Review of The Wolf Wilder, by Katherine Rundell

wolf_wilder_largeThe Wolf Wilder

by Katherine Rundell

Simon & Schuster Books for Young Readers, 2015. 231 pages.

A note at the beginning of this book explains who wolf wilders are. They lived in Russia during the time of the tsars. It was fashionable to own wolves. Hunters would capture wolf cubs and sell them to the aristocracy. “Peter the Great had seven wolves, all as white as the moon.”

The captured wolves wear golden chains and are taught to sit still while people around them laugh and drink and blow cigar smoke into their eyes. They are fed caviar, which, quite reasonably, they find disgusting. Some grow so fat that the fur on their stomach sweeps the ground as they waddle up and down stairs and collects fluff and ash.

But a wolf cannot be tamed in the way a dog can be tamed, and it cannot be kept indoors. Wolves, like children, are not born to lead calm lives. Always the wolf goes mad at the imprisonment, and eventually it bites off and eats a little piece of someone who was not expecting to be eaten. The question then arises: What to do with the wolf?

Aristocrats in Russia believe that the killing of a wolf brings a unique kind of bad luck. It is not the glamorous kind of bad luck, not runaway trains and lost fortunes, but something dark and insidious. If you kill a wolf, they say, your life begins to disappear. Your child will come of age on the morning that war is declared. Your toenails will grow inward, and your teeth outward, and your gums will bleed in the night and stain your pillow red. So the wolf must not be shot, nor starved; instead, it is packed up like a parcel by nervous butlers and sent away to the wolf wilder.

The wilder will teach the wolves how to be bold again, how to hunt and fight, and how to distrust humans. They teach them how to howl, because a wolf who cannot howl is like a human who cannot laugh. And the wolves are released back onto the land they were born on, which is as tough and alive as the animals themselves.

Feo and her mother are wolf wilders living a hundred years ago just south of St. Petersburg. The story begins when an old general named Rakov bursts into their home with a dead elk, claiming that their wolves killed it. (It was not one of the wolves still with them, since the jaw marks were of a smaller wolf.) They are told that if aristocrats bring them any more wolves, they must kill them, which of course Feo and her mother have no intention of doing. They are told that if Feo is seen with a wolf, Rakov’s soldiers will shoot the wolf and take the child.

Feo and her mother make plans to escape if the soldiers come again. When the next wolf is brought to their door, a soldier does see Feo with it. But this soldier is only a boy. When the wolf gives birth to a tiny cub, the boy, Ilya, can be convinced not to tell.

Eventually, Ilya does warn them – the soldiers are coming. However, their escape doesn’t go as planned. Though Feo and the wolves escape to the wilderness, Feo’s mother is taken away, and their home is burned.

The main story is of surviving in the snowy woods as Feo and Ilya travel with the wolves to St. Petersburg to rescue her mother. Along the way they meet a teen who is trying to stir up revolution. Their village was destroyed by Rakov.

The writing style in this book evokes mythology and fairy tales; it’s beautifully crafted. The story is tense and gripping – just when you think they’ve escaped Rakov, he keeps turning up again.

Though this book would be good for children who love animals, because the wolves are portrayed definitely as wolves, I wouldn’t recommend it to just anyone. The violence included (mostly off-stage) is awfully intense. Rakov is horribly evil. And the children are ready to kill him. (Though – I don’t think this is really a spoiler – in the end it’s the wolves who do him in.)

Realistically? All along it was hard for me to believe that Feo would have any chance of rescuing her mother from the prison in St. Petersburg. When it came to it, the plan was plausible, but I still had some trouble with believability. Also, the first people they convinced to join in their “revolution” were children. I knew it’s a children’s book, so it would probably work out – but that could have gone just so horribly wrong. A character does say that soldiers don’t like to shoot children when people are watching, but based on some of the other things the soldiers do in this book, that didn’t make me feel safe for them.

