Review of Journeys, edited by Catherine Gourley

Journeys

Young Readers’ Letters to Authors Who Changed Their Lives

Library of Congress Center for the Book
edited by Catherine Gourley

Candlewick Press, 2017. 226 pages.
Starred Review
Review written July 5, 2019, from a library book

This book is a collection of fifty-two letters written by young readers to authors about how their lives were touched by the authors’ books. Here’s an excerpt from the Foreword:

Over the years that Letters About Literature has invited young readers to share their personal responses to authors with us at Center for the Book, we have learned that children often approach reading with reluctance and that writing about what they read is often a challenge and, for some, a struggle.

This volume of letters is a showcase of young minds and hearts inspired and at times healed by the power of an author’s words. As the letters so poignantly illustrate, not all books are right for all readers. Likewise, two readers can interpret and respond to the same book quite differently. For some children, finding that right author, that right book, is in itself a bit of a journey. Once a reader finds that author and that book, something remarkable occurs. Readers discover themselves within the pages of the book. They begin to feel and to understand.

The letter-writers range in age from fourth grade to twelfth grade. Almost all of them are deeply personal. Since the editors chose from twenty-five years of letters, this isn’t a surprise. Each letter is showcased with a short description of the author and book they responded to.

I’m going to include a few random excerpts from letters. It’s not hard to find good quotations:

About Crispin: The Cross of Lead, by Avi:

I want to be a writer that opens up doors for people. I want to set scenes and describe occupations that not everyone can become. People may not have the physical or mental capabilities to be an astronaut, race-car driver, teacher, dancer, or baseball player, but for a time, I want them to experience what each of those professions would be like.

I am a ten-year-old boy. I have mild cerebral palsy, but for one cool fall afternoon, I became Crispin, living in the Middle Ages. Thank you for that gift.

About The Book Thief, by Marcus Zusak:

I used to be afraid. I used to wake up screaming and seeing a yellow star sewn onto my clothing. I have read many books about the Holocaust, but none of them struck me like The Book Thief. Instead of pain and fear, it is a book that focuses on courage, kindness, the power of words, and hope.

About the Harry Potter books, by J. K. Rowling, from a girl who’d been forbidden to read them:

You have given the world a gift, Ms. Rowling. You have given millions of people a friend, an adventure, and a happy ending that never ceases to amaze. So now, I thank you. Thank you for giving a little girl and her siblings someone to admire and dream about. Thank you for teaching the children of this world how magical love is, and most of all, Ms. Rowling, thank you for giving me Harry.

From a high school student about The Things They Carried, by Tim O’Brien:

When the soldier eventually kills himself, I was jolted awake. Why are death, war, and loss such taboo subjects? Why must we bury them down deep inside, cover our fears and uncertainties with a strained smile, and ignore a whole part of ourselves? No longer was I going to hide the past and the pain. I wouldn’t give up because people were unwilling to listen. I would spin words into poetry and attempt to define the indefinable. Circumstances had broken my heart, weighed down my shoulders, and given me a lifelong burden to carry. Yet I was unwilling to succumb to the same fate as the disillusioned soldier. I would not be shattered.

Your last story simultaneously opened fresh wounds and gave me the first real comfort since my mom’s death. I cried when Linda died. It was tragic. She was so young. I thought of my mom and it was almost unbearable. However, I realized from your book that stories could keep a person alive. Stories allow us to visit the past how it was: untainted in its beauty and unmarked by death or struggle.

And I love this one, about The House on Mango Street, by Sandra Cisneros:

“We are tired of being beautiful.” Thank you for writing those words. I was thinking them. I felt their unspoken pressure until they broke off your page and got stuck in my heart. That was your trick, I suppose. You wrote what everyone was thinking. You are so far away from me, so different, and still you spoke to me and I understood you. You knew me all along.

I am not fat anymore. I never was, I suppose, or maybe I still am. But I’ve stopped thinking about it and I am fine. “I am too strong for her to keep me here forever,” you wrote. I know that by “her,” you meant Mango Street, but I read it as “my body” and “my mind.” My heart came back together then, and I have you to thank for that. You didn’t tell me how to pull myself back together; you just showed me that I could. I was tired of trying to be somebody else’s definition of beautiful, and you told me that was okay. Beauty is not in the beholder, but in she who is beheld.

