Review of Where the Crawdads Sing, by Delia Owens

Where the Crawdads Sing

by Delia Owens

G. P. Putnam’s Sons, 2018. 370 pages.
Starred Review
Review written January 27, 2020, from a library book

Where the Crawdads Sing came out in 2018, when I was busy reading for the Newbery committee and didn’t have any time for adult books. But the book is still tremendously popular and always on hold, so I decided to get on the list for it and see what all the fuss was about.

I was not disappointed. This is a book with a mystery and a dramatic courtroom scene. But it is mostly a poignant story of a girl who’s been abandoned over and over again, has had to figure out life on her own, but who lives a beautiful life understanding the natural world and all its wonders.

The Prologue of the book tells us about a dead body in a swamp in 1969. Then the main body of the book opens in 1952 when Kya is six years old and her mother walks away from their shack in the marsh and never comes back. One by one, her older sisters and brothers leave as well. She gets a few years with Pa before he starts drinking again and one day never returns. So Kya has to figure out how to survive in the marsh from ten years old.

She’s a resourceful little girl. And she knows the marsh like nobody else. She knows how to hide from people like truant officers – after trying exactly one day of school in the town. She figures out how to cook and how to get food and supplies. And she knows all the creatures and birds that share her home.

Meanwhile, interwoven with scenes of Kya growing up are stories of the investigation of the dead body in the swamp. The body was a popular young man in the town, a star football player when he was in high school. He fell from an old fire tower. But there are no footprints in the mud leading up to it, not even his own. Gossip starts to mention that he once spent time with the Marsh Girl.

This is also a story of the men Kya eventually meets. One is a beautiful love story – but like so many other people in her life, he lets her down. And then there’s the story of the young man she turned to out of loneliness.

All along the way there are beautiful descriptions of life – all sorts of life – in the marsh. There’s poetry about it and we come to understand Kya’s wild heart. It’s also a wonderful story of how she builds a beautiful life. Of course, that will all be threatened if she’s convicted of murder.

Here’s the first paragraph of the Prologue, giving a small taste of the nature writing woven throughout this book:

Marsh is not swamp. Marsh is a space of light, where grass grows in water, and water flows into the sky. Slow-moving creeks wander, carrying the orb of the sun with them to the sea, and long-legged birds lift with unexpected grace – as though not built to fly – against the roar of a thousand snow geese.

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Review of The Potter’s Boy, by Tony Mitton

The Potter’s Boy

by Tony Mitton

David Fickling Books, 2019. First published in the United Kingdom in 2017. 246 pages.
Starred Review
Review written October 16, 2019, from a library book
2019 Sonderbooks Stand-out: #8 Children’s Fiction

The Potter’s Boy surprised me by its loveliness and its wisdom. I read it quickly, trying to decide before the deadline which book to nominate for a Cybils Award, and ended up wishing I’d had time to slowly absorb its contents and pull out wise quotations from it.

There’s a dragon on the cover, but I’m not quite sure it’s a fantasy book. There is an episode with a dragon, but that part may well be a dream or vision. Most of the book is a roughly historical tale set in a country similar to ancient Japan.

Ryo, our hero, is the son of a potter who loves his work, and Ryo is apprenticed to him. But one day, brigands attack their village, and a traveler defeats and confounds the brigands. Ryo asks the traveler to teach him to fight like that. The traveler tells him to wait a year, until he is thirteen, and then to seek the Hermit on Cold Mountain.

The book tells the story of Ryo’s journey when he does, in fact, go to the Hermit on Cold Mountain to be trained. So it’s an educating-a-young-person story, but this one takes some surprising turns.

All along the way, Ryo is trained in mindfulness and even nonviolence (which seems surprising for a fighter). It isn’t identified as Buddhism until the author’s note in the back, though some Japanese terms are used in the teaching.

But it’s all so lovely. A compelling story of a young person’s journey and coming of age – but also full of wisdom.

