Review of Cinder, by Marissa Meyer

Cinder

The Lunar Chronicles: Book One

by Marissa Meyer

Feiwel and Friends, New York, 2012. 390 pages.
Starred Review

I’ve always loved fairy-tale retellings, but this science fiction version of Cinderella is even better than most. Once again, I stayed up all night reading to finish the book, even though I know that’s not good for me. But the book was so good! Since I was able to take a nap the next day, I’m afraid my bad behavior was reinforced, and it was totally worth it.

Cinder is set in New Beijing, 126 years after the end of the fourth world war, after which the kingdoms of the earth have been at peace. They’ve been at peace, but not without problems. There’s a plague raging, and even the Emperor of the Eastern Alliance is sick with it.

Linh Cinder is a cyborg, which is why she’s a second-class citizen. She’s 63.72% human, but she has some machine parts, like her left hand and foot, and some brain and sensory enhancements. She doesn’t remember anything from before the accident and fire that burned her when she was eleven years old.

Since her adoptive father died, Cinder’s been the one making a living for her family as a mechanic. She’s a good mechanic, as her cyborg enhancements give her special abilities, but she’s surprised when Prince Kai brings in an old android that needs repair.

Cinder barely heard him above the blankness in her mind. With her heartbeat gathering speed, her retina display scanned his features, so familiar from years spent watching him on the netscreens. He seemed taller in real life and a gray hooded sweatshirt was like none of the fine clothes he usually made appearances in, but still, it took only 2.6 seconds for Cinder’s scanner to measure the points of his face and link his image to the net database. Another second and the display informed her of what she already knew; details scribbled across the bottom of her vision in a stream of green text.

There’s something important about the android, but Prince Kai has many other things to worry about. The evil queen of the Lunar Colony wants to marry an earth emperor. But the people who live on the moon have evolved the ability to control the minds of others. If she marries Kai, she will enslave the people of his country as she has her own. But she can apply powerful pressure.

In the meantime, there is a draft of cyborg “volunteers” to test potential plague antidotes. When Cinder’s stepmother decides it’s time for Cinder to “volunteer,” Cinder learns some surprising new things about herself. But she also runs into the prince again.

This book takes the framework of the fairy tale and plays with it. I don’t think it’s too much of a spoiler to say that instead of losing a shoe when she leaves the ball, Cinder loses a foot. I admit I was sad that there wasn’t a fairy godmother in this story, because I wanted that for Cinder, but it’s quite amazing what she manages to accomplish herself.

And there’s no Happily Ever After yet for Cinder, but the title page warned that this is Book One, so I didn’t expect it. But at the same time, it tells a satisfying story, following the Cinderella basic framework, yet adding in an intricate plot all its own. The future world is credibly and skilfully built. And the romance between Cinder and the Prince is done well.

I’m going to want to read the next volumes just as soon as they come out. Though I will definitely try to start very early on an evening when I have no other plans.

thelunarchronicles.com
macteenbooks.com

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Source: This review is based on a book I got at a library conference.

Review of Lost & Found, by Shaun Tan

Lost & Found

by Shaun Tan

Arthur A. Levine Books, 2011.
Starred Review
2011 Sonderbooks Stand-outs: #5 Other Teen Fiction

Lost & Found is a collection of three short books originally published in Australia. I find myself wishing they were still separate, because each story is powerful by itself. But I am glad I got to read all three.

Like The Arrival, and Tales from Outer Suburbia, these stories all have a surreal element. The artwork is amazingly detailed, and includes many alien-looking creatures.

The first story, “The Red Tree,” published alone would make an encouraging Oh, the Places You’ll Go!-type gift book, though not as cheery. A girl is having a dark and dreary day, which is vividly expressed with surreal images. But the story ends with a red tree growing in her bedroom, a smile of hope, and these words:

“but suddenly there it is right in front of you bright and vivid quietly waiting just as you imagined it would be.”

