Review of The Reading Promise, by Alice Ozma

The Reading Promise

My Father and the Books We Shared

by Alice Ozma
Narrated by the author

Hachette Audio, 2011. 7 hours on 6 CDs.
Starred Review

It should come as no surprise that I’m crazy about a book about a father reading to his daughter. Alice Ozma and her father Jim Brozina had “The Streak” going — he read to her for 3,218 days in a row, from a day when she was in third grade to the time she went off to college.

My initial reaction? I’m mad at myself for never counting the nights their Dad and I read to our sons. And what a brilliant idea! With a “streak,” the kids don’t decide they’ve outgrown being read to nearly as soon. Indeed, Alice’s father had exactly that in mind, because he didn’t want Alice to decide she was too old for this, as her sister had done. Obviously, the strategy worked beautifully.

Alice Ozma reads the audiobook herself. At first, I thought her voice sounded way too young for it, but as the book got going, since she’s talking a lot about when she was a child, that is perfect, and I got used to her voice by the time she was talking about being older. In a lovely touch, her father narrates the foreword he wrote, and reads all the sentence excerpts from classic children’s books placed at the beginning of each chapter.

This isn’t an outline of every book they read. They don’t talk about every day of reading. Instead, there are lovely vignettes about different times in Alice’s reading life and her relationship with her father.

And my goodness, they have some entertaining vignettes! I laughed and laughed over the way Alice’s father convinced her she could go out on a highwire act — except they didn’t have a costume the right size. Or the way the family accommodated her at the funeral of Franklin the fish. Or how her father convinced her that getting in the dreaded kiss-lock with a boy was life-threatening. But the funniest one of all (and I’m just a little ashamed of saying this) was when she talked about her terrible fear of the corpse of John F. Kennedy.

To be completely fair, it was not the person himself whom I was afraid of, initially. I was afraid of his dead body, and I had somehow become convinced that it would appear one night on my bottom bunk, all laid out and ready for a funeral. I don’t know where I got this idea, and I’m happy to report that today it makes me laugh. Then, though, it was a very grave and serious matter.

Every night, I would go through a huge ordeal to avoid the body. At first I tried going to bed while it was still light out, but because it was winter that only gave me an hour or so from the time I got home from school. And if I went to bed early, it meant waking up early, while it was still dark out. So the darkness was unavoidable. Instead, I tried turning on all the lights in my room and sleeping with them on. My parents didn’t even yell at me, but finally the overhead light in my room burned out and I wasn’t tall enough to replace it. My father was, but I think he made a conscientious decision not to do so. As I got older, contrary to my parents’ expectations, the fear actually got stronger. By middle school, avoiding JFK’s dead body, which was obviously lying in state on my bottom bunk, was the focus of my evening….

The fear soon shifted from JFK’s dead body to JFK in general and included even photos of or quotes about him. So it was with great terror that I learned my father was planning a family trip for my sister and me shortly after my mother moved out, and one of the stops was the JFK Memorial Library. My father tried to convince me that I liked libraries more than I feared JFK. I had to point out to him that he did not know his own daughter.

I like the way she finishes off that sad but hilarious chapter:

I couldn’t appreciate it then, but it takes creativity to lie shivering and shaking in your bed, wondering if your cats will know how to defend you, not against ghosts or the boogeyman, but against the immobile body of one of the most famous and beloved ex-presidents of the United States. Thanks to The Streak and my father, imagination was not something I lacked.

The book does progress beyond these vignettes to a sad story of its own. Alice Ozma’s father was a school librarian, and an outstanding one, who emphasized reading to children. In the name of “progress” he was ordered to stop reading to them, to emphasize computers, and his entire collection was put in storage. Here’s where he tells Alice, now in college, about it:

“Neither of them understand what I’m trying to do. [The principal] ordered hundreds of new books this summer without listening to my suggestions. He said we needed all new, current books because students like new things. He put everything but the picture books, fiction or nonfiction, in storage.”

I put up my hand to fight in defense of the collection my father had spent years building, but he raised his eyebrows and gestured his hands in agreement and continued.

