Review of Pax, by Sara Pennypacker

pax_largePax

by Sara Pennypacker
illustrated by Jon Klassen

Balzer + Bray, 2016. 280 pages.
Starred Review

At ALA Midwinter Meeting, this Advance Reader’s Edition came in a special gift box, which opens up to a diorama.

When you open the first lid of the box, you see a blurb from librarian and blogger Betsy Bird, and next, one from librarian John Schumacher, and only after that from Newbery author Katherine Applegate. It made me happy to see bloggers featured so prominently (and there are more people I know blurbing the book on the back cover).

Then I read the book itself — and what they say is true. I was pulled in to this book, and finished it by the next day. Even though I have this ARC, I’ve already pre-ordered my own published copy — this edition didn’t have very much of the art by Jon Klassen, which I know will be wonderful, and whose stark artwork is exactly suited to this material.

The book alternates viewpoints between Pax, a fox, and Peter, his boy.

Peter has been raising Pax since he found the orphaned fox kit, not long after Peter’s mother had died. But now, five years later, Peter’s father has enlisted to fight in the war, and he says it’s time for Peter to return Pax to the wild. And Peter is going to have to live with his grandfather three hundred miles away.

The book opens as Peter leaves Pax in the woods. Pax doesn’t understand.

The boy’s anxiety surprised the fox. The few times they had traveled in the car before, the boy had been calm or even excited. The fox nudged his muzzle into the glove’s webbing, although he hated the leather smell. His boy always laughed when he did this. He would close the glove around his pet’s head, play-wrestling, and in this way the fox would distract him.

But today the boy lifted his pet and buried his face in the fox’s white ruff, pressing hard.

It was then that the fox realized his boy was crying. He twisted around to study his face to be sure. Yes, crying — although without a sound, something the fox had never known him to do. The boy hadn’t shed tears for a very long time, but the fox remembered: always before he had cried out, as if to demand that attention be paid to the curious occurrence of salty water streaming from his eyes.

The fox licked at the tears and then grew more confused. There was no scent of blood. He squirmed out of the boy’s arms to inspect his human more carefully, alarmed that he could have failed to notice an injury, although his sense of smell was never wrong. No, no blood; not even the under-skin pooling of a bruise or the marrow leak of a cracked bone, which had happened once.

It doesn’t take Peter long at his grandfather’s house for him to know that he is in the wrong place. He needs to go back and find Pax and take him home. He knows that Pax will wait for him.

But it’s not simple for a boy to travel three hundred miles. The book follows Peter and Pax in alternating chapters as they try to find one another.

The war is coming to the place where Pax was left. The house where they lived is in an evacuation zone. The soldiers are wiring traps at the river, without regard for animals. So besides Pax having to learn to live in the wild, he is affected by what the humans are doing. The other foxes don’t trust him because he smells like humans.

Peter also meets someone on his journey who’s been deeply affected by war. Circumstances force him to slow down and learn some lessons while he’s waiting to travel on, even though he so urgently wants to get to Pax.

This story is an intricate, well-orchestrated look inside the characters, both human and animal. The title is appropriate, because it’s also a look at war and peace.

After I finished the book and was mulling it over (This is a book that you will mull over.), I wondered where it was set. Certain clues — Peter’s love for baseball and the woman he meets having Creole heritage — would indicate this is the United States. But the animals knew about war and had seen war in their lifetimes.

An old fox (who has seen war) explains:

There is a disease that strikes foxes sometimes. It causes them to abandon their ways, to attack strangers. War is a human sickness like this.

Anyway, I was wondering how this could be America, since this doesn’t happen here. Then I noticed the sentence on a page at the very front of the book:

Just because it isn’t happening here
doesn’t mean it isn’t happening.

I’m looking forward to reading this again with Jon Klassen’s illustrations. Publication date is today! Yes, this, the first new book I read in 2016 is already what I hope wins the Newbery in 2017. We’ll see….