I think I can get away with telling the words at the end of the story, because the power to this story lies in the images. You definitely still need to read it yourself to understand the way that final image turns the dreariness around and gives life and hope.

The second story is “The Lost Thing.” A kid finds a strange and large lost creature, not like anything you’ve ever seen before, and needs to find it a home. This requires quite a journey, and there’s some philosophizing about things that don’t quite fit in. Once again, the power is in the pictures and Shaun Tan’s incredible imagination.

The final story, “The Rabbits,” is a sad one, with words by John Marsden and drawings by Shaun Tan. It’s a simple story of the devastation to the native plants and animals when colonists brought rabbits. The rabbits are drawn wearing clothes and acting like the human invaders did. The devastation they brought is bleak and clear, but the ending is open-ended. Perhaps the creatures can be saved.

Shaun Tan’s work, as always, is breathtaking. With this one, you definitely should see for yourself.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Audiobook Enchantress from the Stars, by Sylvia Louise Engdahl

Enchantress From the Stars

by Sylvia Louise Engdahl

performed by Jennifer Ikeda

Recorded Books, 2006. 9 compact discs, 10.5 hours.
Starred Review
2011 Sonderbooks Stand-out: #1 Audio Rereads

I already reviewed Enchantress from the Stars on Sonderbooks back in 2001, back when it was an e-mail newsletter. I’m finding that listening to audiobooks is a good way to reread and savor truly great books like this one. For one thing, I “read” more slowly than I ever can stand to do with print. And it’s a whole new way to enjoy it.

Enchantress from the Stars is particularly suited for audiobook form, because it’s supposedly the narration of Elana, a space traveller from a highly advanced society, giving a report of what happened on Andrecia. When she talks from the perspective of the other two main characters, she changes tone, but Elana is the voice telling the story, and Jennifer Ikeda does a good job of becoming the actual voice of Elana.

This book is so brilliant because it provides a perfectly plausible explanation for many traditional fairy tales. A Space Empire, less advanced than Elana’s society, is trying to take over Andrecia, which still has a medieval society. The Andrecians are so primitive, the Imperials don’t even think they’re human. They bring machines to clear the ground for a colony, and the Andrecians believe it is a fearsome dragon.

Elana’s people can’t reveal themselves to the Imperials, but she can reveal herself to the Andrecians, posing as an Enchantress. She is able to give them gifts of magic (awaken latent powers) to fight the dragon — and send away the Imperials. But none of this is simple.

I loved experiencing this book again in audio form. I love the way the story works from all three perspectives, and I love all the food for thought it provides. It’s fun that any one of the three cultures could actually be Earth, in the past or in the future.

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Ship Breaker, by Paolo Bacigalupi

Ship Breaker

by Paolo Bacigalupi

Little, Brown, and Company, New York, 2010. 326 pages.
Starred Review
2011 Printz Award Winner
2010 National Book Award Finalist
2011 Sonderbooks Stand-out: #2 Other Teen Fiction

Ship Breaker tells the story of a boy caught on the wrong side of progress in a future world after the Age of Acceleration has ended. The story is gripping, with Nailer in life-or-death danger on every page. Yet Paolo Bacigalupi builds a world that shows the consequences of society’s actions now, without ever letting the story slow down to tell us what’s going on. We learn through the eyes of the characters.

The book begins with Nailer crawling through the ducts of an old oil tanker, lit only by LED glowpaint on his forehead. He’s after the light stuff – copper wiring, steel clips, things that can be dragged out to his crew waiting outside.

The author doesn’t have to tell us they’re poor. He describes the wire being pulled out of the duct, “She sucked the wire out like a rice noodle from a bowl of Chen’s soup ration.” We begin to understand that he’s scavenging parts when we read about the new clipper ships: “Replacements for the massive coal- and oil-burning wrecks that he and his crew worked to destroy all day long: gull-white sails, carbon-fiber hulls, and faster than anything except a maglev train.”