The book also pretty much portrays the Russian Revolution as a good thing, a thing to get children involved in. And okay, it does show that there was injustice in the tsar’s Russia. But I had mixed emotions about that, too.

Summing up, this is, in fact, an excellent book for animal lovers, but they should be animal lovers with a high enough maturity level to read about violence and war. Those children who do tackle this book will find adventure and a sense of justice and children who triumph against long odds and characters, human and animal, who will stick with them long after they put the book down.

KIDS.SimonandSchuster.com

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Review of Sunny Side Up, by Jennifer L. Holm and Matthew Holm

sunny_side_up_largeSunny Side Up

by Jennifer L. Holm and Matthew Holm

with color by Lark Pien

Scholastic, 2015. 218 pages.
Starred Review

Here’s a graphic novel from the authors of the ever-popular Babymouse. This one’s a little more serious.

Set in August 1976, Sunny was looking forward to a family beach trip to finish off the summer – but instead she’s been sent to stay with her grandpa in Florida. Florida shouldn’t be so bad – It’s the home of Disneyworld! But Gramps lives in a retirement community. All his friends are as old as he is.

Fortunately, there’s one other kid at the retirement community, the son of the groundskeeper. He and Sunny start hanging out, doing things like finding lost cats and missing golf balls. But even better, he introduces Sunny to comic books.

But meanwhile, Sunny’s remembering back to things that happened before she left home. Her older brother used to be a whole lot of fun, but he had been changing recently. Sunny tried to help – and it didn’t end well. Is it her own fault she got sent away to Florida?

This is a fun and gentle story that lightly touches the issue of a family member with substance abuse. Mostly it’s about a kid learning to have a lovely summer even in a retirement community. Sunny is a protagonist you can’t help but love.

jenniferholm.com
matthewholm.net
larkpien.blogspot.com
scholastic.com

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Review of The Marvels, by Brian Selznick

marvels_largeThe Marvels

by Brain Selznick

Scholastic Press, New York, 2015. 670 pages.

Here is another book by Brian Selznick which mingles his detailed, fascinating pencil art with a written story.

In this book, the art – at the front and the back – tells a separate story from the written story in the middle of the book. There is a twist as to how the two are related.

The pictures in the art go back to a shipwreck that happened in 1776 to a boy named Billy Marvel, then continue to a theater in London, where the Marvel family became actors for generations. But one boy didn’t belong in the theater like the rest of his family.

The written part of the story also takes us to London, in 1990, to a boy running away from boarding school and looking for his uncle. His uncle lives in a house elaborately furnished as if a Victorian family still lives there. And there are hints of the Marvel family all over the house.

I am not necessarily the best audience for Brian Selznick’s work. I found that, as with his other books, I wasn’t quite drawn in to the story. Maybe because I’m not used to getting my stories through art? Maybe children more accustomed to graphic novels will enjoy it more?

Whatever the reason, I can and do still appreciate Brian Selznick’s craftsmanship. His art is detailed and exquisite. As for the story, it seemed a little melodramatic at first – but then he revealed a reason for that. I did appreciate the way he tied the two stories together in a way I hadn’t seen coming. He also tied the book to an actual house in London in the Author’s Note in a way that added poignancy to the story.

Brian Selznick’s books tend to have an alienated boy character who uncovers a mystery and works to solve it with the help of a friend and maybe in spite of curmudgeonly grown-ups. I’m not quite sure why I don’t seem to naturally respond to these characters, but I can easily imagine kids who would.

This is also a beautiful book. Besides the detailed artwork, the page edges are trimmed with gold and there are golden decorations on the front cover. It’s a big fat book which is also a quick read, because the majority of the story is told through pictures.

Definitely give this to kids who have enjoyed The Invention of Hugo Cabret and Wonderstruck. Each of the books is a completely separate story, though, so perhaps The Marvels will win Brian Selznick some new fans.

scholasticpress.com

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Review of The Passion of Dolssa, by Julie Berry

passion_of_dolssa_largeThe Passion of Dolssa

by Julie Berry

Viking, 2016. 478 pages.
Starred Review

Julie Berry writes striking and memorable novels that pull you right into a time and culture quite different from our own. The Passion of Dolssa is about a young mystic in medieval Provensa who has visions of Jhesus, her beloved. But unfortunately for her, she has them during the Inquisition.

