Review of A Fine Dessert, by Emily Jenkins and Sophie Blackall

fine_dessert_largeA Fine Dessert

Four Centuries,
Four Families,
One Delicious Treat

by Emily Jenkins
illustrated by Sophie Blackall

Schwartz & Wade Books, New York, 2015. 40 pages.
Starred Review

This book has a quiet cover that doesn’t reach out and grab you, but if you open it up and start reading, it’s wonderful on so many levels.

The subtitle tells you what’s going on. This book looks at families from 1710, 1810, 1910, and 2010 – all preparing and enjoying the same dessert, Blackberry Fool. All the kids who help get to lick the bowl at the end.

The dessert is the same in each century. But how it is prepared is quite different. How do they get the blackberries? Pick or purchase? And where do they get the cream?

Whipping the cream changes completely each hundred years – first, a bundle of twigs, taking fifteen minutes, next a wire whisk, taking ten minutes, then cast-iron rotary beaters, taking five minutes, and finally an electric mixer, taking two minutes.

How they chill the dessert changes each century as well, as does the food they eat for supper before the fine dessert is served.

Another contrast is that it isn’t until 2010 that a man and his son do the food preparation. In 1810, a slave girl and her mother do the work. But the daughter still gets to lick the bowl.

And at the end of each section, we’ve got the refrain: “What a fine dessert!”

This book is gently written, with wonderful detailed pictures. It is as irresistible as the fine dessert! The recipe for Blackberry Fool is at the end of the book.

Yes, I purchased blackberries and whipping cream when I went to the store this week, and last night I treated myself to Blackberry Fool! And yes, my hands turned purple when I pushed the fruit through the sieve. It would have been fun to do with a kid — but this way I get to lick the bowl myself. Indeed, it is a fine dessert. (In fact, after posting this review, I’m going to have to have a little more.)

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Princess Sparkle-Heart Gets a Makeover, by Josh Schneider

princess_sparkle_heart_largePrincess Sparkle-Heart Gets a Makeover

by Josh Schneider

Clarion Books, Houghton Mifflin Harcourt, Boston, 2014. 32 pages.
Starred Review

I’m not sure if girls looking for a princess book will be delighted or appalled with this one, but I’m hoping delighted. When Amelia is given a doll named Princess Sparkle-Heart, they instantly become best friends. So much so, that her dog is jealous. And when he gets the chance, he rips Princess Sparkle-Heart to pieces.

However, Amelia’s mother promises that she can put Princess Sparkle-heart back together, good as new. During the process, we get hints of what is going to happen. Amelia asks for extra stuffing, as muscles, for protection. She has a hard time picking just two buttons for eyes. She wants Princess Sparkle-Heart to have some good teeth.

But the biggest giveaway, I didn’t even notice on my first time through the book.

All that was left was to find Princess Sparkle-Heart some new clothes. Amelia gathered up all the magazines in the house and looked for just the right outfit.

We see Amelia looking at a spread-out array of magazines titled Fancy, with someone posing in a fancy outfit on the cover. What I didn’t notice the first time is that right in the middle of the magazines, Amelia is looking at an issue called Kapow featuring a superhero.

The final result? Let’s just say this is not what comes to my mind when I hear the name “Princess Sparkle-Heart.” And that dog will not be messing with her again. Though the end page shows a happy scene with Amelia playing with the dog, with the new improved Princess Sparkle-Heart by her side.

There’s a message of empowerment here. Now, it does beg the question: Does empowerment have to be ugly? But anyway, the story is a lot of fun. And believe me, my describing Princess Sparkle-Heart’s makeover will not diminish the thrill of discovery when she first appears in her full madeover glory.

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Review of Ballet Cat: The Totally Secret Secret, by Bob Shea

ballet_cat_largeBallet Cat

The Totally Secret Secret

by Bob Shea

Disney Hyperion, May 2015. 56 pages.
Starred Review

Big thanks to Travis Jonker for pointing out to me the genius that is this book. I had just gotten an Advance Reader Copy at ALA Midwinter Meeting, but I might have overlooked it since it is so thin.

This is a delightful choice for beginning readers. Cartoon illustrations with the dialog in speech bubbles keep the focus on the interaction between characters. And this is friendship drama as it really happens, folks!