Just a warning — there is a terrible tragedy in the second half of the book. How Ryo deals with that tragedy is where this becomes not a typical fantasy tale. But please don’t expect all sweetness and light.

There were plenty of wise quotations in this book, and here’s an example:

The important thing is to live and to love, and, if possible, where possible, to make something good from time to time. It may be something you can see and touch and hold on to, like a pot or a fine garment or a painting. Or it may be something more ephemeral, such as good food, which is made and gone in a short space of time. Or it may simply be the art the skill, the knack, of making people happy, or cheerful or at their ease.

It does not matter so much what it turns out to be, but I urge you, if you are reading this, whoever you are, to ask yourself, “What do I make or do that is good, that brings beauty, pleasure, or happiness into the world?” And if you can find no answer to that, seek inside yourself to find the seed, the grain, of something that might fulfill that purpose. We cannot all be great artists or musicians, scientists or storytellers. We cannot reckon to be the best at what we do. But we can, each one of us, look inside ourselves to find a leaning, a direction, that suggests to us how we might make something of worth, while we are here. Is this not true?

An uplifting story of finding one’s calling.

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Review of White Bird, by R. J. Palacio

White Bird

by R. J. Palacio
inked by Kevin Czap

Alfred A. Knopf, 2019. 220 pages.
Starred Review
Review written December 29, 2019, from a library book
2019 Sonderbooks Stand-out: #6 in Children’s Fiction
2020 Sidney Taylor Book Award Winner

This beautiful graphic novel written and illustrated by the author of Wonder is framed as a story told by the grandmother of a boy who’s a bully in Wonder. But his grandmother tells him the story of how she was hidden in a barn during the Holocaust – and that story will touch anyone’s life.

The boy who helped her escape and whose family saved her life had been crippled by polio. So the other children mocked him, and Sara did not stand up for him against that bullying, even though she’d sat next to him for years because their last names both started with B.

The story of Sara’s escape, and then the constant fear of discovery, and the way Julien and his mother helped her keep her courage up – but at great risk – all makes gripping reading. The story is not true, but there is information at the back telling about how it is all based in fact.

In the present, Julien’s grandmother tells him this was the boy he and his father were named after – someone who showed great kindness when any kindness felt like a miracle. The image of a white bird found throughout the book and the lessons drawn about standing up to evil and showing kindness make this a story that will resonate.

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Review of Butterfly Yellow, by Thanhhà Lai

Butterfly Yellow

by Thanhhà Lai

Harper, 2019. 284 pages.
Starred Review
Review written January 2, 2020, from an advance reader copy picked up at ALA Annual Conference
2019 Sonderbooks Stand-out: #3 in Teen Fiction

(I have to apologize. My web host doesn’t support the notations for the Vietnamese diacritics over ‘a’ and ‘e’. I carefully found the right symbol in Word, but it did not carry over when I copied it to my blog. I acknowledge that this is not the correct name for the main character without the diacritic symbol, nor is it the correct name for the country where she was born. It’s not even the correct last name of the author. I am sorry.)

Butterfly Yellow is set in summer 1981 in Texas, about a girl who has survived a harrowing journey from Viet Nam, including a traumatic journey on a boat where most of the other passengers, including her mother, died or were killed by pirates.

Now Hang is in Texas, staying with her uncle, who got to America before the war. But Hang is on a mission to find her brother, who was taken away from her six years ago, when he was five years old and she was twelve and tried to carry out a scheme.

In the final days of the war in April 1975, Hang thought she was so clever, devising a way to flee while her family strategized and worried. Every day newspapers printed stories about Americans panicking to save hundreds of orphans. There was even an official name, Operation Babylift. She assumed she and her brother would go first, then somehow her family would join them in America. But in line at the airport she was rejected, a twelve-year-old passing as eight. Linh was five, three to foreign eyes, just young enough to be accepted as an orphan. Hang saw little Linh thrashing as he was carried into a Pan Am.