“I know! It’s absurd! Here’s the worst, Lovie — the library already owned some of the books he ordered! We had them in hardcover, and he ordered them in paperback. I never order paperbacks because they fall apart in less than a year. He ordered flimsy, paperback versions of books we already had. After all the budget cuts, that is how he uses our precious library money. When there are things we really needed, books that the children would have cherished. And where is the collection I spent so many years putting together? In boxes, in the school basement.”

Mr. Brozina did fight back, but eventually, he retired. However, Alice got a front row seat on this battle and how much it hurt the kids in the school. By the end of the book, her dad’s reading to seniors and preschoolers and to children in hospitals.

But inevitably, his mind wandered back to the children he had left behind. After working in a school made up mostly of minorities and almost entirely of children who qualified for free lunches from the state, he always worried about the students who slip through the cracks. A library without books seemed like a nightmarish punishment for students who desperately needed literacy to move on in the world and rise out of poverty. I knew that he couldn’t settle with the injustice for too long. His announcement did not come as a surprise.

“I’m running for the school board,” he said one day, as though waking up from a long nap.

Alice Ozma ends her book with something of a manifesto.

We called it The Reading Streak, but it was really more of a promise. A promise to each other, a promise to ourselves. A promise to always be there and to never give up. It was a promise of hope in hopeless times. It was a promise of comfort when things got uncomfortable. And we kept our promise to each other.

But more than that, it was a promise to the world: a promise to remember the power of the printed word, to take time to cherish it, to protect it at all costs. He promised to explain, to anyone and everyone he meets, the life-changing ability literature can have. He promised to fight for it. So that’s what he’s doing.

She ends with a sample Reading Promise in which you can fill in your own name, with this explanation:

My father was not the only person to make this promise. I made it, too, just as millions of people have made it around the world. Since books were first created, copied by hand beside glowing firelight, many have recognized them for the treasures they really are. Men and women everywhere have valued and protected these treasures. They may not start a reading streak, but the commitment is still there. There is always time to make the commitment to read and defend reading, and it is a commitment that is always worthwhile. This is more important now than it has ever been before. Unfortunately, my father’s situation is not unique: day by day, literature is being phased out of our lives and the lives of our children. This is the time to act. This is the time to make a promise.

There you have it. This book includes heartwarming stories about a girl and her father, and it progresses to a call to action about the power of literature. This wonderful story will remind you of the power of reading together and stir you to action.

makeareadingpromise.com
HachetteBookGroup.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Lucky for Good, by Susan Patron

Lucky for Good

by Susan Patron
read by Cassandra Campbell

Random House, Listening Library, 2011. 5 hours, 30 minutes on 5 CDs.

I was very happy when a third book about Lucky Trimble came out. And this time, I was able to listen to it, as I did the first book, the Newbery-winning The Higher Power of Lucky. Cassandra Campbell does a wonderful job reading it, with a particularly good French accent for Lucky’s Mom, Brigitte.

I enjoyed this book, since they were characters I already love. I like the way Lucky thinks about quirky things, and we go off in tangents along with her thoughts.

I’m afraid I would have liked this book better, though, if it had ended with the third CD. There’s a big climactic scene, an excellent one with danger and luck and humor. When I put that CD away, I remember wondering what was left to happen.

Then today I listened to the last two CDs, and I’m afraid nothing much did happen. There was a plot arc going for the first half of the book, but then it fizzled out. I really think pretty much everything that happened in the last two CDs could have been moved to before the big climactic scene, and it would have given the book a more unified whole.

Miles’ mother returns, and that’s a big part of the book. Lucky’s afraid she’ll take Miles away from Hard Pan, and I do like the resolution given to that worry. However, in the last part of the book, we learn that Miles’ mother Justine is kind of a religious nut. She won’t let Miles read books she doesn’t agree with, and is talking about home schooling him. That is never really resolved. And Miles is very unhappy with the new beliefs he feels he has to adopt. I didn’t like that part. I’m a Christian, but my beliefs are a lot closer to Lucky’s than they are to Justine’s, and I still didn’t like seeing Justine as a straw figure, a caricature of someone who believes things that are completely opposed to science. Lucky and Lincoln talk with Miles about it, but I really don’t like to see them talking about caricatured beliefs. I feel like they’re saying that Christianity is simply not scientific, without actually showing the views of Christian scientists at all.