If you’ve ever wondered whether books can truly change lives, I highly recommend reading this book.

loc.gov
candlewick.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Consent (for Kids!), by Rachel Brian

Consent
(For Kids!)

Boundaries, Respect, and Being in Charge of YOU

by Rachel Brian

Little, Brown and Company, 2020. 64 pages.
Review written January 28, 2021, from a library book

What a perfect idea! Rachel Brian, the creator of the viral short video Tea Consent has made this little graphic novel explanation of consent in a completely kid-friendly way.

It turns out you don’t have to talk about sex to explain that you are in charge of your own body.

The book begins by explaining boundaries. That different people may have different boundaries, and that you may have different boundaries for different people, and those boundaries may change. The cartoons show things like high-fiving, hugging, and waving. It covers things like tickling, tackling, and pinching. What may be fine for one person may not be fine for someone else.

They’ve thought of more issues about consent than I would have ever realized are there, and it’s all done in a child-friendly and empowering way. I like the page where they show that someone’s outfit does not tell you if they consent. It shows a kid dressed in a bathing suit standing by a pool. But after she stops some kids from pushing her in, she says she doesn’t plan to swim at all. She just likes wearing the bathing suit and is planning to wear it to dinner. (This is all done with speech bubbles.)

The book also covers finding who you can trust, earning trust, and listening when other people talk about their own boundaries.

I was going to say that I’m sad this book needs to exist, but once I think about it, I’m not sad. Why, it does even me good to be reminded that I’m in charge of my own body. And I love that kids are getting taught that even when they’re young.

[Hmm. Where should I put this review? I hadn’t made a category in Children’s Nonfiction for Current Issues. I think for now, it fits best with the books in The Arts.]

LBYR.com

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Review of The Imaginaries, by Emily Winfield Martin

The Imaginaries

Little Scraps of Larger Stories

by Emily Winfield Martin

Random House, 2020. 80 pages.
Review written July 11, 2020, from a library book
Starred Review

This book is a worthy addition to the tradition of The Mysteries of Harris Burdick, by Chris Van Allsburg. What you have are a set of fantastical paintings, each with a scrap of text, with the text usually shown as actually written on a scrap of paper.

The caption that goes with the picture that appears on the front cover is “Lily wanted to be a good place to land.”

One of my favorites shows a monkey holding a key and says, “Ask the monkey what he knows.” It’s written on the back of an envelope.

There’s a picture of five children wearing dresses at the edge of a forest, and they have the heads of animals. The caption says, “Their parents never knew the secret.”

A few characters seem to appear in more than one picture.

A note at the front from the author says that she found these scraps of words and pictures over the years, “illustrations for stories that do not exist,” in various places.

I found one in a lighthouse, one in a packet of seeds, one in the trunk of a hollow tree.

There was one tucked in the corner of a forgotten diorama, one hidden like a pearl in an oyster shell . . . one forgotten in a paperback from a used bookstore in Paris.

These pictures will send your imagination circling as you browse them, and may provide seeds for all kinds of stories.

A wonderful offering.

rhcbooks.com

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Review of Drawn from Nature, by Helen Ahpornsiri

Drawn from Nature

by Helen Ahpornsiri

Big Picture Press (Candlewick), 2018. 60 pages.
Starred Review
Review written April 29, 2018, from a library book
2018 Sonderbooks Stand-out:
#5 Children’s Nonfiction Picture Books

I don’t think this book is eligible for either the Newbery or the Caldecott Medal, because the author lives in the United Kingdom – but that’s too bad! The art in this book is incredible! (I’m going to wait to post this review until after the Newbery is announced, just to be careful.)

All of the art in this amazing book is made from actual plants. Here’s how the artist explains it in the back:

Everything you see in these pages – from the gleam in a fox’s eye to the delicate line of a cobweb – is made from a plant.

