Review of The Shadow Hero, by Gene Luen Yang and Sonny Liew

shadow_hero_largeThe Shadow Hero

story by Gene Luen Yang
art by Sonny Liew

First Second, New York, 2014. 158 pages.
Starred Review
2014 Sonderbooks Stand-out, #6 Teen Fiction

The story of why this graphic novel exists is so interesting, I’m going to copy text from the author’s note at the back of the book (minus examples from the actual Green Turtle comics):

[Chu] Hing was among the first Asian Americans working in the American comic book industry. This was decades before the Asian American movement, though, so he wouldn’t have self-identified as such. Most likely, he would have just called himself Chinese.

For Rural Home, Chu Hing created a World War II superhero called the Green Turtle. The Green Turtle wore a mask over his face and a cape over his shoulders. He defended China, America’s ally, against the invading Japanese army. He had no obvious superpowers, though he did seem to have a knack for avoiding bullets.

So those are the facts. Here are the rumors.

Supposedly, Hing wanted his character to be Chinese.

Supposedly, his publisher didn’t think a Chinese superhero would sell and told Hing to make his character white.

Supposedly, Hing rebelled right there on the page. Throughout the Green Turtle’s adventures, we almost never get to see his face. Most of the time, the hero has his back to us.

When he does turn around, his visage is almost always obscured by something – a combatant or a shadow or even his own arm….

The Green Turtle’s face isn’t all that Hing keeps from us. Over and over, the Green Turtle’s young Chinese sidekick, Burma Boy, asks him how he came to be the Green Turtle. Every time, an emergency interrupts before the Green Turtle can give his answer.

So Gene Luen Yang and Sonny Llew have stepped in and written an origin story that fits everything that appears in the short-running comic book series.

The Shadow Hero is our answer to Burma Boy’s question, our imagining of the Green Turtle’s origin story. We firmly establish him as an Asian American superhero, perhaps even the first Asian American superhero. Our Green Turtle is a shadow hero. Not only is his identity secret, so is his race….

But let me end on a fact: Studying Chu Hing’s comics, imagining what might have been going through his head, and then writing this book in response were a lot of fun – a crazy, Golden Age sort of fun. I hope reading it is, too.

And that brings me to the story found in these pages – the origin story of the Green Turtle. The story is indeed tremendous fun.

Hank is a Chinese boy living in San Incendio, America, with no ambitions other than to be a grocer like his father. However, his mother has ambitions for him.

After she is saved by a superhero from a carjacking by a bank robber, Hank’s mother decides that he needs to be a superhero.

Her methods are hilarious, including pushing him into a toxic spill and trying to get him bitten by a dog used for scientific research. Eventually, she settles for arranging for him to learn to fight.

But his first efforts toward fighting for justice end up getting his father shot. However, what Hank and his mother don’t know is that a spirit from ancient China was residing with Hank’s father. Now that he is dead, the spirit – shaped like a turtle – will stay with Hank – and grant one request.

This book has plenty of humor and plenty of adventure. It nicely captures the flavor of Golden Age comics. (I know a little bit about this because my son is a fan.) At the end of the book, the first Green Turtle comic is reproduced in its entirety. I like the way the source of all the details in the comic has been revealed (including our hero’s unnaturally pink skin).

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Swallow, by Charis Cotter

swallow_largeThe Swallow

A Ghost Story

by Charis Cotter

Tundra Books, 2014. 318 pages.
Starred Review
2014 Cybils Finalist, Speculative Fiction for Elementary and Middle Grades
2014 Sonderbooks Stand-out, #11 Children’s Fiction

I don’t think of myself as liking ghost stories, but this didn’t feel like a typical ghost story to me. This is a cozy friendship story and a girl-in-a-big-family-finding-a-friend story.

Sections in this book alternate between the voices of Polly and Rose. Their houses are next door to one another, and it turns out that their attics adjoin. The houses overlook the cemetery.

Rose has always been able to see ghosts, and she hates it. Polly has always wanted to see a ghost, and she isn’t sure that Rose isn’t one herself. She’s so pale and otherworldly.

Polly says:

I’ve always wanted to see a ghost. More than anything. I keep watch at my window for hours, I go for walks in the cemetery almost every day after school and I read all the ghost books I can find at the Parliament Street Library.