As the book begins, Ballet Cat asks her friend Sparkles the Pony to pick what they should play today. At first things sound good – Crafts, checkers, a lemonade stand. But then Ballet Cat thinks of objections to each one. They shouldn’t leap with scissors; their kicks might knock over the checkerboard; and the lemonade will splash when they spin.

Sparkles’ body language is eloquent – and it’s lovely to see how Ballet Cat completely misses it. (But the reader will see it loud and clear.)

Sparkles says, “What if, maybe, we don’t spin today?”

Ballet Cat’s answer is, “HA! Don’t spin? Good one, Sparkles.”

Here’s the scene where they decide what to play:

Ballet Cat: Now, let’s see. What goes well with leaping, kicking, and spinning? Think, cat, think!

Sparkles the Pony (in very tiny print, with drooping eyes): We could play ballet.

Ballet Cat: Ballet? There is an idea! Leaping, yes. Kicking, yes, yes. Spinning, yes, yes, YES!

Great idea, Sparkles. How did you ever think of it?

Sparkles: We play ballet every day, Ballet Cat.

Ballet Cat: Oh, right.

After some play, which Ballet Cat enters into exuberantly, she figures out that something’s wrong with Sparkles. It turns out that Sparkles has a totally secret secret. He is afraid that if he tells the secret, Ballet Cat will not be his friend.

Well, the reader is not surprised by the secret, so I don’t think it’s a spoiler to give it away. Sometimes Sparkles doesn’t want to play ballet.

Can their friendship survive this disaster? Well it helps that Ballet Cat has a secret secret of her own.

This is a wonderful addition to books for beginning readers. I stand in awe of cartoonists like Bob Shea who can express so much emotion in such seemingly simple pen scratches.

Absolutely brilliant. And the best news is that it’s the start of a new series. I plan to booktalk this book with the younger elementary grades, because I can’t imagine a better way to entice kids to reading.

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DisneyBooks.com

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Source: This review is based on an Advance Reader Copy I got at ALA Midwinter Meeting.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Ah-hA to Zig-Zag, by Maira Kalman

ah_ha_to_zig_zag_largeAh-hA to Zig-Zag

31 Objects from Cooper Hewitt, Smithsonian Design Museum

by Maira Kalman

Cooper Hewitt, Skira Rizzoli, 2014. 54 pages.
Starred Review

Maira Kalman is pretty much the definition of quirky. On the title page, under the subtitle it says, “Maira Kalman went to the museum. She chose objects from the collection and made this book for you. Completely for you.”

First, it’s very loosely an alphabet book. Each letter has a picture of something from the museum and some writing about it. Something like this (with the picture from the front):

E.

(Except for your dog)

This is the cutest dog on Earth. with the cutest Eyebrows on Earth.

“I really am Extremely cute.”

Or:

F.

The hat on this woman From France is Fluffy and Frothy and Fantastic and Funny.

Or:

V.

It is Very Very Very Very (Very) nice to snuggle.

Or:

Y.

Dance. Run. Smell flowers. Jump for joY. Laugh. CrY. Be mean. Be kind. Eat toast. Be cozy. And be forever Young.

After Z for Zig-Zag, we have:

Oops!

We left out

O.

Oh well. We all make mistakes. Yesterday I wore two different socks. No big deal.

Then there is a double-page spread at the back with photos of all the objects portrayed and notes about what they are. The dog for E is “Figure of a poodle, England, 1820-40; Glazed earthenware.” The lady for F is from “Postcard, A Travers la Normandie; Coiffes et Costumes anciens, about 1909; Printed card with hand coloring.” V refers to “Salt and pepper shakers, Town and Country, 1946; Glazed earthenware, cork.” Y deals with “Square, Boy and Girl, 1947; Printed silk.” And O features “Pair of stockings, France, 1850-1900; Knitted silk.”

Then at the end, Maira Kalman tells the story of Nellie and Sally Hewitt.

They loved to sing and dance.
They were just a little bit wild.
A little bit.
They had sharp eyes. The kind of eyes that really LOOK at things.
One day they decided to collect the things they loved, and create a museum.
And they really did it.
Which is a lesson to be learned.
If you have a good idea — DO IT.

This book gives me a good idea: I should go to the Cooper Hewitt Smithsonian Design Museum.

I have another good idea: I should tell you to check out this book!