Okay, I know there really are people like Justine out there. And I do like the way Lucky relates to her. And I like it that they acknowledge that knowing Jesus saved Justine from addiction. But I wasn’t crazy about that part of the story.

Several other things at the end didn’t feel right to me. Something big happens with her father, quite out of the blue. I wish things had built up to that a little. Especially since Lucky was thinking a lot about her father, and thinking a lot about big things happening to people she loves. If it all had been connected a little more, this would have felt like part of the story arc, rather than a random sad happening.

In the beginning, Lucky gets a very interesting assignment as a punishment. Lucky’s working on it a lot — right up until that climactic scene in the middle. Then it’s not mentioned again until the end. Did the principal really accept it at the end of the summer? Why wasn’t it mentioned when they were still in the school year? And how in the world did Lucky find out her ancestors on her mother’s side, when all she knew (last we heard) was her mother’s first name and where she was born?

In the beginning, Lucky also meets an interesting but hostile 8th-grader. That is also pretty much dropped after the big climactic scene in the middle.

And Lincoln heads off to Knot Camp. So he’s not even in the last part of the book. It might have been nice to either end it when he leaves, or, if the summer is only going to be a small part of the book, have him come back right before the end.

However, did I mention how good that big climactic scene in the middle was? Beautiful! A perfect comedy of errors, a lovely play on the quirky people of Hard Pan whom we’ve come to know and love.

The problem the book starts out with is compelling. Brigitte’s Cafe is violating Ordinance 1849! The way the book deals with it is compelling. I just wish that had been the main story arc of the entire book.

Anyway, I loved the first three CDs, and still enjoyed (if not quite as much) the last two. And anyone who’s already come to know Lucky and the delightful people of Hard Pan, California, will definitely want to read this last adventure. (Oh, that’s another thing. The subtitle said this is the final installment of the Hard Pan Trilogy. Why? What is it about Lucky starting junior high that means we won’t get to read about her any more? I think she’ll get even more interesting the older she gets. Still, I guess if the author wants to move on to other characters and other stories, I won’t complain. But I hope she won’t rule out the idea of ever writing more about Lucky.)

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of 1222, by Anne Holt

1222

by Anne Holt
read by Kate Reading

Blackstone Audio, 2011. Originally published in Norway in 2007. 9 CDs.
Starred Review

I’ve always loved a locked-room mystery. This one is a snowed-in mystery. And we’ve got even more classic feel with a train wreck starting it all and a paralyzed detective who thinks she is done with police work. But then one of the train passengers is murdered.

At first, I didn’t like the narration. She was reading the lines like a computer. But then I realized that former police detective Hanne Wilhelmson would talk like that. She’s withdrawn almost completely from people since the day when she got shot, the day that ended her career. And once I realized that was intentional, I enjoyed the narrator very much. I definitely wouldn’t have pronounced the Norwegian names correctly if left to my own devices, for a start.

The story is very atmospheric and brilliantly written. Hanne was traveling through the mountains to see a specialist about some additional difficulties. Due to ice, the train went off the tracks. Only the engineer was killed, and she describes the crowd’s reaction to the accident and how they are all brought to a hotel in the mountains and hunker down after the storm builds to hurricane force and they are surrounded by snow. That first night, one of them is murdered. Hanne is recognized as a former police officer, so against her wishes, she is asked to help solve the crime.

One thing I particularly liked: Hanne comments on how the hotel owner grows during the disaster, and the reader can’t help but realize how dramatically Hanne has grown, going from not wanting to speak to anyone to taking charge and solving the crime.

This book is gripping and fascinating and gives modern twists to classic mystery themes. I was listening to the last CD on the way to work and absolutely hated having to shut it off in order to be on time. That evening, I took the audiobook inside so I could finish without any further waiting.

This would have been fun to read during a winter storm — though perhaps that would have made me paranoid, since the book made you almost feel you were experiencing the blizzard yourself. If you want to cool off, this would be good summer reading! Chilling in more than one sense of the word. But with characters you enjoy watching rise to the occasion.

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of The Wilder Life, by Wendy McClure

The Wilder Life

My Adventures in the Lost World of Little House on the Prairie

by Wendy McClure

Performed by Teri Clark Linden

Brilliance Audio, 2011. 9 discs, 10 hours, 43 minutes.