Nailer was too slow in there, and he needs to go back in to get more scavenge before a big storm hits. He forgets to renew his LED paint, and gets caught in the dark. That’s okay, he’s finding plenty of copper wire that leads him out – until a duct collapses under him and he falls into a tank of oil.

“How could he die in such a stupid way? This wasn’t even a storage tank. Just some room full of pooled waste oil. It was a joke, really. Lucky Strike had found an oil pocket on a ship and bought his way free. Nailer had found one and it was going to kill him.

I’m going to drown in goddamn money.

“Nailer almost laughed at the thought. No one knew exactly how much oil Lucky Strike had found and smuggled out. The man had done it slow, over time. Sneaking it out bucket by bucket until he had enough to buy out his indenture and burn off his work tattoos. But he’d had enough left over to set himself up as a labor broker selling slots into the very heavy crews that he’d escaped. Just a little oil had done so much for Lucky Strike, and Nailer was up to his neck in the damn stuff.”

Then one of his crewmates, Sloth, finds him. He begs her to bring help, to get him out, but she can’t resist the thought of pulling her own Lucky Strike. But when Nailer does find a way out, even though the oil goes out with him, Sloth is exposed as a traitor, and Nailer’s new nickname is Lucky Boy, because everyone knows he should have died.

That dramatic incident is important, because after the storm Nailer and his crewmate Pima find a wrecked clipper ship with one lone survivor. The rings on the girl’s fingers alone would be enough to set them up for life. But Nailer doesn’t have the heart to kill the girl, because he now knows what it was like to be left for dead. That incident gets him thinking throughout the book about what it means to be family, what it means to be Crew.

The tension in this book doesn’t let up for a second, and it’s life-or-death danger on almost every page. Nailer and Pima aren’t the only ones to find the girl, and the group with Nailer’s father is not at all interested in keeping her alive, only in getting money from her.

They go from one danger to another, with Nailer trying to figure out not only what’s the right thing to do, but also how to stay alive.

This book is a thriller all the way along, with a never-flagging plot. And it presents hard-hitting commentary and questions about our way of life now.

I finally read this book when taking a class on the Printz Award. It definitely seems worthy of the award it won: Besides telling a rip-roaring story, it warns us that in our policies even now, we should look out for the little guys. We should think about the consequences of the things we do.

Here are my notes on his brilliant acceptance speech at the Printz Awards.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Zita the Spacegirl, by Ben Hatke

Zita the Spacegirl

Book One: Far From Home

by Ben Hatke

First Second, 2010. 184 pages.

This is a fun graphic novel that will appeal to a wide variety of kids. We have adventure, humor, strange space creatures, robots, deathly peril, and lots of action.

Zita’s adventures begin when she and her friend Joseph discover a crater with a smoking meteorite. Zita investigates and finds poking out of it a little device with a big red button.

Joseph knows the obvious: If you push a big red button, you are asking for certain doom. Zita, however, cannot resist. She pushes the big red button — and tentacles appear and pull Joseph into a vortex, calling out to Zita for help.

Well, Zita can’t just abandon Joseph when she was the one who pushed the button. She pushes the button again and gets sucked in herself.

She finds herself on a distant planet — a planet that is going to be destroyed by an asteroid in three days. She sees Joseph taken away in a spaceship, and learns that he’s being held by the dread Scriptorians.

So: Zita’s quest is to rescue Joseph and get back to earth before the planet explodes. Along the way she gains some strange companions — space creatures, robots, and others — all with their own quirks.

I like the artwork — colorful, full of variety, and clear in what’s happening. (I don’t know much about art, but this is pleasing to the eye.)

