Review of Winnie-the-Pooh audiobook, read by Peter Dennis

Animal Characters, Audiobooks, Children's Fiction Review, Classics, Delightfully Silly, Humorous, Stand-outs, Starred Review 0

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Winnie-the-Pooh

written by A. A. Milne

performed by Peter Dennis

Book published in 1926.  Blackstone Audiobooks, 2004.  3 hours on 3 cassettes.

Starred review.

Sonderbooks Stand-out 2010: Wonderful Rereads

I’ve already reviewed Winnie-the-Pooh at length and said how special it is to me: http://www.sonderbooks.com/ChildrensFiction/winniethepooh.html .

Although part of the specialness is that I fell in love with my husband while reading Winnie-the-Pooh together, I find that the book is still just as special even though my husband has now left me.  Winnie-the-Pooh has been part of my life much longer than he has.

I have checked out several cassettes from the library that I want to listen to before we end up getting rid of all our cassettes, and Winnie-the-Pooh is one.  (Though the same version is now available on CD.)  It was the perfect book to listen to while my son and I were making lots of trips back and forth while toting our possessions for a move across town.

Few things are as much fun as reading Winnie-the-Pooh aloud, especially with a group of enthusiastic readers.  However, when you are driving, you can’t read yourself, and this performance by Peter Dennis is the next best thing.  He is so exceptionally good at doing the voices of the characters, it’s a bit intimidating.  (Though I will not let that stop me.)

I was appalled to learn that my teenage son doesn’t remember most of the stories.  Surely I had read them to him enough times?  He learned to write his name P-O-O-H, for goodness’ sake! 

Anyway, we thoroughly enjoyed listening to and laughing over them in the middle of the serious business of moving.  We will definitely have to do some Pooh readalouds together just as soon as we find the box where my copy is hiding.

You can’t ask for a better family listening experience than this version of Winnie-the-Pooh.  And I don’t care if your family is all adults or includes toddlers.  Those who are only familiar with the Disney versions may not realize the wonderful subtle humor and charm of the original books.  It’s hard to imagine anyone of any age not enjoying these stories.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/winnie_the_pooh_audio.html

Review of Bull Run, by Paul Fleischman

Audiobooks, Children's Fiction Review, Historical 0

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Bull Run

by Paul Fleischman

Various narrators

Recorded Books, 1995.  2 cassettes.  2 hours.

While I was toting carloads of my possessions to a new home just a few miles from Bull Run and Manassas Battlefield National Park, this book seemed an appropriate one to listen to.  Indeed, it was exceedingly strange to realize that these events happened only a few miles from where I was driving.

Paul Fleischman tells the story of the first battle of the Civil War by using monologues from all sorts of people somehow involved — some from the South, some from the North, men and women, white and black, young and old.  The Recorded Books version uses sixteen different narrators for the different characters who give their stories.

This book expressed so many aspects of the start of the war that I never thought about before.  All the points of view are so different.  Since it’s about war, naturally the story is not pleasant, but it is truly fascinating.

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Review of The Graveyard Book audiobook, by Neil Gaiman

Adventure, Audiobooks, Award Winners, Children's Fiction Review, Fantasy, Stand-outs, Starred Review 0

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The Graveyard Book

by Neil Gaiman

Narrated by the author.

Recorded Books, New York, 2008.  7 compact discs.  7.75 hours.

Starred review.

2009 Newbery Award winner.

Sonderbooks Stand-out 2010: #2 Children’s Fantasy and Science Fiction

When The Graveyard Book came out, I checked it out for my 14-year-old son to read, knowing he’d want to read anything by Neil Gaiman.  He told me I should read it, but after listening to Coraline, which was very good but exceedingly creepy, I decided that a book by Neil Gaiman with “graveyard” in the title was bound to be too creepy for me.

However, when The Graveyard Book won the Newbery Award, I decided that as a responsible children’s librarian, I really should read it, and I was completely delighted with it.  There’s a little bit of creepiness, but not nearly so much as Coraline.  In fact, I think The Graveyard Book would make fantastic listening for an entire family on a car trip, because it appeals to a wide range of ages.  (If your kids are old enough to handle the fact that the family is murdered at the beginning, they will be able to handle anything else in the book.)