Flowers and foliage are always changing with the seasons, but here they have been paused in their life cycle, kindled with a new story. Ferns have been transformed into feathers, and the colorful wings of insects are formed from the very flowers they feed on.

Each collage is made from hundreds of leaves and flowers, which are responsibly grown or foraged in the wild and preserved with traditional flower-pressing methods. The plants are then delicately arranged into bold new shapes and forms. They are all brimming with the twists and tangles of the wilderness, all capturing a perfect moment in time.

The text is about nature as it goes through the seasons, beginning with Spring and birds building nests, through Summer in the meadow, through Autumn with falling leaves, and finishing with Winter and hibernation and bare branches. But that’s a very brief summary – besides the incredibly detailed illustrations, the words reveal a knowledge of details of life in the wild that show careful observation.

I could look at these illustrations for hours. They are the sort that prompt me to show everyone in the library. One co-worker said that she has ordered cards from this artist on Etsy. The beauty and detail of her work is simply astonishing.

candlewick.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Reawakening Our Ancestors’ Lines, gathered and compiled by Angela Hovak Johnston

Reawakening Our Ancestors’ Lines

Revitalizing Inuit Traditional Tattoing

gathered and compiled by Angela Hovak Johnston
with photography by Cora De Vos

Inhabit Media, Ontario, Canada, 2017. 70 pages.
Review written May 11, 2020, from a library book
2020 American Indian Youth Literature Young Adult Honor
Starred Review

I read this book because it won a 2020 American Indian Youth Literature Award Honor in the Young Adult category, and I’m glad I did.

This book tells the story of the Inuit Tattoo Revitalization Project, an effort begun by Angela Hovak Johnston to revive the traditional tattooing of the Inuit people. Here’s a small part of her explanation in the Introduction:

This eight-year project began with my personal journey to permanently ink myself with the ancient symbols that were worn by my Inuit ancestors. The last known Inuk woman in the Nunavut area with tattoos done the traditional way passed away in 2005; that is when my passion grew. Knowing she was the last inked Inuk woman, I strongly believed tattoos couldn’t become just another part of history that we only read about in books, so I pushed forward with my dream of having tattoos. I knew I had a role to play. It took me years of hard research and finding the right tattoo artist to do these markings on my face. Not giving up, in 2008, I finally had my first facial tattoos. Inuit traditional tattoos, almost lost as a result of missionaries and residential schools, have come back. While tattoos skip three generations in some families, through this project, we thankfully had the pleasure of inking a family of women who carried three generations of new tattoos.

This book documents a part of the project where Angela and her team met for five days in April 2016 at the Kugluktuk Heritage Visitor Centre in Kugluktuk, Nunavut, and gave traditional tattoos to the Inuit women who came.

The photographs by Cora De Vos, an Inuk photographer, make this book exceptional. Each participant gets a spread. On one side the woman explains the significance to her of the tattoos she received along with various pictures of receiving the tattoos or modeling the tattoos. On the opposite side, there’s a portrait of the woman with the finished tattoos, often in traditional Inuit clothing, and always looking beautiful and strong.

Each woman speaks for herself, which makes the text a little bit repetitive, since receiving the tattoos meant similar things to many of the women. But I did appreciate that all were given a voice and a moment to shine. All the women are truly beautiful and this project brings that out in such a lovely way.

The photos are so gorgeous, readers might be tempted to try to get similar tattoos for themselves, so there is an Author’s Note about cultural appropriation at the back – this project is going to focus on giving Inuit women the opportunity to receive the traditional tattoos first.

The book is full of hope and joy about Inuit women reclaiming their history and traditions. You can see their emotion in the photographs and hear the pride in their voices. This is a lovely thing for anyone of any ethnicity to witness, and I’m very glad I discovered this beautiful book.

inhabitmedia.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Playlist, by James Rhodes

Playlist

The Rebels and Revolutionaries of Sound

by James Rhodes
illustrated by Martin O’Neill

Candlewick Studio, 2019. 68 pages.
Review written April 1, 2020, from a library book
2019 Cybils Award Winner, Senior High Nonfiction
Starred Review

This book is visually stunning as well as audibly stunning (more on that in a minute). It’s oversized, but many will realize it’s the same square shape and size as a record album.

