Review of Bug in a Vacuum, by Mélanie Watt

bug_in_a_vacuum_largeBug in a Vacuum

by Mélanie Watt

Tundra Books, 2015. 96 pages.

This book makes me laugh. The premise is simple: It’s the stages of grief as experienced by a fly caught in a vacuum cleaner.

The note at the back explains, “The five stages of grief, also known as the Kubler-Ross model, introduced in 1969, are a series of emotions commonly experienced when facing a life-changing event.”

Yes, this would be helpful for explaining the stages of grief to a child. But it’s also just plain fun. Although it’s long, there aren’t a lot of words on each page, and the lavish illustrations do most of the work of telling the story.

The fly, of course, has something to say at every stage:

Denial: “This is amazing! Doesn’t get much cozier than this … Can’t wait to tell my friends about this place!”

Bargaining: “My how the time flies! I must be on my way. Can I be vacuumed next Monday instead? Tonight’s bowling night with the dung beetles.”

Anger: “I WANT OUT NOW!!! NO MORE MR. NICE FLY!!!”

Despair: “I’ll never see the sky again. Let’s face it … I have no future!”

Acceptance: “I surrender! I’ll make the best of things …”

Now, the book is made less bleak in that the fly eventually does escape, as the vacuum is hauled to a dump and breaks open. There’s a parallel journey involving a dog and its stuffed toy – and the dog gets distracted while the toy ends up part of a bird’s nest, so we are given an alternate ending.

You might think that a lot of pictures of the inside of a vacuum would get old, but Mélanie Watt knows how to add details to keep you occupied many times through the book.

This isn’t exactly a book for storytimes – but it is a book that could be used as bibliotherapy – but is also an engaging, brilliantly illustrated, and entertaining story totally apart from its teaching value. And since I consider few things worse than a didactic book that is not entertaining, as far as I’m concerned, that’s a big win.

penguinrandomhouse.ca

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Review of Troll and the Oliver, by Adam Stower

troll_and_the_oliver_largeTroll and the Oliver

by Adam Stower

Templar Books (Candlewick Press), 2015. 40 pages.
Starred Review

Here’s some high drama for the preschool set. We start out being introduced to Troll and “an Oliver.” Troll keeps trying to catch the Oliver, wanting to eat it for lunch. But the Oliver keeps getting away. We see many of these scenarios, as the Oliver dodges, hides, and sneaks away, cleverly eluding capture. As he escapes he sings little songs and always wears a happy smile. Despite the giant fuzzy blue troll, the reader isn’t really frightened for Oliver.

Then one day, the reader thinks Troll has given up. Oliver looks and looks for Troll and steps stealthily just in case.

And shall I give a spoiler? I don’t feel like I can explain how absolutely brilliant this book is without explaining what happens.

But perhaps I can get away with saying there’s a half-page turn in this book – which is the most dramatic page turn I have ever seen in a children’s book. Read well, I can easily imagine children jumping out of their skin.

When I say half-page: A double page spread has vertically half a page in the middle of it. Before you turn the half-page, you’ve got Oliver in the kitchen, just having realized the Troll has given up.

My name’s Oliver,
Look at me!
I’m as clever
As can be!
I’m the best
And I’m the winner.
I’ll never ever
Be that smelly
Troll’s dinner!

Turning the half-page “opens” the cabinet – to devastating effect.

Let’s just say that it’s a good thing it turns out Olivers taste awful. And the pictures of Troll tasting him all have Oliver’s legs hanging out of Troll’s mouth. So still not too frightening.

And then, in a brilliant stroke, Troll smells what the Oliver was baking in the kitchen. All along, something was wafting from the oven, but our attention wasn’t called to it. Turns out – Trolls love CAKE!

And the book finishes off with a happy scene of Oliver having a Cake Picnic with a whole big party of trolls. The back endpapers have a recipe for Troll Cupcakes.

I especially like the Author’s Note at the end:

I would strongly advise the reader to ALWAYS have some cake handy, just in case a troll should happen by. He might be hungry. . . .

One of the things I love about this book is that Oliver is consistently smiling. Despite the dramatic reversal in the middle, the reader is never too worried for Oliver, because he’s not worried. Yep, there’s a big fuzzy blue troll trying to eat a little kid, but it’s not really a frightening book. And you come away with the message: Always have some cake handy.

What could be better?

I’m going to try this book at Storytime. . . And see if I can make the kids jump.

candlewick.com

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Review of The Boy Who Wouldn’t Go to Bed, by Helen Cooper

boy_who_wouldnt_go_to_bed_largeThe Boy Who Wouldn’t Go to Bed

by Helen Cooper

Dial Books for Young Readers, New York, 1997. First published in Great Britain in 1996.
Starred Review

I’m posting a review of this Old Favorite in response to Travis Jonker’s critique on his 100 Scope Notes blog of the current best-selling children’s book, The Rabbit who wants to fall asleep.