By the time her brother was ripped from her, nobody cared to hear why she lied. With so many scrambling to flee before the victorious Communists marched in, one more screaming child was just that. An American volunteer with puffy, sweaty hands must have felt sorry for her. He pressed a card into her palm as he pushed her away from the ladder. Sun rays radiated through each strand of his mango-colored hair. She had to stop an impulse to extinguish the fiery puff of gold threads on his head. He was the last to board. Hang screamed until the Pan Am blended into the sky and left a long loose-curl cloud. For hours, until dusk enveloped her and mosquitoes chased her home, she focused skyward and pleaded for forgiveness. When she opened her palm, the card had disintegrated except for one clue: 405 Mesquite Street, Amarillo, Texas.

Hang’s mission, her one purpose now she is in America is to find her brother. That mission starts out on a bus, but when the bus’s motion, reminding her of the escape boat, makes her sick, the bus leaves without her. Her mission ends up entwining her fate with that of LeeRoy, a boy who is also eighteen and has left his home for the summer on a mission to ride in rodeos and be a cowboy.

When Hang does find her brother, he doesn’t remember her. And his American mother wants Hang nowhere near him. But Hang is going to find a way to stay as close as she can – and a lot of things happen to Hang, LeeRoy and Linh that eventful summer in Texas.

This book is beautifully written, from several different perspectives. One thing I love about it is how when Hang speaks in English, the phonetic spelling is given – but phonetic from the perspective of someone from Viet Nam, full of diacritic marks, and not using the same phonetics as an English-speaking person would use. The reader has to learn how to understand Hang and gradually figure out what she is trying to say. When she thinks or writes in Vietnamese, she is completely fluent, so the reader understands the difficulty of trying to communicate in a foreign language.

We gradually learn about the trauma Hang survived, both in Viet Nam and as she escaped from Viet Nam. It’s horrific, and explains why she covers herself up and hides even in the Texas summer and doesn’t even think of trying to look pretty.

This is a book of cross-cultural understanding, as well as a book of love and healing.

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Review of Further Chronicles of Avonlea, by L. M. Montgomery

Further Chronicles of Avonlea

by L. M. Montgomery

Seal Books, 1987. First published in 1920. 199 pages.
Review written September 17, 2019, from my own copy.

I feel guilty reading this book, because I know full well that it was published against the author’s wishes and without her getting any of the profits. She, in fact, sued her publisher to desist publication, and won that case. It’s kind of too bad to go against her wishes after her death.

And yet… stories by L. M. Montgomery!

Now, I was enjoying them thoroughly, marveling in her quirky, humorous characters and the wide variety of situations – until I got to the last two.

What happened when this book was published was that L. M. Montgomery had already split with the publisher of Anne of Green Gables, L. C. Page. So that publisher pulled out stories she had submitted for possible publication in the first volume — Chronicles of Avonlea — but that they had decided not to use.

In her lawsuit, Maud Montgomery claimed that the book damaged her reputation, because she had used some of the plots here in other places.

Well, I disagreed about it damaging her reputation – until I got to the last two stories. The next-to-the-last story uses the same plot as one of the subplots used in Anne’s House of Dreams. There may be other stories repeated, but I couldn’t pinpoint where. I was enjoying them greatly.

But the last story – the last story is completely, horribly, blatantly racist toward Indians and “half-breeds.” Just horribly so. It’s assumed that they are inferior and shouldn’t dare to aspire to fall in love with someone with a “good pedigree.” And things are said about their “natures” – which are simply despicable. It’s even worse than the racism in Kilmeny of the Orchard.

Now, she was a product of her time, and everyone around her thought that way – but that story, “Tannis of the Flats” – is still horrible. And yes, reading it damages her reputation for me – though I doubt that’s the story she was thinking of.

I would have been better off if I’d bowed to the author’s wishes and refused to read this book.