Rose says:

I never want to see a ghost again. I’m sick of it. Ladies all in white who follow me down the street, sad men in suits who sit at the back of the bus, children in nightgowns floating out hospital windows – I wish they would all disappear.

Rose hasn’t seen any ghosts, for some reason, since her hospital stay a few months ago. But then, when she hears Polly through the wall of her attic, she thinks they’re back. Polly, after hearing Rose’s voice, thinks she’s finally met a ghost.

Rose says,

I felt sick to my stomach. I was not used to invisible ghosts. And I certainly was not used to ghosts that talked so much. Especially out loud.

My heart sank. I hadn’t seen one ghost since I’d got home from the hospital, and I had really hoped they were gone forever. And now here was a ghost, right in my attic, in my own special nest. Where one came, the rest would follow, and I just knew I’d go stark raving mad if I couldn’t keep them away from me.

“Tell me,” said the ghost, “did you die a horrible death? Are you doomed to wander the ghostly regions between the land of the living and the life beyond?”

“Stop playing games,” I said. “You know I’m not a ghost. You’re the ghost, and you’re pretending to think I’m a ghost to drive me crazy. It isn’t going to work. Go away. All I want to do is sit in my attic and read my books and sing my songs in peace. Is that too much to ask?”

“Do ghosts read?” asked the ghost. “That’s very interesting. Do you have to turn the pages or can you sort of absorb the story by holding the book and pulling the words into your head?”

“I – am – not – a – ghost!” I said slowly and firmly. “Ghosts don’t read! They’re ethereal. They haunt people. They follow them down the street, they watch them when they’re doing their homework, they lurk behind gravestones, they hide in people’s attics –“

“For someone who says they’re not a ghost, you seem to know an awful lot about them,” said the ghost.

I opened my mouth but no words came out. This was the most infuriating ghost I had ever met.

I love the part – in the next chapter – where they figure out what’s actually going on. Rose had gotten frustrated and shouted out, “MY NAME IS ROSE MCPHERSON AND I LIVE AT 43 CEMETERY LANE AND I AM TWELVE YEARS OLD AND I AM NOT DEAD!”

She continues:

It felt good to lose my temper. I made a lot of noise, but the ghost didn’t seem at all put out.

“Wait. Where did you say you live?” she asked calmly.

“43 CEMETERY LANE!” I repeated.

Silence.

“Hit the wall again,” suggested the ghost.

THUMP.

“Umm . . . Ghost?” she said.

“My name is Rose!”

“Ummm . . . Rose?” she said.

“What?”

“I live at 41 Cemetery Lane. Next door.”

It took me a minute to figure it out. “You mean you’re in your own attic? On the other side of the wall?”

“Yes,” replied the ghost. “I guess you’re not a ghost after all.” She sounded disappointed.

“But why is it I can hear you so clearly?” I asked. “As if you were right here beside me?”

“I am right here beside you,” she said, starting to tap against the wall. “This wall must be really thin, not like the brick wall downstairs.”

“That must be it,” I said. A great feeling of relief swept over me and I spoke without thinking. “So you’re not a ghost either. You must be one of the dreadful Lacey children who live next door.”

“Who says we’re dreadful?” asked the girl.

Oops. “Um – my mother.”

“Oh,” said the girl. “Well – she’s right. We are.”

The girls agree to meet in the cemetery – and then find a grave with Rose’s name on it. Rose is convinced she’s not a ghost, but who is Winnifred Rose McPherson, who died at twelve years old, 40 years earlier?

The girls build a friendship. They research this other ghost. And then they find a way to go secretly into each other’s attics. But Rose’s home does have a ghost – and she’s angry, and doesn’t seem to want Polly to go into her attic.

This book is indeed a ghost story – but it’s also a friendship story, and a story that warmed my heart, despite the ghostly chill.

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Mortal Heart, by Robin LaFevers

mortal_heart_largeMortal Heart

by Robin LaFevers

Houghton Mifflin Harcourt, Boston, 2014. 444 pages.
Starred Review

Wow! The third book of the trilogy that began with Grave Mercy is everything I hoped it would be! I had preordered the book before I found out I was going to be a Cybils judge. So the book came in while I was very busy with Cybils reading – and was the first thing I pulled out when we had finished making our list of Finalists.

The trilogy is summed up in three words: Medieval Assassin Nuns.