The premise, and the reason for the name, is the same idea as The Jungle Book, except instead of a baby being adopted by the dwellers of the jungle, a baby is adopted by the dwellers of a graveyard.

The book does begin as a family has just been murdered.  The killer is looking to finish the job, but the baby has toddled off.  In the graveyard, a loving woman who always wanted to be a mother convinces her husband to take pity on the baby and take him in.  As Mowgli’s parents needed the approval of the pack, so this baby needs the approval of the inhabitants of the graveyard.  He’s named Nobody Owens, Bod for short.

There are some fun parallels between Bod’s story and The Jungle Book.  For example, instead of getting kidnapped by apes, Bod gets kidnapped by ghouls.  At first the book seems very episodic (with extremely interesting episodes), but by the end, all the adventures tie together into Bod’s need to avenge his family, escape their fate, and live a life outside the graveyard.

Neil Gaiman’s narration is simply awesome.  He now lives in America, but he has a wonderful voice and just enough British accent to sound incredibly cultured.  He gives the different characters different voices, with accents as appropriate.  I found his reading of the chapter with the ghouls especially delightful.

Although I’m sure this book makes great reading on your own, hearing Neil Gaiman read it makes for an incredible listening experience.  I found myself lingering in the car more than once because I got to work too quickly.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/graveyard_book.html

Review of Hate That Cat, by Sharon Creech

Children's Fiction Review, Contemporary, Starred Review 0

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Hate That Cat

by Sharon Creech

Joanna Cotler Books (HarperCollins), 2008.  153 pages.

Starred review.

Hooray!  Miss Stretchberry moved up a grade, and Jack is in her class once again!  This wonderful follow-up to Love That Dog features Jack doing further explorations with poetry as well as coming to terms with the cat next door.

Hate That Cat plays with language, as Jack writes poems in the style of poets like William Carlos Williams, Walter Dean Myers, and even Edgar Allen Poe.  (The example poems are included at the back.)

This is a wonderful exploration of what you can do with poetry, but along the way it tells a heart-warming story about Jack, who still misses his dog, Sky.

Here’s a wonderful poem Jack writes about his mother, who is deaf:

SILENT SOUNDS OF MOM

(Inspired by Mr. Edgar Allan Poe)

by Jack

See her hands in the air waving here waving there!

What flickering formations

those compositions dare!

How she sing sing sings

in a swish and a bound

bringing sound sound sound

To the silence of the air

to the silentabulation of the hush

and the hums

of the air, air, air, air,

air, air, air–

of the humming and the hushing

of the air.

This book doesn’t take long to read, but it will inspire even an adult reader to look at poetry in a new way.

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Review of The Facttracker, by Jason Carter Eaton

Children's Fiction Review, Delightfully Silly, Fantasy, Light Reading 0

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The Facttracker

by Jason Carter Eaton

illustrations by Pascale Constantin

HarperCollins, 2008.  260 pages.

http://www.harpercollinschildrens.com/

Reminiscent of The Phantom Tollbooth, The Facttracker tells of the town Traakerfaxx, where the townspeople get Facts from the Facttracker in his Factory and sell them to the world.

One person in Traakerfaxx does not have any facts about himself.  A sad and lonely boy lives there.  He is small, but not too small.  The facts about the just small enough boy were lost shortly after he was born.  He has gotten messages that the Facttracker is looking for them, but hasn’t heard anything for quite some time.

All is going well until the day of the explosion.  That’s the day the just small enough boy gets to enter the Factory and meet the Facttracker.

After the Factory explodes (and you wouldn’t want me to spoil the surprise and tell you why, would you?), the Facttracker’s twin brother Ersatz shows up.  Ersatz takes the Seed of Truth and builds, in place of the Factory, a Liebrary.  He shows the townspeople and their clever, handsome mayor that lies are a lot more fun to sell than facts.

The Facttracker is imprisioned in the belly of the Liebrary, and it’s up to the just small enough boy to save the world.

This book is a lot of silly fun, if you can keep yourself from objecting to the places where the analogy breaks down.  If you’re willing to take it all with tongue in cheek, you will have plenty to enjoy.