But I was enjoying some gems before I got to that point! L. M. Montgomery got her start writing stories, and she mastered the form. So let me just give my readers fair warning – you might want to stop before you get to the end.

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Review of Lovely War, by Julie Berry

Lovely War

by Julie Berry

read by Jayne Entwistle, Allan Corduner, Dion Graham, Fiona Hardingham, John Lee, Nathaniel Parker, and Steve West, with a historical note read by the author
original music by Benjamin Salisbury

Reviewed August 1, 2019, from a library audiobook
Listening Library, 2019. 12 hours, 57 minutes, on 11 compact discs.
Starred Review

This audiobook is an epic novel and an astonishingly wonderful production. As you can tell by all the distinguished readers (including a couple of my favorite narrators), they use different readers for different people telling the story.

This book is told by the gods. You see, in 1942 Paris, the god Hephaestus has caught his wife Aphrodite, the goddess of beauty, cheating with his brother Aries, the god of war. As her defense, Aphrodite tells the gods that mortals know more about love than gods do – and she gives an example, telling the story of two mortal couples who fell in love during the Great War, Hazel and James (both British), and Colette (Belgian) and Aubrey (African American).

The couples came together because of War and because of Music – so Aries and Apollo help tell the story. But Death also comes into the story, so Hades has parts to tell as well.

The story is epic. Hazel meets James a week before he ships out to fight. She volunteers with the YMCA and goes to France, where she meets Colette. Colette has already suffered the loss of her entire family and the boy she loved at the hands of the Germans. But Hazel plays piano and Colette sings, and while playing in the YMCA relief hut, they meet Aubrey, the king of ragtime.

There’s an extended author’s note at the end, because she did a lot of research. When she spoke about how moved she was viewing the World War I memorials in Europe, I was instantly reminded of my own visit to the museum at Verdun and how it utterly shook me. But she went even more places than I did.

The officers in the story were people who actually lived and battles are portrayed that they actually fought. Aubrey encounters horrible racism overseas from Americans but not much at all from the French – matching the actual experiences of American soldiers in World War I.

The story itself is lovely and will wind itself into your heart. I also enjoyed the playful and unusual frame of a story being told by gods. I’m already going to say that I hope this audiobook wins this year’s Odyssey Award for the best children’s or young adult audiobook production. It gives an amazing listening experience.

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Review of Chronicles of Avonlea, by L. M. Montgomery

Chronicles of Avonlea

by L. M. Montgomery

Grosset & Dunlap, 1970. Originally published in 1912. 306 pages.
Starred Review
Review written July 6, 2019, from my own copy

In preparation for a trip to Prince Edward Island in September, I’m rereading all my L. M. Montgomery books in the order they were published. Chronicles of Avonlea is number five in this endeavor.

Maud Montgomery honed her craft by writing stories and getting them published in magazines. She did this for years before her first novel was published. This collection of stories gives wonderful examples of her brilliance. The only I quibble I have with them is that she was being pressured to write more about Anne of Green Gables – and mention of Anne Shirley is shoehorned into almost every single one of these stories. The only one where it’s organic and Anne is an important part of the plot is the first one, “The Hurrying of Ludovic.”

The most brilliant story of all in this collection is probably my favorite short story ever. I’ve done readings of this story when I was in college to entertain my friends and, yes, when I came to this story this time through, I was compelled to read the whole thing out loud.

That Most Delightful Story Ever is “The Quarantine at Alexander Abraham’s,” the story of a woman who hates men and her cat trapped in the home of a man who hates women and his dog. The woman, who is the narrator, does come off best – and both change their attitudes by the end. The process is all the fun and reading it in the narrator’s voice saying, “I am noted for that” makes it utterly delightful.