Once inside, every spread is a presentation. This is an author who loves classical music and is excited about it. If anyone can communicate that love and excitement to a young reader, this would be the person.

Here’s an excerpt from his Introduction:

I’ll be honest with you: classical music is not usually seen as riveting material for a book. I know that. You know that. It is thought of as dull, irrelevant, belonging to other (usually old) people, and about as interesting as algebra. I will say this though: classical music saved my life when I was a kid. And even today, many years later, every single time I listen to it, it makes me feel amazing.

Classical music has a bad and, in my mind, unfair reputation. Those composers with the white curly wigs, such as Bach and Mozart, might seem super old-fashioned now. But they were the original rock stars. They changed history, inspired millions, and are still listened to and worshipped all around the world today. So I hope you’ll leave behind your preconceptions: even if you think you hate it, give it an hour or two of your time and then decide.

It does have to be said that there are a LOT of classical composers, and it can be quite overwhelming to decide where to begin. I have chosen seven composers to get us started. For each composer I have selected two pieces to discuss and listen to. I’m also going to explain a bit about the lives of the composers. (You won’t believe some of their stories. Did you know Beethoven peed into a chamber pot he kept under his piano and Bach had twenty children?) I’ve chosen Bach, Mozart, Beethoven, Chopin, Schubert, Rachmaninoff, and Ravel: the perfect introduction to classical music.

So that gives the format of what follows: We’ll have a spread for each composer, then a spread telling about his life, then a spread for each of the two pieces of music that James Rhodes analyzes for us. And that’s what makes this book extra vivid: At the front he’s got a playlist of all the music. You put tinyurl.com/jamesrhodesplaylist into a browser, and you’ll get to listen to all the pieces on Spotify. So you get to listen to the music as he describes it.

And his enthusiastic descriptions help you appreciate and understand the significance of the pieces he chooses.

All of his descriptions ring with his love for the pieces. Here’s an example taken from the spread about Rachmaninoff’s Piano Concerto No. 2 in C Minor, Finale:

As we know, Rachmaninoff was a giant, and this concerto requires really, really big hands. He asks the pianist to play enormous chords and super-fast runs of notes and jumps from the bottom of the keyboard to the top and back again. The last movement, which we’re going to focus on here, is my favorite, for reasons that will become obvious as you listen to it. It has everything that any music fan could ever want – incredible, unforgettable melodies, insane piano pyrotechnics (I mean just listen to the first time the piano enters!), excitement, melancholy, heartbreak, and heroism, all in eleven minutes. There are giant cymbal crashes, sweeping romantic tunes with the entire orchestra and solo piano playing at full volume, and an electrifying ending. But it’s the big tune, perhaps his most famous melody, that really does it for me. It starts at 1’47, and Rachmaninoff, knowing how special it is, repeats it three times during the course of the movement, each time adding little touches and making it fresher and more magnificent until the very last time (9’55 OMG), when it becomes this enormous, grand, sweeping melody that has inspired dozens of Hollywood composers and would feel right at home in one of the Jurassic Park, Fantastic Beasts and Where to Find Them, or Incredibles movies.

Speaking of movies, in the section on the composer’s life, he always includes some movies that use music by the composer.

There are some additional spreads with musical terms and a timeline of Western Classical Music, and absolutely nothing in this book is remotely boring. It gives the reader a nice background of classical music, and a wonderful audio sampling of the riches you can find there.

At first when I opened this book, I was reluctant to go to the trouble of listening to the playlist. By the time I was done, I was eager to hear and notice the things James Rhodes pointed out.

As he says to finish his Introduction:

So, this is my plea: give this music a chance. Read the book, listen to the pieces in the playlist I’ve built for you (turn the page!), and then, if you want, NEVER listen to it again, safe in the knowledge you’ve given it a go and hated it. But maybe, just maybe, it’ll blow your mind and improve your life a little bit, and you’ll want to send me a giant box of cookies as a thank-you. (I’m not even joking – send as many as you like.)

Enjoy. Take it slowly. Allow yourself to experience something magical.