I’m not a big graphic novel fan, but I liked this one enough that I will keep my eyes open for Zita’s further adventures. I like her determination, her loyalty, and her spunk.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Stonewall Hinkleman and the Battle of Bull Run, by Michael Hemphill and Sam Riddleburger

Stonewall Hinkleman and the Battle of Bull Run

by Michael Hemphill and Sam Riddleburger

Dial Books for Young Readers, 2009. 168 pages.
Starred Review

This book was absolutely perfect reading for this weekend — the 150th anniversary of the 1st Battle of Bull Run. I actually had tickets to a reenactment today, an especially big one because of the Sesquicentennial. However, then we had a heat wave and I’ve had a headache for three weeks that I’m really hoping will finish up. Basically, I figured out that being outside during a heat advisory to watch people pretend to kill each other probably wouldn’t be a very smart thing to do. Instead, I read this book, and it thoroughly convinced me I made the right choice!

I love the way the book begins, giving you the tone right from the start:

“All right, let’s get the whole name thing out of the way quickly.

“My name is Stonewall Hinkleman.

“No, it’s not a nickname. It’s my real name. Like I tell my parents — even Stonewall Jackson’s real name wasn’t Stonewall. But they don’t listen and it’s too late now anyway. I’m stuck with it.

“So, you’d think I could at least go by my middle name, right? It’s Traveler, after Robert E. Lee’s horse. Yeah, that’s right, a horse!

“I’m Stonewall Traveler Hinkleman and if you think that’s as bad as it gets, you haven’t heard the worst part.

“You see, both of my parents are Civil War reenactors. This means my dad — who’s really a geeky computer tech — dresses up in a uniform and runs around in fields with a bunch of other boring guys who are all pretending they are in the Civil War. My mother pretends she’s a nurse, even though in real life she barfs at the sight of blood.”

And Stonewall explained all about a reenactment, so I didn’t need to see it myself!

“You want to know what a reenactment is really like? It doesn’t matter which battle it is, because they’re all the same.

“A big bunch of guys wearing blue Yankee costumes come huffing up the hill. Waiting for them are my dad’s friends — a big bunch of guys in gray Confederate costumes. We jump out and we charge. I have to blow my bugle and everybody else fires their guns, which don’t have ammo but are still ridiculously loud. About half of them fall down and pretend to be dead. They roll around with these hilarious grimaces on their faces. Then they’re still for a while, probably taking a nap or eating a candy bar, until the ‘battle’ moves somewhere else and they get back up and rejoin the ‘fight.'”

But the reenactment of the First Battle of Bull Run ends up being completely different for Stonewall. You see, he left his bugle at home. When he goes to buy a replacement, he’s given a magic bugle. He doesn’t know it’s magic until he blows it and it sends him back in time — to the actual Battle of Bull Run. It turns out, he’s been sent on a mission. A crazy right-wing nut has also gone back in time, and he’s planning to change history to make it so the South will win the war. Stonewall’s job is to stop him. Fortunately, the crazy guy’s beautiful daughter, about Stonewall’s age, also got sent back in time.

And the real battle is not anything like a reenactment.

“Am I freaked out? Of course I’m freaked out. Reenactments may be boring, but at least they’re predictable — pretend to charge, pretend to shoot, pretend to die. But there’s no pretend about this. I can actually hear bullets buzzing over my head. I look down. There’s a guy on the ground in front of me holding his bloody stomach and trying to keep his insides from spilling out. I throw up all that leftover soup I ate for breakfast.”

This book is a completely fun way to learn about Civil War history. I’ve listened to Bull Run, by Paul Fleischman. It’s very excellent and well-written, but I’m not sure I retained a lot. In this case, following along with Stonewall Hinkleman, I got a much better grasp of the advances and retreats involved in the battle. Of course, I’ve also been to the battlefield (It’s a few miles down the road.), so it was easy to visualize the houses, roads, and hills he refers to. (And that made me wonder how they can make the reenactment work at all, since it doesn’t take place on the actual battlefield, just on a big field — without the houses and hills at the actual battlefield.)

