.

The boy meets many creatures and things on his journey and asks them to play, but everyone is much, much too tired.

The language is rhythmic and mesmerizing — but definitely not in a boring or didactic way.

He hadn’t driven very far at all
before he met a tiger.
“Let’s play at roaring,”
said the boy.

But the tiger was too tired.
Nighttime is for snoring,
not roaring,”
yawned the tiger.
“Come back in the morning.
I’ll play with you then.”

The pictures have the soft golden light of a long summer sunset.

He sees soldiers too tired to parade any longer. I like the train (with the dreamscape quickly getting darker), and all the toys in the train cars have their eyes closed:

He stopped for a moment
as a train rolled by.
“Race you to the station,” called the boy.

But the train was too tired.
“Nighttime is for resting, not racing,” said the train.
“I’m going home to my depot, and so should you.”

Of course, parents do not need instructions to read all this in a sleepy, tired, drowsy, weary voice.

When he meets musicians, they’re too drowsy to play music for dancing. They suggest that the boy give them a ride home, and they’ll play a lullaby instead.

The musicians played
such a sweet tune
that the sun was lulled
to sleep and the
moon came out.

The boy’s car went slower …
and slower …
and slower …

and soon the musicians were sound asleep.

Then the boy’s car stopped….
It had fallen asleep too.

The boy tries to get help from the moon hanging in the sky, but even the moon is too tired!

“It’s bedtime,”
sighed the moon drowsily.
And even the moon closed her eyes and dozed off.

Soon, the boy is the only one awake, and all the world around him is sleeping.

But there was someone else who was not asleep.
Someone who was looking for the boy …

Someone who was ever so sleepy,
but couldn’t go to bed until the boy did.

It was the mother.
And the boy hugged her.

The picture of the mother holding the boy here is suitable for framing.

The mother trundles and bundles the boy back to bed. With a big yawn, he gives in to sleep. And the last words of the book are:

“Good night.”

One fun thing about the book is that the dreamscape of the boy’s adventures matches the toys and furniture you’ll find in his room.

The language is so lovely, the paintings are magnificently soft and warm and beautiful, and the tired, tired creatures and things will get any little one yawning.

So my suggestion? If you want to hypnotize your child at bedtime, do it with delight. Try The Boy Who Wouldn’t Go to Bed. Put some sleepiness in your voice, and I challenge you to stay awake, let alone your little one.

Because, after all, nighttime is for snoring, not roaring; dreaming, not parading; and resting, not racing. Good night!

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of As Chimney Sweepers Come to Dust, by Alan Bradley

as_chimney_sweepers_come_to_dust_largeAs Chimney Sweepers Come to Dust

by Alan Bradley
read by Jayne Entwistle

Random House Audio, 2015. 11 hours on 9 compact discs.
Starred Review

I decided to listen to the next installment of the Flavia de Luce books, after learning it’s read by Jayne Entwistle, whom I heard read The Scandalous Sisterhood of Prickwillow Place and heard in person at the 2015 Odyssey Award reception. This added to the fun, though I think I would have enjoyed this book anyway. I was afraid it would degenerate into a standard school story — but Flavia is anything but standard.

Flavia has, however, been sent off to school in Canada. But the very night she arrives, a body falls out of the chimney in her room. The body is wrapped in a Union Jack and has been there awhile. It is clearly a murder, since the head is not attached.

Flavia has no relationship with the police in Canada, so she has little access to clues, beyond what she saw that first night. But she does have access to the school’s chemistry lab, and I was happy when her knowledge of poisons did come into play.

I wasn’t thrilled with the hints that the school was training ground for a league of espionage. That seemed a little far-fetched. However, it did make for some nice red herrings along the way. Because there are secrets everywhere at Miss Bodycote’s Female Academy.

Basically, Flavia has a nice classic murder to solve. Who was killed, and how? And she’s not in her native element. Can she pull it off? Flavia is still her unique manipulative self, with a knack for uncovering secrets and an uncanny knowledge of poisons.

alanbradleyauthor.com
randomhouseaudio.com

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Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Sky Is Falling! by Mark Teague

sky_is_falling_largeThe Sky Is Falling!

by Mark Teague

Orchard Books (Scholastic), New York, 2015. 32 pages.
Starred Review

This book cracked me up. It’s very much in the same style as The Three Little Pigs and the Somewhat Bad Wolf, by the same author.

The book contains a twisted retelling of Chicken Little’s story. Or perhaps I should say a more logical telling of Chicken Little’s story. Kids who are familiar with the traditional tale will appreciate the changes in this one.

And look! The third time through the story, I noticed for the first time a detail on the first page that adds impact to how the story turns out. This is a book that rewards close attention.