This audiobook was a fun one to listen to while driving to work and back. It felt a little on the long side, but I handled that by giving myself breaks of a few days in between discs. The narrator sounded a little too much like a teenager to me, actually sounding a whole lot like Natalie Moore, who narrated Dairy Queen. However, I got used to her voice and rationalized that the author was indeed a lot younger than me, so it was okay.

The book is about Wendy McClure’s childhood passion for the world of Laura Ingalls Wilder, and her quest to revisit the world of the books by seeing all the Little House sites peppered over America.

Now, I’ll confess right up front that I never read the Little House books myself. I think I read the first one, Little House in the Big Woods, on the urging of Karen Iwata, my best friend in second and third grades, but I thought it was frightfully boring. Those pioneer books didn’t grab me. I remember I also gave up on Caddie Woodlawn.

However, when my sons were growing up, my husband read them all the Little House books, which he had read and loved when he was a child, and I listened in and found them not so bad at all. What’s more, we had visited the home in Missouri where Laura lived as an adult and wrote the books.

And I certainly know about loving childhood books! Some day, some day, I will visit Prince Edward Island, where Lucy Maud Montgomery set her books. Hmm. Maybe I should write a book about it when I do. Though at least Laura Ingalls Wilder had many, many home sites, so Wendy McClure did have a book-length story to tell.

I found the book all the more fascinating because right now I’m in the middle of researching my family history. I keep thinking of the old picture I saw of my grandma as a baby with her brothers in front of their sod house. I remember her telling me, “Just like Laura Ingalls Wilder!” She and my grandpa were actually born in Indian Territory in what is now Oklahoma — so quite near the original Little House on the Prairie. What’s more, lots and lots of my ancestors were pioneers and farmers, moving steadily west, so the world of the Little House books is really quite close to the story of my own roots — and that made Wendy McClure’s visiting the home sites all the more interesting to me.

And I have to admit, Wendy McClure knows how to make the tale interesting. She tells about each place she visits, the people she sees, and what she felt to see them. She explores lots of her feelings about the books and about the places, many of which any book lover can easily relate to. She also throws in facts about Laura and her family, but sprinkles them nicely so we don’t get bored.

In short, I recommend this book for anyone who loved the Laura Ingalls Wilder books, or just anyone who loves going back to the children’s books they cherished as a child. The story doesn’t have a lot of tension or a driving plot, but that actually makes it nice listening for a commute. And, hey, anyone who gets a chance to do a Little House road trip, following the steps of Laura Ingalls Wilder (and Wendy McClure), will definitely want to have this for the ride.

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Okay for Now Audiobook

Okay for Now

by Gary D. Schmidt
read by Lincoln Hoppe

Random House, Listening Library, 2011. 9 hours 30 minutes on 8 compact discs.
Starred Review
2012 Odyssey Honor Winner
2011 Sonderbooks Stand-out: #3 Audio Rereads

From the time I read Okay for Now early in 2011, I was hoping it would win the 2012 Newbery Medal. However, I was in several discussions about the book, and found that many others didn’t like the ending and thought too much was thrown into the book at the end and felt it lost believability. Personally, I thought the book completely overcame any flaws, but I feared it wasn’t such a shoo-in for the award as I had hoped.

One of the discussions was at the Morris Seminar, which is a training for award committees. I decided to reread the book in audio form.

Listening to this production of Okay for Now made me fall in love with the book all over again. A key characteristic of the book is the voice of the narrator, Doug Swietek, and reader Lincoln Hoppe gets his voice just right. One of the things I like about the book are the repeated words that are used throughout the book, and Mr. Hoppe read them in a way that you notice the subtle differences in the ways the words are used. For example, when Doug says “Terrific” at the start, it’s always sarcastic. But he uses the word at the end to mean genuinely terrific. There are several other repetitions like that, and Lincoln Hoppe nails them all.

Another thing listening to the audio version pointed out to me was the structure of the book. There are eight CDs, and the fourth CD is full of dramatic turning points. I didn’t notice when I was barreling through reading it to myself, but right in the middle the plot makes some important turns.