I loved it that Stonewall knew what was going on because of his parents being Civil War buffs and his having gone to reenactments all his life. He knew when Yankee charges were due; he knew when to expect retreat. His perspective makes it easy for the reader also to understand the various movements of the battle.

And Stonewall meets his great-great-great-great-uncle Cyrus, the one he’s always mocked for getting shot in the butt at Bull Run and dying of an infection. It turns out that Cyrus is a teen and the furthest possible thing from a coward. In fact, Stonewall would like to just get out of there, but that’s hard to do when someone like Cyrus is around, gallantly helping the injured, capturing artillery, and the like.

I’ll definitely be pushing this book all summer. In fact, I think it will make great reading for the entire Sesquicentennial. It gives you a taste both of what the war was like and also the whole reenactment craze. But even more, it’s a great read. Laugh-out-loud funny, but with real danger and a difficult task.

Sam Riddleburger is the pseudonym of Tom Angleberger, who wrote The Strange Case of Origami Yoda, and he’s becoming my number one choice of author for middle school boys. Though it’s not only middle school boys who love his books.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of I, Librarian: Rex Libris, Volume I, by James Turner

I, Librarian
Rex Libris, Volume 1

by James Turner

SLG Publishing, 2007.

I apologize to my readers, but I do have a soft spot for Super-Hero Librarians. And that’s what Rex Libris is all about!

This is a graphic novel of the adventures of the amazing Rex Libris, who travels through the galaxies if someone doesn’t return a book. It’s incredibly silly, but quite clever, and definitely diverting fun.

The caption at the beginning will give you the idea:

“Welcome, adventurous reader, to the first issue of Rex Libris, Public Librarian. Here you will find, for the first time in print ever, the tumultuous tales of the public library system and its unending battle against the forces of evil. This struggle is not just confined to our terrestrial sphere but extends out into the farthest reaches of the cosmos… and beyond! The librarian has faced patrons so terrible, so horrific, that they cannot be described here without the risk of driving readers mad. But enough prattle and preamble! Settle back with a cup of coffee and a donut (or other pastry if you prefer), and prepare to enter the secret world of…

REX LIBRIS.”

The other librarians at the Middleton Public Library are quite interesting, too. I love it when Circe explains to her co-worker:

“Oh, we all mellow with age, dear.

“I’m over 2000 years old. My trouble-making days are long behind me. Wreaking havoc and seducing adventuring heroes is for young people. These days I like to curl up with a good book and a hot cup of tea.”

Meanwhile, Rex is taking on space beings in an effort to get back a copy of Principia Mathematica.

Like I said, it’s all very silly, but we librarians need to be aware of how we are portrayed in literature, don’t we?

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Behemoth, by Scott Westerfeld

Behemoth

by Scott Westerfeld

Simon Pulse, New York, 2010. 481 pages.
Starred Review

Behemoth is the second book in “the Leviathan Trilogy,” and as such, you really should read Leviathan first. Once you do, you’ll be pleased with Behemoth. The plot threads that began in Leviathan get even further entangled in Behemoth.

The trilogy is an alternate history, steampunk version of World War I. The world is divided into two sets of countries: The Clankers, who use steam power to make large and complicated war engines; and the Darwinists, who manipulate DNA to create living beings that serve as powerful vessels of war. In the first book, we followed Alek, the son of the duke and his wife whose murders touched off the war. Alek is the rightful heir to the throne of Austria-Hungary, and there are powerful forces that want him dead.

Meanwhile, Deryn has joined the Air Service of Britain, posing as a boy. In the first book, Alek and Deryn became unlikely allies. And could Deryn be falling for Alek? It’s an impossible romance: In the first place, Alek doesn’t know she’s a girl, and in the second place, she’s a commoner.

In Behemoth, the great living airbeast Leviathan reaches Constantinople. There Alek escapes and Deryn gets sent on a secret mission — but both of them end up working together with the rebels against the sultan in Istanbul.

