Review of A Short Philosophy of Birds, by Philippe J. Dubois and Elise Rousseau

A Short Philosophy of Birds

by Philippe J. Dubois and Elise Rousseau
translated by Jennifer Higgins

Dey St. (William Morrow), 2019. First published in France in 2018. 176 pages.
Review written May 15, 2020, from a library book

A Short Philosophy of Birds is a collection of twenty-two short essays that refer to details in the lives of various birds and then draw philosophical conclusions and suggestions for human lives.

Many of the topics discussed have birds with contrasting behaviors. For example, some types of birds have equality in parenting duties and others don’t. Another fun example is that it turns out robins generally have more courage than eagles. So we’re often asked which type of bird we’d like to emulate.

I enjoyed the essay that talked about the joy a hen displays when taking a dust bath. Here’s a bit from that:

The hen’s bath should give us pause for thought. Why don’t we bathe with the same intensity of purpose? Our lack of plumage means that we don’t need to spend so much time cleaning ourselves, but even so . . . Dogged as we are by duties and commitments, worries about the past, the future and the sense of being in a hurry – always in a hurry – we rarely find a moment to experience true delight in the act of cleansing ourselves. The hen does not wash if she is stressed. No, she doesn’t take her usual jubilant bath, but either sits still and silent or rushes around screeching. But we still wash even if we’re worried or tense, so how can we manage to savour the moment, as the hen does?

Each chapter is only several small pages long, and so they’re just the right length to read one essay per day and have something to mull over. Along the way, you’ll learn many interesting facts about the life of birds and perhaps become more observant. But you’ll also have many occasions to think about your own philosophy of life.

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Review of Courage, by Tom Berlin

Courage

Jesus and the Call to Brave Faith

by Tom Berlin

Abingdon Press, 2021. 144 pages.
Review written March 29, 2021, from my own copy
Starred Review

This book is written by the pastor of my church. They gave a copy to all church members and regular attenders as part of a bag of goodies to help us observe Lent. All the small groups in the church have been working through this book during the six weeks of Lent. The pastor’s sermons have kept pace with the chapters of the book. And as an additional resource, he recorded a video for each chapter at a significant site in Washington, DC, and we watch those short videos during our small group discussion each week.

Honestly? I’d never thought much about courage. Is that a guy thing? I mean, I never wanted to be in the military or be a policeman or firefighter and never gave much thought to the need for courage.

But this book has made me think of courage in new ways. He covers six aspects of courage – clarity, conviction, candor, hope, fortitude, and love – and looks at six incidents in the life of Jesus that demonstrate these things. It makes me think about the ways I need to display courage to do the things God calls me to.

I think my favorite chapter is the final one. It talks about how it’s easier to be courageous when we know we are loved – and we are loved indeed.

When we believe that God loves us, we enter a place of courage. The knowledge of such love creates a foundation of confidence on which courage stands. It enables us to know that we can be vulnerable with others because their acceptance or rejection will neither increase nor diminish the love we offer others.

Although I wasn’t curious about courage before our church started studying the topic, it’s been an interesting and fruitful topic. The sermons and the small group discussions have been inspirational and encouraging.

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Review of Every Penguin in the World, by Charles Bergman

Every Penguin in the World

A Quest to See Them All

by Charles Bergman

Sasquatch Books, 2020. 193 pages.
Review written September 30, 2020, from a library book
Starred Review

I wouldn’t have called myself a penguin lover before reading this book, though I certainly don’t dislike them. Who could? But reading this book has me fully converted.

The author is an English professor. He and his wife decided to take trips to see every current penguin species in the world. And he took wonderful photographs on these journeys.

The photographs do steal the show. Penguin chicks are adorably cute, and adults are sometimes comical, sometimes beautiful, and always striking. Their location in remote southern locations adds to the beauty of these photographs.

And it’s difficult to get to the remote locations where penguins live, so the story of this quest is a story of adventure. The author does a great job of communicating the dangers and difficulties of their travels while also conveying the way the penguins changed his life spiritually and called him to this pilgrimage.

Of course, there’s also information about how so many penguin species are endangered and what we can do to help. If a universally beloved creature is in danger, how can we expect to save creatures that aren’t so adorable? So this book is also a wake-up call.

I found myself looking at the photos here over and over again, but the words drew me in as well. This is a wonderful little book that you can be sure you’ll want to come back to. I think I’m going to order my own copy to be able to look at pictures of penguins whenever I want to be uplifted.