The author is full of authorial asides to the reader and lots of playing with authorial conventions.  For example, Chapter 13 has the heading crossed out, with the title, “There Will Not Be a Chapter 13 Because It Might Be Unlucky and the Facttracker Needs All the Luck He Can Get Now.”

If you’re willing to not take it too seriously, you can have a good deal of fun reading this book.

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Review of Down Girl and Sit: Bad to the Bone, by Lucy Nolan

Animal Characters, Beginning Chapter Books, Children's Fiction Review, Delightfully Silly, Humorous, Starred Review 0

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Down Girl and Sit

Bad to the Bone

by Lucy Nolan

illustrated by Mike Reed

Marshall Cavendish Children, 2008.  53 pages.

Starred review

www.marshallcavendish.us/kids

I delight to think of a beginning reader decoding this book and being rewarded all along the way with hilarious inside jokes.  Down Girl and Sit: Bad to the Bone has four chapters, so it is for a child already reading.  But the chapters are short, full of pictures, and laugh out loud funny in a way the narrator would never understand — but the reader does.

Down Girl tells us the story of how she and her friend Sit attempt to train their masters with simple concepts.  For example:  “Cats are bad.  Dogs are good.”

The reader knows that Down Girl is completely misinterpreting her master Rruff’s intentions, as Down Girl earnestly explains how she loyally carries them out.

Especially delightful and reminiscent of “Who’s on First?” is the chapter after Down Girl and Sit tried to be “bad to the bone” to get attention.  Their masters take them, along with another dog Hush, to Obedience School. 

Their poor masters are not very quick learners!  They keep calling Down Girl and Hush by Sit’s name!  Then they start using the name of some dog named “Stay.”

This could have gone on forever, but thank goodness a squirrel ran past.  We all jumped.  We barked and tried to chase him.  Our masters yanked on our leashes.

“Down girl!”  “Sit!”  “Hush!”

Finally!  They got our names right.  Now they might pass the class.

We looked to see if the teacher was smiling.  He was not.

Well, I can’t blame him.  We have been working with our masters for a long time.  We haven’t gotten very far either.

I wanted the teacher to cheer up, so I jumped up and kissed him.

“Down, girl!” he said.

Yes!

I wagged.  It is very, very hard to train a human.  But sometimes, just sometimes, they can surprise you.

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Review of One False Note, by Gordon Korman

Adventure, Children's Fiction Review, Contemporary 0

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One False Note

The 39 Clues, Book Two

by Gordon Korman

Scholastic, 2008.  174 pages.

http://www.the39clues.com/

Like the first book in The 39 Clues, The Maze of Bones, One False Note is more than a book.  It’s also a media event, an online game, a collectible card game, and a contest with real prizes.  They’ve gotten outstanding children’s authors to write the books — Rick Riordan wrote the first one, and now Gordon Korman.

Dan and Amy Cahill are travelling the world, trying to find clues to something that has the potential to make them the most powerful people in the world.

They have learned that their Cahill family is responsible for almost all the accomplishments of mankind.  In the first book, they were on the trail of Benjamin Franklin (a Cahill, of course), and in this book they follow the path of Mozart and his sister, Nannerl.

I find I’m not quite buying it.  Yeah, other books tell me that all these significant figures of history were masons, or part of some other big conspiracy.  But all family members?  Benjamin Franklin and Mozart and Marie Antoinette were all supposed to be related?  I can’t quite suspend disbelief so far.

And I’m sorry, I just can’t begin to bring myself to believe in a huge underground complex in Venice, storing the greatest art treasures of the world.  Even with really big pumps, I simply don’t believe that you could find that much solid ground to tunnel in, and who would risk the likelihood of flooding, even if you could?

I was delighted when they went to Venice, but I didn’t believe that part, and I didn’t believe that they would steal a boat to get away.  It’s so easy to get lost on the streets of Venice, why on earth would you use a boat where you’re so easy to spot?

On top of that, the clues don’t seem too tremendously important, since so many sinister family members are still on their tail.  Why don’t Amy and Dan just do what the other teams are doing:  follow the person who seems to have the latest lead.  Why should they break into their cousin Jonah Wizard’s hotel room, when they could just follow the news about Jonah and see where he goes next?