You see, I believe that if you want mesmerizing and hypnotic in a children’s bedtime book, you actually don’t have to sacrifice lovely pictures and beautiful, lilting language.

When my son was a toddler, my then-husband brought this book home after one of his trips to England. It was the British version, so the title was The Baby Who Wouldn’t Go to Bed, but all else was the same.

My son couldn’t keep his eyes open when we read this book to him. Before long, he wouldn’t let us read it at bedtime, because he knew full well it would make him fall asleep.

The book starts with the boys mother telling him it’s bedtime. But it’s still light, because it’s summer, and the boy doesn’t want to go to bed.

But the boy revved up his car…
vrrrooom-chugga-chug…
then drove away
as fast as he could,
and the mother couldn’t catch him.

The boy drives into a lavish dreamscape in his little red car, with a determined look on his face.

The boy meets many creatures and things on his journey and asks them to play, but everyone is much, much too tired.

The language is rhythmic and mesmerizing — but definitely not in a boring or didactic way.

He hadn’t driven very far at all
before he met a tiger.
“Let’s play at roaring,”
said the boy.

But the tiger was too tired.
Nighttime is for snoring,
not roaring,”
yawned the tiger.
“Come back in the morning.
I’ll play with you then.”

The pictures have the soft golden light of a long summer sunset.

He sees soldiers too tired to parade any longer. I like the train (with the dreamscape quickly getting darker), and all the toys in the train cars have their eyes closed:

He stopped for a moment
as a train rolled by.
“Race you to the station,” called the boy.

But the train was too tired.
“Nighttime is for resting, not racing,” said the train.
“I’m going home to my depot, and so should you.”

Of course, parents do not need instructions to read all this in a sleepy, tired, drowsy, weary voice.

When he meets musicians, they’re too drowsy to play music for dancing. They suggest that the boy give them a ride home, and they’ll play a lullaby instead.

The musicians played
such a sweet tune
that the sun was lulled
to sleep and the
moon came out.

The boy’s car went slower …
and slower …
and slower …

and soon the musicians were sound asleep.

Then the boy’s car stopped….
It had fallen asleep too.

The boy tries to get help from the moon hanging in the sky, but even the moon is too tired!

“It’s bedtime,”
sighed the moon drowsily.
And even the moon closed her eyes and dozed off.

Soon, the boy is the only one awake, and all the world around him is sleeping.

But there was someone else who was not asleep.
Someone who was looking for the boy …

Someone who was ever so sleepy,
but couldn’t go to bed until the boy did.

It was the mother.
And the boy hugged her.

The picture of the mother holding the boy here is suitable for framing.

The mother trundles and bundles the boy back to bed. With a big yawn, he gives in to sleep. And the last words of the book are:

“Good night.”

One fun thing about the book is that the dreamscape of the boy’s adventures matches the toys and furniture you’ll find in his room.

The language is so lovely, the paintings are magnificently soft and warm and beautiful, and the tired, tired creatures and things will get any little one yawning.

So my suggestion? If you want to hypnotize your child at bedtime, do it with delight. Try The Boy Who Wouldn’t Go to Bed. Put some sleepiness in your voice, and I challenge you to stay awake, let alone your little one.

Because, after all, nighttime is for snoring, not roaring; dreaming, not parading; and resting, not racing. Good night!

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Review of The Sky Is Falling! by Mark Teague

sky_is_falling_largeThe Sky Is Falling!

by Mark Teague

Orchard Books (Scholastic), New York, 2015. 32 pages.
Starred Review

This book cracked me up. It’s very much in the same style as The Three Little Pigs and the Somewhat Bad Wolf, by the same author.

The book contains a twisted retelling of Chicken Little’s story. Or perhaps I should say a more logical telling of Chicken Little’s story. Kids who are familiar with the traditional tale will appreciate the changes in this one.

And look! The third time through the story, I noticed for the first time a detail on the first page that adds impact to how the story turns out. This is a book that rewards close attention.

The story starts the common way:

One day an acorn hit Chicken Little on the head.

She popped up, screeching,
“The sky is falling! The sky is falling!”

The difference is apparent right away:

”I don’t think so,” said Squirrel.
Squirrel knew a thing or two about acorns.
“See, it fell from a tree.”

But Chicken Little doesn’t pay attention to squirrel.

Soon, all the chickens were in a tizzy.
Chickens are like that.

“The sky is falling! The sky is falling!”
they cried.

They danced around the yard,
flapping their wings.

But in this version, the birds don’t go to tell the king – they start a dance that infects all the animals in the barnyard!

Fox is up to his same tricks, however. If the sky is falling, he thinks everyone should hide in his den.

I love the chicken logic on this page:

”But why aren’t you dancing?” asked Chicken Little.