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Review of Pain Studies, by Lisa Olstein

Pain Studies

by Lisa Olstein

Bellevue Literary Press, 2020. 191 pages.
Review written December 2, 2020, from a library book

Pain Studies is a book of musings about living with migraines. I’ve gotten migraines since I was a child, so I was ready for a book like this. Though it also made me thankful for how very much better they’ve gotten since menopause.

I’m not sure I approached this book in the best way, just a short chapter every day or two. Using that approach, I didn’t really catch her train of thought too well, so it felt like scattered musings about living with pain. When I look back, I see a few more themes than I remembered. Joan of Arc, for example, is mentioned in the last chapter, and I’d almost forgotten how much attention she’d gotten earlier in the book, as someone who experienced voices and visions other people didn’t understand – a little bit like how migraine sufferers experience things other people don’t understand.

This doesn’t try to pull meaning out of migraine, doesn’t try to make the reader see a higher purpose. I appreciated that, even if the result felt a little bit scattershot. But my own thoughts about migraines, when I have them, take on that same wide-ranging aspect. And I found many nuggets I appreciated. There’s a fellowship of migraineurs that none of us actually wants to be part of, but I recognized this voice speaking from that group.

Let me give you a couple of the nuggets I liked. This is in a chapter about the difficulty of describing pain:

The trouble with standard pain scales, it seems to me, is that they weren’t written by the right people – the people in pain. Often misheard as language that does not communicate, it turns out that the seemingly chaotic fragments of description people in pain manage to offer in fact cohere into meaningful systems of categorization. Researchers, Scarry tells us, have gathered up the shards and found logic in their arrangement, mapping dimensions relevant not only to diagnosis but also to treatment and sometimes even cure.

This one’s at the start when she’s introducing the topic of pain:

Drowning is one of the words we use to describe pain when we’re desperately in it, though often it’s used for other things, too: heartbreak, overwhelm. I’ve never experienced anything close to drowning, but I imagine that, like pain, it has a way of flooding you with the present. Yes, it makes you hazy, it fogs up memory’s edges, but in the moment, it is the moment and you are nowhere else except and only exactly where it puts you.

In some ways like any acute pain and in some ways possibly unlike any other, migraine is a particular version of the present. What happens when its present becomes yours for extended periods of time, for a significant portion of your life? This is the pain, or the present, I wish to discuss.

There’s a chapter toward the end that reminded me of all the times people asked me what caused my migraines.

Sometimes chance is cause, but is it ever what we mean by causality? Chance is cause stripped of meaning, an origin story or fated end without moral or lesson. (“People get what they get; it has nothing to do with what they deserve.” [House M.D.]) But any cause as yet unknown glows luminous. Answerless, we search for answers, because questions call and press. Somewhere out there, we feel sure, is the information that means, but, beyond our reach, it can’t matter yet. And when causality’s riddle turns out to be procedural or a purely chance operation, can it ever?

Maybe it’s a question of meaning versus meaningfulness. Chance may not teach us anything, but chance identified is a kind of answer and therefore a kind of balm, a version of no blame. I mean, in a way it’s reassuring how clearly the migraines come and go of their own volition, according to their own logic. One way of translating the void, the reams of unilluminating data, the typically atypical patterns: there’s nothing you did; there’s nothing you can do.

So this isn’t exactly a book I’m going to recommend to all my friends who get migraines. Because it’s not exactly comforting or inspiring. But on the other hand, it’s validating to read someone else’s musings on pain you’ve experienced. And if you’ve never experienced pain like this, perhaps reading this book will bring you a step closer to understanding.

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Review of Unrig, by Daniel G. Newman, art by George O’Connor

Unrig

How to Fix Our Broken Democracy

by Daniel G. Newman
art by George O’Connor

First Second, 2020. 282 pages.
Review written November 23, 2020, from a library book
Starred Review

Here’s a book that talks about things that are broken in our democracy, and how we can fix those things. Places where solutions have already been found are highlighted, and there’s a website related to the book, UnrigBook.com, to help the reader follow up with action.

The book is presented in graphic novel format, which makes the points more clear and easier to digest. It also disguises that this is not a long book, and the reader comes away ready to act.

The book begins by talking about money in politics and the ways some localities have managed to level the playing field so that the voices of ordinary people have as much weight as lobbyists or big corporations. We also learn about how much time our federal representatives spend looking for more cash rather than the work we sent them to Congress to do.