Okay, you get the idea — I have quibbles about the whole book!  But it is still a fun adventure story, and I doubt kids will be bothered by those things that bothered me.  Amy and Dan are growing on me, kids loose in Europe with only the help of a resourceful and multilingual au pair.  And by the end of the book, they’re on their way to Asia.

I do still plan to keep reading and find out what happens next.  Episode Three is slated to appear in March 2009.

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Review of The Shoe Bird, a Musical Fable by Samuel Jones

Animal Characters, Audiobooks, Children's Fiction Review, Fantasy, Starred Review 0

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The Shoe Bird

A Musical Fable by Samuel Jones

Based on the story by Eudora Welty

Performed by Jim Dale

Seattle Symphony, Gerard Schwarz, conductor

Northwest Boychoir and Girls of Vocalpoint! Seattle, Joseph Crnko, conductor

Brilliance Audio, 2008.  1 compact disc.  1 hour.

Starred review.

A children’s story set to narration and orchestration?  What a charming idea!  This CD makes for lovely listening.  Jim Dale’s incredible performance, with such astonishingly different voices for different birds, makes for a delightful listening experience.

I’m afraid this is no Peter and the Wolf.  The story, about a parrot who repeats the line, “Shoes are for the birds!” and gets all the birds of the world to believe it, seems much more lightweight than Peter’s story.  The music, while nice, didn’t seem as memorable to me.  But then, I only listened to it once, rather than the thousand times I must have heard Peter and the Wolf.

However, it does provide plenty of opportunity for the orchestra to give different themes to different birds (as well as Jim Dale’s different voices).  There’s even a cat who threatens the birds, all weighted down with their new shoes.

And isn’t it nice to think that here’s a symphony orchestra experience to which you could send children, and they would hear something new!  As for me, it made a delightful and diverting change from listening to more serious books on CD as I drove to work.  Instead, I got lovely music, a silly story, and Jim Dale’s vocal gymnastics.  I hope that composers and orchestras and vocal actors and writers will do more of this sort of thing!  (Hmmm.  It takes a large cast to pull it off.  No wonder Peter and the Wolf doesn’t have more wannabes.)

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Review of The Wednesday Wars, by Gary D. Schmidt

Children's Fiction Review, Historical, Stand-outs, Starred Review 0

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The Wednesday Wars

by Gary D. Schmidt

http://www.clarionbooks.com/

Review written February 23, 2008.
Clarion Books, New York, 2007.  264 pages.

Starred Review.

Sonderbooks Stand-out 2009: #2, Children’s Fiction

“Of all the kids in the seventh grade at Camillo Junior High, there was one kid that Mrs. Baker hated with heat whiter than the sun.

Me.”

Holling Hoodhood knows that the teacher has it in for him because he’s the only kid in his class who doesn’t spend Wednesday afternoon either at Hebrew School or Catechism at the Catholic church.  Instead, Holling is stuck with Mrs. Baker, and Mrs. Baker is stuck with him.

This book reminds me of The Absolutely True Diary of a Part-Time Indian.  Both books look at the difficulties, dramas and dilemmas of student life with a large dose of humor.  Mind you, Holling’s difficulties are not as dire as those of Junior in the Absolutely True Diary.  However, he has some notable challenges, perhaps slightly on the bizarre side—involving rats, cream puffs, a fairy, baseballs, and William Shakespeare.

I love the scene where Holling meets the principal, because it sounds so true to what a principal would say:

I had to wait outside the door.  That was to make me nervous.
Mr. Guareschi’s long ambition had been to become dictator of a small country.  Danny Hupfer said that he had been waiting for the CIA to get rid of Fidel Castro and then send him down to Cuba, which Mr. Guareschi would then rename Guareschiland.  Meryl Lee said that he was probably holding out for something in Eastern Europe.  Maybe he was.  But while he waited for his promotion, he kept the job of principal at Camillo Junior High and tested out his dictator-of-a-small-country techniques on us.
He stayed sitting behind his desk in a chair a lot higher than mine when I was finally called in.
“Holling Hood,” he said.  His voice was high-pitched and a little bit shrill, like he had spent a lot of time standing on balconies screaming speeches through bad P.A. systems at the multitudes down below who feared him.
“Hoodhood,” I said.
“It says ‘Holling Hood’ on this form I’m holding.”
“It says ‘Holling Hoodhood’ on my birth certificate.”
Mr. Guareschi smiled his principal smile.  “Let’s not get off on the wrong foot here, Holling.  Forms are how we organize this school, and forms are never wrong, are they?”
That’s one of those dictator-of-a-small-country techniques at work, in case you missed it.
“Holling Hood,” I said.
“Thank you,” said Mr. Guareschi.