Fox began to feel annoyed. “Because it makes no sense!”

“Everyone dances when the sky is falling,”
Chicken Little explained. “Look!”

I will simply say about this tale that the fox does get an appropriate comeuppance.

The pictures of the animals dancing their hearts out definitely make it worth your while to pick this book up.

A very silly story which is ever so much fun.

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Review of Edgar’s Second Word, by Audrey Vernick and Priscilla Burris

edgars_second_word_largeEdgar’s Second Word

by Audrey Vernick
illustrated by Priscilla Burris

Clarion Books (Houghton Mifflin Harcourt), Boston, 2014. 32 pages.
Starred Review

This book is simply too sweet not to review it.

Big sister Hazel has long been dreaming of reading to her new baby brother. She reads to her stuffed bunny, Rodrigo, but it wasn’t the same. When Edgar finally comes along, she’s excited.

But Edgar wasn’t much different from Rodrigo.
Or a pillow.
Or a watermelon.

Then Hazel thinks Edgar’s first word will make the difference. Now he mostly points and grunts, “like a pointing, grunting watermelon.”

But when Edgar speaks his first word, let’s just say it’s the most common first word of any baby.

And he practices it often.

My favorite picture in the book is from when Hazel’s mom takes them for a change of scene to the library, and Hazel asks Edgar to choose some books.

Edgar’s “NO!” was so loud that people stared. Some covered their ears. A librarian fainted.

But the book finishes up with such a lovely cozy scene, the pastel pictures matching the warm cozy tone of the words:

The day’s no’s added up.
Everyone was tired.
Finally, it was bedtime.

Hazel reached for her no-saying grump of a brother.
Edgar got as far as “Nnn” before a tired-baby gravity settled him on her lap.

Edgar felt as weighty as two Edgars.
He leaned back, a heavy-headed, warmly cuddled, not-no-saying lamb of a ram.
Hazel began to read.

(Can’t you just feel warm baby in your lap?)

When Hazel finishes reading, they think Edgar’s gone to sleep. But instead, he says his second and third words. And let’s just say that they’re a lot more positive.

This book brings something interesting to the party of new-baby books for the bigger sibling. There’s plenty of talk about the frustrations, but the cozy ending does point out that it’s all worth it.

And if nothing else, parents will be charmed.

audreyvernick.com
priscillaburris.com

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Review of One Word from Sophia, by Jim Averbeck and Yasmeen Ismail

one_word_from_sophia_largeOne Word from Sophia

by Jim Averbeck and Yasmeen Ismail

Atheneum Books for Young Readers, New York, 2015. 36 pages.
Starred Review

This book is tremendously fun. The beginning concisely sums up the situation:

Sophia’s birthday was coming up, and she had five things on her mind –
One True Desire and four problems.

Her One True Desire was to get a pet giraffe for her birthday.

The four problems were . . .
Mother, who was a judge,
Father, who was a businessman,
Uncle Conrad, who was a politician,
and Grand-mamá, who was very strict.

Sophia presents her case eloquently to each of these adults, with her arguments perfectly and amusingly tailored to her audiences.

Her mother says she’s too verbose, her father that she’s too effusive, her uncle that she’s too loquacious, and Grand-mamá that she needs to get to the point.

So Sophia thinks hard and gets her case down to one word, “accompanied by a particularly compelling pair of eyes.”

Now, I expected this book to be an example of how, sometimes, you simply can’t get the things you want. Umm, this is not that book.

Also, kids won’t necessarily get the court references when Sophia makes her case to her mother the judge or the business proposal references in her presentation to her father the businessman or the polling references in the results shown to her uncle the politician. However, those are what makes the book tremendous fun for an adult reading it. And I think kids will enjoy the sounds of the words, even if they don’t grasp all the humorous implications.

And I’m not completely confident that we really should give little negotiators any ideas for how to work. They’re awfully good at what they do already. And if Sophia can con her family into getting her a giraffe? Well, clearly your own little negotiator is much more reasonable. Should we give that ground to them?

But this book is simply way too much fun not to recommend it, so I will be content with warning potential adult readers. In general, I suspect that the enjoyment you get from reading this book will outweigh any drawbacks from ideas your children pick up. (As if they actually need any.) And, best of all, they may remember to say Please!

I should add that the pictures are delightful – portraying a mixed-race family with lovely vibrant colors. And just the right amount of words.

May we all know our One True Desire as clearly as Sophia.

jimaverbeck.com
YasmeenIsmail.co.uk
KIDS.SimonandSchuster.com

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Review of Billy’s Booger, by William Joyce

billys_booger_largeBilly’s Booger

A Memoir (Sorta)

by William Joyce and his younger self

Moonbot Books, Atheneum Books for Young Readers (Simon & Schuster), New York, 2015. 54 pages.
Starred Review

In this book, William Joyce explains for kids how he got his start writing picture books. He was in fourth grade, and he wrote a book for a school contest.

