Review of Crenshaw, by Katherine Applegate

crenshaw_largeCrenshaw

by Katherine Applegate

Feiwel and Friends, New York, 2015. 245 pages.
Starred Review
2015 Sonderbooks Stand-out: #6 Children’s Fiction

A kid starting fifth grade is not supposed to have an imaginary friend. When Jackson’s years-ago imaginary friend Crenshaw the giant cat shows up riding a surfboard and carrying an umbrella, Jackson’s afraid he’s going crazy.

Crenshaw first appeared in his life right after first grade when his family was homeless and lived in their minivan for fourteen weeks.

When they finally put together enough money, my parents moved us to Swanlake Village. It was about forty miles from our old house, which meant I had to start at a new school. I didn’t care at all. At least I was going back to school. A place where facts mattered and things made sense.

Instead of a house, we moved into a small, tired-looking apartment. It seemed like a palace to us. A place where you could be warm and dry and safe.

I started school late, but eventually I made new friends. I never told them about the time we were homeless. Not even Marisol. I just couldn’t.

If I never talked about it, I felt like it couldn’t ever happen again.

But now Jackson’s parents are selling almost everything they own in a garage sale. They’re talking quietly together about paying the rent. They try to joke about it and say everything will be okay. His little sister is scared, too. Then Crenshaw shows up, just like he did before, only bigger. He says he won’t leave until Jackson doesn’t need him.

But what kind of fifth grader needs an imaginary friend?
And does this mean they’re going to be homeless again?

This book by Newbery-winning author Katherine Applegate packs a punch. It shows the human side of homelessness. The family were told about shelters, but none of the homeless shelters in their town would allow husbands and wives to stay together.

Sometimes I just wanted to be treated like a grown-up. I wanted to hear the truth, even if it wasn’t a happy truth. I understood things. I knew way more than they thought I did.

But my parents were optimists. They looked at half a glass of water and figured it was half full, not half empty.

Not me. Scientists can’t afford to be optimists or pessimists. They just observe the world and see what it is. They look at a glass of water and measure 3.75 ounces or whatever, and that’s the end of the discussion.

This is a children’s book. It does have a relatively happy ending, without being too simplistic. Jackson does learn something from Crenshaw about being a friend, imaginary or not. I would have liked a little more, a little longer book – but I think this is all the better for child readers. Here’s a relatable character in a recognizable situation – but one we don’t usually talk about.

And on top of his family’s poverty, Jackson is dealing with a giant, flamboyant, imaginary cat.

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Review of Unusual Chickens for the Exceptional Poultry Farmer, by Kelly Jones

unusual_chickens_largeUnusual Chickens for the Exceptional Poultry Farmer

by Kelly Jones

illustrations by Katie Kath

Alfred A. Knopf, New York, 2015. 216 pages.
Starred Review

Here’s a wonderful light middle grade fantasy novel that’s quirky and inventive. It’s almost not a fantasy novel at all, dealing with a mixed-race kid in a new neighborhood who’s missing her dead grandma and trying to learn how to fit in — while learning to raise chickens with superpowers.

That’s right. Chickens with superpowers, and quirky superpowers at that.

Sophie and her parents have moved to her great-uncle Jim’s farm, which her dad inherited. Her Mom’s a writer, and her dad’s trying to find work, but they’re hoping to make something of the farm as well. Uncle Jim had some unusual chickens, but they have scattered after he died. She finds them one at a time and discovers their surprising abilities — along with someone who wants to have them for her own.

Sophie does find a flyer from Redwood Farm Supply among Uncle Jim’s junk advertising “Unusual Chickens for the Exceptional Poultry Farmer.” She writes to the farm for advice and gets very sporadic poorly typed answers back, but accompanied by lessons for being a poultry farmer.