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Review of Mango, Abuela, and Me, by Meg Medina and Angela Dominguez

mango_abuela_and_me_largeMango, Abuela, and Me

by Meg Medina
illustrated by Angela Dominguez

Candlewick Press, 2015. 32 pages.
Starred Review
2015 Cybils Fiction Picture Books Finalist
2016 Pura Belpré Author Honor Book
2016 Pura Belpre Illustrator Honor Book

Mia’s grandmother, her Abuela, has come to live with her family. But Abuela doesn’t speak English and Mia doesn’t speak Spanish. But little by little, they learn to communicate, and some of the help comes from a parrot named Mango, who learns both languages as well.

This is simply a lovely cross-cultural story. It does address that it’s difficult to learn a new language, and takes lots of practice, but all the motivation in this story is love.

The first night, before Abuela goes to sleep, she shows Mia a red feather from a parrot that nested in her mango trees back in her old home. This is the episode that gives Mia the idea to purchase the parrot in the pet store for Abuela and name him Mango.

Spanish words are peppered throughout the story. It’s just a nice twist on the stranger-in-a-new-country story. This time it’s not the girl herself, but her Abuela who clearly loves her and learns to tell her stories about her Abuelo, and also learns to hear all the stories Mia has to tell.

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Review of Emma, by Alexander McCall Smith

emma_largeEmma

A Modern Retelling

by Alexander McCall Smith

Pantheon Books, New York, 2015. 361 pages.

Oh Emma, Emma – I was reminded by reading this book that she’s really an annoying character.

But I’m a huge Jane Austen fan, and I’ve been eagerly following the new modernized Jane Austen retellings as they’ve come out, and on top of that I love Alexander McCall Smith’s writings, so of course I wanted to read this one.

But I almost stopped reading in the middle. Emma’s snobbishness and superiority was a little more tolerable in the original, somehow embedded in the English class system. For a modern young woman to assume she has the right to manipulate people because she can? Not so endearing.

It was somewhat endearing to occasionally notice Emma sounding like the ladies from the No. 1 Detective Agency or philosophizing like Isabella Dalhousie, but the characters put into the modern day weren’t as likable to me.

Also interesting was that the modern author took more time with the backstory than Jane Austen did, and spent about half the book before the classic novel even got started. Then some of the crucial scenes in the classic were skimmed over rather lightly.

I have to say, though, that I did enjoy a small twist at the end, as the tables get turned a bit on Emma. It’s also a much nicer ending for her father than the original.

I don’t think of my problems with the novel as Alexander McCall Smith’s fault. Emma really is an annoying character, an interfering, manipulative busybody who thinks herself better than everybody else. Somehow I bought her view when it was dressed up in a historic period in England’s history. Weren’t the gentry actually better than everyone else? But modern day Emma I wanted to slap.

Still, I did like the way this Emma thought over her shortcomings at the end. I felt like she gave them more weight and took things more to heart than classic Emma did.

But most of the retellings have made me want to revisit Jane Austen’s classics. This one made me realize that next time I see a reworking of Emma, I’ll be much happier giving it a miss.

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Review of Crenshaw, by Katherine Applegate

crenshaw_largeCrenshaw

by Katherine Applegate

Feiwel and Friends, New York, 2015. 245 pages.
Starred Review
2015 Sonderbooks Stand-out: #6 Children’s Fiction

A kid starting fifth grade is not supposed to have an imaginary friend. When Jackson’s years-ago imaginary friend Crenshaw the giant cat shows up riding a surfboard and carrying an umbrella, Jackson’s afraid he’s going crazy.

Crenshaw first appeared in his life right after first grade when his family was homeless and lived in their minivan for fourteen weeks.

When they finally put together enough money, my parents moved us to Swanlake Village. It was about forty miles from our old house, which meant I had to start at a new school. I didn’t care at all. At least I was going back to school. A place where facts mattered and things made sense.

Instead of a house, we moved into a small, tired-looking apartment. It seemed like a palace to us. A place where you could be warm and dry and safe.

I started school late, but eventually I made new friends. I never told them about the time we were homeless. Not even Marisol. I just couldn’t.

If I never talked about it, I felt like it couldn’t ever happen again.

But now Jackson’s parents are selling almost everything they own in a garage sale. They’re talking quietly together about paying the rent. They try to joke about it and say everything will be okay. His little sister is scared, too. Then Crenshaw shows up, just like he did before, only bigger. He says he won’t leave until Jackson doesn’t need him.