The book is presented as a series of documents from the time of the Inquisition discovered in later years. Dolssa’s testimony says things like this:

I was a young girl when my beloved first appeared to me. Just a girl of no consequence, the child of pious parents who were much older than most. . . .

My beloved was my great romance, and — impossible miracle! — I was his. He caught me up on wings of light, and showed me the realms of his creation, the glittering gemstones paving his heaven. He left my body weak and spent, my spirit gorged with honey.

There are no words for this. Like the flesh, like a prison cell, so, too, are words confining, narrow, chafing, stupid things, incapable of expressing one particle of what I felt, what I feel, when I see my beloved’s face, when he takes me in his arms.

There is only music. Only light.

Dolssa begins preaching to some friends of her Mama, and more and more people come.

In our Father’s house, I told the believers, there is never alarm, but only gladness, love, and peace.

Not long after that, the interrogations began.

Dolssa is sentenced to burn at the stake, along with her mother. But after her mother’s death, Dolssa’s beloved rescues her from the flames. She is able to flee.

While she’s hiding by the roadside, in fear and hunger and sickness, she is discovered by Botille, a tavernkeeper and matchmaker with two sisters who all have particular gifts. They take Dolssa in and hide her.

But the Inquisitors are relentless. When Dolssa starts healing the people of the village, how can they keep her presence secret?

Part of what’s interesting about this book is all the research the author did about the time and place. There are 32 pages of back matter after the story finishes. (You might want to check the Glossaries and Dramatis Personae before you finish. I didn’t realize they were there in back, because I try hard not to give myself spoilers. The back matter does not include spoilers and could be helpful. I did fine without it, but it might have made it a little easier to get the people with medieval names and the Occitan words straight.)

This is a wonderful book, with well-drawn characters. Botille and her sisters are not traditionally good folk, but they shine so much brighter than the official church represented by the Inquisitors. (The local priest is colorful, with many children in the village.) I learned about this time period in a way I will never forget.

julieberrybooks.com
penguin.com

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Review of Raymie Nightingale, by Kate DiCamillo

raymie_nightingale_largeRaymie Nightingale

by Kate DiCamillo

Candlewick Press, 2016. 263 pages.
Starred Review

No one does quirky like Kate DiCamillo.

And her quirky, unique, like-no-other characters are all the more real that way.

Raymie Clarke has a plan. She wants to win Little Miss Central Florida Tire by learning to twirl a baton. Then her father will see her picture in the paper and come back from wherever he ran off to with the dental hygienist.

At baton-twirling lessons, taught by Ida Nee, a former champion of multiple contests, Raymie meets Louisiana Elefante and Beverly Tapinski. Louisiana also wants to become Little Miss Central Florida Tire, but Beverly wants to sabotage the contest.

First, they have very short-lived lessons together. Ida Nee doesn’t waste her time with lollygaggers and malingerers or fainters.

But the girls start helping each other out. Raymie needs her library book on Florence Nightingale rescued from under a bed in a nursing home. (Now there’s a story!) And Louisiana wants to rescue her cat Archie from the Very Friendly Animal Center.

All the adults they encounter along the way are quirky as well. Raymie’s mother is still mourning her father’s loss. Louisiana’s grandmother is an adventurous driver. Different adults in Raymie’s life offer her different kinds of comfort about her father’s abandonment.

All the quirks make the story feel true. You end up loving these three girls and rooting for them as they stumble through as best they can, trying to follow a Bright and Shining Path. Together.

katedicamillo.com
candlewick.com

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Review of Anna and the Swallow Man, by Gavriel Savit

anna_and_the_swallow_man_largeAnna and the Swallow Man

by Gavriel Savit

Random House Children’s Books, 2016. 232 pages.
Starred Review

Wow. I read this book on the first half of a flight to Portland, and sat stunned when I’d finished at just how rich and beautiful this novel is.