This is a fun and imaginative story. The story is told in the letters Sophie writes to her dead Abuelita, Uncle Jim, and Redwood Farm Supply, as well as frequent illustrations. Sophie has quite a job ahead of her establishing herself as a farmer of Unusual Chickens and thwarting those who would try to stop her. On top of that, she’s got a whole summer to figure out how she’s going to manage to fit in with the other kids in the neighborhood.

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Review of The Girl Who Could Not Dream, by Sarah Beth Durst

girl_who_could_not_dream_largeThe Girl Who Could Not Dream

by Sarah Beth Durst

Clarion Books, November 2015. 380 pages.

Have you ever wondered if dreamcatchers really work? And what would happen if they did?

In the world of this book, Sophie’s parents run a Dream Shop in the basement of their used book store. They collect dreams by giving dreamcatchers to people who dream, then distill those dreams into bottles with their skilled use of a dream distiller. They can see what is in the dreams by using their somnium. And then they sell the bottled dreams to special customers who know about the shop.

Sophie, however, is the girl from the title. In her twelve years of life, she’s never dreamed on her own. But there was one time she stole a dream and drank what was in a bottle – and the monster she met in the dream befriended her and came to life.

Sophie’s parents let her keep Monster, but they’ve warned her never to drink any more dreams, because there’s no telling what will come out. And if the Night Watchmen find out about her, they would kidnap her and put the shop out of business. People who make dream creatures come to life are dangerous!

But then a sinister customer who calls himself Mr. Nightmare comes to the shop and sees Monster. And the next day, she gets a note from him in her locker at school. But it’s when Sophie’s parents disappear – along with two kids from school who used dreamcatchers from the shop – that things really get sinister.

Sophie doesn’t dare call the police. The Night Watchmen can’t find out about the shop. Or about her. So it’s up to her and Monster – and a new boy from school she was going to help with nightmares – to find out if the disappearances have to do with Mr. Nightmare. Sophie may need to dream up some more help.

I confess, I tend to get hung up on the details of stories where dreams or books come to life, which definitely hurts my suspension of disbelief. I also had trouble with the bad guys’ motivation – why would they turn to crime? And is it really true that the same kids have nightmares over and over? That you could rely on certain kids to supply you with nightmares? I would have thought that some kids have bad dreams more often than others. But every night?

So readers who would be bothered by details like that might not be the best audience for the book. However, if you can accept the background of the book – it does contain imaginative details and creative problem-solving that are a whole lot of fun. The Dreamcatcher Bookshop is a cozy place, and it’s nice to read a book where the character has a loving, if a bit quirky, family.

And what if you could indeed bottle dreams? Would any of your own dreams be marketable? Which dreams would you want to catch and dispose of? And how would you fight nightmares come to life?

I love Sarah Beth Durst’s teen fiction, and this book for children has her trademark imagination along with likable characters you want to spend time with.

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Review of The Sleeper and the Spindle, by Neil Gaiman

sleeper_and_the_spindle_largeThe Sleeper and the Spindle

by Neil Gaiman
illustrated by Chris Riddell

Harper, 2015. 69 pages.
Starred Review

This is an illustrated fairy tale. And how much do I love that an illustrated fairy tale has been published?

This story is beautiful and eerie at the same time. It feels familiar, but twists things in unexpected ways.

The reader thinks they’ve got a Sleeping Beauty story going, or perhaps Sleeping Beauty twisted with Snow White, but nothing turns out as the reader expects.

The book starts out with some dwarves going under some mountains to get finest silk for their queen, who is soon to be married. On the other side of the mountains, they find an enchanted sleep spreading. It is spreading out from a castle with a princess who was cursed, as in the traditional tale, and has been sleeping for years. But now it’s not only the servants in the castle who are sleeping as well. The sleep is spreading to all the surrounding villages.

The tale first starts going in unexpected directions when the queen decides to go break the spell.

“I am afraid,” said the queen, “that there will be no wedding tomorrow.”

She called for a map of the kingdom, identified the villages closest to the mountains, sent messengers to tell the inhabitants to evacuate to the coast or risk royal displeasure.