He worked hard on it. He exercised his imagination. The book he wrote and drew the pictures for is included in the center of this book.

What I love about it is that it reminds me of the stories my sons wrote when they were in about fourth grade. The smaller book is called Billy’s Booger and explains how Billy and his booger got bonked by a meteorite and gained super powers. The booger became a mathematical genius, and Billy could call on it at all times. The President of the United States asked advice from Billy and his Super-Booger!

Billy is tremendously disappointed when he doesn’t win any prize at all, not even honorable mention.

But the librarian puts all the kids’ books in the library — and Billy’s Booger gets checked out more than any other book.

And so began the adventures of a picture book author.

KIDS.SimonandSchuster.com

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Review of With a Friend by Your Side, by Barbara Kerley

with_a_friend_by_your_side_largeWith a Friend by Your Side

by Barbara Kerley

National Geographic, Washington, D.C., 2015.

Barbara Kerley takes amazing photographs. (And what else do we expect from National Geographic.)

The text of this book talks about all friends can do and be. The photographs make it shine. Barbara Kerley catches the sparkle in the eyes of friends having fun together.

Looking at the pictures, you’ll notice she’s got all skin colors represented, and friendships between people of all different shapes and sizes and ages. But the pages at the back really bring it home. She’s got a world map and tells where every photo originated. They are truly from all over the world.

Some of my favorite photos are Clowning around in Bamako, Mali, Slip sliding down a muddy hill near Jakarta, Indonesia, Getting ready to fly in Pacific Palisades, California, U.S.A., About to get wet in Lake Cerknica, Slovenia, and Cozying up to a good book in Sarsy, Russia.

This book is a work of art celebrating people – celebrating Friends.

nationalgeographic.com/books

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Review of Sidewalk Flowers, by Jon Arno Lawson and Sydney Smith

sidewalk_flowers_largeSidewalk Flowers

by Jon Arno Lawson and Sydney Smith

Groundwood Books, House of Anansi Press, Toronto, 2015. 28 pages.

I can’t resist the charm of this wordless picture book.

We’ve got a little girl with a red hood, walking with her father, holding his hand. Her father’s talking on his phone almost the whole way. He’s not noticing at all what’s going on down at his daughter’s level.

She sees flowers — growing in the cracks of the sidewalk, growing in the grass in a vacant lot by a bus stop. She gathers them.

And then she leaves flowers behind with those she meets, on her level — a dead bird in the park, a man sleeping on a park bench, a dog’s collar, and, when she gets home, her mother’s hair.

The two planes of action — father on phone, girl gathering and distributing flowers — are simply captivating. This book keeps pulling me back to look at it again. I’d love to share it with a child and hear about what they see.

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Review of Meet the Dullards, by Sara Pennypacker and Daniel Salmieri

meet_the_dullards_largeMeet the Dullards

by Sara Pennypacker
illustrated by Daniel Salmieri

Balzer + Bray, 2015. 32 pages.
Starred Review

This book is too silly. It’s wonderful the way the jokes aren’t spelled out, and most of the work is done by the illustrations. There’s so much to see and delight in here.

For example, the book begins with one sentence on the first double-page spread:

One day, Mr. and Mrs. Dullard received quite a nasty surprise.

You have to figure out from the pictures what the surprise is: The three children are reading three books, The Nicest Way to Befriend a Lion, Becoming One with the Tightrope, and an open book with the visible Chapter 4 title, “Avoid Distractions” along with pictures of jugglers. In a brilliant detail, only the title of that confiscated book is visible after the page turn: How to Juggle for the Circus.

The text after the page turn explains the problem:

The Dullards collected the books and handed their children some nice blank paper to read instead. Then they left the room to discuss the problem in private.

This was not the first time their children had given them a shock. Last week, they had asked to go to school. And just the day before, Mr. Dullard had caught them trying to play outside.

The Dullard parents decide their home is simply too exciting. After all, there’s an upsetting commotion in the driveway of a snail going across the pavement.

So the parents go in search of the perfectly dull, while the children, Blanda, Borely, and Little Dud, continue to attempt to outwit them.

My favorite page is the wordless spread where Mrs. Dullard falls into a faint as Mr. Dullard expresses horror at a room in their new home with yellow walls and flowers on the walls.

That’s the idea. The Dullards then go to find a suitably boring shade to paint the walls, and then have the mesmerizing chance to watch the paint dry. Meanwhile, we watch the children looking for the chance to break out.

This book is perfect for any children who’ve ever thought their own parents don’t want them to have any fun.

You don’t know boring until you’ve met the Dullards.

sarapennypacker.com
danielsalmieri.com
harpercollinschildrens.com

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