It’s a World War II story, so some awful things happen. It’s listed as a children’s book, but here’s a heads’ up for parents that it’s a book about war, and most of the bad things happen off stage, but there are some bad things that happen. Personally, I’d rather give the book to teens than children. (And by the end of the story, Anna is a young teen.)

There’s not really a moral to the story, but it’s beautiful. Memorable, luminescent, and beautiful.

How does Gavriel Savit do it? One of the things he does is taking a unique character and then drawing wise conclusions about life.

We meet Anna on November 6, 1939 — the day her father, a university professor, was required to attend a meeting that ultimately ended in his being taken to a concentration camp. She is seven years old.

Anna’s father was a professor of linguistics at the Jagiellonian University in Krakow, and living with him meant that every day of the week was in a different language. By the time Anna had reached the age of seven, her German, Russian, French, and English were all good, and she had a fair amount of Yiddish and Ukrainian and a little Armenian and Carpathian Romany as well.

Her father never spoke to her in Polish. The Polish, he said, would take care of itself.

One does not learn as many languages as Anna’s father had without a fair bit of love for talking. Most of her memories of her father were of him speaking — laughing and joking, arguing and sighing, with one of the many friends and conversation partners he cultivated around the city. In fact, for much of her life with him, Anna had thought that each of the languages her father spoke had been tailored, like a bespoke suit of clothes, to the individual person with whom he conversed. French was not French; it was Monsieur Bouchard. Yiddish was not Yiddish; it was Reb Shmulik. Every word and phrase of Armenian that Anna had ever heard reminded her of the face of the little old tatik who always greeted her and her father with small cups of strong, bitter coffee.

Every word of Armenian smelled like coffee.

When Anna’s father doesn’t return, she begins following the Swallow Man, but is instructed not to draw attention to herself. When I read this passage, I realized that this is one of those books that is wonderful because of the universal wisdom. It’s got particular, unique characters, but universal wisdom:

Anna very much wanted to avoid attention, and it was not long before she discovered the trick of doing so. A well-fed little girl in a pretty red-and-white dress immediately raises alarm if her face is covered with concern and effort, if she strains to see what is far ahead of her, if she moves only in fits and starts — and this was precisely what her present labor required her to do. At one intersection, though, she felt certain she had seen Monsieur Bouchard, her father’s old French friend, in the street ahead, and suddenly, impulsively, abandoning all effort of following the tall stranger, she smiled and ran gleefully toward the familiar man.

In the end he was not Monsieur Bouchard, but the effect of this burst of glee was immediately apparent to her. When she passed through the street hesitantly and with concern, the grown-ups who saw her seemed to latch on to her distress, trying to carry it off with them despite themselves, and the strain of the effort would cause a kind of unwilling connection between the adult and the child until they were out of one another’s sight. For the most part Anna felt certain that their intentions were good, but it seemed only a matter of time before someone stopped her, and then she did not know what might happen.

On the other hand, when she ran through the street with a smile of anticipation, passing adults still took notice, but they did not try to carry off her joy with them — instead it engendered a kindred kind of joy inside of them, and well satisfied with this feeling, particularly in the eternally threatening environment of a military occupation, they continued on their way without giving her a moment’s thought.

It was with joy, then, and not concern, that she followed the thin man past the guards at the outskirts of the city — they didn’t give her a second glance — and by the time Anna was alone in the twilit hills, this effort of counterfeiting happiness had brought to bear a true sort of excitement within her.

You read that and realize that this is true. This would work.

So universality and particularity combine with lovely language — and the result is this amazing book.

It’s a war story, and doesn’t really have an obvious moral, though there are certainly morals you can pull out of it. I’m not crazy about the ending, and some terrible things happen along the way, things that will wrench your heart.