She called for her first minister and informed him that he would be responsible for the kingdom in her absence, and that he should do his best neither to lose it nor to break it.

She called for her fiancé and told him not to take on so, and that they would still be married, even if he was but a prince and she a queen, and she chucked him beneath his pretty chin and kissed him until he smiled.

She called for her mail shirt.

She called for her sword.

She called for her provisions, and for her horse, and then she rode out of the palace, toward the east.

Neil Gaiman knows the language of fairy tales. But he also knows how to surprise the reader.

The illustrations are also wonderful. Looking at them a second time, I’m finding new details everywhere. They are black and white with gold highlights, and extremely detailed.

There’s a place where hundreds of sleeping people, completely covered with cobwebs, start sleepwalking toward the queen. The illustrations here are incredibly sinister.

The story doesn’t take long to read, and every spread has illustrations, but this is not a picture book, nor is it written for preschoolers.

Here’s the scene where villagers tell the dwarves about the plague of sleep:

“. . . And brave men,” continued the pot-girl. “Aye, and brave women too, they say, have attempted to travel to the Forest of Acaire, to the castle at its heart, to wake the princess, and, in waking her, to wake all the sleepers, but each and every one of those heroes ended their lives lost in the forest, murdered by bandits, or impaled upon the thorns of the rosebushes that encircle the castle –“

“Wake her how?” asked the middle-sized dwarf, hand still clutching his rock, for he thought in essentials.

“The usual method,” said the pot-girl, and she blushed. “Or so the tales have it.”

“Right,” said the tallest dwarf. “So, bowl of cold water poured on the face and a cry of ‘Wakey! Wakey!’?”

“A kiss,” said the sot. “But nobody has ever got that close. They’ve been trying for sixty years or more. They say the witch –“

“Fairy,” said the fat man.

“Enchantress,” corrected the pot-girl.

“Whatever she is,” said the sot. “She’s still there. That’s what they say. If you get that close. If you make it through the roses, she’ll be waiting for you. She’s old as the hills, evil as a snake, all malevolence and magic and death.”

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Review of The Hollow Boy, by Jonathan Stroud

hollow_boy_largeThe Hollow Boy

Lockwood & Co., Book Three

by Jonathan Stroud

Disney-Hyperion, Los Angeles, 2015. 385 pages.
Starred Review

It’s here! Book Three of the Lockwood & Co. series! I only had to wait a week after finishing listening to the audiobooks of the first two books. (You can be sure I preordered my own copy. These are so good to reread, I’m not settling for a library copy any more.)

The good news: This is not a trilogy! (I was hoping not.) The bad news: Like the other two, the book ends with a fairly major plot point that will make everything change – and we have to wait to find out how that plays out. Aaugh!

Jonathan Stroud doesn’t write the same book over and over again. We’ve still got Lucy, Lockwood, and George battling ghosts with iron chains, magnesium flares, salt bombs, and silver-tipped rapiers. But now their agency, having met with success, is more popular than ever before. They’re having to split up to take on all the cases.

So Lockwood and George hire an assistant while Lucy is on vacation. A young female assistant named Holly Munro who is annoyingly perfect. She whips the agency into shape and manages their caseload, but Lucy isn’t entirely happy with the changes she brings.

Meanwhile, Lucy’s ability to listen to ghosts is growing. What if she attempts to hear what they have to say rather than immediately trying to destroy them? But that can have some dangerous results.

Meanwhile, there’s a huge outbreak happening in London with all the big agencies on the case. In the last book, I was a little annoyed by the childish rivalry between Lockwood & Co. and a certain team from the Fittes agency. (Even though they actually are children. Schoolyard bullying didn’t seem appropriate.) But I liked very much that in this book, the two teams need to work together – and manage to do so. Interpersonal relationships got much more complex.

I shouldn’t say too much, because if you’ve read the first two books, you’ll be eager to read this one. And yes, yes, yes, it’s as good as the previous two. You will want to read this series in order. While I’m sure you could enjoy this book as a stand alone, it really is part of a continuing story. As a whole, it’s one of the best series for children out there. If you missed it before, you still have time to catch up before the next installment!