So I was indeed disappointed that Okay for Now didn’t get any Newbery Honor, but I was delighted when the audio production won an Odyssey Honor. (The Odyssey awards are for children’s and young adult audiobooks.) The Odyssey Awards do not have to worry about believability of plot. They simply focus on the quality of the production. This one is excellent.

I’ve already talked two of my co-workers into listening to this audiobook. The one catch is that you won’t see the reproductions of the Audubon prints Doug works on. But you will pay much more attention to the descriptions of the birds.

Happy Listening.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Audiobook Enchantress from the Stars, by Sylvia Louise Engdahl

Enchantress From the Stars

by Sylvia Louise Engdahl

performed by Jennifer Ikeda

Recorded Books, 2006. 9 compact discs, 10.5 hours.
Starred Review
2011 Sonderbooks Stand-out: #1 Audio Rereads

I already reviewed Enchantress from the Stars on Sonderbooks back in 2001, back when it was an e-mail newsletter. I’m finding that listening to audiobooks is a good way to reread and savor truly great books like this one. For one thing, I “read” more slowly than I ever can stand to do with print. And it’s a whole new way to enjoy it.

Enchantress from the Stars is particularly suited for audiobook form, because it’s supposedly the narration of Elana, a space traveller from a highly advanced society, giving a report of what happened on Andrecia. When she talks from the perspective of the other two main characters, she changes tone, but Elana is the voice telling the story, and Jennifer Ikeda does a good job of becoming the actual voice of Elana.

This book is so brilliant because it provides a perfectly plausible explanation for many traditional fairy tales. A Space Empire, less advanced than Elana’s society, is trying to take over Andrecia, which still has a medieval society. The Andrecians are so primitive, the Imperials don’t even think they’re human. They bring machines to clear the ground for a colony, and the Andrecians believe it is a fearsome dragon.

Elana’s people can’t reveal themselves to the Imperials, but she can reveal herself to the Andrecians, posing as an Enchantress. She is able to give them gifts of magic (awaken latent powers) to fight the dragon — and send away the Imperials. But none of this is simple.

I loved experiencing this book again in audio form. I love the way the story works from all three perspectives, and I love all the food for thought it provides. It’s fun that any one of the three cultures could actually be Earth, in the past or in the future.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from the Fairfax County Public Library.

2011 Sonderbooks Standouts: Audio Rereads

This is a strange category. But I had four books that I’d “reread” by listening to the audio version, and were definitely standouts. However, they were all already standouts in the print version, in whatever year I read them, so it didn’t seem at all fair to rank them against the books I read this year (except the one I read this year, which is already a standout).

So here are some Sonderbooks Standouts that are still fabulous on audio:
1. Enchantress from the Stars, by Sylvia Louise Engdahl
2. A Conspiracy of Kings, by Megan Whalen Turner
3. Okay for Now, by Gary D. Schmidt
4. White Cat, by Holly Black

Happy Listening!

Review of Fly By Night, by Frances Hardinge

Fly By Night

by Frances Hardinge
performed by Jill Turner

Recorded Books, 2006. 14 hours, 12 compact discs.
Starred Review

I’d been meaning to read Fly By Night for quite some time, and listening to the recorded book ended up being a delightful way to do it. I always enjoy British narrators, and Jill Turner’s exquisite voice was the perfect way to highlight the extraordinary language contained in this book.

Frances Hardinge has an imagination not quite like anyone else’s. In the world she’s created for Fly By Night there are many different “Beloved” the people worship, and your name is given depending on the time when you are born, and the Beloved who is honored on that day. In the Prelude to this book, Mosca Mye has just been born after dusk, at the time sacred to Goodman Palpitattle, He Who Keeps Flies out of Jams and Butter Churns.

To give you just a taste of Frances Hardinge’s imagination, these are a few of the other Beloved:

Goodlady Cramflick, She Who Keeps the Vegetables of the Garden Crisp;
Goodlady Prill, Protector of Pigs;
Goodman Grayglory, He Who Guides the Sword in Battle;
Goodlady Agragap, She Who Frightens the Harelip Fairy from the Childbed;
and Goodman Blackwhistle of the Favorable Wind.