One thing I love about the three books is that each one is a complete story on its own – the complete story of one of the initiates into the order of St. Mortain – the god of Death. I also love that each girl’s story is totally different from the next. Each book has romance – and I thought I had it all figured out how it would go. Then this volume was completely different.

Because each book tells a complete story, with even a little bit of overlap in the timelines, you could read the books in any order. But I still highly recommend beginning with Grave Mercy. You will want to read all three books, so you might as well start at the beginning. The first book also goes into a little more depth about the political situation facing the Duchess of Britany. (The duchess in the 1490s really was engaged to multiple suitors when her father died.)

It’s all based on actual historical events – even the ancient gods of Brittany, whom the church absorbed as saints. I’m guessing that in real life, the god of Death didn’t have actual physical daughters who had special gifts as assassins, but it definitely makes a good story!

This third volume goes into more detail about some of the paranormal elements, as Annith meets the Hunt, with hellequins sent out from Death himself. Like Ismae and Sybella in the books that went before, she is struggling with her role and whether the Abbess is actually representing Mortain’s guidance, or following her own purposes.

There is an overall plot arc to the series, too, which is resolved in this book. I didn’t know anything about Brittany and its history with France, so the resolution was a surprise to me. I’m guessing things didn’t happen the way they did for the same reason portrayed in this book, but they *could* have, and I love that in a historical novel.

Parents of young teens, just to warn you: All the girls “take lovers.” No details are given, so they are not sexy reads, but that might influence whether or not you think it’s good reading for your own daughters.

They are wonderfully romantic tales, with each book having its own conflict and dangers, and each girl having a different – but beautiful – relationship with the god of Death. And I do like the way no one can push around these trained assassins!

Yes, on finishing this trilogy, I’m all the more impressed with each book individually, and the series as a whole. Each book demonstrates outstanding writing. I have no doubt I will be coming back to these books over the years. In fact, I’ll be looking for an opportunity to reread the whole series soon.

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Falconer, by Elizabeth May

falconer_largeThe Falconer

by Elizabeth May

Chronicle Books, San Francisco, 2014. 382 pages.

All the society ladies gossip about Aileana. She was found crouched over her mother’s body, covered in blood. Aileana knows that a faery killed her mother and ripped out her heart. Now she hungers to kill faeries herself.

But meanwhile, she’s supposed to be a proper young lady, and her father wants her to get serious about attracting a husband. It’s tricky when Aileana senses that a faery is hunting one of the guests at the dance. How can she stay for all the dances when she needs to save someone’s life?

Since her mother’s death, Aileana, unlike most people, can see faeries. Like even fewer people, she can kill them. She’s being trained by one of the more powerful faeries, but she’s not at all sure she can trust him. Then her childhood friend comes back from school, and he can see faeries, too. But more and more fearsome creatures are coming after Aileana, and she learns the seal keeping humanity safe is weakening.

Set in a steampunk Scotland, this story is a page-turner. I’m not crazy about books written in present tense, but this one was worth the read. The other thing I didn’t like, though, was that as the first of a trilogy, this stopped in the middle of the action, and didn’t come to a satisfying conclusion at all. However, I have to admit that it hooked me, and I very much want to know what happens next.

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Hidden, by Loïc Dauvillier

hidden_largeHidden

A Child’s Story of the Holocaust

written by Loïc Dauvillier
illustrated by Marc Lizano
color by Greg Salsedo
translated by Alexis Siegel

First Second Books, New York, 2014. Originally published in French in 2012. 76 pages.
Starred Review

Hidden is a graphic novelization of a grandmother telling her granddaughter about her experiences during the Holocaust. The graphic novel form makes this a gentle way to introduce the Holocaust to children.

I’m going to tell the ending in my review, so you know where the story goes and can judge if your child is ready for it. The pictures in the graphic novel format add to the power. And the frame of the grandmother telling the story lets you know right away that she will survive.

Dounia lived in Paris during the occupation by the Germans. At first, when her family is forced to wear the yellow stars, her father tells her they have all become sheriffs. She wears the star proudly, but quickly learns the truth when she is ostracized in school and told to sit at the back of the classroom.

Eventually, when the Nazis come for her family, Dounia is hidden under the false floor of a wardrobe. Their downstairs neighbors take her in after her parents have been taken away. But eventually, she must leave Paris. However, a woman sees Dounia and starts shouting for the police, so the father runs, and the mother must go with Dounia into hiding on a farm in the countryside.