Here’s how the book begins:

I think it was only at the very end of the Lavender Lodge job, when we were fighting for our lives in that unholy guesthouse, that I glimpsed Lockwood & Co. working together perfectly for the first time. It was just the briefest flash, but every detail remains etched into my memory: those moments of sweet precision when we truly acted as a team.

Yes, every detail. Anthony Lockwood, coat aflame, arms flapping madly as he staggered backward toward the open window. George Cubbins, dangling from the ladder one-handed, like an oversized windblown pear. And me – Lucy Carlyle – bruised, bloody, and covered in cobwebs, sprinting, jumping, rolling desperately to avoid the ghostly coils . . .

Sure, I know none of that sounds so great. And to be fair, we could have done without George’s squeaking. But this was the thing about Lockwood & Co.: we made the most of unpromising situations and turned them to our advantage.

Want to know how? I’ll show you.

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Review of The Whispering Skull audiobook, by Jonathan Stroud

whispering_skull_audio_largeThe Whispering Skull

by Jonathan Stroud
read by Katie Lyons

Listening Library, 2014. 11 ½ hours on 9 compact discs.
Starred Review

I’m thoroughly enjoying rereading the Lockwood & Co. series by listening before the third book in the series comes out this month. I was disappointed that a different narrator was used for the second book, but she’s still got a British accent, and it’s still an enthralling and absorbing story that makes the commuting miles fly by.

In the second book, there’s more tension between the members of the agency Lockwood & Co. The skull in the title is our friend in the jar – and it starts talking to Lucy, but continues to say things that build mistrust and get the agency into trouble.

There’s more horror in this book – this time the ghost of a man eaten by rats, as well as people who die by looking into a cursed mirror. Lockwood & Co. are looking for this mirror, which was stolen from a coffin that was dug up in their presence and also contained the bones of a particularly threatening Visitor.

Again, this would make great family listening – but only if the kids are old enough for a very scary story. If they’ll be badly freaked out by the thought of rats eating a human body – this audiobook is not for them.

However, for older kids and adults, this is more brilliant excitement from Jonathan Stroud. We’ve got a mystery again – what happened to the mirror? But there’s also competition with another agency, secrets between Lucy and Lockwood and George, and more interesting tidbits about this world where dangerous Visitors walk among us, but only kids can see them.

I had so much fun reviewing this series in preparation for Book Three, I have a feeling it’s going to become a yearly tradition. (This is a case where I am definitely hoping we’re not talking about a trilogy.) I’m just not getting tired of these brilliant books.

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Source: This review is based on a library audiobook from Fairfax County Public Library.

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Review of The Screaming Staircase, by Jonathan Stroud, read by Miranda Raison

screaming_staircase_audio_largeLockwood & Co.

The Screaming Staircase

by Jonathan Stroud

read by Miranda Raison

Listening Library, 2013. 10 hours on 8 compact discs.
2013 Cybils Winner: Speculative Fiction, Elementary and Middle Grades
2013 Sonderbooks Stand-out: #1 Children’s Fiction
Starred Review

Normally, I won’t listen to a book I’ve already read. In the case of The Screaming Staircase, I’d already read it twice: Once when it came out, and once for the Cybils Award. (It won.) I also named it my favorite children’s book read in 2013. (I don’t allow rereads to count as Sonderbooks Stand-outs any more, so that way I won’t be tempted to give it to this book again in 2015.) So you won’t be surprised that I loved this audiobook (which our library finally purchased). Apparently, I don’t get tired of this story at all!

I’ll refer you to my original review, but point out a few things I noticed.

As a straight mystery (Who killed Annabelle Ward?), this book is wonderfully well-crafted. There are clues and red herrings as well as a life-endangering denouement accompanying some clever deductions from our heroes.