Count me as someone whose mind was blown. Though in lieu of sending cookies, I’m writing this review.

candlewickstudio.com

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Heart of a Boy, by Kate T. Parker

The Heart of a Boy

Celebrating the Strength and Spirit of Boyhood

by Kate T. Parker

Workman Publishing, 2019. 250 pages.
Starred Review

Oh, I love this book! I was already crazy about Strong Is the New Pretty, the book the author wrote celebrating girls. Now she’s done an equally wonderful job taking photographs of boys. (And the boy on the front cover is the most adorable ever!)

Both are books of photography, with large mostly close-up pictures, focusing on faces. Both books break some stereotypes, so in this book you do have many pictures of boys being tender.

The chapters break the photos loosely into categories. Here are the chapter titles: “The Heart Is Vulnerable,” “The Heart Is Joyful,” “The Heart Is Dedicated,” “The Heart Is Playful,” “The Heart Is Creative,” “The Heart Is Resilient,” “The Heart Is Expressive,” “The Heart Is Independent,” “The Heart Is Curious,” and “The Heart Is Kind.”

Each photograph is accompanied by a caption with the boy’s first name and age and a quote from him. Here are a few random examples:

“I want to be president because I am helpful, kind, and nice.”

“I liked losing my front teeth because I could fit Tic Tacs through the hole!”

“Wrestling taught me perseverance in everything I do. That in order to move a wall, I have to push until I can push no longer. Only then, after giving everything I’ve got, will that wall move.”

“Cade is my best friend. We have so much fun together whatever we do. We can just be really silly and do nothing and still have fun.”

“Baseball is a lot of fun. I love the sport because I can play with my friends and teammates. The hardest part is that I can’t run as fast as the other kids because of my knee disability. So I have to try much harder to keep up.”

“I like soccer. I like baseball. I like to dance, too. The best part is tap dancing becase it is fun and it makes me feel good.”

“People say, ‘You look like a girl. Your hair is too long, your hair isn’t normal, your hair doesn’t look like boy hair. Why are you wearing pink leggings? Why do you wear tight clothes? Why do you wear so much jewelry?’ But I like the way I am.”

“When I’m drawing my characters come alive, and it’s as if they are right there speaking directly to me.”

Now you need to see the boys who have said these words – and many more. This is another fabulously affirming book.

katetparker.com
workman.com

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Keith Haring: The Boy Who Just Kept Drawing, by Kay A. Haring

Keith Haring

The Boy Who Just Kept Drawing

by Kay A. Haring
illustrated by Robert Neubecker

Dial Books for Young Readers, 2017. 40 pages.
Starred Review

This picture book is a biography of artist Keith Haring written by his sister. She writes a note at the back:

I wrote this story to answer the question I’m always asked, “What was Keith like as a kid?” The answer is, “HE WAS ALWAYS DRAWING!”

She gets that across in the book, with the words “he just kept drawing” showing up as a refrain on most spreads.

The artist does a great job capturing the spirit of Keith Haring’s work. His unsophisticated but intricate lines are something that naturally appeal to children, and keeping that spirit works wonderfully in a picture book.

The book begins:

When he was little, his father taught him how to draw dogs and fish and funny things. His dad would draw a line. Then Keith would draw one. Soon, the whole page would be full.

From that time on, Keith never stopped drawing.

The story gives us some highlights of his short life. He’d even do murals with children. He’d draw in chalk on black spaces in subway stations.

At the end of the book, she gives Keith’s answers to these questions:

“WHY do you draw all the time?
WHY do you give your artwork away?
WHY do you draw on buildings, on people, on clothing, on furniture, on subway walls, on cars, on skateboards, on walls that belong to no one, and on things to be thrown away?
WHY do you draw on EVERYTHING??”

Keith stopped drawing, just for a moment, and answered.
“I draw all the time because there are many spaces to fill. I give my drawings away to help make the world a better place. I draw everywhere because EVERYONE needs art!!”

kayharing.com
www.neubeckerbooks.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Imagine! by Raúl Colón

Imagine!

by Raúl Colón

A Paula Wiseman Book (Simon & Schuster Books for Young Readers), 2018. 44 pages.
Starred Review

Look! A 2018 picture book that I can review!