But this book is truly beautiful. Everyone should read this book. When you’ve done so, please tell me what you think!

gavrielsavit.com

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Review of Ada’s Violin, by Susan Hood and Sally Wern Comport

adas_violin_largeAda’s Violin

The Story of the Recycled Orchestra of Paraguay

by Susan Hood
illustrated by Sally Wern Comport

Simon & Schuster Books for Young Readers, New York, 2016. 40 pages.
Starred Review

This picture book tells the story of Ada Rios, who grew up living in the main garbage dump of Asuncion, the capital city of Paraguay. Her family worked in the landfill as a recycler, finding trash they could sell.

One day Favio Chavez came to town, offering music lessons for the children of the town, Cateura. There weren’t enough musical instruments to go around — so they made instruments out of recycled materials they found in the landfill.

They formed an orchestra, and Ada practiced hard. They performed concerts and ended up being able to travel around the world, even performing at a Metallica concert.

The picture book tells the story simply enough for children. Material at the back fills in the details for adults, complete with YouTube links.

Music and creativity combined with time and dedication brought music and new life to the children of Cateura.

The last paragraphs of the Author’s Note at the back is filled with hope:

Money from the orchestra’s concerts goes back to Cateura to help families rebuild their homes, their music school, and their lives. “Not too long ago we purchased a piece of land where we will build houses for fifteen orchestra families,” said Chavez. “Ada has a new house there.” This land is out of the flood zone. These families will never again have to face the evacuations that displace Cateura villagers every year when the river rises.

What started as a music class for ten kids has swelled to orchestral rehearsals for two hundred students, with more than twenty-five instructors. Chavez quit his ecology job to work with the orchestra full-time. Now plans are afoot to use the Recycled Orchestra’s experiences as a model to help other children living on landfills around the world.

recycledorchestracateura.com
susanhoodbooks.com
sallycomport.com
simonandschuster.com/kids

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Review of Miracle Man, by John Hendrix

miracle_man_largeMiracle Man

The Story of Jesus

by John Hendrix

Abrams Books for Young Readers, New York, 2016. 44 pages.
Starred Review

This is a picture book telling about the life of Jesus Christ, done by an accomplished picture book illustrator.

Now, I personally am not completely crazy about the book, since I have my own conception of Jesus’ story, and there’s some necessary simplification. For example, he gives Andrew’s lines to Peter (the only disciple named in this book, besides Judas) in the story of the feeding of the five thousand.

But the more I look at this book, the more it’s growing on me. John Hendrix makes the characters in the story look like Jews. Jesus looks tough, and his clothes are a little ragged. But the most interesting feature is that he makes the words of Jesus part of the art and larger than life.

The author introduces Jesus like this:

On a day that didn’t seem at all unusual, there came an unusual Man. He looked like any other man, but he was like none who had ever lived before. This Man was God’s son. When he spoke, his words made things happen. His words came . . . ALIVE

[ALIVE is spelled out by butterflies in the illustration.]

The stories told about Jesus include calling the disciples and the miraculous catch of fish, healing a leper, healing the paralytic (after his friends broke through the ceiling), and calming the sea. I especially like the author’s paraphrase of Jesus’ words after he stops the storm:

I am the Son of the living God who made the water and the winds. Did you forget who was in your boat?

The story goes on with the feeding of the five thousand and Jesus walking on the water, including Peter walking on the water. (“Peter, have faith in my feet, not your own.”) Then we come to the Last Supper and Judas’ betrayal.

The crucifixion is mainly alluded to — very tastefully done for a picture book — one page with Jesus carrying the cross and then a grand scene with the heartbroken disciples, and the women in a corner with Jesus’ body, and the very walls of Jerusalem seeming to say, “It seemed the miracles had COME TO AN END.”

Then we have a spread from inside the empty tomb, graveclothes on a ledge, and Jesus outside in the light looking at a butterfly.

But God’s Son, Jesus, the Miracle Man,
had in store one last glorious miracle . . .

I haven’t seen another book about Jesus’ life quite like this one. The word that comes to mind is Majestic.