We learn in this book about gerrymandering, voter suppression, and other ways that people in power try to stay in power. Here’s a paragraph that stopped me short, clearly written before the Covid-19 pandemic:

Tellingly, voter ID laws, passed by Republicans, typically exempt voters who use mail-in ballots from having to show ID. This is because mail-in ballots typically favor Republicans, and Republicans have sought to suppress voting only by groups that skew Democratic.

So this book doesn’t address issues that were new for the 2020 election, but it does present many issues about running a democracy that I hadn’t thought a lot about before reading this book. Lest that give the impression that this is a partisan book, let me assure you that it points out flaws in politics from both parties and suggests ways we can unrig the system to make it more of a democracy.

This book doesn’t take long to read, but I highly recommend it to anyone who wants to be a well-informed citizen in our democracy.

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Review of I Will Judge You By Your Bookshelf, by Grant Snider

I Will Judge You By Your Bookshelf

by Grant Snider

Abrams ComicArts, 2020. 128 pages.
Review written December 9, 2020, from a library book

This book includes comics for booklovers and writers and poets.

You will enjoy this book if you can relate to the author’s confession at the front:

I’m in love with books.
I read in social situations.
I will use anything as a bookmark.
I confuse fiction with reality.
I am wanted for unpaid library fines.
I steal books from my children.
I like my realism with a little bit of magic.
I like to sniff old books.
I am searching for a miracle cure for writer’s block.
I care about punctuation – a lot.
I will read the classics (someday).
I am writing The Great American Novel.
I carry a notebook with me at all times.
I write because I must.
I hope you don’t mind me asking . . .
can I borrow a few books?

The author uses the items from his confession as section titles, giving the cartoons some themes.

Most of the comics take the form of lists with pictures. For example “Advocacy for Animals Ignored by Children’s Books” includes a box with “Can we get a couple cassowaries?” with a picture of a couple cassowaries. “Perfect Reading Spots” has little pictures that go with each spot such as “Unusual Tree” and “Frustrating Hammock.” I like the “Can You Spot the Difference?” comic with an “Aspiring Writer” on one side and a “Writer” on the other.

Book lovers will find plenty to enjoy in this book.

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Review of Eager to Love, by Richard Rohr

Eager to Love

The Alternative Way of Francis of Assisi

by Richard Rohr

Franciscan Media, Cincinnati, Ohio, 2014. 294 pages.
Review written January 27, 2021, from a library book
Starred Review

Ever since I read Richard Rohr’s book The Universal Christ, I’ve also been reading the daily meditations he sends out from the Center for Action and Contemplation. This book explains the Franciscan tradition and Christian mysticism. He looks closely at Francis of Assissi’s life and teachings as well as those that followed him – and focuses on what that can mean for Christians today.

It’s hard for me to describe this book, except to say it’s lovely and uplifting. I’m not sure I fully grasped all the implications. I’ll write out the very beginning, to give you some of the flavor:

Francis of Assisi was a master of making room for the new and letting go off that which was tired or empty. As his first biographer said, “He was always new, always fresh, always beginning again.” Much of Francis’s genius was that he was ready for absolute “newness” from God, and therefore could also trust fresh and new attitudes in himself. His God was not tired, and so he was never tired. His God was not old, so Francis remained forever young.

There are always new vocabularies, fresh symbols, new frames and styles, but Francis must have known, at least intuitively, that there is only one enduring spiritual insight and everything else follows from it: The visible world is an active doorway to the invisible world, and the invisible world is much larger than the visible. I would call this mystical insight “the mystery of incarnation,” or the essential union of the material and the spiritual worlds, or simply “Christ.”

Our outer world and its inner significance must come together for there to be any wholeness – and holiness. The result is both deep joy and a resounding sense of coherent beauty. What was personified in the body of Jesus was a manifestation of this one universal truth: Matter is, and has always been, the hiding place for Spirit, forever offering itself to be discovered anew. Perhaps this is exactly what Jesus means when he says, “I am the gate” (John 10:7). Francis and his female companion, Clare, carried this mystery to its full and lovely conclusions. Or, more rightly, they were fully carried by it. They somehow knew that the beyond was not really beyond, but in the depths of here.

In this book, I want to share with you one of the most attractive, appealing, and accessible of all frames and doorways to the divine. It is called the Franciscan way after the man who first exemplified it, Francesco de Bernardone, who lived in Assisi, Italy, from 1182-1226.

This isn’t a book of history, though it does tell the reader much about the teachings of Saint Francis and his followers. But the approach is talking about how we can incorporate these ideas into our own lives. It’s ultimately a challenging and uplifting book, and at some point I want to read it again and see if I can absorb more of it.

