Review of The Postmistress, by Sarah Blake

The Postmistress

by Sarah Blake

Amy Einhorn Books (Penguin), New York, 2010. 326 pages.
Starred Review

I had the library book of The Postmistress actually sitting on my bedside table with my bookmark right in the middle when I saw a line at ALA Annual Conference where the publisher was giving away copies of the book for you to have the author sign. I was enjoying the book very much, so I eagerly got in line and got her signature.

This is a story of World War II and lives that intertwined in England and in America.

Frankie Bard, an American radio reporter in London during the war introduces the story:

“There were years after it happened, after I’d returned from the town and come back here to the busy blank of the city, when some comment would be tossed off about the Second World War and how it had gone — some idiotic remark about clarity and purpose — and I’d resist the urge to stub out my cigarette and bring the dinner party to a satisfying halt. But these days so many wars are being carried on in full view of all of us, and there is so much talk of pattern and intent (as if a war can be conducted like music), well, last night I couldn’t help myself.

” ‘What would you think of a postmistress who chose not to deliver the mail?’ I asked.

” ‘Don’t tell me any more,’ a woman from the far end of the table cried in delight, shining and laughing between the candles. ‘I’m hooked already.’

“I watched the question take hold. Mail, actual letters written by hand, being pocketed undelivered. What a lark! Anything might happen….

“Never mind, I thought. I am old. And tired of the terrible clarity of the young. And all of you are young these days.

“Long ago, I believed that, given a choice, people would turn to good as they would to the light. I believed that reporting — honest, unflinching pictures of the truth — could be a beacon to lead us to demand that wrongs be righted, injustices punished, and the weak and the innocent cared for. I must have believed, when I started out, that the shoulder of public opinion could be put up against the door of public indifference and would, when given the proper direction, shove it wide with the power of wanting to stand on the side of the angels.

“But I have covered far too many wars — reporting how they were seeded, nourished, and let sprout — to believe in angels anymore, or, for that matter, in a single beam of truth to shine into the dark. Every story — love or war — is a story about looking left when we should have been looking right.

“Or so it seems to me.”

The Postmistress is a story of a postmistress who is new to a small New England town in 1940. It tells what happens that results in a fine upstanding conscientious woman not delivering a letter.

It’s also the story of the other people of the town: a young doctor and his wife, a man who watches for German submarines landing off the coast, and what people in the town think of the war “over there.” It’s the story of a war correspondent writing stories for the radio that catch people’s imaginations back home. And it’s the story of why Frankie Bard came to visit that little town.

This story is richly textured and intriguing. It gives you a taste of what it must have been like in London during the Blitz. But mostly, it tells you the story of fallible humans trying to do what’s right in extraordinary times, humans who each have their own stories, but whose stories become intertwined.

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Source: This review is based on a signed copy I got at ALA Annual Conference.

Review of The Blood Red Horse, by K. M. Grant

The Blood Red Horse

by K. M. Grant
Performed by Maggie Mash

Recorded Books, 2005. 9 compact discs, 9.75 hours.

Here’s a horse story of the same sort I loved as a kid: We’ve got a horse who’s strong and fast and brave, who narrowly escapes death many times, and loves his master. The horse of the title is named Hosannah, and he belongs to a boy in medieval times who sets out on one of the crusades with Richard the Lionheart.

The story is many-layered. We follow Will de Granville and his horse, but also his friend Ellie who must stay behind in England, and his brother Gavin who is betrothed to Ellie and almost kills Hosannah with his recklessness. The book also takes a close look at a Saracen boy who fights against them and also encounters Hosannah. We see many sides to the conflict, and it’s not portrayed as one side either good or bad.

The narrator wasn’t bad, though I would have preferred a male narrator doing so many male voices. This book is the first of a trilogy about the deGranvilles, and I intend to read them all, but will probably read the rest in print form. Still, it did make an enjoyable way to pass many hours in traffic.