The story starts the common way:

One day an acorn hit Chicken Little on the head.

She popped up, screeching,
“The sky is falling! The sky is falling!”

The difference is apparent right away:

”I don’t think so,” said Squirrel.
Squirrel knew a thing or two about acorns.
“See, it fell from a tree.”

But Chicken Little doesn’t pay attention to squirrel.

Soon, all the chickens were in a tizzy.
Chickens are like that.

“The sky is falling! The sky is falling!”
they cried.

They danced around the yard,
flapping their wings.

But in this version, the birds don’t go to tell the king – they start a dance that infects all the animals in the barnyard!

Fox is up to his same tricks, however. If the sky is falling, he thinks everyone should hide in his den.

I love the chicken logic on this page:

”But why aren’t you dancing?” asked Chicken Little.

Fox began to feel annoyed. “Because it makes no sense!”

“Everyone dances when the sky is falling,”
Chicken Little explained. “Look!”

I will simply say about this tale that the fox does get an appropriate comeuppance.

The pictures of the animals dancing their hearts out definitely make it worth your while to pick this book up.

A very silly story which is ever so much fun.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Did God Kill Jesus? by Tony Jones

did_god_kill_jesus_largeDid God Kill Jesus?

Searching for Love in History’s Most Famous Execution

by Tony Jones

HarperOne, 2015. 295 pages.
Starred Review

This book has a provocative title – at least for Christians. Jesus’ death is central to Christianity. What, actually, does it mean?

Like the author, I was brought up with the “payment” explanation of Jesus’ death – essentially that we are sinners and God hates sin – and Jesus, the sinless sacrifice, had to save us from God’s wrath. I’ve heard it preached that this is essentially the gospel. But I’ve also heard stories, explanations, and analogies of this view that get a little bit horrible if you think about them too hard.

It turns out that the reason for Jesus’ death preached at that middle school retreat. . . is not the only way that Christians have understood the death of Jesus. Instead, it’s one of about half a dozen theories that preachers and theologians have used over the past two thousand years to explain why Jesus died. This fact wasn’t advertised to me when I was growing up. Instead, I was taught that there was one and only one reason that Jesus died: because of my sin and God’s anger and disappointment with me. Maybe you were told the same thing. But this sentiment would have been confounding to a second- or third-century Christian. They had entirely different ways of understanding Jesus’ death, ways that we will explore in later chapters.

And behind each explanation of the crucifixion is an implied view of God. God is either strong or weak, in control or abdicating control, engaged or absent, gracious or vindictive. In the pages that follow, we will walk through the various views of Jesus’ death, and we will look at the God who stands behind the cross in each.

For myself, my reading in George MacDonald’s writings is what got me first to even see there might be another way of looking at the cross. This book goes into detail and examines the many different ways Christians have, over the centuries, looked at the death of Jesus. It turns out that the “payment” model wasn’t taught in the church until hundreds of years after Jesus’ death. And now we’re told believing this is the only way to be saved?

Here’s a section from the introductory chapter:

Even without the Bible, what kind of sense does it make to believe that God would create you and me, only to be disgusted by us and wrathful at our inevitable shortcomings? But add in the Bible, and you can really see how misaligned this interpretation of the crucifixion is. If we look in the Bible for evidence of this overwhelming disgust God has for us, it’s hard to come by. Sure, there’s the occasional verse that talks of God’s anger at particular sins or human behavior that God considers an abomination, but the overarching message of scripture is clear: God created us, God loves us, and God wants the best for us. In fact, the Bible is rife with stories of God going out of his way to set people on the right path – despite our failures, despite our sins. Indeed, the Apostle Paul assures us that God loved us “while we were still sinners.”

Before we study the Bible and even before we formulate and wrestle with all the doctrines from church history, we intuitively know something fundamental: the message of Jesus, God’s primary emissary, is that God loves us. That’s what Jesus came to preach and to enact in his miracles. He referred to God as his “Father” and his “Abba” – intimate terms based in relationship. Theirs was a close and loving connection. Jesus came to open that loving relationship between himself and the Father to all of us. This event, the crucifixion, on which all of cosmic history pivots, forever changed both us and God.

This also means there can be no separation between God and Jesus; we cannot set a wrathful and vengeful God in opposition to a loving and gracious Jesus. Jesus repeatedly taught that he and the Father are one, that the best way to know and understand the Father is by knowing and understanding the Son. And the main message of both Father and Son is that they love us and want to be united with us. Even before we come to understand what happened on the cross, we know that whatever explanation we discover cannot contradict the eternal relationship of love that binds the Father and the Son, that binds God and us.