Set against the backdrop of the Sixties, this is an entertaining and touching story about being a kid and finding your way in life.

I like the way Mrs. Baker sums up Shakespeare:

“Shakespeare did not write for your ease of reading,” she said.
No kidding, I thought.
“He wrote to express something about what it means to be a human being in words more beautiful than had ever yet been written.”
“So in Macbeth, when he wasn’t trying to find names that sound alike, what did he want to express in words more beautiful than had ever yet been written?”
Mrs. Baker looked at me for a long moment.  Then she went and sat back down at her desk.  “That we are made for more than power,” she said softly.  “That we are made for more than our desires.   That pride combined with stubbornness can be disaster.  And that compared with love, malice is a small and petty thing.”

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Find this review on the main site at:

www.sonderbooks.com/Childrens_Fiction/wednesday_wars.html

Review of Fairest Audiobook, by Gail Carson Levine

Audiobooks, Children's Fiction Review, Fairy Tale Variant, Fantasy, Stand-outs, Starred Review 0

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Fairest, by Gail Carson Levine

Read and Sung by Sarah Naughton and the Full Cast Family

Music by Todd Hobin

Full Cast Audio, 2007. Unabridged.

Review written January 28, 2008.

Starred Review.

Sonderbooks Stand-out 2009:  #2, Audiobooks.

Here’s a delightful audiobook well worth listening to.

Gail Carson Levine, author of Ella Enchanted, has written a wonderful retelling of Snow White.  Aza lives in Ayortha, where everyone loves to sing.  She’s quite an eyesore, with her pale skin and blood-red lips, but she is blessed with a magnificent voice.

The Full Cast Audio production of this book advertised that it has more songs than a Broadway musical. This is the perfect tale to listen to, since music is such an important part of the story.

My expectations were extremely high.  Full Cast Audio always does an excellent job, using so many actors for their productions.  The book itself was wonderful, and I was looking forward to hearing it done with music.

Perhaps my expectations were too high, as I was a little bit disappointed.  Unfortunately, the Playaway version that I listened to did not have good sound quality (maybe the fault of my headphones?) and tended to static any time anyone hit a high note—definitely detracted from the enjoyment, though that wasn’t the fault of the production.  I think I will want to try it again as a Book on CD, because it was good enough to want to listen to again.

After reading about how wonderful Aza’s voice was, perhaps it was inevitable that I’d be a bit disappointed in any real person trying to play Aza. (Maybe I would have been happy with Charlotte Church?) Sarah Naughton’s voice is definitely nice—it just didn’t quite fit the build-up from the story as being the best voice in the kingdom. In fact, I thought the singing voice of the actress playing Aza’s sister Areta was sweeter.

There were indeed many, many songs, and they were nice—but I wish there had been a few catchier tunes. Maybe it had more songs than a Broadway musical, but the songs weren’t as memorable as you’d find in a Broadway musical.

Still—those are just quibbles. The fact is, for a recorded book, this production is tremendous. They didn’t just read the book; they used many different actors to read the book, and they performed all the songs in a book about music. This recorded book is something special.

I should add that although I was slightly disappointed at first in Aza’s singing voice (though I liked her speaking voice), the Prince’s voice melted my heart. And Queen Ivy’s voice was perfect—her character showed through with every word and every note.

This production would be a wonderful choice for a family trip in the car. You’ve got a compelling story with music to keep everyone entertained. If the kids have heard the story of Snow White, you’ll have fun discussing how the story is the same, yet different. You can discuss other issues that come up. (How important is beauty? Why did the King love Ivy?) In this case, the recorded book offers even more than the original, because it has music.

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Find this review on the main site at:

www.sonderbooks.com/Childrens_Fiction/fairest_audio.html