This book is good for those who like historical fiction on an epic scale, battles, or just a good old-fashioned horse story.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Dreamer, by Pam Munoz Ryan

The Dreamer

by Pam Munoz Ryan

drawings by Peter Sis

Scholastic Press, New York, 2010. 372 pages.
Starred Review
Sonderbooks Stand-out 2010: #5 Children’s Fiction
2011 Pura Belpre Author Award
2010 Boston Globe-Horn Book Fiction Honor Book

I loved this book. I had hoped it would be a Newbery Honor Book, but can’t really complain because of the other awards it won. One thing I like about the Boston Globe-Horn Book Award is that they select based on the entire book, words and illustrations together and give the award to both the author and the illustrator, if both contributed to the complete book. In this book, the drawings work beautifully with the text to present a wonderfully poetical story.

This book is a novelization of the childhood of Pablo Neruda, who ended up being a great poet. Pablo Neruda was not his birth name, and we start out the book with a boy named Neftali, whose father thinks he daydreams far too much.

“On a continent of many songs, in a country shaped like the arm of a tall guitarrista, the rain drummed down on the town of Temuco.

“Neftali Reyes sat in his bed, propped up by pillows, and stared at the schoolwork in front of him. His teacher called it simple addition, but it was never simple for him. How he wished the numbers would disappear! He squeezed his eyes closed and then opened them.

“The twos and threes lifted from the page and waved for the others to join them. The fives and sevens sprang upward, and finally, after much prodding, the fours, ones, and sixes came along. But the nines and zeros would not budge, so the others left them. They held hands in a long procession of tiny figures, flew across the room, and escaped through the window crack. Neftali closed the book and smiled.

“He certainly could not be expected to finish his homework with only the lazy zeros and nines lolling on the page.”

Neftali is weak and shy. He stutters. His father is demanding and believes its shameful to spend your time daydreaming or writing.

The style of this book suits the subject. The language is poetical, and inserts some lines from actual poems by Pablo Neruda (with several complete poems at the back). When telling about his daydreams, the text may take on a shape or there may be an imaginative drawing from Peter Sis.

There is a plot, as Neftali learns to be the poet he was born to be, despite his father. But I think daydreamers will most enjoy the languid beauty of this book. It gives a leisurely and lovely look at the imaginative life of a child who notices things. Like me, readers will certainly want to read more of Pablo Neruda’s poetry.

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Source: This review is based on a copy I got at ALA Annual Conference.

Review of Forge, by Laurie Halse Anderson

Forge

by Laurie Halse Anderson

Atheneum Books for Young Readers, 2010. 292 pages.
Starred Review
2010 Sonderbooks Stand-out: #6 Children’s Fiction

Curzon is a slave who has just escaped as this book opens. But unfortunately he soon finds himself hiding in a ravine right in the middle of a Revolutionary War battle. Instead of staying nicely hidden, he intervenes when a redcoat is about to kill a young Patriot soldier. One thing leads to another, and he finds himself enlisting as a Patriot soldier, claiming to be free.

The army ends up wintering in Valley Forge. Curzon is in a company with the boy whose life he saved, and he gains friends and enemies among them. Readers get a fresh view of the deprivations the army suffered at Valley Forge, and will feel like now they really know what it was like.

However, things change for Curzon when his former master shows up.

I already knew that Laurie Halse Anderson is an outstanding author from having read Speak. So I wasn’t surprised at how well she crafted this book. It’s a gripping story and gives you fresh insight into the Revolutionary War.

The only drawback for me was that having recently read The Astonishing Life of Octavian Nothing, I felt like I’d already read the definitive story of a black soldier during the Revolutionary War, and I wasn’t really ready to read about more suffering. Now, mind you, Forge is for a younger audience. The story is simpler (though still complex — it’s easy to be simpler than Octavian Nothing) and the book is wonderfully well-crafted. In a lot of ways I enjoyed Forge more. It’s definitely a different story, since Octavian fought on the British side. It was things like when people got sick, I found myself cringing and bracing myself for the kind of epidemics I read about in the other book. (They didn’t happen.)