This is a book on theology. The author does what he suggests here – looks at all the doctrines about the cross from church history.

I suspect that as we journey through the history of thought about Jesus’ crucifixion and look at the biblical accounts of that event, we will find a God who is not wrathful or disgusted. We won’t find a God who killed his son, nor demanded that his son be executed to pay a penalty. Instead, I suspect that we will find a God of love who goes even to the most extreme lengths to identify with the human experience and to build a bridge between the human and the divine. We’ll find a God who wants nothing more than to communicate his love to us.

I like his “smell test”:

Research shows that those who believe in a wrathful God are more likely to suffer from depression and anxiety disorders than those who believe in a loving, merciful God. Our beliefs really do have consequences, for they structure how we live.

I tend to be a pretty logical person. I like debates, reasoned arguments, and rigorous thinking. But after many years of searching and studying the ways of God, theology, and the Bible, I’ve concluded the following:

Bad theology begets ugly Christianity.

Good theology begets beautiful Christianity.

I call it the smell test. It’s an aesthetic argument. Like me, you’ve probably pulled that half-gallon of milk out of the back of the refrigerator, seen that the “best by” date is long past, and cautiously waved the open bottle under your nose. The result is either, “Smells fine to me!” or a sour stench strong enough to strip the bark off a tree.

That may seem an odd way to measure a faith system. We are used to matters being true or false, right or wrong, not beautiful or ugly, sweet or sour. Most prefer a more forensic approach: she who has the most logical doctrine wins. But, as we will see in the pages to come, many religious systems that are perfectly logical are nevertheless downright ugly. They’re bad for the world and bad for people. In other words, you can devise a system of doctrine that makes perfect sense within its own little self-inscribed world, but when you take it out into the broader marketplace of ideas, it spoils, like dropping a teaspoon of vinegar into a gallon of milk.

In the main section of the book, the author looks at historic interpretations of Jesus’ death within the church (and there are many). And he asks six questions of the various models:

What does this model say about God?

What does it say about Jesus?

What does this model say about the relationship between God and Jesus?

How does it make sense of violence?

What does it mean for us spiritually?

Where’s the love?

It turns out, these are some good questions to ask. This is a book that explores, and a book that thinks deeply.

I recommend this book for Christians who want to think about their faith. For those who think there is only one way to think about the crucifixion, perhaps it will open your eyes. And whether you end up agreeing with the author or not, it offers many perspectives and many things to consider. If nothing else, it will get you thinking about God’s love and grace.

If you’re not a Christian, but you feel you’ve been burned by Christianity or Christians who have taught you that God is angry with you – I also recommend this book. Perhaps you’ll be able to more clearly see God’s great love for you and God’s identification with humanity in Jesus. If nothing else, perhaps this more loving communication of Christianity will be healing.

Here’s a section from the last chapter:

Of the mystics in the history of the church, many like Brother Lawrence spent a great deal of time meditating on the crucifixion. In the climax of the great twenty-eight-day retreat called the Spiritual Exercises of Saint Ignatius, the person on retreat meditates on Jesus being crucified, even having an imaginary conversation with Jesus as he hangs on the cross. While this may strike our modern sensibilities as gruesome or strange, now that we’ve come to see the humility of God on display in Jesus and the solidarity that God showed to humankind, we can understand how the cross can become a peaceful meditation, the moment of God’s ultimate presence with us.

The English mystic Julian of Norwich also meditated on the crucifixion. She dared not look up from the cross, she said, “For I knew that whilst I looked at the cross I was secure and safe.” When she looked at Jesus on the cross, she experienced God’s presence. It is ironic: looking into the eyes of a man being executed and feeling peace, safety, security, even tranquility. But it is possible because the crucifixion is God’s ultimate act of love.

We have something to learn from these old mystics. The crucifixion is a source of peace. It’s a magnet that draws us into the all-encompassing love of God. It’s a mirror that shows us the result of all our violent tendencies. It’s a spark that relights the flame of divinity within us. It’s a symbol of God’s victory over the forces that oppress us.

We look into the eyes of the dying savior knowing that in him, God performed the ultimate act of humility. In the abandonment of Jesus’ cry, God experienced the godforsakenness that every human feels. And a new bond was formed between God and humanity – a bond that is now cemented by God’s Holy Spirit.

I like this book. The author does show some drawbacks with the Payment Model of Jesus’ death, but I don’t think this book is primarily about showing drawbacks. It’s about shining a light on the cross, about thinking deeply about the cross and what it means about God, what it means about Jesus, what it means for us spiritually, and how it’s all about love.

tonyj.net
harpercollins.com

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Nonfiction/did_god_kill_jesus.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?