Dounia, who now is called Simone, does make it through the war, because of the help of the people who hide her. After the war, they find her mother, looking gaunt and skeletal. They never do find her father.

And this is the story the grandmother tells her granddaughter in the night. The next day we learn that her son – the granddaughter’s father – has never heard the story. But he’s proud and happy that his daughter knows. And they end with a group hug.

It’s hard not to be moved by this story. It’s told from the perspective of a little girl who didn’t know what was going on. There’s not a lot of commentary, but the reader can easily see that the situation is not fair.

There’s one interruption in the story, flashing back to the grandmother and granddaughter, after people are first mean to Dounia at school.

Your daddy was a liar!
No, of course not!
Then why did he tell you you were a sheriff?
My daddy didn’t want to hurt me. He made up that story to protect me.
Okay, but then, why were they mean to you at school? They really didn’t like Jews?
I don’t know . . . I don’t think so. I think they didn’t know what to do. We were just children.
And the teacher? She was a grown-up!
Sometimes we do things without thinking, too.
Well, she was wrong.
Yes, I think you’re right.

I like that simple evaluation of the situation. There’s a lot more that can be said, but this sums it up nicely.

A powerful book.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Winter Horses, by Philip Kerr

The Winter Horseswinter_horses_large

By Philip Kerr

Alfred A. Knopf, New York, 2014. 278 pages.
Starred Review

Here’s a World War II tale unlike any other I’ve read. I loved it from the start. This book will appeal to animal lovers as well as readers who like to see an underdog succeed against all odds. I liked the way the people the characters met were good or bad depending on their own values, not on which side of the conflict or what nationality they were.

Here’s what the author has to say about the truth of the tale, before it gets underway:

Much of this old story has been gathered together like the many fragments of a broken vase. The pieces do not always fit as best they might, and indeed it’s quite possible that several of them do not belong here at all. It cannot be denied that the story has many holes and could not withstand much scrutiny. Historians will object – as they always seem to do – and say there is no real evidence that the old man and the girl who are the story’s hero and heroine ever really existed. And yet if today you were in Ukraine and dared to put your ear into the wind or perhaps took a trip across the steppe and listened to the deep voices of the bison, the whoop of the cranes, or the laughter of the Przewalski’s horses, you might learn that about the truth, the animals are never wrong; and that even if there are some parts of this story that are not exactly true, they could be, and that is more important. The animals would surely say that if there is one truth greater than all of the others, it is that there are times when history must take second place to legend.

This preface is the perfect touch to keep our suspension of disbelief in check. At the end of the book, we see a picture of a Przewalski’s horse at the Askaniya-Nova nature reserve in Ukraine today. So the horses did survive World War II. In fact, we’re told that all of the world’s Przewalski’s horses today are descended from just nine of thirty-one horses in captivity at the end of the war. So that’s enough to convince me this beautiful story might have happened.

The book opens at the Askaniya-Nova nature reserve in the Ukraine. The Germans are coming, so the Communists tell Maxim Borisovich Melnik to kill all the animals so the Germans won’t eat them.

Max has no intention of obeying. Wasn’t it a German, the Baron Falz-Fein, who first set up the sanctuary? Wasn’t he the kindest man Max ever knew? And aren’t the Przewalski’s horses a national treasure, and the rarest horses in the world?

Max was not the only person at Askaniya-Nova who was fond of the wild Przewalski’s horses. A girl had been hiding in the woods at the edge of the steppe for some time, and although she had, like many girls, loved horses as long as she could remember, for some reason that even she could not easily have explained, the wild Przewalski’s horses made friends with her. This was just as well since she had no human friends. Her family were all dead, and the few people who inhabited the scattered villages in the region drove her away from their doors because they were afraid – afraid that if the girl was arrested by the Germans, then they might also be arrested. The girl understood this and did not blame them for shunning her; she forgave them for it and told herself she would probably have done the same, although as this story proves, this was clearly not the case.

The Germans do appreciate the horses at Askaniya-Nova – but mainly the beautiful Hanoverian horses, not the wild Przewalski’s horses. Their view, with animals as well as people, is that “inferior” bloodlines should be eradicated.

So they gun down the horses, and neither Max nor the girl, Kalinka, can do anything to stop them. But two horses escape, a stallion and a mare. And just as winter starts up in all its fury, Kalinka and the horses come to Max’s door.