Forge is a sequel to Chains, but I hadn’t read the first book and followed this one just fine. It did make me want to read Chains, though, and read more about Curzon and his friend Isabel.

I was thinking about my knowledge of History today and realized that I have a much more clear understanding of parts of history that I have read in novel form. And now my ideas about Valley Forge, combined with having visited the site, are much more memorable and vivid than they ever were before.

Compelling historical fiction from a masterful writer.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of A Brief History of Montmaray

A Brief History of Montmaray

by Michelle Cooper

Alfred A. Knopf, New York, 2010. 296 pages.
Starred Review
2010 Sonderbooks Stand-out: #3 Other Teen Fiction

With a lonely castle on the front, I expected some kind of medieval romance, but that’s not what I got at all. Instead, I found a historical adventure, with suspense and mystery and danger, and some teens needing to be resourceful.

The book is the diary of Sophia Margaret Elizabeth Jane Clementine FitzOsborne, princess of Montmaray, begun on her sixteenth birthday, as World War II was brewing in Europe.

Montmaray is a fictional island in the Bay of Biscay, off the coasts of Spain, France, and the United Kingdom. Sophia’s Uncle John is king of the island nation — but he is, frankly, insane. Her older brother Toby, the heir to the throne, is going to school in England. She has an older cousin Veronica, and a ten-year-old sister Henry who wishes she were a boy. Their parents are dead, and they live in the castle with the housekeeper tending to their Uncle John.

There aren’t many villagers left on Montmaray, and they don’t have ships come by terribly often. They still try to keep up the trappings of royalty, but Sophia’s aunt wants her to come to England. If she did, who would watch things at Montmaray? But then when some Germans show up, Sophia wants to find out what they’re looking for. And if they don’t find it, what can the royal family do to defend themselves?

It’s very hard to explain this book. I’d heard it described as a romance, which doesn’t really fit, even though Sophia does talk about her crush on the housekeeper’s son. But there’s a lot more here than that. It’s a historical novel that feels real and draws you in. It gives us a delightfully unorthodox situation, quirky and fascinating characters, and a situation that seems all too real. What would you do if you were alone in the middle of the ocean with a kingdom everyone is leaving? When a war begins in Europe, would you be able to keep from taking sides? What if the larger countries don’t care which side you take?

One thing I can tell you about this book: It’s a good read! I highly recommend it.

Wonderful! Looking up the links to this book on Amazon, I just learned that a sequel is coming out in April 2011: The FitzOsbornes in Exile! Huzzah!

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of House of Dead Maids, by Clare B. Dunkle

House of Dead Maids

by Clare B. Dunkle

Henry Holt Books for Young Readers, 2010. 146 pages.
Starred Review

I’ve never liked ghost stories. Too much imagination, I think. So I wasn’t planning to pick up this particular Advanced Review Copy at ALA Annual Conference — until I saw the author’s name, and then I snatched it up.

I consider Clare Dunkle a friend. We met when we both lived in Germany, after I raved about her first book, The Hollow Kingdom, on my blog right before she was doing a book signing at the local BX. We met up a few times after that, and I got to know her and like her. And her books continue to be fabulous. Here are my reviews of Close Kin, In the Coils of the Snake, By These Ten Bones, and The Sky Inside.

I still put off reading it, since the creepy cover freaked me out. (Though I’m sure it will entice many teen readers who come to the library looking for “scary” books.) But then I learned that Clare was doing a Blog Tour and asked her to include my site. So on October 14, 2010, I’m posting my first Author Interview! Her answers to my questions turned out to be fascinating, so I’m excited about it.