At its heart, this is a book about getting better at loving. Here’s a paragraph from a chapter specifically on Francis that shows where the title came from:

If your only goal is to love, there is no such thing as failure. Francis succeeded in living in this single-hearted way and thus turned all failure on its head, and even made failure into success. This intense eagerness to love made his whole life an astonishing victory for the human and divine spirit, and showed how they can work so beautifully together.

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Review of Bibliostyle, by Nina Freudenberger

Bibliostyle

How We Live at Home with Books

by Nina Freudenberger
with Sadie Stein
photographs by Shade Degges

Clarkson Potter Publishers, 2019. 272 pages.
Review written November 28, 2020, from a library book
Starred Review

Here’s a book for book lovers to drool over, a book that makes me feel so much better about my book hoarding habits!

This is a coffee-table book with large, lavish photographs – of other people’s extravagant personal book collections. And between profiles of home libraries, there are interludes with photos of notable book stores.

This volume is written by an interior designer, so the focus does lean toward the look of the home libraries and how they fit into the design of the homes. But she also does talk with the owners and we hear about the types of books that they own and cherish.

The Introduction to this wonderful volume reveals that creating it was a labor of love. Here’s how that page ends:

In choosing our subjects, we were not merely interested in the beautiful and perfectly curated rooms, the most extensive collections, or those shelves filled only with rare first editions – although there’s plenty of beauty on display. This book is not about unattainable libraries, any more than it is about perfectly decorated homes. Rather, it’s about the power of books to tell stories, in both the literal and figurative sense. As we found repeatedly, surrounding yourself with books you love tells the story of your life, your interests, your passions, your values. Your past and your future. Books allow us to escape, and our personal libraries allow us to invent the story of ourselves – and the legacy that we will leave behind.

There’s a famous quote attributed to Cicero: “A room without books is like a body without a soul.” If I suspected this before, I know it now. I hope you’ll find as much pleasure in discovering these worlds as we did.

There’s a wonderful international aspect to this book, with personal collections from places as far flung as Mexico City, Los Angeles, Paris, Lisbon, and Isle of Wight. The features are gathered into sections titled “The Sentimentalists,” “The Intuitives,” “The Arrangers,” “The Professionals,” and “The Collectors” – but what you have consistently are shelves and shelves of books woven into people’s homes and lives. Oh, for a built-in bookshelf like the ones found in these pages!

I began by reading this book slowly – looking at one personal library per day, but there were lots of holds and I had to turn it back in. So the next time it came to me, I was more purposeful about getting through it – but it was still a delight. I may have to purchase my own copy. And the next time I get someone to help me move, I could show them this book and say, “See, my book hoarding could be a lot worse!”

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Review of The Art of Bible Translation, by Robert Alter

The Art of Bible Translation

by Robert Alter

Princeton University Press, 2019. 127 pages.
Review written February 9, 2021, from a library book
Starred Review

This book will be fascinating to people who are interested in the Bible and people who are interested in language and literature. Written by a Hebrew scholar, this book tells me about aspects of the Old Testament in the original language that I had no idea were there, having only read English translations. It gave me a new appreciation for the artistry in the original and how the different types of texts – narrative, poetry, and prophecy, are different from one another.

In short, I didn’t realize how much of an art Bible translation is. This author gave me new appreciation for that.

In the introduction, he explains what brought him to Bible translation and finishes with this section:

Through all this, then, I have developed a sense that my translation, whatever its imperfections, has begun to serve a cultural need for English readers interested in the Bible. That in turn has given me confidence to seek to explain in these chapters why central aspects of literary style in the Hebrew Bible have to be addressed in English translation, within the limits imposed by the disparities between the two languages, and to attempt to make clear what is lost in the failure to address the enlivening and determinative role of style in the Bible. In the chapters that follow I will try to explain how syntax, word choice, rhythm, sound play, word play, and diction are artfully deployed in the Hebrew and why, whatever challenges all these aspects of style pose, they need somehow to be reflected in translation. All this may throw some light on what should be involved in translating the Bible, and perhaps it will also convey some sense of the literary artistry of the biblical writers. Although the impetus for this book was definitely an attempt to consider the challenges of translating the Bible and how they might be met, the topics discussed ended up involving both proposals about literary translation and a general overview of the principal features of style in the Bible. As I have noted, no such study really exists, and that in itself is a symptom of the problem that these chapters seek to address.

I have to admit – I had never before thought of the Bible as ancient literature. As he points out, modern translations work to make the meaning clear, but to do that, they work on sounding like something that could be written today. He points out literary devices used in the original language that make the Bible more beautiful as a piece of literary art written in ancient times.