There’s all kinds of intrigue and adventure in this book, and plot threads intricately weaving together. So far, this trilogy gives a rollicking good read. It presents war in all its complexity from the perspectives of two very likable characters caught up in momentous events. The fantastical machines and incredible creatures add to the fun. This would make an amazing movie, though it would present a huge challenge to moviemakers. You’ve got something to appeal to almost anyone — plenty of action combined with characters facing difficult choices and frightening challenges. Good stuff!

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

www.scottwesterfeld.com
TEEN.SimonandSchuster.com

What Makes a Good Dystopian Novel?

Last night, I finished a dystopian novel that didn’t quite work for me as a dystopian novel. I can’t stress enough, though, that it was a good novel and kept me reading. However, that got me thinking: What makes a good dystopian novel?

My own idea of a good dystopian novel comes from something my then-teenage son said after reading Feed, by M. T. Anderson. Josh said that it was disturbing to read a dystopian novel during the time it was commenting on. He had to read 1984 for school, and it hadn’t hit him as hard as Feed, which talked about our consumer culture taken to the extreme.

Josh said, and I agree, that dystopian novels are written about the present, even when they are set in the future. Or at least I agree that this is true of the best dystopian novels.

Thinking about other dystopian novels I’ve read, I think there’s something of a continuum. Some are written with a dystopian setting because a dystopian setting makes an intriguing setting to place your characters in and see how they react. You can say things about human nature by putting your characters in an extreme setting.

For me, the best dystopian novels do say something about human nature in an extreme setting, but they also present a situation that mirrors present-day trends taken to the extreme. They present a warning about what could happen if things go on as they are right now.

Feed is a prime example of this kind of brilliant dystopian novel. In it, people have gotten a chip in their brain for constant internet access. The Feed knows what they like and what they want to buy and provides personalized shopping experiences. They don’t have to learn as much, because they can just look facts up on the Feed. But we quickly see in the book that this does not work out so perfectly.

The classic dystopian novel, 1984, is another example of a dystopian novel that commented on the time in which it was written. You can judge how well a book does this by how easily you can imagine our own society ending up like this. The propaganda and surveillance in 1984 is all too easy to imagine.

Part of the success of The Hunger Games, by Suzanne Collins, comes from how it plays on the current fascination with reality TV shows. It shows that maybe we aren’t so different from ancient Rome. It’s easy to believe that if there ever were fight-to-the-death games, that they would indeed become a national obsession and be fully televised. The part about why there were fight-to-the-death games was not quite as hard-hitting, but the whole media circus around the Hunger Games was all too believable.

Another recent dystopian novel, Candor, by Pam Bachorz, didn’t quite have me believing in the technology. Sure, I believed that subliminal messages could completely affect people’s behavior, just not that withdrawal could result in death. However, I did believe that parents would be happy about living in a city where subliminal messages would make their teens behave perfectly. That aspect (and the main premise of the book) was indeed hard-hitting. I have seen many many “Tiger Mom” type parents in Northern Virginia who would embrace that sort of technology without batting an eye. And the dystopian novel Candor, taking current trends to the extreme, is a perfect way of examining that sort of parenting.

I have not yet read Little Brother, by Cory Doctorow, but I believe it also speaks about current trends of giving up our privacy and shows where they can lead.

When I look at the dystopian novels that don’t succeed as well for me, they are still good stories. And the dystopian setting does add an intriguing twist. However, they don’t hit home, because I’m not at all worried about them coming to pass in my lifetime. They make good stories, but don’t disturb me. And my idea of a great dystopian novel is one that disturbs me, that makes me think about my life today.

Matched, by Ally Condie, presents a situation where the Society chooses what your life should be like and who you should marry. The intriguing premise is what happens when a mistake is made and Cassia sees the face of a second boy on her microcard, a boy who is an Aberration and is not supposed to be matched. It’s a good story about not letting your life be controlled by others. However, bottom line, I can’t really imagine that ever happening in America — we are too much individualists. I don’t think we ever would be willing to give that much faith to authorities. Now, it does make an intriguing story, but it doesn’t hit home like some dystopian novels. I’m simply not worried that our society will ever go there.