Honestly, in this read-through, I’m constantly being shocked when I realize these older characters are now younger than me! Angelina Peter MacPherson is forty-eight years old in this story. In fact, many of the main characters in these stories are deep into adulthood. I’m going to file this book in with Teen Fiction, but really these are family stories. It’s all innocent and G-rated, about life and love, but there’s a lot of focus on older folks coming to understand whom they truly love, whether in romance or the love of a child.

This is a delightful collection, written by a master storyteller at the height of her powers.

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Review of Marilla of Green Gables, by Sarah McCoy

Marilla of Green Gables

by Sarah McCoy

William Morrow (HarperCollins), 2018. 300 pages.
Starred Review
Review written July 4, 2019, from my own copy, a birthday present from my sister Becky

This book came out toward the end of 2018, when I was in the thick of reading for the Newbery, and couldn’t possibly get to it. After the winner was chosen, I’d forgotten about it, so I was completely delighted when my sister sent it to me for my birthday. The gift was all the more perfect because I’m planning to go with two girlfriends to visit Prince Edward Island in the Fall, and I’ve been rereading all my L. M. Montgomery books in preparation. One of those girlfriends was at my house on my birthday when I opened the gift. So the timing was perfect to read this prequel to Anne of Green Gables.

Sarah McCoy takes us into the heart of Marilla. We see her as a young teen living with her parents and her older brother Matthew. The author gave Marilla’s parents the same names as L. M. Montgomery’s parents, Clara and Hugh, in a nice act of tribute.

Clara is expecting a baby, and her twin, Marilla’s Aunt Izzy comes to stay and to help. When both mother and baby are lost, Marilla must carry on, taking care of Matthew and Hugh.

But it’s delightful getting a glimpse into Avonlea in the years before Anne. Marilla’s friendship with Rachel started when they were young, and we hear many more names that will be in the village in later years. Yes, we knew that John Blythe had been Marilla’s beau, and we get the story of their quarrel.

A part of the story that surprised me was when Green Gables becomes a safe haven for runaway slaves, under the protection of Izzy. I hadn’t realized that slave catchers could even come into Canada looking for them. There is also some political unrest in Canada at that time, which I’d known nothing about.

I enjoyed this book thoroughly. It’s a gentle story, a story of a reserved young woman growing up in a small village in Canada in the 1800s. She’s living a quiet life, and love seems to pass her by. At the end of the book, they think that Matthew could use some help on the farm….

This was perfect preparation for a visit to Prince Edward Island, and I heartily recommend it for all other Anne fans out there. The style isn’t the same as L. M. Montgomery’s, but it made me feel I understood Marilla better than when I had only seen her through the eyes of a precocious orphan.

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Review of The Story Girl, by L. M. Montgomery

The Story Girl

by L. M. Montgomery

Bantam Books, 1987. First published in 1910. 258 pages.
Starred Review
Review written July 5, 2019, from my own copy

It’s really happening! My two childhood friends and I are going to Prince Edward Island this coming September, during the week when all three of us are 55 years old. We first conceived this trip when we were 50, but decided to put it off – and now our rooms are booked!

And this time I’m getting serious about rereading my L. M. Montgomery books. This time, I decided to reread them in the order they were published. I have already reread Anne of Green Gables, Anne of Avonlea, and Kilmeny of the Orchard. Now it was time for The Story Girl.

The Story Girl is about the children of the village of Carlisle on Prince Edward Island. It’s told from the perspective of Beverley King, looking back as an old man on the joys they had as children.

[Incidentally, I have learned from L. M. Montgomery’s books that if a man’s name ends in Y, women will eventually steal it. All of these names appear in her books as names for boys: Beverley, Shirley, Lindsay, and Hillary.]

When I was a young adult reading L. M. Montgomery’s books, I preferred the ones that had romance. But now as I myself am “old” (by her standards – I’ve been shocked that “old” characters in her books are only in their forties!) – I’m reading these books with my own nostalgia.

The Story Girl was one of L. M. Montgomery’s own favorites. I think she liked to think of herself as a sort of Sara Stanley, who was called by everyone “the Story Girl.”