This book is scarier than I remembered it. The Red Room – with blood dripping down from the ceiling threatening to flood them (and they’ll die if it touches them) is incredibly sinister, not to mention the Screaming Staircase, where long-ago monks were led to their deaths and today you can hear their screams in your head. So that’s the only caveat when giving this book to children or suggesting it for family listening (It would be great!) – they have to be able to handle Scary.

As I suspected, though, the only thing better than reading this book is having it read to you with a British accent. The narrator is utterly wonderful! When I got to the part I used to read aloud at schools when booktalking last summer – I could recite the words along with the narrator, but they sounded so much better with a British accent! This narrator also captured the different voices with excellence.

As I mentioned in my first review, there’s so much going on with this book. We’ve got ghosts, swordplay, a deadline which must be met to keep their business, banter between colleagues, an interesting alternate world with great detail as to the different types of ghosts, kids in charge (because only they can see ghosts), and our heroes setting out to show the world that they are excellent at what they do – without the supervision of adults.

If your kids are old enough to handle Scary, this would make phenomenal family listening, because I guarantee the adults will be as mesmerized as the kids. I certainly was. And this was a book I successfully recommended to several adult coworkers. I am having fun listening to the audio version of the first two books in the series in preparation for Book Three coming out soon. I can hardly wait!

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Review of Goodbye Stranger, by Rebecca Stead

goodbye_stranger_largeGoodbye Stranger

by Rebecca Stead

Random House Children’s Books, August 2015. 286 pages.
Starred Review

I got an Advance Reader Copy of this book at ALA Midwinter Meeting, and got it read on the flight to ALA Annual Conference.

I love Rebecca Stead’s books. Hers are about character — and always feature a character who feels like a normal kid — but with quirks.

Bridge Barsamian was in a terrible accident when she was 6 years old and almost died. As she left the hospital, a nurse told her, “You must have been put on this earth for a reason, little girl, to have survived.” She’s always wondered what that reason might be.

Now Bridge and her two best friends, Emily and Tabitha, are in seventh grade. And things are changing. Emily has suddenly grown curves and has become hugely popular. A boy is sending her pictures… and wants a response.

Bridge started wearing the cat ears in September, on the third Monday of seventh grade.

The cat ears were black, on a black headband. Not exactly the color of her hair, but close. Checking her reflection in the back of her cereal spoon, she thought they looked surprisingly natural.

And once she gets started wearing the cat ears, it’s hard to stop.

This book follows three different voices. One is Bridge, dealing with seventh grade, and how things are changing between her friends. Another is Sherm. He’s writing letters to his grandfather, who recently left their family. He doesn’t send them. Along the way, he writes about this girl who wears cat ears.

Another voice is someone using second person who has decided to take a mental health day on Valentine’s Day. She tries to keep her parents from worrying, but isn’t successful. But she still doesn’t go home. She’s thinking about all that led up to this day.

All the plot threads of the book lead up to Valentine’s Day. There’s no big reveal or plot twist. (There is a little reveal of who is skipping school.) But all the threads wind up, in a nice satisfying story. You can’t help but like these kids, living their lives and figuring out why they were put on this earth — in lovely, quiet, quirky ways.

This is very much a novel about friendship — and friends who let their friends down. But don’t we all let our friends down, in some way or other? This book is about the hard decision of when to give our friends another chance.

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Review of The Safest Lie, by Angela Cerrito

safest_lie_largeThe Safest Lie

by Angela Cerrito

Holiday House, New York, 2015. 180 pages.
Starred Review

Full disclosure right up front: The author of this book is a friend of mine. We were in a writers’ group together in Germany. So naturally, I snapped up an Advanced Reader Copy of her book when she told me they were available at ALA Annual Conference.

This is a Holocaust book. So honestly, I might not have picked it up if my friend hadn’t written it. But it’s yet another story of the Holocaust I hadn’t heard before. This book is about a Polish Jewish girl from the Warsaw ghetto who is smuggled out and stays in a series of homes, finally with a Polish Catholic family whose own daughter looked like the “master race” and had been sent to Germany.