But what kind of fifth grader needs an imaginary friend?
And does this mean they’re going to be homeless again?

This book by Newbery-winning author Katherine Applegate packs a punch. It shows the human side of homelessness. The family were told about shelters, but none of the homeless shelters in their town would allow husbands and wives to stay together.

Sometimes I just wanted to be treated like a grown-up. I wanted to hear the truth, even if it wasn’t a happy truth. I understood things. I knew way more than they thought I did.

But my parents were optimists. They looked at half a glass of water and figured it was half full, not half empty.

Not me. Scientists can’t afford to be optimists or pessimists. They just observe the world and see what it is. They look at a glass of water and measure 3.75 ounces or whatever, and that’s the end of the discussion.

This is a children’s book. It does have a relatively happy ending, without being too simplistic. Jackson does learn something from Crenshaw about being a friend, imaginary or not. I would have liked a little more, a little longer book – but I think this is all the better for child readers. Here’s a relatable character in a recognizable situation – but one we don’t usually talk about.

And on top of his family’s poverty, Jackson is dealing with a giant, flamboyant, imaginary cat.

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Review of Unusual Chickens for the Exceptional Poultry Farmer, by Kelly Jones

unusual_chickens_largeUnusual Chickens for the Exceptional Poultry Farmer

by Kelly Jones

illustrations by Katie Kath

Alfred A. Knopf, New York, 2015. 216 pages.
Starred Review

Here’s a wonderful light middle grade fantasy novel that’s quirky and inventive. It’s almost not a fantasy novel at all, dealing with a mixed-race kid in a new neighborhood who’s missing her dead grandma and trying to learn how to fit in — while learning to raise chickens with superpowers.

That’s right. Chickens with superpowers, and quirky superpowers at that.

Sophie and her parents have moved to her great-uncle Jim’s farm, which her dad inherited. Her Mom’s a writer, and her dad’s trying to find work, but they’re hoping to make something of the farm as well. Uncle Jim had some unusual chickens, but they have scattered after he died. She finds them one at a time and discovers their surprising abilities — along with someone who wants to have them for her own.

Sophie does find a flyer from Redwood Farm Supply among Uncle Jim’s junk advertising “Unusual Chickens for the Exceptional Poultry Farmer.” She writes to the farm for advice and gets very sporadic poorly typed answers back, but accompanied by lessons for being a poultry farmer.

This is a fun and imaginative story. The story is told in the letters Sophie writes to her dead Abuelita, Uncle Jim, and Redwood Farm Supply, as well as frequent illustrations. Sophie has quite a job ahead of her establishing herself as a farmer of Unusual Chickens and thwarting those who would try to stop her. On top of that, she’s got a whole summer to figure out how she’s going to manage to fit in with the other kids in the neighborhood.

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Review of Madame Martine Breaks the Rules, by Sarah S. Brannen

madame_martine_breaks_the_rules_largeMadame Martine Breaks the Rules

by Sarah S. Brannen

Albert Whitman & Company, Chicago, Illinois, 2015. 32 pages.
Starred Review

Madame Martine Breaks the Rules features the same lady who lives in Paris with her dog, Max, whom we met in Madame Martine. As at the end of Madame Martine, she wears a bright red coat and every Saturday tries new things.

Her friend, Louis, often meets her at the café where she always has breakfast. He is a guard at the Louvre Museum and invites her to visit.

“Oh no,” said Madame Martine. “It’s so crowded, and they don’t allow dogs.”

“For you and Max, we might break the rules,” said Louis.

Madame Martine was shocked. “We would never ask you to do that!” she said.

But no one told Max. Later, when Madame Martine is talking with Louis near the Louvre, Max dashes in through the employee entrance. They end up getting a tour after all. It turns out that rules can be bent for friends of Louis.

This book isn’t as inspirational as Madame Martine, since the message of trying something new is much more uplifting than a message that rules can be bent. However, like Madame Martine, lovers of Paris will love this book. The art takes us on our own small tour of the Louvre.

This is a quiet book about our friend Madame Martine, and her little dog Max who again knows how to find wonderful things in the beautiful city of Paris.