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Hoot Owl, Master of Disguise, by Sean Taylor and Jean Jullien

hoot_owl_largeHoot Owl

Master of Disguise

by Sean Taylor
illustrated by Jean Jullien

Candlewick Press, 2014. 48 pages.
Starred Review

This book makes me laugh out loud — and then I can’t resist reading the whole thing aloud in a dramatic voice. I think I will be booktalking this book with the younger elementary school grades this year. It uses simple sentences and is easy to read, and is brilliantly funny.

The stage is set on the page before the title page:

Watch out!
I am Hoot Owl!
I am hungry.

And here I come!

One by one, Hoot Owl spots a tasty animal. His narration includes dramatizations like this:

The darkness of midnight is all around me.
But I fly through it as quick as a shooting star.

And look there . . .
a tasty rabbit for me to eat.
Soon my sharp beak will be gobbling that rabbit up!

The next page contains a refrain that is repeated with all the objects of Hoot Owl’s desire:

Everyone knows that owls are wise.
But as well as being wise,
I am a master of disguise.

I devise a costume.

Look —

I disguise myself as . . .

With the rabbit, he disguises himself as a carrot. With the sheep, he disguises himself as a mother sheep, with the pigeon, he disguises himself as an ornamental birdbath, and with the pizza, he disguises himself as a waiter. Which one of those disguises do you think works? With which one of those disguises do you think the prey does not go away?

So the final joke is, forgive me, a hoot. But along the way, I love Hoot Owl’s dramatic attitude. The atmospheric lines in between finding prey are wonderful:

The night has a thousand eyes,
and two of them are mine.
I swoop through the bleak blackness
like a wolf in the air.

How can I resist reading this aloud?

And look there . . .

a pigeon stands,
trembling,
afraid that
a dangerous
creature-of-the-dark,
such as an owl,
might be passing by!

When Hoot Owl finally does satisfy his hunger, the world can sleep again…

Until Hoot Owl returns.

candlewick.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of A Lion in Paris, by Beatrice Alemagna

lion_in_paris_largeA Lion in Paris

by Beatrice Alemagna

Tate Publishing, 2014. 36 pages.

This oversized picture book is a treat for anyone who loves Paris. When I say oversized? I mean enormous. Looking at this book is an event.

The cover opens upward (with the spine on top, horizontal), and you see the lion’s paws unfolding a map of Paris, which will trace his route.

A few sentences show on the plain page on top, while the page in your lap has a large picture with photos of faces and other details inserted in the drawings.

The book begins:

He was a big lion. A young, curious and lonely lion. He was bored at home on the grasslands, and so one day he set off to find a job, love and a future.

The lion begins his journey around Paris at the train station, the Gare de Lyon, and from there we get a wonderful tour of Paris, from a lion’s eye view.

I think my favorite page is looking up the steps to Sacré Coeur:

The lion’s heart was beating very fast as he continued his long walk. At the top of an endless flight of steps he saw a white castle. “It looks like a cream cake, doesn’t it?” said an old lady, smiling at him. “Grrr,” replied the lion. They went back down all the steps together.

At the end of the book, the lion finds a permanent place where he is happy.

The author explains the story in a note at the end:

The lion in this story was inspired by the statue of a lion in the Place Denfert-Rochereau in Paris. It was erected by the architect Frédéric Auguste Bartholdi between 1876 and 1880. I wondered why the Parisians are so fond of this lion. I think it is because he looks very happy where he is.

And who can blame the lion? I know I have been happy when in Paris. This book brings some of that joy back.

tate.org.uk/publishing

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Review of Naptime with Theo & Beau, by Jessica Shyba

naptime_with_theo_and_beau_largeNaptime with Theo & Beau

by Jessica Shyba

Feiwel and Friends, New York, 2015. 36 pages.
Starred Review

Okay, this is the cutest bedtime book ever. I showed it to a usually cynical friend, and even he told me I had just made his day better.

The text is simple:

Beau is sleepy.

Theo is sleepy.

It must be naptime!

The photos accompanying this simple text could not possibly be more adorable. A toddler boy (Beau) and a dog (Theo) got in the habit of napping together. Mom (Jessica Shyba) took their pictures.

The two young creatures are roughly the same size. They sleep cuddled up together. You know how nice it is to watch a child sleep? It turns out it can be even sweeter to see a child sleep cuddling up with a sleeping dog.

Of course the big mystery is: How did Jessica Shyba get such stunning photographs of them without waking them up? (But my kids were little before the age of digital photography — so I suppose that’s the answer. Though the photos do seem awfully well-lit.)