Maud Montgomery did her apprenticeship writing short stories and selling them to magazines. I think as a consequence, short stories are her natural form. And she does a nice job of weaving them through this book, with the Story Girl telling them family stories about objects in their home or stories about people from their village or fairy tales about something that happened.

There’s a lot that’s old-fashioned in this book. Sara and her cousin Felicity are fourteen and twelve years old, but they seem younger by today’s standards. And they have different abilities from children today, with Felicity completely able to run the house while the grown-ups are away for a week, including having baked all afternoon so their pantry is “well stocked with biscuits, cookies, cakes, and pies,” so that she is able to entertain an influx of visitors, as is proper.

Cecily set the table, and the Story Girl waited on it and washed all the dishes afterwards. But all the blushing honours fell to Felicity, who received so many compliments that her airs were quite unbearable for the rest of the week. She presided at the head of the table with as much grace and dignity as if she had been five times twelve years old and seemed to know by instinct just who took sugar and who did not. She was flushed with excitement and pleasure, and was so pretty that I could hardly eat for looking at her – which is the highest compliment in a boy’s power to pay.

I was amused how often the episodes between the children had to do with church and the Bible. When the paper reports that someone in the States has said the day and time for Judgment Day, they all get into a tizzy. Another time, they have a preaching contest (boys only, of course) with very amusing results. And there’s an incident with a picture of God and the question of praying for their cat to get well. Did prayer end up healing him – or was it their request to the local woman they all think is a witch?

All in all, it was delightful to be transported back into L. M. Montgomery’s world. This one doesn’t have romance, but it does have two other things L. M. Montgomery did exceptionally well: short stories plus the escapades of children.

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Review of Voices, by David Elliott

Voices

The Final Hours of Joan of Arc

by David Elliott

Houghton Mifflin Harcourt, 2019. 195 pages.
Review written April 17, 2019, from a library book
Starred Review

Voices is a novel in poetry – and I mean real poetry here, not simply prose broken up into artful lines. For the most part, it’s even rhymed poetry. David Elliott gives us Joan of Arc thinking about her life as she waits to be burned at the stake.

Between poems in Joan’s voice, we’ve got poems expressing the voices of objects and people in her life – things like a tunic, armor, cattle, a red dress, swords, and the saints who spoke to her. For those poems, the author used poetic forms that were used even back in Joan’s day – things like a ballade, sestina, villanelle, and triolet.

The note at the front casts light on short quotations presented throughout the book:

Much of what we know about Joan of Arc comes from the transcripts of her two trials. The first, the Trial of Condemnation, convened in 1431, found Joan guilty of “relapsed heresy” and famously burned her at the stake. The second, the Trial of Nullification, held some twenty-four years after her death, effectively revoked the findings of the first. In both cases, the politics of the Middle Ages guaranteed their outcomes before they started. It is in the Trial of Condemnation that we hear Joan in her own voice answering the many questions her accusers put to her. In the Trial of Nullification, her relatives, childhood friends, and comrades-in-arms bear witness to the girl they knew. Throughout Voices, you will find direct quotes from these trials.

The craft in this book is stunning – the various poetic forms are used skillfully. Many are typed in the shape of the object whose voice is heard. I’m not used to a novel in verse using so much rhymed poetry, and using it well. I was a little disappointed, though, that the words didn’t move me as much as I felt like they should have – and that may just be me. I do find myself wanting to read it again – there’s a lot of depth here concentrated in the few words of poetry. (Or better yet, I would like to listen to this in audiobook form.)

A couple of things stood out to me. One was the poems in the voice of the Fire, waiting to burn Joan. Those poems were eerie and disturbing. Another was that in her trial the way they knew she was of the devil was that she dressed like a man. Things have not changed so much in 500 years.

Whatever else this book is, it’s a stunning accomplishment.

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