The Author’s Note at the back explains why John Hendrix wanted to tell this story. I liked hearing that he was fascinated as a child by the words of Jesus in red in his Bible.

You may have heard about the life of Jesus many times before, but my hope is to share the familiar story with you in a new way. Perhaps the best way to experience the Easter story is to momentarily forget about the trappings of religion around it and see the man at the center. In my experience, the story changes when we think of the people who experienced Jesus in person during the time he walked among us. Those people didn’t have a steepled church building or know anything about Christian theology. They simply met a man, some of them for only a brief moment, and they were changed forever.

Most of all, the author’s love for the Miracle Man shines through. This book is a wonderful way to tell children about Him.

johnhendrix.com

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Review of The War That Saved My Life, by Kimberly Brubaker Bradley

war_that_saved_my_life_largeThe War that Saved my Life

by Kimberly Brubaker Bradley
read by Jayne Entwistle

Listening Library, 2015. 7.5 hours on 6 compact discs.
Starred Review
2016 Newbery Honor Book
2016 Odyssey Award Winner
2016 Schneider Family Award Winner

I always try to listen to the Odyssey Award winner, since it is given to the best children’s or young adult audiobook of the year. This year, the winner was also a Newbery Honor book and a Schneider Family Award winner, so I already knew it was something special. First, I got to listen to Echo, which was also a Newbery Honor book but the only Odyssey Honor audiobook. It was so good, it was hard to imagine an audiobook being chosen above it.

Even with that much build-up, when I listened to The War that Saved my Life, I was not at all disappointed. This was one of the few audiobooks that, when I got to the last CD, I brought the book into the house to finish listening, rather than wait until the morning and my next trip to work. It was way too good to wait!

I should say a word about the narrator, Jayne Entwistle. I’ve listened to other books she’s read, The Scandalous Sisterhood of Prickwillow Place and >As Chimney Sweepers Come to Dust. I always enjoy her distinctive voice. Now, I do enjoy almost all English accents, but Jayne Entwistle does an excellent precocious little girl. And she does a fine job making the voices of the various characters distinctive. In this case, she didn’t need to do as many voices as in The Scandalous Sisterhood, and she put just the right character into each of the voices she did portray.

The story in The War that Saved my Life is heart-wrenching. The story is told by Ada Smith. She’s got a club foot, though at the beginning of the book, she doesn’t know that’s what it’s called. She only knows that her foot is disgusting, according to her Mam, and she’s not to let anyone see her. She must stay in their one-room apartment in London.

It’s bearable for Ada when she has her little brother Jamie to watch over. But as Jamie’s getting old enough to go to school, he’s also old enough to start playing outside. Ada’s heart is torn being alone in the apartment. So she decides to teach herself to walk.

Not long after, they learn that London children are going to be evacuated to the country because bombs will be coming from Hitler. Mam hasn’t decided if she’ll send Jamie. Ada asks about herself.

Mam still didn’t look at me. “Course not. They’re sending kids to live with nice people. Who’d want you? Nobody, that’s who. Nice people don’t want to look at that foot.”

“I could stay with nasty people,” I said. “Wouldn’t be any different than living here.”

I saw the slap coming, but didn’t duck fast enough. “None of your sass,” she said. Her mouth twisted into the smile that made my insides clench. “You can’t leave. You never will. You’re stuck here, right here in this room, bombs or no.”

All of that happens in the first two chapters.

But Ada decides then and there that she will leave with Jamie. Her Mam doesn’t know she can walk, and Ada steals Mam’s shoes and sneaks out with Jamie to get there early on the day the children are evacuated.

Once they’re in the country, Ada and Jamie are indeed the last ones picked. The “iron-faced” woman in charge takes them to the home of Susan Smith. Susan doesn’t want children. She is mourning the loss of her “very dear friend” Becky, who lived with her and kept horses.

There’s still a pony named Butter out in the field, and Ada is fascinated with it. The story that follows shows us clearly how Ada’s life is saved. Susan’s and Jamie’s lives are changed along the way.