You can see more photos, now with Beau’s little sister, on the author’s Momma’s Gone City blog.

In a book? Well, besides being adorable, looking at these pictures will also make you sleepy, which, it seems to me, is the perfect criteria for a bedtime book.

Sleep tight!

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Review of What the Dinosaurs Did Last Night, by Reife & Susan Tuma

what_the_dinosaurs_did_last_night_largeWhat the Dinosaurs Did Last Night

by Refe & Susan Tuma

Little, Brown and Company, New York, 2014.
Starred Review

All you have to do is look at the cover of this book to get your imagination spinning. And to start laughing.

The authors explain in an Introduction how Dinovember got started. They were tired and busy with a new baby in the house. Susan’s parents had sent some hand-me-down toys that their daughters weren’t terribly interested in and languished in a toy box.

The next time we saw those dinosaurs was on Halloween. It had been a difficult day. Leif’s sleepless nights had gotten worse. Trick-or-treating had been canceled because Adele was sick, and the kids had gone to bed disappointed and emotional. Susan and I were exhausted, cleaning up after another day spent cooped up inside the house. We could tell our daughters had been desperately bored because even the neglected contents of that toy box had been dumped all over the living room floor. Susan started sorting through them as she cleaned, and held up a couple of the dinosaur figures.

“I remember these,” she said. “I always loved them.”

As we got ready for bed, Susan set the dinosaurs on the bathroom sink where our daughters would find them the next morning. I asked what she was doing and she shrugged.

“Just having a little fun.”

We went to bed without giving it another thought.

The next morning, our daughters nearly broke down the door to our room.

“Mom and Dad, you have to see this!” Alethea said. “The dinosaurs came to life last night – we caught them brushing their teeth!”

Susan and I dragged ourselves out of bed as the girls looked on impatiently. As soon as our feet touched the floorboards, they grabbed our hands and pulled us into the bathroom. At first glance, it seemed as if the dinosaurs were exactly the way Susan left them – standing in the same places, frozen in the same positions. Then, we looked closer. We looked at our girls’ faces and saw the way they smiled and how their eyes had grown wide. We realized that, sure enough, the kids were right: the dinosaurs had come to life. And, with that, we knew they would do it again.

This was how Dinovember was born — every night of November, the dinosaurs got up to mischief while the children were sleeping. Eventually, the parents took pictures, started a blog — and wrote a book.

I like this summing up in the Introduction:

At its heart, Dinovember is a celebration of imagination. Imagination is both a prerequisite for participation and, ultimately, what we hope to inspire. We want to train our kids to value their creativity, to cultivate imaginative thinking, and to look past what’s possible.

After talking about their daughter’s aspirations to be an artist-scientist, they also say:

The dinosaurs have unwittingly taught Susan and me a similar lesson — that we can be parents and people at the same time. We’ve often felt like we had to be either the parents our kids needed or individuals with our own hopes and dreams — never both at once. When we tried in the past, we seemed to be maintaining two different identities, taking them on and off like costumes in a Metropolis phone booth. We’ve played with enough plastic dinosaurs by now to know that it doesn’t have to be that way. Our kids aren’t a hindrance to the things we want to do — they’re integral to everything we do. They’re our partners in crime and our grass-stained, runny-nosed muses. They’re part of the story we’re telling, and, one day, we’ll be part of theirs.

As for the rest? The photographs say it all. Dinosaurs caught in the act, again and again.

I do have one complaint about this book: The print is teeny-tiny. Not good for beginning readers who might learn to read with this book, and not at all good for older eyes hoping to read the book to grandkids.

However, you don’t actually have to read the words to get yourself laughing out loud. The expressions on the dinosaurs’ faces are classic!

My main problem is how on earth to classify this book. My library has it as Juvenile Fiction. And if you look at it as the story of “What the Dinosaurs Did Last Night,” it works that way. It could be thought of as a Picture Book — but what about the teeny-tiny print? I think I’m going to list it under adult Nonfiction — since the authors address adults in their Introduction, and then you can see the book as a book of ideas for parents. And then it does fit under Creativity — because ultimately, that’s what this book is about. But make no mistake: This is truly a book for all ages, and people of different ages will take different things away from this book.

This book is something unique — and a triumph of the imagination. I dare anyone to look at one of these pictures and not instantly start imagining the scenario that got the dinosaurs into that position!