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albertwhitman.com

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Review of The Mathematician’s Shiva, by Stuart Rojstaczer

mathematicians_shiva_largeThe Mathematician’s Shiva

by Stuart Rojstaczer

Penguin Books, 2014. 366 pages.

Sasha Karnokovitch, a lowly professor of atmospheric sciences, is the son of one of the greatest female mathematicians of all time. The book opens when his mother is dying. His family shows up at her bedside, but he knows that many more people will arrive when she dies.

When my father warned of the horde of mathematicians that would descend upon our house after my mother’s death, I knew what to expect. They would be grieving, but not like my family. They would be mourning not my mother but the loss of ideas, the loss of intellect. They would no longer be able to sit in a room with her and feel the magical presence of someone with the talent to find the hidden gem in what is thought to be all dross.

The Hasidic Jews have a word, dveykus, for men who always possess the spirit of God inside them. My mother, unlike my grandfather, did not believe in such things literally, but when it came to understanding mathematics, she knew that she possessed the equivalent of dveykus. Like a rebbe with acolytes who feel blessed just to be around someone whose goodness and spirituality are always present, my mother had her followers. I had been with them all of my childhood. They sought me out for my secondhand dveykus even as an adult. Now they would come and I would have to be their gracious host for seven days, the days of shiva that are a traditional part of Jewish mourning. My uncle called them the szale?cy, the crazy people. Yet he would supply the vodka, and soothe them in his own way.

This book is about that shiva. Indeed, the mathematicians descend, especially those, like Sasha’s mother Rachela, from Poland and Russia. They are convinced she proved the Navier-Stokes Theorem before she died. But where would she have hidden her work? They will search the house; they will interrogate her parrot; they will even work together to try to prove it themselves.

This is a rambling novel, with quirky characters, mostly academicians. There are stories of Rachela’s childhood during World War II and stories of how it was for Sasha growing up as the child of a genius. There are family stories and mathematician stories.

Having been in a math graduate program myself, even though this novel wasn’t a page-turner, I kept coming back to it and couldn’t resist reading about the world created here – about genius and math and family and fate and love and faith and recognition and whether cold weather helps you think clearly.

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Review of Edgar’s Second Word, by Audrey Vernick and Priscilla Burris

edgars_second_word_largeEdgar’s Second Word

by Audrey Vernick
illustrated by Priscilla Burris

Clarion Books (Houghton Mifflin Harcourt), Boston, 2014. 32 pages.
Starred Review

This book is simply too sweet not to review it.

Big sister Hazel has long been dreaming of reading to her new baby brother. She reads to her stuffed bunny, Rodrigo, but it wasn’t the same. When Edgar finally comes along, she’s excited.

But Edgar wasn’t much different from Rodrigo.
Or a pillow.
Or a watermelon.

Then Hazel thinks Edgar’s first word will make the difference. Now he mostly points and grunts, “like a pointing, grunting watermelon.”

But when Edgar speaks his first word, let’s just say it’s the most common first word of any baby.

And he practices it often.

My favorite picture in the book is from when Hazel’s mom takes them for a change of scene to the library, and Hazel asks Edgar to choose some books.

Edgar’s “NO!” was so loud that people stared. Some covered their ears. A librarian fainted.

But the book finishes up with such a lovely cozy scene, the pastel pictures matching the warm cozy tone of the words:

The day’s no’s added up.
Everyone was tired.
Finally, it was bedtime.

Hazel reached for her no-saying grump of a brother.
Edgar got as far as “Nnn” before a tired-baby gravity settled him on her lap.

Edgar felt as weighty as two Edgars.
He leaned back, a heavy-headed, warmly cuddled, not-no-saying lamb of a ram.
Hazel began to read.

(Can’t you just feel warm baby in your lap?)

When Hazel finishes reading, they think Edgar’s gone to sleep. But instead, he says his second and third words. And let’s just say that they’re a lot more positive.

This book brings something interesting to the party of new-baby books for the bigger sibling. There’s plenty of talk about the frustrations, but the cozy ending does point out that it’s all worth it.

And if nothing else, parents will be charmed.