Anna Bauman is nine years old when she’s told that she needs to be Anna Karwolska. Her Mama and Papa send her away to keep her safe, and she goes along with different heroic people, learning how to appear Catholic at an orphanage, always afraid of the ever-present German soldiers, seeing other people resisting and other children in hiding.

Anna has to learn Anna Karwolska’s birthday and history. She remembers her grandmother’s saying: “The safest lie is the truth.”

I like the scene where a German soldier is questioning the children at the orphanage. It’s sinister, but I like the way Anna turns it around.

Then he asks a question that I’ve never practiced. “What type of work does your father do?”

“My father is dead, sir.” I don’t feel sad or afraid telling him that my father is dead. I never knew Anna Karwolska’s father. Maybe it would help if I share a bit of truth. “He made furniture.” I want to catch the words as soon as they are out of my mouth. I don’t know if making furniture is a job only a Jewish papa would have.

But the soldier just nods his head, as if he’s bored. “What type of food did you eat for Christmas dinner?”

“The very best of food.”

“What type?”

“All types. There were sweets and meat and vegetables and . . .” — I swallow, thinking of all the good food — “sweets.”

“What exactly?”

“I’m not sure. I was very young and it was so long ago.” It’s true. Anna Karwolska would have been even younger than I was before the war began.

“Anna. Anna. Anna.” I don’t like the way he says my name. “Have you answered every question truthfully?”

I swallow. “Yes, sir.”

The soldier reaches under the table and a moment later metal clinks against the wooden tabletop. “Do you know what that is?” I do, but I can’t speak. “It’s my gun.” He smiles.

It’s a shiny silver gun with a black handle. There’s a screw connecting the handle. It seems like if I had the right tool and a moment to myself, I could remove that screw and the whole gun would fall to pieces.

“It’s your gun,” I say.

“I will use this gun, Anna. If you’ve told me a lie, I will shoot you and all the other children here. Do you understand?”

The screw is a small silver circle on a black rectangle. “It’s not made properly,” I say, staring at the screw.

“What?”

“The gun. It’s not made properly. There’s a screw showing on the outside.”

“Anna. This is very serious.”

I know it’s serious. I understand that more than any of the other girls in this room. “My papa always said that when furniture is made correctly, no one can see how the pieces are put together. But with your gun –”

He laughs. “Anna, you really are the daughter of a carpenter.”

A nice addition to the book is the Author’s Note at the back, where Angela Cerrito tells of her chance to meet Irena Sendler, a Polish woman who saved Jewish children, was tortured for it, and continued to save Jewish children during the war. This explains the ring of truth to the book. I love that this book is a tribute to those who risked their lives to save others.

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Review of Nightbird, by Alice Hoffman

nightbird_largeNightbird

by Alice Hoffman

Wendy Lamb Books (Random House), 2015. 197 pages.
Starred Review

I’ve read at least three different books about a teen who sprouts wings, and how they deal with that. This book is different — It’s about the sister of a boy with wings. In fact, the wings are part of a family curse on all the men of the family.

Twig Fowler lives in the small town of Sidwell, Massachusetts, with her mother and a brother that no one knows about. The town has plenty of tradition – including Twig’s mother’s Pink Apple Pie. But one of the traditions — the Sidwell Monster — is not so benign.

James is tired of living in hiding. And Twig is tired of not having friends. When a family moves into the home of the witch who cursed the Fowler family, and they are descended from that witch — Twig and her new friend Julia decide it may be time to break the spell. But how? And James is getting more and more reckless — and falling in love with Julia’s sister Agate.

This is a feel-good story, and if things worked out awfully nicely, I don’t begrudge any of them a happy ending. We’ve got a kid just wanting friends, a small town infused with magic, and Alice Hoffman’s brilliant writing.

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Source: This review is based on an Advance Reader Copy I got at an ALA conference.

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