Why can I review it? Well, I’m on the 2019 Newbery committee, but the Newbery Medal is given for the text of a book – and this book has no words. So it can’t win. (The Caldecott Medal is another story, by the way.) And I can review it.

In this book, a boy leaves his house on a skateboard and crosses a bridge to go into the city. He enters the Museum of Modern Art and checks his skateboard at the checkroom.

But when he looks at the paintings, some of the characters come out and join him! The first one, from Matisse’s Icarus, dances with him, and they climb into Picasso’s Three Musicians and get the musicians to come along, too. Next they round up a lion and another musician from Rousseau’s Sleeping Gypsy. Now they practically have a band!

The happy throng goes out of the museum, exchanging instruments along the way. They have joyful adventures around New York City. They finish up in Central Park with songs, balloons, and bubbles.

When the adventures are done, it’s back to their paintings, and then the boy rides his skateboard back home. And he finishes by drawing a mural of his day with his friends.

This is a beautiful and joyous book. I feel confident that children will find more in its pages every time they go through it.

simonandschuster.com/kids

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Strong Is the New Pretty, by Kate T. Parker

Strong Is the New Pretty

A Celebration of Girls Being Themselves

by Kate T. Parker

Workman Publishing, 2017. 250 pages.
Starred Review

Strong Is the New Pretty is a book of photographs of girls being strong – and they are indeed beautiful.

My library has put this in the juvenile nonfiction section, but I think in many ways, this is a book for families. If you have girls in your family, stick this on your coffee table. Let the whole family browse the photos. It would also make a nice high school graduation gift for a girl, encouraging them to be themselves. (Though the girl isn’t likely to take such a large book off to college with them, so I suppose that’s a little problematic.)

The text accompanying the pictures isn’t exactly geared to children. There’s an introduction, and then nine chapters, with titles “Confident is Strong,” “Wild is Strong,” “Resilient is Strong,” “Creative is Strong,” “Determined is Strong,” “Kind is Strong,” “Fearless is Strong,” “Joyful is Strong,” and “Independent is Strong.” Each chapter has an inspiring explanation at the front of how these pictures fit with the theme. Every photo has a quotation from the featured girl.

For example:

Cancer stole part of my leg but not my joy. I choose happiness. Being happy is my superpower.

— Grace B. age 12

Leaf jumping is the best.

— Alice age 6

Through music I have the ability to make others smile and even cry when I perform in a way that moves someone.

— Nora age 11

She had a knot in her cleats. I’m really good at untying knots, so I helped.

— Lily S. age 5

Yeah, I am a little muddy. So what?

— Tayla age 6

The quotations aren’t usually profound, but the photographs are stunning! And I love that the photographer gave each subject a voice.

In the Introduction, the author explains how the project got started.

This photo series started as a personal project. I work as a professional photographer, but I’m also a mom (the mom with the giant camera and bag of lenses at most events). And it’s not uncommon for me to be photographing my girls and their friends – constantly – when they’re riding their bikes, at soccer practice, or exploring tide pools while on vacation. The more I shot, the more I began to notice that the strongest images, the ones that resonated most with me, were the ones in which the girls were being 100 percent themselves. When they were messy and funny and stubborn and joyful and in your face, I kept shooting. I didn’t ask them to smile or go put on a pretty dress. I wanted to capture these girls as they were, and how they were was amazing. I wanted to continue capturing them in just that way – not just for my sake, but for theirs, too.

As a body of work emerged, I kept at it with more intention. I wanted to show my girls that beauty isn’t about being a certain size, or having your hair done (or even brushed, in their cases), or wearing a fancy outfit. I wanted to combat the messages the media sends to women every day. I wanted my girls to know that being themselves is beautiful, and that being beautiful is about being strong.

I strongly recommend checking this book out and enjoying the beautiful images. And I even more strongly recommend sharing them with your daughters. Talk about them. I’m guessing they, too, will see how pretty these strong girls are.

https://katetparkerphotography.com/blog
workman.com

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