Her language is completely delightful to listen to. This book is full of similes that are both unique and wonderfully apt. A few examples of those:

As the story opens, she talks about the sleeping villagers:

“On this particular night their dreams were a little ruffled by the unusual excitement of the day, but already the water that seeped into every soul was smoothing their minds back into placidity, like a duck’s bill glossing its plumage.”

Describing the village:
“There was no escaping the sound of water. It had many voices. The clearest sounded like someone shaking glass beads in a sieve. The waterfall spray beat the leaves with a noise like paper children applauding. From the ravines rose a sound like the chuckle of granite-throated goblins.”

As it opens, Mosca wants to get out of the village where she lives with her uncle. She decides to free Eponymous Clent, who won over the town, but was then exposed as a fraud. She finds him hanging upside-down on the Chiding Stone, and tells him she’ll let him out if he gives her a job.

“‘I want to travel,’ Mosca declared. ‘The sooner the better,’ she added, with an apprehensive look over her shoulder.

“‘Do you even have the first idea of what my profession entails?’

“‘Yes,’ said Mosca. ‘You tell lies for money.’

“‘Ah. Aha. My child, you have a flawed grasp of the nature of myth-making. I am a poet and storyteller, a creator of ballads and sagas. Pray do not confuse the exercise of the imagination with mere mendacity. I am a master of the mysteries of words, their meanings and music and mellifluous magic.'”

And so the tale begins. Mosca goes off with Eponymous Clent and her pet goose Saracen, who attacks (and defeats) anyone but Mosca. They head for the city of Mandelion, and on the way, in one of my favorite scenes, they come across a coach being attacked by a bedraggled band of highwaymen. Clent recognizes the duchess inside the carriage and asks her for a job if he can keep the highwayman from robbing her.

Clent tells the highwayman, named Blythe, that a young lady inside is very ill and needs her money to get to a doctor. Blythe plans to steal from her anyway, but then asks what he stands to lose.

“After a moment’s dramatic pause, Clent let his arms drop.

“‘I am a writer of ballads — I value gestures. I understand them. I know what I can do with them. Let us suppose, for example, that you allowed this young woman to stay in her carriage, handed her back her money, and wished her and her people godspeed back to Mandelion so that she could find a physician who might save her life — ah, what I could do with that!’

“Blythe’s eyes asked silently what Clent could do with that.

“‘I could write a ballad that would make proverbial the chivalry of Clamoring Captain Blythe. When you rode the cold cobbles of a midnight street, you would hear it sung in the taverns you passed, to give you more warmth than that thin coat of yours. When you were hunted across the moors by the constables, hundreds would lie sleepless, hoping that brave Captain Blythe still ran free.

“‘And when at night you lay on your bed of earth under your dripping roof of bracken, with no company but the wind and your horse champing moss near your head, you would know that in a glittering banquet hall somewhere, some young lady of birth would be thinking of you.

“‘That is what you stand to lose.'”

The wild adventure that follows is not a simple case of good versus evil, because it’s hard to tell who is good and who is bad, though we know all along that we’re rooting for Mosca. Yes, we see Captain Blythe again, and yes, the ballad has consequences. In fact, all kinds of things from early in the book are woven together later in the book. The plot is imaginative, intricate, and most enjoyable.

I didn’t find this book particularly heart-warming. But I did find it delightful intellectual fun. The language is rich and melodious, the world-building is imaginative and funny, and the plotting is clever and well-woven.

In the words of Mosca’s father, Quillam Mye:

“There is only one thing that is more dangerous than Truth. Those who would try to silence Truth’s voice are more destructive by far.”

I like the Disclaimer at the end:

“This is not a historical novel. It is a yarn. Although the Realm is based roughly on England at the start of the eighteenth century, I have taken appalling liberties with historical authenticity and, when I felt like it, the laws of physics.”

This is a good yarn that kids of all ages will enjoy. The audiobook would make a fantastic family listen-along for a wide span of ages.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Revolution, by Jennifer Donnelly

Revolution

by Jennifer Donnelly
read by Emily Janice Card and Emma Bering

Listening Library, 2010. 12 CDs. 15 hours, 4 minutes.
Starred Review
2011 Odyssey Honor Winner

This book is incredible. One of those audiobooks that had me thinking about it all day long and eventually bringing the CDs into the house to finish listening.