This book is the story of how Kalinka saves the horses, and how the horses save her. Okay, I have to admit it’s on the unbelievable side. Could Kalinka really have formed such a bond with wild horses? But I agree with the author – There are times when history must take second place to legend. This beautiful story is a triumph.

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Source: This review is based on a library book from Fairfax County Public Library.

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of One Dead Spy, by Nathan Hale

one_dead_spy_largeNathan Hale’s Hazardous Tales

One Dead Spy

by Nathan Hale

Abrams, 2012. 127 pages.
Starred Review

Once again, I’m struck by what a brilliant idea it is to show kids history in graphic novel form.

The frame of this series is pure fantasy. Our hero is Nathan Hale, the Revolutionary War spy. Somehow, I’m simply not surprised that he’s the hero chosen by the author Nathan Hale, who was born in 1976.

Before the historical Nathan Hale’s scheduled hanging, there’s a silly sequence about how he comes up with his famous line, “I regret that I have but one life to give for my country.” When he does, a giant book with the title, The Big Huge Book of American History appears and swallows him whole. But then he comes back, having seen hundreds of years into the future of this country.

The executioner asks, “How could you see the future in a history book? It doesn’t make any sense.”

Nathan Hale answers, “A giant book just swallowed me whole. Does that make sense?”

But then, to prove he’s seen the future, Nathan Hale begins telling stories to the executioner and the British officer overseeing the hanging. They decide he can tell more stories before he hangs, which is the premise of the series.

And the stories Nathan Hale tells are true, with plenty of invented dialog and put into comic book form.

This first book tells about Nathan Hale’s life and his service in the Revolutionary War. Once I started reading, I couldn’t stop. (And it’s not long, either.)

Did you know that Nathan Hale wasn’t actually a very good spy? He got caught on his first mission. But he was involved in some noteworthy exploits before he became a spy. I especially found interesting the way the cannons from Fort Ticonderoga got moved to liberate Boston Harbor, and the way General Washington had a fort built and moved into place in one night.

I love the warning on the back cover:

HAZARD LEVEL: Yellow/ Lethal

Riots, massacre, starvation, fever, theft, spycraft, mercenaries, sea warfare, land warfare, lightning, exploding cows, and death by hanging.

Do you know any school-age kids who can resist such a warning?

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Source: This review is based on a library book from Fairfax County Public Library.

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Kilmeny of the Orchard, by L. M. Montgomery

kilmeny_of_the_orchard_largeKilmeny of the Orchard

by L. M. Montgomery

Bantam Books, New York, 1989. First published in 1910. 134 pages.

I turned 50 last month. As a way of celebrating, later in the year during the few weeks when all three of us are 50 years old, two childhood friends and I are hoping to visit Prince Edward Island. In preparation for that trip, and as part of my celebration, I thought I’d reread L. M. Montgomery’s books. Update: The trip’s not going to work out after all this year, but we’re going to try to go before we turn 55. And it’s still a good excuse to reread the books!

Kilmeny of the Orchard is actually the first novel Lucy Maud Montgomery wrote, though she didn’t get it published until after her classic Anne of Green Gables was published and was immediately wildly popular. To be honest, as a writer it encouraged me greatly to learn this. If L. M. Montgomery’s first effort was a masterpiece, well, then, who was I to think I could ever write anything?

Let’s just say that after reading Kilmeny of the Orchard, I was not surprised to learn it was the author’s first effort. A lovely first effort, yes, but not a masterpiece like her first published novel.

Kilmeny of the Orchard, like all but one of L. M. Montgomery’s books, takes place on beautiful Prince Edward Island. It’s a romance, simple and sweet. There is lots of flowery description and the young lovers are good and true and the story will make you happy.

Yes, the plot is highly unlikely. L. M. Montgomery used to find surprising stories in the news and then put them in your fiction — not realizing that fiction needs to be less surprising than truth in order to be believed. Worse, there’s a villainous character who is clearly villainous because he’s from “Italian peasant stock.” And our heroine is essentially the most beautiful woman in the world, and innocent and sweet (even though she’s lived away from people except her aunt and uncle and the villain all her life). The hero is handsome and smart and rich, but working as a schoolteacher to help a friend.

However, you still can see the seeds of L. M. Montgomery’s greatness. She may overdo the description in this book, but she has a gift for it. And you can already see the quirky characters appearing whom she is so good at bringing to life.