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Review of A Library Book for Bear, by Bonny Becker and Kady MacDonald Denton

library_book_for_bear_largeA Library Book for Bear

by Bonny Becker
illustrated by Kady MacDonald Denton

Candlewick Press, 2014. 40 pages.
Starred Review

I do so love the Bear and Mouse books by Bonny Becker and Kady MacDonald Denton! Just when I thought I couldn’t like them any more, the fifth book is about a trip to the library.

The whole pattern of the book is similar to those that have gone before. The beginning sets the stage:

Bear had never been to the library.
He had seven very nice books at home:
three about kings and queens, three about honeybees,
and one about pickles.
Bear was quite sure he had
all the books he would ever need.

Naturally, it’s Bear’s friend Mouse who convinces him to come to the library. There’s a nice little twist in their method of transportation. (I hadn’t seen Bear leave his house before.)

Bear skated and Mouse rode in the basket to the library, the wind rippling nicely through their fur.

As the pattern with the Bear books inevitably includes Bear getting angry and talking VERY LOUDLY, and since they are, after all, on a trip to the library, readers in the know will be getting ready for a problem.

In this case, there’s a nice paradox in that what Bear bellows is, “QUIET VOICES IN THE LIBRARY!”

I must say that the librarian deals with it beautifully, and it’s no spoiler to say that after enjoying Storytime, bear goes happily home with seven new books, one oh-so-appropriate one of which Bear reads to Mouse that very same day.

Two things are consistently delightful about this series: the illustrations and the language.

The illustrations are cartoons, which always amaze me when they communicate depths of emotion — as these inevitably do. In this book, I especially like the drawing of the round stepstool with rubberized top — exactly the same kind we use at our library. There are plenty of little details like that, but consistent on every page are the wonderful expressions on faces.

And the language! Bonny Becker does not talk down to kids, and it gives a melodious tone to her books. They simply beg to be read aloud, and I have read them happily to age groups from preschool to third grade. Bear says things like, “Completely unnecessary,” “Most excessive!” “Terribly extravagant!” “I can assure you that pickles are quite interesting!”

Another delightful offering from Bonny Becker and Kady MacDonald Denton. How do they keep it up so consistently?

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of Fox in Socks, by Dr. Seuss

fox_in_socks_largeFox in Socks

by Dr. Seuss

Beginner Books, 1965. 61 pages.
Starred Review

Today is Dr. Seuss’s birthday. As has become traditional, at the City of Fairfax Regional Library, we held a Seussathon — offering customers the chance to read Dr. Seuss books in the children’s area all day.

As has also become traditional, I started it off with a reading of Fox in Socks.

I thought it would be fun to tell the story of my history with Fox in Socks. It’s special to me, because I can remember when my mother bought it and brought it home. I was so impressed with the words at the beginning: “Take it SLOWLY. This book is DANGEROUS!” In fact, I still read those words with the same inflection my own mom gave them.

I remember I asked her what that meant. I don’t remember her exact answer, but I was very impressed. And I remember her laughing when she made any mistakes. And very dramatically telling me her tongue was numb.

We lived in Kent, Washington, then, and I wasn’t in school yet. I’m pretty sure my little sister was born — so I must have been four years old. (Yes, this was a long time ago!)

Later, I remember *trying* to say things like “quick trick chick stack” and simply not being able to. Also “Six sick chicks tick.” And “Bim’s bends. Ben’s bends.” And the three free fleas. But I always did like Luke Luck and the Tweetle Beetles.

So that’s why I have all my life (minus four years) been extra fond of this book. And then I was a big sister — big sister to ten, actually (and little sister to two) — and got many many opportunities to read to my younger siblings over the years.

Not too long after I moved out and got married, I had my own son, followed by a second six years later. Yes, I made sure to buy a copy of Fox in Socks very early.

Now? Well, thankfully I’m a Children’s Librarian, and I can still give myself a dose of Fox in Socks at least once a year.

And this brings up the value of the book. Okay, there’s not much plot. But you won’t find a better book for building phonological awareness. You definitely notice the smaller sounds in the words, once a child is at least old enough to follow what’s being said. When they are old enough to read, oh my each letter makes a difference!

And you know what? I think there’s still a little Sondy in me who is simply pleased as can be to be able to say those words quickly.

Happy Birthday, Dr. Seuss!

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