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Review of Goodbye Stranger, by Rebecca Stead

goodbye_stranger_largeGoodbye Stranger

by Rebecca Stead

Random House Children’s Books, August 2015. 286 pages.
Starred Review

I got an Advance Reader Copy of this book at ALA Midwinter Meeting, and got it read on the flight to ALA Annual Conference.

I love Rebecca Stead’s books. Hers are about character — and always feature a character who feels like a normal kid — but with quirks.

Bridge Barsamian was in a terrible accident when she was 6 years old and almost died. As she left the hospital, a nurse told her, “You must have been put on this earth for a reason, little girl, to have survived.” She’s always wondered what that reason might be.

Now Bridge and her two best friends, Emily and Tabitha, are in seventh grade. And things are changing. Emily has suddenly grown curves and has become hugely popular. A boy is sending her pictures… and wants a response.

Bridge started wearing the cat ears in September, on the third Monday of seventh grade.

The cat ears were black, on a black headband. Not exactly the color of her hair, but close. Checking her reflection in the back of her cereal spoon, she thought they looked surprisingly natural.

And once she gets started wearing the cat ears, it’s hard to stop.

This book follows three different voices. One is Bridge, dealing with seventh grade, and how things are changing between her friends. Another is Sherm. He’s writing letters to his grandfather, who recently left their family. He doesn’t send them. Along the way, he writes about this girl who wears cat ears.

Another voice is someone using second person who has decided to take a mental health day on Valentine’s Day. She tries to keep her parents from worrying, but isn’t successful. But she still doesn’t go home. She’s thinking about all that led up to this day.

All the plot threads of the book lead up to Valentine’s Day. There’s no big reveal or plot twist. (There is a little reveal of who is skipping school.) But all the threads wind up, in a nice satisfying story. You can’t help but like these kids, living their lives and figuring out why they were put on this earth — in lovely, quiet, quirky ways.

This is very much a novel about friendship — and friends who let their friends down. But don’t we all let our friends down, in some way or other? This book is about the hard decision of when to give our friends another chance.

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Review of One Word from Sophia, by Jim Averbeck and Yasmeen Ismail

one_word_from_sophia_largeOne Word from Sophia

by Jim Averbeck and Yasmeen Ismail

Atheneum Books for Young Readers, New York, 2015. 36 pages.
Starred Review

This book is tremendously fun. The beginning concisely sums up the situation:

Sophia’s birthday was coming up, and she had five things on her mind –
One True Desire and four problems.

Her One True Desire was to get a pet giraffe for her birthday.

The four problems were . . .
Mother, who was a judge,
Father, who was a businessman,
Uncle Conrad, who was a politician,
and Grand-mamá, who was very strict.

Sophia presents her case eloquently to each of these adults, with her arguments perfectly and amusingly tailored to her audiences.

Her mother says she’s too verbose, her father that she’s too effusive, her uncle that she’s too loquacious, and Grand-mamá that she needs to get to the point.

So Sophia thinks hard and gets her case down to one word, “accompanied by a particularly compelling pair of eyes.”

Now, I expected this book to be an example of how, sometimes, you simply can’t get the things you want. Umm, this is not that book.

Also, kids won’t necessarily get the court references when Sophia makes her case to her mother the judge or the business proposal references in her presentation to her father the businessman or the polling references in the results shown to her uncle the politician. However, those are what makes the book tremendous fun for an adult reading it. And I think kids will enjoy the sounds of the words, even if they don’t grasp all the humorous implications.

And I’m not completely confident that we really should give little negotiators any ideas for how to work. They’re awfully good at what they do already. And if Sophia can con her family into getting her a giraffe? Well, clearly your own little negotiator is much more reasonable. Should we give that ground to them?

But this book is simply way too much fun not to recommend it, so I will be content with warning potential adult readers. In general, I suspect that the enjoyment you get from reading this book will outweigh any drawbacks from ideas your children pick up. (As if they actually need any.) And, best of all, they may remember to say Please!

I should add that the pictures are delightful – portraying a mixed-race family with lovely vibrant colors. And just the right amount of words.

May we all know our One True Desire as clearly as Sophia.

jimaverbeck.com
YasmeenIsmail.co.uk
KIDS.SimonandSchuster.com

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