For example, in the chapter on Dialogue, the author points out, “What is noteworthy is that the Bible provides a remarkable early precedent for novelistic dialogue.” Works of literature like the Iliad and the Odyssey had memorable speeches, but they aren’t about dialogue telling a story. Sometimes translators don’t even present the conversations as dialogue. He talks about aspects of the way language is used in dialogue that isn’t always reflected in translation.

Here’s how Robert Alter concludes his introductory chapter. It conveys his love for the topic and the way the task of translation is indeed an art form:

Hebrew prose narratives, as I hope these examples have suggested, manifest great subtlety and complexity in their literary shaping, and the same is abundantly true, in somewhat different ways, for biblical poetry. This artfulness, which cannot be separated from the religious meanings of the texts, sometimes can be conveyed effectively in English; sometimes an English solution can be found that to a degree intimates the stylistic strengths of the original, though imperfectly; and sometimes, alas, the translator must throw up his hands in despair because there seems no workable English equivalent for the stylistic effects of the Hebrew. In the chapters that follow; I will try to isolate five of the principal aspects of style in the Hebrew that I think a translator should aim somehow to reproduce in English. The aspiration may seem quixotic, but even a distant approximation of the literary art of the original is preferable to ignoring it altogether.

I consider myself a student of the Bible, but this whole book presented new ideas to me, and I thought it was fascinating. I immediately ordered myself a copy of Robert Alter’s translation of the book of Psalms, and will probably end up ordering the entire Old Testament. I’ll grant that there is a narrow audience for this book, but for those within that audience, like me, it’s completely fascinating.

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Review of Try Softer, by Aundi Kolber

Try Softer

A Fresh Approach to Move Us out of Anxiety, Stress, and Survival Mode – and into a Life of Connection and Joy

by Aundi Kolber, MA, LPC

Tyndale Momentum, 2020. 245 pages.
Review written September 21, 2020, from a library book
Starred Review
2020 Sonderbooks Standout:
#5 Christian Nonfiction

I love the idea behind the title of this book. Here’s the author’s explanation from the Introduction, when her therapist supervisor John asked her if she could try softer instead of trying harder:

I’ve got to be honest: At first blush, John’s suggestion didn’t sound like an awesome option – because what did it even mean? All I had ever learned was how to try harder. If I didn’t push, everything would be terrible; everything would fall apart. The suggestion that there could be another way made my body feel tense with anger, a reflection of my twelve-year-old self – a girl riddled with the toxic stress of trying to keep everything together while her home life was constantly imploding. Sure, John, “trying softer” sounds nice, but trying harder is how you survive.

At the same time, I had to face the facts: Trying harder wasn’t really working for me anymore. The strategies I had been using my entire life – hustling, overworking, overthinking, and constantly shifting to accommodate the dysfunction that surrounded me – they had kept me alive, yes, but now they were taking their toll. I felt less in control, not more; worse, not better; weary, not wise. The danger from my past was gone, but the patterns remained – and they were keeping me from being able to be truly present and pay attention to what matters most.

The day that I sat with John in his office totally changed the trajectory of my life because John was right: Pushing isn’t always the answer.

Dear reader, there are truly times when the best, healthiest, most productive thing we can do is not to try harder, but rather to try softer; to compassionately listen to our needs so we can move through pain – and ultimately life – with more gentleness and resilience.

The author does speak as a Christian, but more than that, she speaks as a therapist, so I don’t think you have to be a Christian to appreciate the insights in this book. She tells us her own life story along the way, and weaves in concepts and techniques from therapy.

Toward the beginning, she talks about Big T Trauma and little t trauma and how the patterns we set from dealing with either one of those continue to affect us and are even held in our bodies. She talks about brain science and how both kinds of trauma affect our brains. She talks about attachment theory and how our attachment style affects our relationships. There are exercises to go with every chapter to help you grasp the ideas.

But after the background and the groundwork, the rest of the book is dedicated to practices to help us try softer, to help us be gentler with ourselves. She helps us to pay attention to and value our own bodies and our own emotions, to silence our inner critics, and to learn resilience.

She finishes the book with a prayer for the reader, and the last paragraph gives you an idea of what she’s trying to help you with in this book:

I pray you remember to be gentle with yourself as you grow, knowing condemnation never leads us onward but instead stunts the process. May you courageously continue on and move forward in your own story. And when you are weary, may you never – no, never – lose heart. May you know in an experiential, personal, and transformational way that the One who has called you is faithful.

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