Words can’t adequately describe this book and how brilliantly the story is woven. The two short chapters at the beginning prepare us for how deprived Ada is, but it’s more fully revealed as she comes out of the room and copes with the country.

Here’s a bit from their ride on the train:

The buildings ended and suddenly there was green. Green everywhere. Bright, vibrant, astonishing green, floating into the air toward the blue, blue sky. I stared, mesmerized. “What’s that?”

“Grass,” Jamie said.

Grass?” He knew about this green? There wasn’t any grass on our lane, nor nothing like it that I’d ever seen. I knew green from clothing or cabbages, not from fields.

Jamie nodded. “It’s on the ground. Spikey stuff, but soft, not prickly. There’s grass in the churchyard. Round the headstones. And trees, like that over there.” He pointed out the window.

Trees were tall and thin, like stalks of celery, only giant-sized. Bursts of green on top. “When were you in a churchyard?” I asked. What’s a churchyard? I might have asked next. There was no end to the things I didn’t know.

Later on, it seems utterly realistic that, rather than being grateful, Ada gets frustrated and annoyed with all the things Susan tells her, full of words she doesn’t know. When Susan makes a beautiful dress for Ada for Christmas, she has a complete meltdown, unable to feel that something so nice can be for her.

But most of the book is filled with little victories. Ada learns to use crutches. She learns to care for Butter. She learns how to go among people and makes friends.

And the backdrop of all this is the war, which does come even to the countryside. And the looming question of what will happen when Ada has to go back?

This is a beautiful book. Even though I listened to it, I’m going to keep my Advance Reader Copy, because I am going to want to treasure Ada’s story again. I’m sure I’ll notice subtle emotional cues I didn’t catch the first time.

How can I tell children about this wonderful book? I may decide to play up the bombs and spies (Yes, they are both in there). This is ultimately a book about the value found in every person and how love can save your life.

kimberlybrubakerbradley.com
listeninglibrary.com

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Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Accidental Highwayman, by Ben Tripp

accidental_highwayman_largeThe Accidental Highwayman

Being the Tale of Kit Bristol, His Horse, Midnight, a Mysterious Princess, and Sundry Magical Persons Besides

by Ben Tripp
read by Steve West

Macmillan Audiobook from Tor, 2014. 10 hours on 9 discs.
Starred Review

I’ve meant to read this since it came out in 2014, and finally got around to it when it came out in audio form. (With thanks to my sister-in-law Laura for encouraging me to do so.) This was just as well, since the narrator is an outstanding reader and has a marvelous British accent, so it was a great listening choice.

As the subtitle tells us, this book tells the story of Kit Bristol, set in the 1700s in England. He’s the only servant of a reclusive aristocrat, and one day his master comes home having been shot. It turns out he was the famed Whistling Jack, and through one thing and another, Kit ends up taking up Whistling Jack’s commitment to help a princess fleeing an arranged marriage.

It turns out the princess is the daughter of the king of Faery, and he is power-hungry and wants to form an alliance with King George III. On top of that, there’s a soulless duchess after Princess Morgana and a vindictive redcoat obsessed with capturing Whistling Jack and seeing him hanged.

Kit and Princess Morgana go through an amazing variety of outlandish adventures. There were times when I couldn’t see how he could possibly survive (even knowing he must, since the story is told in first person).

The only thing wrong with the book? The story doesn’t end at a good place at all. Yes, part of their adventure does come to conclusion, but our two main characters are by no means safe and happy at the end. So that means I’ll be looking eagerly for the sequel.

This book is good for swashbuckling fun with fantasy. The narrator is wonderful, and this would also work for family listening. Kit does get into danger, but it’s young adult reading more because Kit is a young adult than because of any dark subject matter. Ben Tripp is also an illustrator, so having listened to the book it sounds like I missed out on illustrations, though at least I got to enjoy a British accent to make up for it.

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/accidental_highwayman.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?