I read the book surrounded by people on a jet with my reading light firmly ON. I was coming back from the Horn Book at Simmons Colloquium in Boston. I had decided against reading it alone in my hotel room in a strange city! That was a good choice, because the book is definitely creepy. But it’s intriguing, and definitely got me hooked.

The House of Dead Maids is a prequel to Wuthering Heights. Now, believe it or not, I’ve never read Wuthering Heights. I had meant to, and even bought a paperback copy. I think I decided not to after all when my German landlady mentioned that she had to read it in her English class, and she thought it was awful. She asked why anyone would want to read such a horrible story. So I put it a little further on the back burner.

Clare assured me that I could read The House of Dead Maids before reading Wuthering Heights, and she’d expressed that she was hoping her book would get more readers for the classic novel. I do intend to finally read Wuthering Heights now and see what I think. I did read Jane Eyre long ago and completely fell in love with it. Reading The House of Dead Maids, Clare Dunkle completely succeeded in creating a voice that reminded me of Jane Eyre. She says she was trying to write like the Brontes, and I think she did. The voice pulled me into that world and that kind of mindset.

As always, Clare’s writing feels like it was actually written at the time — which makes you believe all the more that the supernatural happenings “really” happened. In this case, she wove in superstitions and rituals of the time for a terribly creepy tale.

Tabby Ackroyd is the narrator, an orphan taken to serve at a creepy mansion. She is given charge of a wild young boy who claims to be master of the house. Tabby doesn’t know what happened to the orphan who went there to serve before her. But then she sees ghosts all over the house and grounds. It turns out they were both brought there for a sinister purpose.

I like the way Tabby Ackroyd turns out to be the housekeeper of the Bronte sisters. I found it quite plausible that she told the girls, who loved ghost stories, this tale of a wild boy who wanted to be master. It was left for them to tell what became of him….

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Source: This review is based on an Advance Reader’s Edition picked up at ALA.

Review of The Weed That Strings the Hangman’s Bag, by Alan Bradley

The Weed That Strings the Hangman’s Bag

by Alan Bradley

Delacorte Press, New York, 2010. 364 pages.
Starred Review

Flavia de Luce, appearing in her second adventure, has got to be one of the most memorable and captivating fictional sleuths ever created. Flavia is eleven years old, living at Buckshaw, outside the village of Bishop’s Lacey, having the run of the place on her bicycle named Gladys. She lives with her distracted father, an avid stamp collector, and her two sisters, who torment and are tormented by her.

Flavia has a passion for poisons. She inherited her great uncle’s chemistry lab, and has an exhaustive knowledge of chemicals. Because she’s eleven years old, people don’t realize how much she knows and deduces.

In The Weed That Strings the Hangman’s Bag, a BBC puppeteer show has his van break down in Bishop’s Lacey. When the puppeteer is electrocuted during his performance for the village, Flavia does some digging and discovers a connection with a long-ago hanging of a little boy from the village.

The fun of this book, like the earlier The Sweetness at the Bottom of the Pie, is the irrepressible character of Flavia. Add to that a fairly intricate and interesting mystery, with chemical details thrown in (I took Flavia’s word for the truth of those parts.), and you’ve got an enchanting book that makes for captivating reading.

“There’s something about pottering with poisons that clarifies the mind. When the slightest slip of the hand could prove fatal, one’s attention is forced to focus like a burning-glass upon the experiment, and it is then that the answers to half-formed questions so often come swarming to mind as readily as bees coming home to the hive.”

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of One Crazy Summer, by Rita Williams-Garcia

One Crazy Summer

by Rita Williams-Garcia

Amistad (HarperCollins), 2010. 218 pages.
Starred Review

Delphine is looking after her sisters as they make their way on an airplane ride across the country to see their mother who abandoned them when Delphine was four years old.