All the same, this is the book that reassures me that L. M. Montgomery was human, too. She, too, had to work at her craft.

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Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Sawdust in His Shoes, by Eloise Jarvis McGraw

sawdust_in_his_shoes_largeSawdust in His Shoes

by Eloise Jarvis McGraw

Coward-McCann, New York, 1950. 246 pages.
Starred Review

I’m on a roll getting Interlibrary loans of books I loved in childhood which are no longer in print. And what a shame this one is not in print! Some other books by Eloise Jarvis McGraw (which I have never read) are in print, but not this one that I checked out over and over again and loved so much!

I actually was reminded of this book about a year ago when I was looking at a site that had craft projects (I think purses) made out of old books. I was scandalized when I saw that this wonderful book had been used in such a way! I looked for it on Amazon, but the only availability was hugely expensive. So then when we were asked to try out the new Interlibrary loan system at our library, I realized this was my opportunity to revisit this childhood favorite.

And I’m happy to report that Sawdust in his Shoes is every bit as wonderful as I remember it being! Yes, there are some old-fashioned bits – most of the families are farmers, and they have a party phone line – but the core of the story about a boy who’s lost everyone he loves and then finds a home, learns about acceptance, learns to trust, and achieves excellence – that story will touch hearts forever.

Joe Lang was born in a circus wagon. His father’s a lion tamer and his mother was a tightrope artist. But after his mother’s death, his father remarried a gillie, a non-circus person, and Joe and his stepmother never did get along. For years, Joe has lived in the wagon of his best friend, Mo Shapely, a clown who trained Joe as an equestrian trick rider.

Joe is on the verge of starring in his own act when tragedy occurs. Mo tries to convince the court that he’s an appropriate guardian for a fifteen-year-old boy, but the wheels of justice turn slowly. Joe is sent to the Pineville Industrial School for Boys. It’s a horrible place, and no one has ever escaped. But Joe tries to reach the circus before they head out to the other side of the country. He ends up injuring himself when trying to jump over a barbed wire fence.

But that injury lands him in the home of a farm family unlike any people he’s ever met before. Joe won’t tell them his last name, since he doesn’t want to get sent back to Pineville, but Pop Dawson takes him on as a farm hand.

The story from there is delightful. All the family members are well-drawn. A lot of the action is shown through the perspective of Henry, three years younger than Joe and lacking in self-confidence. Henry’s sister Ann is talkative and enthusiastic and confident. And then Shelley, the little one, wins Joe’s heart by simply trusting him.

There are some old-fashioned parts of this book. Besides the party line, Pop Dawson smokes a pipe even after heart trouble. Joe gets in a fist fight in Henry’s defense, and all the men of the community cheer him on. For that matter, I’m sure there aren’t so many family farms in Oregon these days.

But the core of the book is timeless. Joe finds a family and learns to trust, but also works to rise to his proper place in the world, doing what he was born to do.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an interlibrary loan borrowed via Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Interrupted Tale, by Maryrose Wood

interrupted_tale_largeThe Interrupted Tale

The Incorrigible Children of Ashton Place, Book 4

by Maryrose Wood
read by Katherine Kellgren

Listening Library, 2013. 8 hours, 19 minutes on 7 compact discs.
Starred Review

Brava! Another installment in the incredible series about The Incorrigible Children of Ashton Place. This series makes fabulous listening. I laughed and laughed during my commute, my only regret being that in my own car I had no one to share the joke with, and since I listened to it, I can’t quote hilarious bits in this review.

The plot is outrageous, but told in all seriousness. Katherine Kellgren’s proper British accent strikes exactly the right note.

In this fourth book, mysteries that have followed the Incorrigibles through the entire series are beginning to be uncovered. For the bulk of this book their governess, Penelope Lumley, is invited back to her former home, the Swanburne Academy for Poor Bright Females, just in time to learn of an insidious plot to change it into the Quinzey School for Miserable Girls.

Meanwhile, the charming Simon Harley-Dickinson, he of the spark of genius, has been silent, captured by pirates, and the cannibal book from Lord Ashton’s library gains weighty importance.

The plot is wild and unlikely – and oh, so much fun! The style reminds me of Lemony Snicket’s, only far more hopeful and uplifting. This is a series I highly recommend listening to, because you will appreciate its brilliance even more than if reading it on your own.

maryrosewood.com
booksontape.com

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/interrupted_tale.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!