I almost didn’t make it through the first two CDs, since the book starts out very depressing. Andi Alpers’ little brother Truman died two years ago, and Andi is convinced it’s her fault. Her mother can’t cope, but spends her time painting pictures of Truman. Her father walked out on them. The only thing that keeps the sadness at bay is Andi’s antidepressants, but if she takes too many, she starts having hallucinations. Even her music can’t keep the depression away for long.

Then Andi’s Dad comes in and takes charge. He puts her mother in a psychiatric ward and makes Andi accompany him on a trip to Paris. He’s a world-renowned geneticist, and his job is to find out if a preserved child’s heart belonged to the Dauphin of France who was locked in a tower during the French Revolution.

While in Paris, in an old guitar case, Andi finds a hidden compartment and a diary written during the French Revolution by a girl who was companion to the Dauphin. The details of Andi’s life are intricately parallel to the story in the diary. Meanwhile, she meets a French musician who seems to really care about her. But even weirder things begin to happen.

The plotting in this book is exquisite. There are resonances between the two plotlines on so many levels. It also doesn’t hurt that the diary is read by another voice, with a beautiful French accent!

The reader only slowly discovers the full story of Truman’s death and all that Andi is dealing with. Despite her prickly exterior, we come to care about her deeply.

This book is amazing. The craftsmanship is astonishing, in the weaving of the two plotlines alone. If you add to the mix how much research the author must have done, it’s an incredible achievement. An interesting thing for me is that I had just seen an article on the Catacombs of Paris in National Geographic. The article talked about cataphiles who explore the tunnels and showed a picture of “The Beach,” where parties happen. The article came out after the book, just a month before I read it. But the French musician Andi meets is a cataphile, and he takes Andi to a party at The Beach in the catacombs, described exactly like the picture. I was impressed that the author took such care with contemporary details, and have no doubt she was also careful about historical details.

Hmm. Now that I’m posting this review, I don’t know where to put it. The diary is historical, but Andi’s story is contemporary. There’s a small paranormal element. It almost should be put in a class by itself as “Masterpieces.” I think I’ll put it in the “Contemporary” category, but be aware that there is much more to this book.

The whole time I was listening to this book, not only did it stick with me all day long, but I was telling everyone I worked with how incredible it was. I do recommend it in audio form, since listening to the French accent added a level of enjoyment for me. Teens and adults alike will find this book a work of art.

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/revolution.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of audiobook White Cat, by Holly Black

White Cat

by Holly Black

read by Jesse Eisenberg

Listening Library, 2010. 6 CDs. 6 hours, 41 minutes.
Starred Review

I already reviewed the print form of White Cat, but listening to the audiobook was the perfect way to refresh my memory of what happened in the first book before I got a chance to read the sequel, Red Glove.

My review still stands — this is an impressively plotted, suspenseful, and fascinating book — but I want to add a couple comments about the audiobook.

First, like so many books with a first-person narrator, this book is perfect for the audio form. Jesse Eisenberg gives Cassel a voice that sounds completely authentic. He’s a teenage guy trying to fit in, but he’s also the only non-curseworker in a family of curseworkers, a kid who’s been trained in the con since he was small, and someone who thinks he killed the girl he loves.

Second, I’d almost forgotten how good this book is! Even though I’d read it before, I was completely absorbed with the story, not wanting to shut off the audio when I arrived at work. I also found that, like Megan Whalen Turner’s writings, this book is even better the second time around. Because hints are dropped that you don’t appreciate or notice the first time.

You do know that Cassel is working on a con at the end, but when you reread it, you realize all the little things he is doing in preparation. One of the lines I appreciated more the second time was something like: “I’m the best kind of thief, who leaves something of equal value.” I don’t think it’s a spoiler to point out that line, but you do enjoy it more after you know what Cassel’s talking about.

Another good thing about an audiobook is that it slows me down. This particular book is too hard to stop reading once you start, so it was one of the many that kept me from a good night’s sleep. When I listen to the audiobook, I have to spread it out over many more days, which means I can live in that world longer and notice more details of Holly Black’s genius.

If you haven’t started this trilogy yet, there are now two books out, ready to devour. May the third book come soon!

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/white_cat_audio.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.