“All the way to the airport, Pa had tried to act like he was dropping off three sacks of wash at the Laundromat. I’d seen through Pa. He’s no Vonetta, putting on performances. He has only one or two faces, nothing hidden, nothing exaggerated. Even though it had been his idea that we fly out to Oakland to see Cecile, Pa’d never once said how exciting our trip would be. He just said that seeing Cecile was something whose time had come. That it had to be done. Just because he decided it was time for us to see her didn’t mean he wanted us to go.

“My sisters and I had stayed up practically all night California dreaming about what seemed like the other side of the world. We saw ourselves riding wild waves on surfboards, picking oranges and apples off fruit trees, filling our autograph books with signatures from movie stars we’d see in soda shops. Even better, we saw ourselves going to Disneyland.”

Rita Williams-Garcia had me hooked right there, because I remembered when I was a bit younger than eleven-year-old Delphine when we moved to California in 1970 (two years later than this story is set), and the number one thing I was excited about was going to Disneyland.

I eventually had my dream come true, but not Delphine. Her mother lives in Oakland, far north of Disneyland, and she keeps saying that she didn’t send for them.

Delphine quickly figures out some things.

“I didn’t want to say Big Ma was right. Cecile was no kind of mother. Cecile didn’t want us. Cecile was crazy. I didn’t have to.”

Delphine still needs to look after her sisters, because Cecile is not doing it. As the third of thirteen siblings, my heart went out to her. It wrenches my heart to hear of kids being forced to take on the responsibilities of a parent when they should just be a kid.

But this book goes farther than that, goes much deeper than three kids with a neglectful mother. Cecile is a poet, and the Black Panthers are using her printing press. She doesn’t want to be disturbed by Delphine, Vonetta and Fern during the day, so she sends them to People’s Center to get breakfast and then stay for the program. The People’s Center is run by the Black Panthers.

So begins Delphine’s crazy summer. She’s in California, finding out what her crazy mother is really like, and looking after her little sisters. I like the way Rita Williams-Garcia shows each girl’s personality by their actions and words. Delphine is steady and reliable. Vonetta always wants to be the center of attention. And little Fern always holds onto her beloved Miss Patty Cake and observes the world. But what will happen to them if they stay involved with the Black Panthers and the rally they’re planning?

This novel is richly woven, warm and deep. We get a rich perspective on California in the late sixties, from the perspective of three colored girls. Delphine’s worried about the militancy of the Black Panthers. But on the other hand, she and her sisters count the number of colored people on television and don’t come up with much. They see people staring at them, expecting trouble. They are fascinated by Hirohito, a boy at the center whose father was arrested when the police burst into his family’s home. They begin to adopt the slogans they are taught, “Power to the People.”

I hope this book gets some Newbery attention this year. It’s got all the hallmarks of a winner: A powerful story; round, believable characters we come to love; insight into a period of history from a perspective we probably haven’t heard before; expert and beautiful use of language; consistent and distinct ways of talking that help us understand each character as an individual; and (my favorite) a story that leaves you warmed and smiling, with deepened understanding and with things to think about. This is a book that will stick with you.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Crossing Stones, by Helen Frost

Crossing Stones

by Helen Frost

Frances Foster Books (Farrar, Straus and Giroux), New York, 2009. 184 pages.

Crossing Stones is a novel in verse about two families who live across a creek from each other during World War I. The book is masterfully and beautifully written. Unfortunately, I’m not a big fan of verse novels. Just hearing the thoughts of the characters from the start, it’s harder for me to picture the characters and the setting. Still, once I got going, I found this to be a powerful and moving story.

Both the families that live across the creek have a brother and a sister. Frank and Emma live on one side, and Ollie and Muriel live on the other. Frank loves Muriel, and Ollie loves Emma, but when World War I starts, Frank goes off to war, and Ollie soon follows, even though he’s only sixteen.

Muriel’s not a fan of the war, like her Aunt Vera, a suffragette. But not being happy about the war is considered unpatriotic, and women are told their place is in the home.