Among the Hidden, by Margaret Peterson Haddix, was like that for me, too. Although it makes an intriguing story — what would you do if you were the third child in your family in a society that only allows couples to have two children — I can’t quite imagine American society ever submitting to that kind of law. Now, Margaret Peterson Haddix puts in a past crisis so that food is scarce, which makes it more believable, but it’s not something I see as a natural result of today’s trends. So it does make a fascinating story, but I don’t think of it as a hard-hitting commentary about today’s society.

After, by Francine Prose, was closer on the continuum to a dystopian novel that talks about today. I could imagine people giving up their freedom in exchange for safety, but the book didn’t make clear why they were doing that, which made it a little less believable, a little harder to imagine it actually happening.

Uglies, by Scott Westerfeld, is toward the hard-hitting end of that continuum, too. We are obsessed with how people look, so it is possible to imagine everyone getting an operation when they turn sixteen to make them beautiful. They’ve abolished prejudice by making sure everyone looks beautiful. Now, the downside to that ends up being not so much about the operation as about its side-effects and the other things the society is doing to control the people. So it ends up not so much a commentary on our obsession with looks as an intriguing story about what Tally will do in extreme circumstances. The whole thing ends up feeling pretty far removed from our life today, though it is a gripping and exciting story, and it does make you think. But this is more toward the end of examining human nature in extreme circumstances than a warning about where society is going.

What do you think? Do you agree with me that a truly great dystopian novel comments on our society today, or is that just a nice bonus added on top? Is it more important as a device to examine human nature in an extreme setting, or just as a plot technique to increase suspense?

What dystopian novels have I left out? Where do they fall on the continuum of commenting-on-today as opposed to just-an-intriguing-setting? I’d love to hear some reactions in the comments.

Review of Mockingjay, by Suzanne Collins

Mockingjay
by Suzanne Collins

Scholastic Press, New York, 2010. 398 pages.
Starred Review
2010 Sonderbooks Stand-out: #9, Teen Fantasy and Science Fiction

If you’ve read Hunger Games and Catching Fire, it definitely won’t take my review to get you to read the third book in the trilogy. In Mockingjay, the rebellion against the Capitol is in full swing, and Katniss once again finds herself the focus of people’s passions and hopes.

Thank goodness there are no Hunger Games in this book. However, the Capitol has some traps that are extremely similar to things that would be faced in the arena….

Normally, when I was this eager to read a book, I would have bought myself a copy. However, in the case of The Hunger Games trilogy, although they are brilliant and powerful and outstanding books — I rather doubt I will much want to read them again, at least not any time soon. Katniss faces some horrible situations. The psychological warfare used against her is horrifying. Although the book is powerful, it’s not exactly pleasant reading.

I still loved the book. It’s exciting, gripping, edge-of-the seat reading. I’ve come to care about Katniss, and I was very pleased that finally she can live happily ever after at the end of this book. With nightmares, but still.

I also think that Mockingjay contained the best love triangle I have ever read. I honestly didn’t know who she’d end up with until the last several pages. And I didn’t have a gut-level preference. I could see how she truly loved each of them, and how they each satisfied a different part of her. What’s more, Suzanne Collins resolved the love triangle in a satisfying way, which arose from the characters of the three people involved. She could have so easily killed one of them off! But instead, Katniss made a choice, and it was a choice the readers believed and sympathized with.

The author included some surprising moral dilemmas, and resolved them in a subtle way. She writes with power and depth. You can call this action-adventure in a dystopian setting. Exciting reading.

Links: www.suzannecollinsbooks.com
www.scholastic.com/thehungergames

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/mockingjay.html

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Source: This review is based on a library book from the Fairfax County Public Library.