This book includes war, the flu epidemic, the battle for women’s rights, and the day-to-day struggles of farm chores that must go on even when the men and boys have gone to war.

I should have heeded the advice of our local Kidlit Book Club leader and read the “Notes on the Form” at the back of the book first. Helen Frost did something innovative and symbolic. She writes the poems in the voices of Muriel, Emma, and Ollie. Muriel’s poems are written in free style, in the shape of a rushing creek “flowing over the stones as it pushes against its banks” just as Muriel is pushing against the constraints of her society and time.

Emma’s and Ollie’s poems are written to make the shapes of stones. The author explains:

“I ‘painted’ them to look round and smooth, each with a slightly different shape, like real stones. They are ‘cupped-hand sonnets,’ fourteen-line poems in which the first line rhymes with the last line, the second line rhymes with the second-to-last, and so on, so that the seventh and eight lines rhyme with each other at the poem’s center. In Ollie’s poems the rhymes are the beginning words of each line, and in Emma’s poems they are the end words.”

The rhymes are so unforced, I didn’t notice them at all until I read the note at the back. I was impressed when I looked back and found the rhymes, but wish I had noticed from the beginning. Helen Frost also tells us:

“To give the sense of stepping from one stone to the next, I have used the middle rhyme of one sonnet as the outside rhyme of the next. You will see that the seventh and eight lines of each of Emma’s poems rhyme with the first and last lines of Ollie’s next poem, and the seventh and eighth lines of Ollie’s poems rhyme with the first and last lines of Emma’s next poem. If you have trouble finding these rhymes, remember to look on the left side of Ollie’s poems, and on the right side of Emma’s.”

So besides writing a moving story of World War I, Helen Frost has also pulled off an impressive technical achievement.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of A Conspiracy of Kings, by Megan Whalen Turner

A Conspiracy of Kings

by Megan Whalen Turner

Greenwillow Books, 2010. 316 pages.
Starred Review.

I’ve been waiting eagerly for this book, the fourth about The Thief Eugenides. When it did arrive last week, sure enough, I didn’t stop reading until I finished, even though that severely cut into my time to sleep. I will probably reread it soon to savor it more slowly and catch the things I missed that I’m sure Megan Whalen Turner inserted all along. She has a way of writing books that get richer every time you read them.

Again, I can’t say too much about the plot, because I don’t want to give away all that happens in the earlier books. This definitely is a book you would enjoy more if you read the earlier books first. Or at least you’ll definitely enjoy the earlier books more, because this book refers back to almost every surprising plot point in The Thief and The Queen of Attolia.

I was fully expecting to be championing this book for this year’s Newbery Medal, but now that I’ve read it, I think it’s probably not enough of a stand-alone story to win. However, rabid fans of the earlier books (like me) will gobble it up and be excited that she’s definitely setting the stage for further exciting drama and conflict with the Medes. I strongly suspect that Eugenides will be up to some further scheming in future books, and I only wish that Megan Whalen Turner could write such brilliant books just a little bit faster!

I like that this book featured our old friend Sophos from the first book, The Thief. In A Conspiracy of Kings, Sophos must grow into his heritage. He’s the heir to the throne of Sounis, but the book starts with his kidnapping. There are powerful people who would like to make him a puppet king with the Medes pulling the strings. Can Sophos find a way to escape that fate? Can someone who preferred poetry to swordplay and who blushes easily and can’t lie convincingly seize and hold a kingdom?

In the first chapter, Sophos writes:

“I was crossing the courtyard of the villa, and it was as if one of Terve’s lessons had come to life. He may as well have been there, shouting, ‘You are suddenly attacked by fifteen men; what are you going to do?’ Only they weren’t a product of Terve’s imagination; they were real men, cutting down the guards at the front gate and streaming into the courtyard of the villa.”

If you haven’t yet read these books, full of adventure, danger, plots and counterplots, and wonderfully flawed heroes and heroines — order a copy of The Thief right away and get started!

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